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The Portrait of a Lady Volume II Part 11

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"Be an old friend as much as you like; the more old friends she has the better, for she doesn't get on very well with some of her new. But don't for the present try to make her take up the cudgels for you. Her husband may have other views, and, as a person who wishes her well, I advise you not to multiply points of difference between them."

Poor Rosier's face a.s.sumed an expression of alarm; a suit for the hand of Pansy Osmond was even a more complicated business than his taste for proper transitions had allowed. But the extreme good sense which he concealed under a surface suggesting that of a careful owner's "best set" came to his a.s.sistance. "I don't see that I'm bound to consider Mr.

Osmond so very much!" he exclaimed. "No, but you should consider HER.

You say you're an old friend. Would you make her suffer?"

"Not for the world."

"Then be very careful, and let the matter alone till I've taken a few soundings."

"Let the matter alone, dear Madame Merle? Remember that I'm in love."

"Oh, you won't burn up! Why did you come to me, if you're not to heed what I say?"

"You're very kind; I'll be very good," the young man promised. "But I'm afraid Mr. Osmond's pretty hard," he added in his mild voice as he went to the door.

Madame Merle gave a short laugh. "It has been said before. But his wife isn't easy either."

"Ah, she's a splendid woman!" Ned Rosier repeated, for departure.

He resolved that his conduct should be worthy of an aspirant who was already a model of discretion; but he saw nothing in any pledge he had given Madame Merle that made it improper he should keep himself in spirits by an occasional visit to Miss Osmond's home. He reflected constantly on what his adviser had said to him, and turned over in his mind the impression of her rather circ.u.mspect tone. He had gone to her de confiance, as they put it in Paris; but it was possible he had been precipitate. He found difficulty in thinking of himself as rash--he had incurred this reproach so rarely; but it certainly was true that he had known Madame Merle only for the last month, and that his thinking her a delightful woman was not, when one came to look into it, a reason for a.s.suming that she would be eager to push Pansy Osmond into his arms, gracefully arranged as these members might be to receive her. She had indeed shown him benevolence, and she was a person of consideration among the girl's people, where she had a rather striking appearance (Rosier had more than once wondered how she managed it) of being intimate without being familiar. But possibly he had exaggerated these advantages. There was no particular reason why she should take trouble for him; a charming woman was charming to every one, and Rosier felt rather a fool when he thought of his having appealed to her on the ground that she had distinguished him. Very likely--though she had appeared to say it in joke--she was really only thinking of his bibelots. Had it come into her head that he might offer her two or three of the gems of his collection? If she would only help him to marry Miss Osmond he would present her with his whole museum. He could hardly say so to her outright; it would seem too gross a bribe. But he should like her to believe it.

It was with these thoughts that he went again to Mrs. Osmond's, Mrs. Osmond having an "evening"--she had taken the Thursday of each week--when his presence could be accounted for on general principles of civility. The object of Mr. Rosier's well-regulated affection dwelt in a high house in the very heart of Rome; a dark and ma.s.sive structure overlooking a sunny piazzetta in the neighbourhood of the Farnese Palace. In a palace, too, little Pansy lived--a palace by Roman measure, but a dungeon to poor Rosier's apprehensive mind. It seemed to him of evil omen that the young lady he wished to marry, and whose fastidious father he doubted of his ability to conciliate, should be immured in a kind of domestic fortress, a pile which bore a stern old Roman name, which smelt of historic deeds, of crime and craft and violence, which was mentioned in "Murray" and visited by tourists who looked, on a vague survey, disappointed and depressed, and which had frescoes by Caravaggio in the piano n.o.bile and a row of mutilated statues and dusty urns in the wide, n.o.bly-arched loggia overhanging the damp court where a fountain gushed out of a mossy niche. In a less preoccupied frame of mind he could have done justice to the Palazzo Roccanera; he could have entered into the sentiment of Mrs. Osmond, who had once told him that on settling themselves in Rome she and her husband had chosen this habitation for the love of local colour. It had local colour enough, and though he knew less about architecture than about Limoges enamels he could see that the proportions of the windows and even the details of the cornice had quite the grand air. But Rosier was haunted by the conviction that at picturesque periods young girls had been shut up there to keep them from their true loves, and hen, under the threat of being thrown into convents, had been forced into unholy marriages. There was one point, however, to which he always did justice when once he found himself in Mrs. Osmond's warm, rich-looking reception-rooms, which were on the second floor. He acknowledged that these people were very strong in "good things." It was a taste of Osmond's own--not at all of hers; this she had told him the first time he came to the house, when, after asking himself for a quarter of an hour whether they had even better "French" than he in Paris, he was obliged on the spot to admit that they had, very much, and vanquished his envy, as a gentleman should, to the point of expressing to his hostess his pure admiration of her treasures. He learned from Mrs. Osmond that her husband had made a large collection before their marriage and that, though he had annexed a number of fine pieces within the last three years, he had achieved his greatest finds at a time when he had not the advantage of her advice.

Rosier interpreted this information according to principles of his own.

For "advice" read "cash," he said to himself; and the fact that Gilbert Osmond had landed his highest prizes during his impecunious season confirmed his most cherished doctrine--the doctrine that a collector may freely be poor if he be only patient. In general, when Rosier presented himself on a Thursday evening, his first recognition was for the walls of the saloon; there were three or four objects his eyes really yearned for. But after his talk with Madame Merle he felt the extreme seriousness of his position; and now, when he came in, he looked about for the daughter of the house with such eagerness as might be permitted a gentleman whose smile, as he crossed a threshold, always took everything comfortable for granted.

CHAPTER x.x.xVII

Pansy was not in the first of the rooms, a large apartment with a concave ceiling and walls covered with old red damask; it was here Mrs. Osmond usually sat--though she was not in her most customary place to-night--and that a circle of more especial intimates gathered about the fire. The room was flushed with subdued, diffused brightness; it contained the larger things and--almost always--an odour of flowers.

Pansy on this occasion was presumably in the next of the series, the resort of younger visitors, where tea was served. Osmond stood before the chimney, leaning back with his hands behind him; he had one foot up and was warming the sole. Half a dozen persons, scattered near him, were talking together; but he was not in the conversation; his eyes had an expression, frequent with them, that seemed to represent them as engaged with objects more worth their while than the appearances actually thrust upon them. Rosier, coming in unannounced, failed to attract his attention; but the young man, who was very punctilious, though he was even exceptionally conscious that it was the wife, not the husband, he had come to see, went up to shake hands with him. Osmond put out his left hand, without changing his att.i.tude.

"How d'ye do? My wife's somewhere about."

"Never fear; I shall find her," said Rosier cheerfully.

Osmond, however, took him in; he had never in his life felt himself so efficiently looked at. "Madame Merle has told him, and he doesn't like it," he privately reasoned. He had hoped Madame Merle would be there, but she was not in sight; perhaps she was in one of the other rooms or would come later. He had never especially delighted in Gilbert Osmond, having a fancy he gave himself airs. But Rosier was not quickly resentful, and where politeness was concerned had ever a strong need of being quite in the right. He looked round him and smiled, all without help, and then in a moment, "I saw a jolly good piece of Capo di Monte to-day," he said.

Osmond answered nothing at first; but presently, while he warmed his boot-sole, "I don't care a fig for Capo di Monte!" he returned.

"I hope you're not losing your interest?"

"In old pots and plates? Yes, I'm losing my interest."

Rosier for an instant forgot the delicacy of his position. "You're not thinking of parting with a--a piece or two?"

"No, I'm not thinking of parting with anything at all, Mr. Rosier," said Osmond, with his eyes still on the eyes of his visitor.

"Ah, you want to keep, but not to add," Rosier remarked brightly.

"Exactly. I've nothing I wish to match."

Poor Rosier was aware he had blushed; he was distressed at his want of a.s.surance. "Ah, well, I have!" was all he could murmur; and he knew his murmur was partly lost as he turned away. He took his course to the adjoining room and met Mrs. Osmond coming out of the deep doorway. She was dressed in black velvet; she looked high and splendid, as he had said, and yet oh so radiantly gentle! We know what Mr. Rosier thought of her and the terms in which, to Madame Merle, he had expressed his admiration. Like his appreciation of her dear little stepdaughter it was based partly on his eye for decorative character, his instinct for authenticity; but also on a sense for uncatalogued values, for that secret of a "l.u.s.tre" beyond any recorded losing or rediscovering, which his devotion to brittle wares had still not disqualified him to recognise. Mrs. Osmond, at present, might well have gratified such tastes. The years had touched her only to enrich her; the flower of her youth had not faded, it only hung more quietly on its stem. She had lost something of that quick eagerness to which her husband had privately taken exception--she had more the air of being able to wait. Now, at all events, framed in the gilded doorway, she struck our young man as the picture of a gracious lady. "You see I'm very regular," he said. "But who should be if I'm not?"

"Yes, I've known you longer than any one here. But we mustn't indulge in tender reminiscences. I want to introduce you to a young lady."

"Ah, please, what young lady?" Rosier was immensely obliging; but this was not what he had come for.

"She sits there by the fire in pink and has no one to speak to." Rosier hesitated a moment. "Can't Mr. Osmond speak to her? He's within six feet of her."

Mrs. Osmond also hesitated. "She's not very lively, and he doesn't like dull people."

"But she's good enough for me? Ah now, that's hard!"

"I only mean that you've ideas for two. And then you're so obliging."

"No, he's not--to me." And Mrs. Osmond vaguely smiled.

"That's a sign he should be doubly so to other women.

"So I tell him," she said, still smiling.

"You see I want some tea," Rosier went on, looking wistfully beyond.

"That's perfect. Go and give some to my young lady."

"Very good; but after that I'll abandon her to her fate. The simple truth is I'm dying to have a little talk with Miss Osmond."

"Ah," said Isabel, turning away, "I can't help you there!"

Five minutes later, while he handed a tea-cup to the damsel in pink, whom he had conducted into the other room, he wondered whether, in making to Mrs. Osmond the profession I have just quoted, he had broken the spirit of his promise to Madame Merle. Such a question was capable of occupying this young man's mind for a considerable time. At last, however, he became--comparatively speaking--reckless; he cared little what promises he might break. The fate to which he had threatened to abandon the damsel in pink proved to be none so terrible; for Pansy Osmond, who had given him the tea for his companion--Pansy was as fond as ever of making tea--presently came and talked to her. Into this mild colloquy Edward Rosier entered little; he sat by moodily, watching his small sweetheart. If we look at her now through his eyes we shall at first not see much to remind us of the obedient little girl who, at Florence, three years before, was sent to walk short distances in the Cascine while her father and Miss Archer talked together of matters sacred to elder people. But after a moment we shall perceive that if at nineteen Pansy has become a young lady she doesn't really fill out the part; that if she has grown very pretty she lacks in a deplorable degree the quality known and esteemed in the appearance of females as style; and that if she is dressed with great freshness she wears her smart attire with an undisguised appearance of saving it--very much as if it were lent her for the occasion. Edward Rosier, it would seem, would have been just the man to note these defects; and in point of fact there was not a quality of this young lady, of any sort, that he had not noted.

Only he called her qualities by names of his own--some of which indeed were happy enough. "No, she's unique--she's absolutely unique," he used to say to himself; and you may be sure that not for an instant would he have admitted to you that she was wanting in style. Style? Why, she had the style of a little princess; if you couldn't see it you had no eye.

It was not modern, it was not conscious, it would produce no impression in Broadway; the small, serious damsel, in her stiff little dress, only looked like an Infanta of Velasquez. This was enough for Edward Rosier, who thought her delightfully old-fas.h.i.+oned. Her anxious eyes, her charming lips, her slip of a figure, were as touching as a childish prayer. He had now an acute desire to know just to what point she liked him--a desire which made him fidget as he sat in his chair. It made him feel hot, so that he had to pat his forehead with his handkerchief; he had never been so uncomfortable. She was such a perfect jeune fille, and one couldn't make of a jeune fille the enquiry requisite for throwing light on such a point. A jeune fille was what Rosier had always dreamed of--a jeune fille who should yet not be French, for he had felt that this nationality would complicate the question. He was sure Pansy had never looked at a newspaper and that, in the way of novels, if she had read Sir Walter Scott it was the very most. An American jeune fille--what could be better than that? She would be frank and gay, and yet would not have walked alone, nor have received letters from men, nor have been taken to the theatre to see the comedy of manners. Rosier could not deny that, as the matter stood, it would be a breach of hospitality to appeal directly to this unsophisticated creature; but he was now in imminent danger of asking himself if hospitality were the most sacred thing in the world. Was not the sentiment that he entertained for Miss Osmond of infinitely greater importance? Of greater importance to him--yes; but not probably to the master of the house.

There was one comfort; even if this gentleman had been placed on his guard by Madame Merle he would not have extended the warning to Pansy; it would not have been part of his policy to let her know that a prepossessing young man was in love with her. But he WAS in love with her, the prepossessing young man; and all these restrictions of circ.u.mstance had ended by irritating him. What had Gilbert Osmond meant by giving him two fingers of his left hand? If Osmond was rude, surely he himself might be bold. He felt extremely bold after the dull girl in so vain a disguise of rose-colour had responded to the call of her mother, who came in to say, with a significant simper at Rosier, that she must carry her off to other triumphs. The mother and daughter departed together, and now it depended only upon him that he should be virtually alone with Pansy. He had never been alone with her before; he had never been alone with a jeune fille. It was a great moment; poor Rosier began to pat his forehead again. There was another room beyond the one in which they stood--a small room that had been thrown open and lighted, but that, the company not being numerous, had remained empty all the evening. It was empty yet; it was upholstered in pale yellow; there were several lamps; through the open door it looked the very temple of authorised love. Rosier gazed a moment through this aperture; he was afraid that Pansy would run away, and felt almost capable of stretching out a hand to detain her. But she lingered where the other maiden had left them, making no motion to join a knot of visitors on the far side of the room. For a little it occurred to him that she was frightened--too frightened perhaps to move; but a second glance a.s.sured him she was not, and he then reflected that she was too innocent indeed for that. After a supreme hesitation he asked her if he might go and look at the yellow room, which seemed so attractive yet so virginal. He had been there already with Osmond, to inspect the furniture, which was of the First French Empire, and especially to admire the clock (which he didn't really admire), an immense cla.s.sic structure of that period. He therefore felt that he had now begun to manoeuvre.

"Certainly, you may go," said Pansy; "and if you like I'll show you."

She was not in the least frightened.

"That's just what I hoped you'd say; you're so very kind," Rosier murmured.

They went in together; Rosier really thought the room very ugly, and it seemed cold. The same idea appeared to have struck Pansy. "It's not for winter evenings; it's more for summer," she said. "It's papa's taste; he has so much."

He had a good deal, Rosier thought; but some of it was very bad. He looked about him; he hardly knew what to say in such a situation.

"Doesn't Mrs. Osmond care how her rooms are done? Has she no taste?" he asked.

"Oh yes, a great deal; but it's more for literature," said Pansy--"and for conversation. But papa cares also for those things. I think he knows everything."

Rosier was silent a little. "There's one thing I'm sure he knows!" he broke out presently. "He knows that when I come here it's, with all respect to him, with all respect to Mrs. Osmond, who's so charming--it's really," said the young man, "to see you!"

"To see me?" And Pansy raised her vaguely troubled eyes.

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The Portrait of a Lady Volume II Part 11 summary

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