The Man Who Was Afraid Part 41

"Excuse me, Ivan Nikolayevich," cried Ookhtishchev, agitated.

"I must agree with you, the Russian song is monotonous and gloomy. It has not, you know, that brilliancy of culture," said the man with the side whiskers wearily, as he sipped some wine out of his gla.s.s.

"But nevertheless, there is always a warm heart in it," put in the red-haired lady, as she peeled an orange.

The sun was setting. Sinking somewhere far beyond the forest, on the meadow sh.o.r.e, it painted the entire forest with purple tints and cast rosy and golden spots over the dark cold water. Foma gazed in that direction at this play of the sunbeams, watched how they quivered as they were transposed over the placid and vast expanse of waters, and catching fragments of conversation, he pictured to himself the words as a swarm of dark b.u.t.terflies, busily fluttering in the air. Sasha, her head resting on his shoulder, was softly whispering into his ear something at which he blushed and was confused, for he felt that she was kindling in him the desire to embrace this woman and kiss her unceasingly. Aside from her, none of those a.s.sembled there interested him--while Zvantzev and the gentleman with the side whiskers were actually repulsive to him.

"What are you staring at? Eh?" he heard Ookhtishchev's jestingly-stern voice.

The peasant, at whom Ookhtishchev shouted, drew the cap from his head, clapped it against his knee and answered, with a smile:

"I came over to listen to the lady's song."

"Well, does she sing well?"

"What a question! Of course," said the peasant, looking at Sasha, with admiration in his eyes.

"That's right!" exclaimed Ookhtishchev.

"There is a great power of voice in that lady's breast," said the peasant, nodding his head.

At his words, the ladies burst out laughing and the men made some double-meaning remarks about Sasha.

After she had calmly listened to these and said nothing in reply, Sasha asked the peasant:

"Do you sing?"

"We sing a little!" and he waved his hand, "What songs do you know?"

"All kinds. I love singing." And he smiled apologetically.

"Come, let's sing something together, you and I."

"How can we? Am I a match for you?"

"Well, strike up!"

"May I sit down?"

"Come over here, to the table."

"How lively this is!" exclaimed Zvantzev, wrinkling his face.

"If you find it tedious, go and drown yourself," said Sasha, angrily flas.h.i.+ng her eyes at him.

"No, the water is cold," replied Zvantzev, shrinking at her glance.

"As you please!" The woman shrugged her shoulders. "But it is about time you did it, and then, there's also plenty of water now, so that you wouldn't spoil it all with your rotten body."

"Fie, how witty!" hissed the youth, turning away from her, and added with contempt: "In Russia even the prost.i.tutes are rude."

He addressed himself to his neighbour, but the latter gave him only an intoxicated smile in return. Ookhtishchev was also drunk. Staring into the face of his companion, with his eyes grown dim, he muttered something and heard nothing. The lady with the bird-like face was pecking candy, holding the box under her very nose. Pavlinka went away to the edge of the raft and, standing there, threw orange peels into the water.

"I never before partic.i.p.ated in such an absurd outing and--company,"

said Zvantzev, to his neighbour, plaintively.

And Foma watched him with a smile, delighted that this feeble and ugly-looking man felt bored, and that Sasha had insulted him. Now and then he cast at her a kind glance of approval. He was pleased with the fact that she was so frank with everybody and that she bore herself proudly, like a real gentlewoman.

The peasant seated himself on the boards at her feet, clasped his knees in his hands, lifted his face to her and seriously listened to her words.

"You must raise your voice, when I lower mine, understand?"

"I understand; but, Madam, you ought to hand me some just to give me courage!"

"Foma, give him a gla.s.s of brandy!"

And when the peasant emptied it, cleared his throat with pleasure, licked his lips and said: "Now, I can do it," she ordered, knitting her brow:

"Begin!"

The peasant made a wry mouth, lifted his eyes to her face, and started in a high-pitched tenor:

"I cannot drink, I cannot eat."

Trembling in every limb, the woman sobbed out tremulously, with strange sadness:

"Wine cannot gladden my soul."

The peasant smiled sweetly, tossed his head to and fro, and closing his eyes, poured out into the air a tremulous wave of high-pitched notes:

"Oh, time has come for me to bid goodbye!"

And the woman, shuddering and writhing, moaned and wailed:

"Oi, from my kindred I must part."

Lowering his voice and swaying to and fro, the peasant declaimed in a sing-song with a remarkably intense expression of anguish:

"Alas, to foreign lands I must depart."

When the two voices, yearning and sobbing, poured forth into the silence and freshness of the evening, everything about them seemed warmer and better; everything seemed to smile the sorrowful smile of sympathy on the anguish of the man whom an obscure power is tearing away from his native soil into some foreign place, where hard labour and degradation are in store for him. It seemed as though not the sounds, nor the song, but the burning tears of the human heart in which the plaint had surged up--it seemed as though these tears moistened the air. Wild grief and pain from the sores of body and soul, which were wearied in the struggle with stern life; intense sufferings from the wounds dealt to man by the iron hand of want--all this was invested in the simple, crude words and was tossed in ineffably melancholy sounds toward the distant, empty sky, which has no echo for anybody or anything.

Foma had stepped aside from the singers, and stared at them with a feeling akin to fright, and the song, in a huge wave, poured forth into his breast, and the wild power of grief, with which it had been invested, clutched his heart painfully. He felt that tears would soon gush from his breast, something was clogging his throat and his face was quivering. He dimly saw Sasha's black eyes; immobile and flas.h.i.+ng gloomily, they seemed to him enormous and still growing larger and larger. And it seemed to him that it was not two persons who were singing--that everything about him was singing and sobbing, quivering and palpitating in torrents of sorrow, madly striving somewhere, shedding burning tears, and all--and all things living seemed clasped in one powerful embrace of despair. And it seemed to him that he, too, was singing in unison with all of them--with the people, the river and the distant sh.o.r.e, whence came plaintive moans that mingled with the song.

Now the peasant went down on his knees, and gazing at Sasha, waved his hands, and she bent down toward him and shook her head, keeping time to the motions of his hands. Both were now singing without words, with sounds only, and Foma still could not believe that only two voices were pouring into the air these moans and sobs with such mighty power.

When they had finished singing, Foma, trembling with excitement, with a tear-stained face, gazed at them and smiled sadly.