The Portrait of a Lady Volume I Part 36

But Madame Merle sometimes said things that startled her, made her raise her clear eyebrows at the time and think of the words afterwards. "I'd give a great deal to be your age again," she broke out once with a bitterness which, though diluted in her customary amplitude of ease, was imperfectly disguised by it. "If I could only begin again--if I could have my life before me!"

"Your life's before you yet," Isabel answered gently, for she was vaguely awe-struck.

"No; the best part's gone, and gone for nothing."

"Surely not for nothing," said Isabel.

"Why not--what have I got? Neither husband, nor child, nor fortune, nor position, nor the traces of a beauty that I never had."

"You have many friends, dear lady."

"I'm not so sure!" cried Madame Merle.

"Ah, you're wrong. You have memories, graces, talents--"

But Madame Merle interrupted her. "What have my talents brought me?

Nothing but the need of using them still, to get through the hours, the years, to cheat myself with some pretence of movement, of unconsciousness. As for my graces and memories the less said about them the better. You'll be my friend till you find a better use for your friends.h.i.+p."

"It will be for you to see that I don't then," said Isabel.

"Yes; I would make an effort to keep you." And her companion looked at her gravely. "When I say I should like to be your age I mean with your qualities--frank, generous, sincere like you. In that case I should have made something better of my life."

"What should you have liked to do that you've not done?"

Madame Merle took a sheet of music--she was seated at the piano and had abruptly wheeled about on the stool when she first spoke--and mechanically turned the leaves. "I'm very ambitious!" she at last replied.

"And your ambitions have not been satisfied? They must have been great."

"They WERE great. I should make myself ridiculous by talking of them."

Isabel wondered what they could have been--whether Madame Merle had aspired to wear a crown. "I don't know what your idea of success may be, but you seem to me to have been successful. To me indeed you're a vivid image of success."

Madame Merle tossed away the music with a smile. "What's YOUR idea of success?"

"You evidently think it must be a very tame one. It's to see some dream of one's youth come true."

"Ah," Madame Merle exclaimed, "that I've never seen! But my dreams were so great--so preposterous. Heaven forgive me, I'm dreaming now!" And she turned back to the piano and began grandly to play. On the morrow she said to Isabel that her definition of success had been very pretty, yet frightfully sad. Measured in that way, who had ever succeeded? The dreams of one's youth, why they were enchanting, they were divine! Who had ever seen such things come to pa.s.s?

"I myself--a few of them," Isabel ventured to answer.

"Already? They must have been dreams of yesterday."

"I began to dream very young," Isabel smiled.

"Ah, if you mean the aspirations of your childhood--that of having a pink sash and a doll that could close her eyes."

"No, I don't mean that."

"Or a young man with a fine moustache going down on his knees to you."

"No, nor that either," Isabel declared with still more emphasis.

Madame Merle appeared to note this eagerness. "I suspect that's what you do mean. We've all had the young man with the moustache. He's the inevitable young man; he doesn't count."

Isabel was silent a little but then spoke with extreme and characteristic inconsequence. "Why shouldn't he count? There are young men and young men."

"And yours was a paragon--is that what you mean?" asked her friend with a laugh. "If you've had the identical young man you dreamed of, then that was success, and I congratulate you with all my heart. Only in that case why didn't you fly with him to his castle in the Apennines?"

"He has no castle in the Apennines."

"What has he? An ugly brick house in Fortieth Street? Don't tell me that; I refuse to recognise that as an ideal."

"I don't care anything about his house," said Isabel.

"That's very crude of you. When you've lived as long as I you'll see that every human being has his sh.e.l.l and that you must take the sh.e.l.l into account. By the sh.e.l.l I mean the whole envelope of circ.u.mstances.

There's no such thing as an isolated man or woman; we're each of us made up of some cl.u.s.ter of appurtenances. What shall we call our 'self'?

Where does it begin? where does it end? It overflows into everything that belongs to us--and then it flows back again. I know a large part of myself is in the clothes I choose to wear. I've a great respect for THINGS! One's self--for other people--is one's expression of one's self; and one's house, one's furniture, one's garments, the books one reads, the company one keeps--these things are all expressive."

This was very metaphysical; not more so, however, than several observations Madame Merle had already made. Isabel was fond of metaphysics, but was unable to accompany her friend into this bold a.n.a.lysis of the human personality. "I don't agree with you. I think just the other way. I don't know whether I succeed in expressing myself, but I know that nothing else expresses me. Nothing that belongs to me is any measure of me; everything's on the contrary a limit, a barrier, and a perfectly arbitrary one. Certainly the clothes which, as you say, I choose to wear, don't express me; and heaven forbid they should!"

"You dress very well," Madame Merle lightly interposed.

"Possibly; but I don't care to be judged by that. My clothes may express the dressmaker, but they don't express me. To begin with it's not my own choice that I wear them; they're imposed upon me by society."

"Should you prefer to go without them?" Madame Merle enquired in a tone which virtually terminated the discussion.

I am bound to confess, though it may cast some discredit on the sketch I have given of the youthful loyalty practised by our heroine toward this accomplished woman, that Isabel had said nothing whatever to her about Lord Warburton and had been equally reticent on the subject of Caspar Goodwood. She had not, however, concealed the fact that she had had opportunities of marrying and had even let her friend know of how advantageous a kind they had been. Lord Warburton had left Lockleigh and was gone to Scotland, taking his sisters with him; and though he had written to Ralph more than once to ask about Mr. Touchett's health the girl was not liable to the embarra.s.sment of such enquiries as, had he still been in the neighbourhood, he would probably have felt bound to make in person. He had excellent ways, but she felt sure that if he had come to Gardencourt he would have seen Madame Merle, and that if he had seen her he would have liked her and betrayed to her that he was in love with her young friend. It so happened that during this lady's previous visits to Gardencourt--each of them much shorter than the present--he had either not been at Lockleigh or had not called at Mr. Touchett's.

Therefore, though she knew him by name as the great man of that county, she had no cause to suspect him as a suitor of Mrs. Touchett's freshly-imported niece.

"You've plenty of time," she had said to Isabel in return for the mutilated confidences which our young woman made her and which didn't pretend to be perfect, though we have seen that at moments the girl had compunctions at having said so much. "I'm glad you've done nothing yet--that you have it still to do. It's a very good thing for a girl to have refused a few good offers--so long of course as they are not the best she's likely to have. Pardon me if my tone seems horribly corrupt; one must take the worldly view sometimes. Only don't keep on refusing for the sake of refusing. It's a pleasant exercise of power; but accepting's after all an exercise of power as well. There's always the danger of refusing once too often. It was not the one I fell into--I didn't refuse often enough. You're an exquisite creature, and I should like to see you married to a prime minister. But speaking strictly, you know, you're not what is technically called a parti. You're extremely good-looking and extremely clever; in yourself you're quite exceptional.

You appear to have the vaguest ideas about your earthly possessions; but from what I can make out you're not embarra.s.sed with an income. I wish you had a little money."

"I wish I had!" said Isabel, simply, apparently forgetting for the moment that her poverty had been a venial fault for two gallant gentlemen.

In spite of Sir Matthew Hope's benevolent recommendation Madame Merle did not remain to the end, as the issue of poor Mr. Touchett's malady had now come frankly to be designated. She was under pledges to other people which had at last to be redeemed, and she left Gardencourt with the understanding that she should in any event see Mrs. Touchett there again, or else in town, before quitting England. Her parting with Isabel was even more like the beginning of a friends.h.i.+p than their meeting had been. "I'm going to six places in succession, but I shall see no one I like so well as you. They'll all be old friends, however; one doesn't make new friends at my age. I've made a great exception for you. You must remember that and must think as well of me as possible. You must reward me by believing in me."

By way of answer Isabel kissed her, and, though some women kiss with facility, there are kisses and kisses, and this embrace was satisfactory to Madame Merle. Our young lady, after this, was much alone; she saw her aunt and cousin only at meals, and discovered that of the hours during which Mrs. Touchett was invisible only a minor portion was now devoted to nursing her husband. She spent the rest in her own apartments, to which access was not allowed even to her niece, apparently occupied there with mysterious and inscrutable exercises. At table she was grave and silent; but her solemnity was not an att.i.tude--Isabel could see it was a conviction. She wondered if her aunt repented of having taken her own way so much; but there was no visible evidence of this--no tears, no sighs, no exaggeration of a zeal always to its own sense adequate. Mrs.

Touchett seemed simply to feel the need of thinking things over and summing them up; she had a little moral account-book--with columns unerringly ruled and a sharp steel clasp--which she kept with exemplary neatness. Uttered reflection had with her ever, at any rate, a practical ring. "If I had foreseen this I'd not have proposed your coming abroad now," she said to Isabel after Madame Merle had left the house. "I'd have waited and sent for you next year."

"So that perhaps I should never have known my uncle? It's a great happiness to me to have come now."

"That's very well. But it was not that you might know your uncle that I brought you to Europe." A perfectly veracious speech; but, as Isabel thought, not as perfectly timed. She had leisure to think of this and other matters. She took a solitary walk every day and spent vague hours in turning over books in the library. Among the subjects that engaged her attention were the adventures of her friend Miss Stackpole, with whom she was in regular correspondence. Isabel liked her friend's private epistolary style better than her public; that is she felt her public letters would have been excellent if they had not been printed.

Henrietta's career, however, was not so successful as might have been wished even in the interest of her private felicity; that view of the inner life of Great Britain which she was so eager to take appeared to dance before her like an ignis fatuus. The invitation from Lady Pensil, for mysterious reasons, had never arrived; and poor Mr. Bantling himself, with all his friendly ingenuity, had been unable to explain so grave a dereliction on the part of a missive that had obviously been sent. He had evidently taken Henrietta's affairs much to heart, and believed that he owed her a set-off to this illusory visit to Bedfords.h.i.+re. "He says he should think I would go to the Continent,"

Henrietta wrote; "and as he thinks of going there himself I suppose his advice is sincere. He wants to know why I don't take a view of French life; and it's a fact that I want very much to see the new Republic. Mr.

Bantling doesn't care much about the Republic, but he thinks of going over to Paris anyway. I must say he's quite as attentive as I could wish, and at least I shall have seen one polite Englishman. I keep telling Mr. Bantling that he ought to have been an American, and you should see how that pleases him. Whenever I say so he always breaks out with the same exclamation--'Ah, but really, come now!" A few days later she wrote that she had decided to go to Paris at the end of the week and that Mr. Banding had promised to see her off--perhaps even would go as far as Dover with her. She would wait in Paris till Isabel should arrive, Henrietta added; speaking quite as if Isabel were to start on her continental journey alone and making no allusion to Mrs. Touchett.

Bearing in mind his interest in their late companion, our heroine communicated several pa.s.sages from this correspondence to Ralph, who followed with an emotion akin to suspense the career of the representative of the Interviewer.

"It seems to me she's doing very well," he said, "going over to Paris with an ex-Lancer! If she wants something to write about she has only to describe that episode."