A Venetian June Part 6

"I don't perceive any," he said. "Do you?"

"Well, I don't know; I supposed it was meant for a building."

"Oh, no!" said Pauline. "It's meant for a dream. Don't wake us up, May!

See; they're stopping in front of the Ca' Doro."

The movement of the great barge had been so slow, that it had halted almost unawares in front of the beautiful palace, and straightway a rosy bengal light lit up the carvings of the fairy-like facade with a magical effect. The band, lurking melodramatically under the gleaming arches of the barge, struck up a prelude, and presently a soprano voice rose high and strong above the wind and stringed instruments, ringing superbly out across the water. The fantastic impression of the scene was so strong that it seemed as if the visible brilliance of the s.h.i.+ning lights had entered into the voice itself, giving it a weird and uncanny splendour.

The vast floating audience listened, motionless and silent, until the last note went out like a light suddenly extinguished. Then, after a gust of hand-clapping had subsided, the glittering barge moved forward once more, the dip of a hundred oars plas.h.i.+ng softly in its wake.

When the ma.s.s of the attendant flotilla had pa.s.sed the mouth of their little haven, the two friendly gondolas glided out amid-stream, in time to see the crown of light lowered within the dome, for the pa.s.sage under the bridge. The reflections played upon the face of the arch until the ma.s.sive granite seemed hardly more real than the fairy-like temple of light itself; and then suddenly, the flickering colours vanished from the face of the bridge, and were s.h.i.+ning upon the broad under-span of the arch. An instant later it was past and over, and May and Geoffry were comparing impressions with great earnestness on her part and undisguised relish on his.

"How pretty the light must be on the Virgin and the Angel on the other side of the bridge," said Pauline.

"Yes," Mrs. Daymond answered; "I was thinking of that."

Then came a mysterious gliding of the two gondolas, Indian-file, down dark, narrow ca.n.a.ls, where were glimpses, through low pa.s.sage-ways into dimly lighted squares. On one of the bridges, as they pa.s.sed beneath it, a hollow footstep sounded, and as they looked back they could see a cloaked figure leaning upon the stone parapet. Now and then a chance gas-lamp cast upon the wall beside them the shadow of the gondolier's swaying figure, vanis.h.i.+ng then in the black water like a stealthy suicide. Pauline looked round once or twice, involuntarily, to make sure that the man was still there, and once May said: "Nanni, could we get past if we were to meet any one?"

"Si, Signorina," the grave voice made answer; and Uncle Dan felt agreeably confirmed in his impression that Nanni was to be trusted.

Nearly two hours later, the girls were awakened from their first sleep by the soft plas.h.i.+ng sound of myriad oars. In a moment they were standing on the balcony in their pretty cashmere wrappers, leaning on the cus.h.i.+ons of the stone bal.u.s.trade. On came the gleaming colours of Italy, not a single light extinguished during the long, slow pa.s.sage down the Ca.n.a.l; nor did the floating escort seem diminished by so much as a single boat.

A crimson bengal light was flus.h.i.+ng the face of the Salute, as the luminous apparition halted before it, and a burst of music rose from the barge. Over yonder, beyond the long, low line of the Giudecca, a pensive old moon was coming up, slow and mist-obscured, as if reluctant to rise upon a world so well able to dispense with its light.

"The old moon always goes to your heart," said Pauline.

"Yes; but it will be young again in a week or two," May observed, consolingly; and at that instant an emerald light struck full upon the white facade of San Giorgio, and straightway the poor old moon was consigned to the oblivion it clearly coveted.

VII

Gathering Poppies

"This is Vittorio's gondola, is it not, Nanni?" asked May, who had an eye for details and had instantly identified the boat.

"Si, Signorina."

They had spent the morning sight-seeing, and now they were, according to Uncle Dan, having their reward, coasting along the outer sh.o.r.e of the Giudecca, in the heavenly afternoon light. The Colonel much preferred the easy social conditions of the gondola to the restraint, not to say chill, of church and chapel, where a man must not wear his hat nor speak above a whisper.

May was sitting, as she liked to do, in the little gondola chair, whence she commanded every point of the compa.s.s; a position which had the further advantage of facilitating communication with the gondolier.

"Why don't you use your own gondola?" she persisted.

For an instant Uncle Dan's loyalty wavered, and he wondered whether Polly were not perhaps a trifle forward for so young a girl. He had not been struck by it before, and even now he would have challenged such a heresy in another; but, really,--

"Because this is the better gondola," Nanni replied, in the grave, impersonal tone which was in such marked contrast with his brother's eager alacrity.

"I wish Vittorio would get well," May exclaimed, impatiently; "this man isn't half as nice."

"Don't you think so?" Pauline queried. "He is a perfect gondolier."

"Yes; but he is so unapproachable. One could never get confidential with him; one would never ask him about his wife and children, and think how delighted Vittorio was to tell us about each individual _bambino_!"

"It would not be of much use to ask him," Uncle Dan interposed hastily.

"For he hasn't any."

"I have an idea he is poor," said Pauline. "Even poorer than the rest of them. I wonder what is the reason."

"So do I," said May. "Nanni, is your gondola a very old one?"

"Si, Signorina; very old."

"What a pity! It must be very bad for you. Which is your ferry?"

"I don't belong to any."

"But I thought every gondolier belonged to a ferry."

There was no reply.

"Isn't that so?" May insisted.

"Si, Signorina, but I am no longer a gondolier."

"Why, what are you?"

At this juncture Uncle Dan felt it imperatively necessary to interpose again.

"That's San Clemente," he observed, indicating an island half-a-mile away, composed, apparently, of red brick and window-gla.s.s.

"How lovely!" May exclaimed; and the indiscriminating response betrayed inattention.

"What are you?" she asked again.

"I do not live in Venice, Signorina; my home is in Milan."

"In Milan? What do you do there?"

"I am attached to a hospital."

There was something peculiarly provocative of curiosity in the laconic replies of the man. May wondered whether his reticence was due to modesty or to moroseness. Perhaps she could find out.

"What do you do at the hospital?" she asked.

For the first time his eyes met hers directly, as he said, with something almost like a challenge in his voice: "I am one of its servants, Signorina."