Makers Part 18

He pulled out the megaphone and went to his window.

"ATTENTION POLICE," he said. "THIS IS THE LEASEHOLDER FOR THIS PROPERTY. WHY ARE YOU RUNNING AROUND WITH YOUR GUNS DRAWN? WHAT IS GOING ON?"

The police at the cars looked toward the workshop, then back to the shantytown, then back to the workshop.

"SERIOUSLY. THIS IS NOT COOL. WHAT ARE YOU DOING HERE?"

One of the cops grabbed the mic for his own loudhailer. "THIS IS THE BROWARD COUNTY SHERIFF'S DEPARTMENT. WE HAVE RECEIVED INTELLIGENCE THAT AN ARMED FUGITIVE IS ON THESE PREMISES. WE HAVE COME TO RETRIEVE HIM."

"WELL, THAT'S WEIRD. NONE OF THE CHILDREN, CIVILIANS AND HARDWORKING PEOPLE HERE ARE FUGITIVES AS FAR AS I KNOW. CERTAINLY THERE'S NO ONE ARMED AROUND HERE. WHY DON'T YOU GET BACK IN YOUR CARS AND I'LL COME OUT AND WE'LL RESOLVE THIS LIKE CIVILIZED PEOPLE, OK?"

The cop shook his head and reached for his mic again, and then there were two gunshots, a scream, and a third.

Perry ran for the door and Suzanne chased after him, trying to stop him. The cops at the cars were talking intently into their radios, though it was impossible to know if they were talking to their comrades in the shantytown or to their headquarters. Perry burst out of the factory door and there was another shot and he spun around, staggered back a step, and fell down like a sack of grain. There was blood around his head. Suzanne stuck her hand in her mouth to stifle a scream and stood helplessly in the doorway of the workshop, just a few paces from Perry.

Lester came up behind her and firmly moved her aside. He lumbered deliberately and slowly and fearlessly to Perry's side, knelt beside him, touched him gently. His face was grey. Perry thrashed softly and Suzanne let out a sound like a cry, then remembered herself and took out her camera and began to shoot and shoot and shoot: the cops, Lester with Perry like a tragic Pieta, the shantytowners running back and forth screaming. Snap of the cops getting out of their cars, guns in hands, snap of them fanning out around the shantytown, snap of them coming closer and closer, snap of a cop pointing his gun at Lester, ordering him away from Perry, snap of a cop approaching her.

"It's live," she said, not looking up from the viewfinder. "Going out live to my blog. Daily readers.h.i.+p half a million. They're watching you now, every move. Do you understand?"

The officer said, "Put the camera down, ma'am."

She held the camera. "I can't quote the First Amendment from memory, not exactly, but I know it well enough that I'm not moving this camera. It's live, you understand -- every move is going out live, right now."

The officer stepped back, turned his head, muttered in his mic.

"There's an ambulance coming," he said. "Your friend was shot with a nonlethal rubber bullet."

"He's bleeding from the head," Lester said. "From the eye."

Suzanne shuddered.

Ambulance sirens in the distance. Lester stroked Perry's hair. Suzanne took a step back and panned it over Perry's ruined face, b.l.o.o.d.y and swollen. The rubber bullet must have taken him either right in the eye or just over it.

"Perry Mason Gibbons was unarmed and posed no threat to Sheriff's Deputy Badge Number 5724 --" she zoomed in on it -- "when he was shot with a rubber bullet in the eye. He is unconscious and b.l.o.o.d.y on the ground in front of the workshop where he has worked quietly and una.s.sumingly to invent and manufacture new technologies."

The cop knew when to cut his losses. He turned aside and walked back into the shantytown, leaving Suzanne to turn her camera on Perry, on the EMTs who evacced him to the ambulance, on the three injured shantytowners who were on the ambulance with him, on the corpse they wheeled out on his own gurney, one of the newcomers to the shantytown, a man she didn't recognize.

They operated on Perry all that night, gingerly tweezing fragments of bone from his shattered left orbit out of his eye and face. Some had floated to the back of the socket and posed a special risk of brain damage, the doctor explained into her camera.

Lester was a rock, sitting silently in the waiting room, talking calmly and firmly with the cops and over the phone to Kettlewell and the specially impaneled board-room full of Kodacell lawyers who wanted to micromanage this. Rat-Toothed Freddy filed a column in which he called her a "grandstanding bint," and accused Kodacell of harboring dangerous fugitives. He'd dug up the fact that one of the newcomers to the shantytown -- not the one they'd killed, that was a bystander -- was wanted for holding up a liquor-store with a corkscrew the year before.

Lester unscrewed his earphone and scrubbed at his eyes. Impulsively, she leaned over and gave him a hug. He stiffened up at first but then relaxed and enfolded her in his huge, warm arms. She could barely make her arms meet around his broad, soft back -- it was like hugging a giant loaf of bread. She squeezed tighter and he did too. He was a good hugger.

"You holding in there, kiddo?" she said.

"Yeah," he murmured into her neck. "No." He squeezed tighter. "As well as I need to, anyway."

The doctor pried them apart to tell them that the EEG and fMRI were both negative for any brain-damage, and that they'd managed to salvage the eye, probably. Kodacell was springing for all the care he needed, cash money, no dorking around with the f.u.c.king HMO, so the doctors had put him through every machine on the premises in a series of farcically expensive tests.

"I hope they sue the cops for the costs," the doctor said. She was Pakistani or Banglades.h.i.+, with a faint accent, and very pretty even with the dark circles under her eyes. "I read your columns," she said, shaking Suzanne's hand. "I admire the work you do," she said, shaking Lester's hand. "I was born in Delhi. We were squatters who were given a deed to our home and then evicted because we couldn't pay the taxes. We had to build again, in the rains, outside of the city, and then again when we were evicted again."

She had two brothers who were working for startups like Kodacell's, but run by other firms: one was backed by McDonald's, the other by the AFL-CIO's investment arm. Suzanne did a little interview with her about her brothers' projects -- a bike-helmet that had been algorithmically evolved for minimum weight and maximum protection; a smart skylight that deformed itself to follow light based on simple phototropic controllers. The brother working on bike-helmets was riding a tiger and could barely keep up with orders; he was consuming about half of the operational capacity of the McDonald's network and climbing fast.

Lester joined in, digging on the details. He'd been following the skylights in blogs and on a list or two, and he'd heard of the doctor's brother, which really tweaked her, she was visibly proud of her family.

"But your work is most important. Things for the homeless. We get them in here sometimes, hurt, off the ambulances. We usually turn them away again. The ones who sell off the highway medians and at the traffic lights." Suzanne had seen them, selling homemade cookies, oranges, flowers, newspapers, plasticky toys, sad or beautiful handicrafts. She had a carved coconut covered in intricate scrimshaw that she'd bought from a little girl who was all skin and bones except for her malnourished pot-belly.

"They get hit by cars?"

"Yes," the doctor said. "Deliberately, too. Or beaten up."

Perry was moved out of the operating theater to a recovery room and then to a private room and by then they were ready to collapse, though there was so much email in response to her posts that she ended up pounding on her computer's keyboard all the way home as Lester drove them, squeezing the bridge of his nose to stay awake. She didn't even take her clothes off before collapsing into bed.

"They need the tools to make any other tools," is what Perry said when he returned from the hospital, the side of his head still swaddled in bandages that draped over his injured eye. They'd shaved his head at his insistence, saying that he wasn't going to try to keep his hair clean with all the bandages. It made him look younger, and his fine skull-bones stood out through his thin scalp when he finally came home. Before he'd looked like a outdoorsman engineer: now he looked like a radical, a pirate.

"They need the tools that will let them build anything else, for free, and use it or sell it." He gestured at the rapid prototyping machines they had, the three-d printer and scanner setups. "I mean something like that, but I want it to be capable of printing out the parts necessary to a.s.semble another one. Machines that can reproduce themselves."

Francis s.h.i.+fted in his seat. "What are they supposed to do with those?"

"Everything," Perry said, his eye glinting. "Make your kitchen fixtures. Make your shoes and hat. Make your kids' toys -- if it's in the stores, it should be a downloadable too. Make toolchests and tools. Make it and build it and sell it. Make other printers and sell them. Make machines that make the goop we feed into the printers. Teach a man to fish, Francis, teach a man to f.u.c.king *fish*. No top-down 'solutions' driven by 'market research'" -- his finger-quotes oozed sarcasm -- "the thing that we need to do is make these people the authors of their own destiny."

They put up the sign that night: AUTHOR OF YOUR OWN DESTINY, hung over the workshop door. Suzanne trailed after Perry transcribing the rants that spilled out of his mouth as he explained it to Lester and Francis, and then to Kettlewell when he called, and then to the pretty young black lady from the TV who by now had figured out that there was a real story in her backyard, then to an NPR man on the phone, and then to a CNN crew who drove in from Miami and filmed the shantytown and the workshop like j.a.panese tourists at Disney World, never having ventured into the s.k.a.n.ky, failed strip-mall suburbs just outside of town.

Francis had a protege who had a real dab touch with the 3-D printers. The manufacturer, Lester's former employer, had been out of business for two years by then, so all the service on the machines had to be done on the premises. Francis's protege -- the one who claimed his mother had pushed his father under a bus, his name was Jason -- watched Lester work on recalcitrant machines silently for a couple days, then started to hand him the tool he needed next without having to be asked. Then he diagnosed a problem that had stumped Lester all morning. Then he suggested an improvement to the feedstock pump that increased the mean time between failures by a couple hours.

"No, man, no, not like that," Jason said to one of the small gang of boys he was bossing. "Gently, or you'll snap it off." The boy snapped it off and Jason pulled another replacement part out of a tub and said, "See, like *this*," and snapped it on. The small gang of boys regarded him with something like awe.

"How come no girls?" Suzanne said as she interviewed him while he took a smoke-break. Perry had banned cigarettes from all indoor workshops, nominally to keep flames away from the various industrial chemicals and such, but really just to encourage the shantytowners to give up the habit that they couldn't afford anyway. He'd also leaned on the shantytowners who'd opened up small shops in their houses to keep cigs out of the town, without a lot of success.

"Girls aren't interested in this stuff, lady."

"You think?" There was a time when she would have objected, but it was better to let these guys say it out loud, hear themselves say it.

"No. Maybe where you come from, OK? Don't know. But here girls are different. They do good in school but when they have babies they're done. I mean, hey, it's not like I don't *want* girls in the team, they'd be great. I love girls. They f.u.c.kin' *work*, you know. No bulls.h.i.+t, no s.c.r.e.w.i.n.g around. But I know every girl in this place and none of 'em are even interested, OK?"

Suzanne c.o.c.ked one eyebrow just a little and Jason s.h.i.+fted uncomfortably. He scratched his bare midriff and shuffled. "I do, all of them. Why would they? One girl, a roomful of boys, it'd be gross. They'd act like jerks. There's no way we'd get anything done."

Suzanne lifted her eyebrow one hair higher. He squirmed harder.

"So all right, that's not their fault. But I got enough work, all right? Too much to do without spending time on that. It's not like any girls have *asked* to join up. I'm not keeping them out."

Suzanne jotted a couple of notes, keeping perfectly mum.

"Well, I'd like to have them in the workshop, OK? Maybe I should ask some of them if they'd come. s.h.i.+t, if I can teach these apes, I can teach a girl. They're smart. Girls'd make this place a little better to work in. Lots of them trying to support their families, so they need the money, too."

There was a girl there by the afternoon. The next day, there were two more. They seemed like quick studies, despite their youth and their lip-gloss. Suzanne approved.