Table Talk: Essays on Men and Manners Part 6

NOTES to ESSAY X

(1) Written at Winterslow Hut, January 18-19, 1821.

(2) Webster's _d.u.c.h.ess of Malfy._

(3) Shenstone and Gray were two men, one of whom pretended live to himself, and the other really did so. Gray shrunk from the public gaze (he did not even like his portrait to be prefixed to his works) into his own thoughts and indolent musings; Shenstone affected privacy that he might be sought out by the world; the one courted retirement in order to enjoy leisure and repose, as the other coquetted with it merely to be interrupted with the importunity of visitors and the flatteries of absent friends.

(4) Plut. of Banishment. He compares those who cannot live out of their own country to the simple people who fancied the moon of Athens was a finer moon than that of Corinth,

Labentem coelo quae ducitis annum.

--VIRG. _Georg._

ESSAY XI. ON THOUGHT AND ACTION

Those persons who are much accustomed to abstract contemplation are generally unfitted for active pursuits, and _vice versa_. I myself am sufficiently decided and dogmatical in my opinions, and yet in action I am as imbecile as a woman or a child. I cannot set about the most indifferent thing without twenty efforts, and had rather write one of these Essays than have to seal a letter. In trying to throw a hat or a book upon a table, I miss it; it just reaches the edge and falls back again, and instead of doing what I mean to perform, I do what I intend to avoid. Thought depends on the habitual exercise of the speculative faculties; action, on the determination of the will. The one a.s.signs reasons for things, the other puts causes into act. Abraham Tucker relates of a friend of his, an old special pleader, that once coming out of his chambers in the Temple with him to take a walk, he hesitated at the bottom of the stairs which way to go--proposed different directions, to Charing Cross, to St. Paul's--found some objection to them all, and at last turned back for want of a casting motive to incline the scale.

Tucker gives this as an instance of professional indecision, or of that temper of mind which having been long used to weigh the reasons for things with scrupulous exactness, could not come to any conclusion at all on the spur of the occasion, or without some grave distinction to justify its choice. Louvet in his Narrative tells us, that when several of the Brisotin party were collected at the house of Barbaroux (I think it was) ready to effect their escape from the power of Robespierre, one of them going to the window and finding a shower of rain coming on, seriously advised their stopping till the next morning, for that the emissaries of government would not think of coming in search of them in such bad weather. Some of them deliberated on this wise proposal, and were nearly taken. Such is the effeminacy of the speculative and philosophical temperament, compared with the promptness and vigour of the practical! It is on such unequal terms that the refined and romantic speculators on possible good and evil contend with their strong-nerved, remorseless adversaries, and we see the result. Reasoners in general are undecided, wavering, and sceptical, or yield at last to the weakest motive as most congenial to their feeble habit of soul.(1)

Some men are mere machines. They are put in a go-cart of business, and are harnessed to a profession--yoked to Fortune's wheels. They plod on, and succeed. Their affairs conduct them, not they their affairs. All they have to do is to let things take their course, and not go out of the beaten road. A man may carry on the business of farming on the same spot and principle that his ancestors have done for many generations before him without any extraordinary share of capacity: the proof is, it is done every day, in every county and parish in the kingdom. All that is necessary is that he should not pretend to be wiser than his neighbours. If he has a grain more wit or penetration than they, if his vanity gets the start of his avarice only half a neck, if he has ever thought or read anything upon the subject, it will most probably be the ruin of him. He will turn theoretical or experimental farmer, and no more need be said. Mr. Cobbett, who is a sufficiently shrewd and practical man, with an eye also to the main chance, had got some notions in his head (from Tull's _Husbandry_) about the method of sowing turnips, to which he would have sacrificed not only his estate at Botley, but his native county of Hamps.h.i.+re itself, sooner than give up an inch of his argument. 'Tut! will you baulk a man in the career of his humour?' Therefore, that a man may not be ruined by his humours, he should be too dull and phlegmatic to have any: he must have 'no figures nor no fantasies which busy thought draws in the brains of men.' The fact is, that the ingenuity or judgment of no one man is equal to that of the world at large, which is the fruit of the experience and ability of all mankind. Even where a man is right in a particular notion, he will be apt to overrate the importance of his discovery, to the detriment of his affairs. Action requires co-operation, but in general if you set your face against custom, people will set their faces against you. They cannot tell whether you are right or wrong, but they know that you are guilty of a pragmatical a.s.sumption of superiority over them which they do not like. There is no doubt that if a person two hundred years ago had foreseen and attempted to put in practice the most approved and successful methods of cultivation now in use, it would have been a death-blow to his credit and fortune. So that though the experiments and improvements of private individuals from time to time gradually go to enrich the public stock of information and reform the general practice, they are mostly the ruin of the person who makes them, because he takes a part for the whole, and lays more stress upon the single point in which he has found others in the wrong than on all the rest in which they are substantially and prescriptively in the right.

The great requisite, it should appear, then, for the prosperous management of ordinary business is the want of imagination, or of any ideas but those of custom and interest on the narrowest scale; and as the affairs of the world are necessarily carried on by the common run of its inhabitants, it seems a wise dispensation of Providence that it should be so. If no one could rent a piece of glebe-land without a genius for mechanical inventions, or stand behind a counter without a large benevolence of soul, what would become of the commercial and agricultural interests of this great (and once flouris.h.i.+ng) country?--I would not be understood as saying that there is not what may be called a genius for business, an extraordinary capacity for affairs, quickness and comprehension united, an insight into character, an acquaintance with a number of particular circ.u.mstances, a variety of expedients, a tact for finding out what will do: I grant all this (in Liverpool and Manchester they would persuade you that your merchant and manufacturer is your only gentleman and scholar)--but still, making every allowance for the difference between the liberal trader and the sneaking shopkeeper, I doubt whether the most surprising success is to be accounted for from any such unusual attainments, or whether a man's making half a million of money is a proof of his capacity for thought in general. It is much oftener owing to views and wishes bounded but constantly directed to one particular object. To succeed, a man should aim only at success. The child of Fortune should resign himself into the hands of Fortune. A plotting head frequently overreaches itself: a mind confident of its resources and calculating powers enters on critical speculations, which in a game depending so much on chance and unforeseen events, and not entirely on intellectual skill, turn the odds greatly against any one in the long run. The rule of business is to take what you can get, and keep what you have got; or an eagerness in seizing every opportunity that offers for promoting your own interest, and a plodding, persevering industry in making the most of the advantages you have already obtained, are the most effectual as well as the safest ingredients in the composition of the mercantile character. The world is a book in which the _Chapter of Accidents_ is none of the least considerable; or it is a machine that must be left, in a great measure, to turn itself. The most that a worldly-minded man can do is to stand at the receipt of custom, and be constantly on the lookout for windfalls.

The true devotee in this way waits for the revelations of Fortune as the poet waits for the inspiration of the Muse, and does not rashly antic.i.p.ate her favours. He must be neither capricious nor wilful. I have known people untrammelled in the ways of business, but with so intense an apprehension of their own interest, that they would grasp at the slightest possibility of gain as a certainty, and were led into as many mistakes by an overgriping, usurious disposition as they could have been by the most thoughtless extravagance.--We hear a great outcry about the want of judgment in men of genius. It is not a want of judgment, but an excess of other things. They err knowingly, and are wilfully blind.

The understanding is out of the question. The profound judgment which soberer people pique themselves upon is in truth a want of pa.s.sion and imagination. Give them an interest in anything, a sudden fancy, a bait for their favourite foible, and who so besotted as they? Stir their feelings, and farewell to their prudence! The understanding operates as a motive to action only in the silence of the pa.s.sions. I have heard people of a sanguine temperament reproached with betting according to their wishes, instead of their opinion who should win; and I have seen those who reproached them do the very same thing the instant their own vanity or prejudices are concerned. The most mechanical people, once thrown off their balance, are the most extravagant and fantastical.

What pa.s.sion is there so unmeaning and irrational as avarice itself? The Dutch went mad for tulips, and ---- ---- for love! To return to what was said a little way back, a question might be started, whether as thought relates to the whole circ.u.mference of things and interests, and business is confined to a very small part of them, viz. to a knowledge of a man's own affairs and the making of his own fortune, whether a talent for the latter will not generally exist in proportion to the narrowness and grossness of his ideas, nothing drawing his attention out of his own sphere, or giving him an interest except in those things which he can realise and bring home to himself in the most undoubted shape? To the man of business all the world is a fable but the Stock Exchange: to the money-getter nothing has a real existence that he cannot convert into a tangible feeling, that he does not recognise as property, that he cannot 'measure with a two-foot rule or count upon ten fingers.' The want of thought, of imagination, drives the practical man upon immediate realities: to the poet or philosopher all is real and interesting that is true or possible, that can reach in its consequences to others, or be made a subject of curious speculation to himself!

But is it right, then, to judge of action by the quant.i.ty of thought implied in it, any more than it would be to condemn a life of contemplation for being inactive? Or has not everything a source and principle of its own, to which we should refer it, and not to the principles of other things? He who succeeds in any pursuit in which others fail may be presumed to have qualities of some sort or other which they are without. If he has not brilliant wit, he may have solid sense; if he has not subtlety of understanding, he may have energy and firmness of purpose; if he has only a few advantages, he may have modesty and prudence to make the most of what he possesses. Propriety is one great matter in the conduct of life; which, though, like a graceful carriage of the body, it is neither definable nor striking at first sight, is the result of finely balanced feelings, and lends a secret strength and charm to the whole character.

Quicquid agit, quoquo vestigia vert.i.t, Componit furtim, subsequiturque decor.

There are more ways than one in which the various faculties of the mind may unfold themselves. Neither words nor ideas reducible to words const.i.tute the utmost limit of human capacity. Man is not a merely talking nor a merely reasoning animal. Let us then take him as he is, instead of 'curtailing him of nature's fair proportions' to suit our previous notions. Doubtless, there are great characters both in active and contemplative life. There have been heroes as well as sages, legislators and founders of religion, historians and able statesmen and generals, inventors of useful arts and instruments and explorers of undiscovered countries, as well as writers and readers of books. It will not do to set all these aside under any fastidious or pedantic distinction. Comparisons are odious, because they are impertinent, and lead only to the discovery of defects by making one thing the standard of another which has no relation to it. If, as some one proposed, we were to inst.i.tute an inquiry, 'Which was the greatest man, Milton or Cromwell, Buonaparte or Rubens?' we should have all the authors and artists on one side, and all the military men and the whole diplomatic body on the other, who would set to work with all their might to pull in pieces the idol of the other party, and the longer the dispute continued, the more would each grow dissatisfied with his favourite, though determined to allow no merit to any one else. The mind is not well competent to take in the full impression of more than one style of excellence or one extraordinary character at once; contradictory claims puzzle and stupefy it; and however admirable any individual may be in himself and unrivalled in his particular way, yet if we try him by others in a totally opposite cla.s.s, that is, if we consider not what he was but what he was not, he will be found to be nothing. We do not reckon up the excellences on either side, for then these would satisfy the mind and put an end to the comparison: we have no way of exclusively setting up our favourite but by running down his supposed rival; and for the gorgeous hues of Rubens, the lofty conceptions of Milton, the deep policy and cautious daring of Cromwell, or the dazzling exploits and fatal ambition of the modern chieftain, the poet is transformed into a pedant, the artist sinks into a mechanic, the politician turns out no better than a knave, and the hero is exalted into a madman. It is as easy to get the start of our antagonist in argument by frivolous and vexatious objections to one side of the question as it is difficult to do full and heaped justice to the other. If I am asked which is the greatest of those who have been the greatest in different ways, I answer, the one that we happen to be thinking of at the time; for while that is the case, we can conceive of nothing higher. If there is a propensity in the vulgar to admire the achievements of personal prowess or instances of fortunate enterprise too much, it cannot be denied that those who have to weigh out and dispense the meed of fame in books have been too much disposed, by a natural bias, to confine all merit and talent to the productions of the pen, or at least to those works which, being artificial or abstract representations of things, are transmitted to posterity, and cried up as models in their kind. This, though unavoidable, is hardly just. Actions pa.s.s away and are forgotten, or are only discernible in their effects; conquerors, statesmen, and kings live but by their names stamped on the page of history. Hume says rightly that more people think about Virgil and Homer (and that continually) than ever trouble their heads about Caesar or Alexander. In fact, poets are a longer-lived race than heroes: they breathe more of the air of immortality. They survive more entire in their thoughts and acts. We have all that Virgil or Homer did, as much as if we had lived at the same time with them: we can hold their works in our hands, or lay them on our pillows, or put them to our lips. Scarcely a trace of what the others did is left upon the earth, so as to be visible to common eyes.

The one, the dead authors, are living men, still breathing and moving in their writings. The others, the conquerors of the world, are but the ashes in an urn. The sympathy (so to speak) between thought and thought is more intimate and vital than that between thought and action. Though of admiration to the manes of departed heroism is like burning incense in a marble monument. Words, ideas, feelings, with the progress of time harden into substances: things, bodies, actions, moulder away, or melt into a sound, into thin air!--Yet though the Schoolmen in the Middle Ages disputed more about the texts of Aristotle than the battle of Arbela, perhaps Alexander's Generals in his lifetime admired his pupil as much and liked him better. For not only a man's actions are effaced and vanish with him; his virtues and generous qualities die with him also: his intellect only is immortal and bequeathed unimpaired to posterity. Words are the only things that last for ever.

If, however, the empire of words and general knowledge is more durable in proportion as it is abstracted and attenuated, it is less immediate and dazzling: if authors are as good after they are dead as when they were living, while living they might as well be dead: and moreover with respect to actual ability, to write a book is not the only proof of taste, sense, or spirit, as pedants would have us suppose. To do anything well, to paint a picture, to fight a battle, to make a plough or a thres.h.i.+ng-machine, requires, one would think, as much skill and judgment as to talk about or write a description of it when done. Words are universal, intelligible signs, but they are not the only real, existing things. Did not Julius Caesar show himself as much of a man in conducting his campaigns as in composing his Commentaries? Or was the Retreat of the Ten Thousand under Xenophon, or his work of that name, the most consummate performance? Or would not Lovelace, supposing him to have existed and to have conceived and executed all his fine stratagems on the spur of the occasion, have been as clever a fellow as Richardson, who invented them in cold blood? If to conceive and describe an heroic character is the height of a literary ambition, we can hardly make it out that to be and to do all that the wit of man can feign is nothing.

To use means to ends; to set causes in motion; to wield the machine of society; to subject the wills of others to your own; to manage abler men than yourself by means of that which is stronger in them than their wisdom, viz. their weakness and their folly; to calculate the resistance of ignorance and prejudice to your designs, and by obviating, to turn them to account; to foresee a long, obscure, and complicated train of events, of chances and openings of success; to unwind the web of others'

policy and weave your own out of it; to judge of the effects of things, not in the abstract, but with reference to all their bearings, ramifications, and impediments; to understand character thoroughly; to see latent talent or lurking treachery; to know mankind for what they are, and use them as they deserve; to have a purpose steadily in view, and to effect it after removing every obstacle; to master others and be true to yourself,--asks power and knowledge, both nerves and brain.

Such is the sort of talent that that may be shown and that has been possessed by the great leaders on the stage of the world. To accomplish great things argues, I imagine, great resolution: to design great things implies no common mind. Ambition is in some sort genius. Though I would rather wear out my life in arguing a broad speculative question than in caballing for the election to a wardmote, or canva.s.sing for votes in a rotten borough, yet I should think that the loftiest Epicurean philosopher might descend from his punctilio to identify himself with the support of a great principle, or to prop a falling state. This is what the legislators and founders of empire did of old; and the permanence of their inst.i.tutions showed the depth of the principles from which they emanated. A tragic poem is not the worse for acting well: if it will not bear this test it savours of effeminacy. Well-digested schemes will stand the touchstone of experience. Great thoughts reduced to practice become great acts. Again, great acts grow out of great occasions, and great occasions spring from great principles, working changes in society, and tearing it up by the roots. But I still conceive that a genius for actions depends essentially on the strength of the will rather than on that of the understanding; that the long-headed calculation of causes and consequences arises from the energy of the first cause, which is the will setting others in motion and prepared to antic.i.p.ate the results; that its sagacity is activity delighting in meeting difficulties and adventures more than half-way, and its wisdom courage not to shrink from danger, but to redouble its efforts with opposition. Its humanity, if it has much, is magnanimity to spare the vanquished, exulting in power but not p.r.o.ne to mischief, with good sense enough to be aware of the instability of fortune, and with some regard to reputation. What may serve as a criterion to try this question by is the following consideration, that we sometimes find as remarkable a deficiency of the speculative faculty coupled with great strength of will and consequent success in active life as we do a want of voluntary power and total incapacity for business frequently joined to the highest mental qualifications. In some cases it will happen that 'to be wise is to be obstinate.' If you are deaf to reason but stick to your own purposes, you will tire others out, and bring them over to your way of thinking. Self-will and blind prejudice are the best defence of actual power and exclusive advantages. The forehead of the late king was not remarkable for the character of intellect, but the lower part of his face was expressive of strong pa.s.sions and fixed resolution. Charles Fox had an animated, intelligent eye, and brilliant, elastic forehead (with a nose indicating fine taste), but the lower features were weak, unsettled, fluctuating, and without _purchase_--it was in them the Whigs were defeated. What a fine iron binding Buonaparte had round his face, as if it bad been cased in steel! What sensibility about the mouth! What watchful penetration in the eye! What a smooth, unruffled forehead! Mr.

Pitt, with little sunken eyes, had a high, retreating forehead, and a nose expressing pride and aspiring self-opinion: it was on that (with submission) that he suspended the decisions of the House of Commons and dangled the Opposition as he pleased. Lord Castlereagh is a man rather deficient than redundant in words and topics. He is not (any more than St. Augustine was, in the opinion of La Fontaine) so great a wit as Rabelais, nor is he so great a philosopher as Aristotle; but he has that in him which is not to be trifled with. He has a n.o.ble mask of a face (not well filled up in the expression, which is relaxed and dormant) with a fine person and manner. On the strength of these he hazards his speeches in the House. He has also a knowledge of mankind, and of the composition of the House. He takes a thrust which he cannot parry on his s.h.i.+eld--is 'all tranquillity and smiles' under a volley of abuse, sees when to pay a compliment to a wavering antagonist, soothes the melting mood of his hearers, or gets up a speech full of indignation, and knows how to bestow his attentions on that great public body, whether he wheedles or bullies, so as to bring it to compliance. With a long reach of undefined purposes (the result of a temper too indolent for thought, too violent for repose) he has equal perseverance and pliancy in bringing his objects to pa.s.s. I would rather be Lord Castlereagh, as far as a sense of power is concerned (principle is out of the question), than such a man as Mr. Canning, who is a mere fluent sophist, and never knows the limit of discretion, or the effect which will be produced by what he says, except as far as florid common-places may be depended on.

Buonaparte is referred by Mr. Coleridge to the cla.s.s of active rather than of intellectual characters; and Cowley has left an invidious but splendid eulogy on Oliver Cromwell, which sets out on much the same principle. 'What,' he says, 'can be more extraordinary than that a person of mean birth, no fortune, no eminent qualities of body, which have sometimes, or of mind, which have often, raised men to the highest dignities, should have the courage to attempt, and the happiness to succeed in, so improbable a design as the destruction of one of the most ancient and most solidly-founded monarchies upon the earth? That he should have the power or boldness to put his prince and master to an open and infamous death; to banish that numerous and strongly-allied family; to do all this under the name and wages of a Parliament; to trample upon them too as he pleased, and spurn them out of doors when he grow weary of them; to raise up a new and unheard-of monster out of their ashes; to stifle that in the very infancy, and set up himself above all things that ever were called sovereign in England; to oppress all his enemies by arms, and all his friends afterwards by artifice; to serve all parties patiently for a while, and to command them victoriously at last; to overrun each corner of the three nations, and overcome with equal facility both the riches of the south and the poverty of the north; to be feared and courted by all foreign princes, and adopted a brother to the G.o.ds of the earth; to call together Parliaments with a word of his pen, and scatter them again with the breath of his mouth; to be humbly and daily pet.i.tioned that he would please to be hired, at the rate of two millions a year, to be the master of those who had hired him before to be their servant; to have the estates and lives of three kingdoms as much at his disposal as was the little inheritance of his father, and to be as n.o.ble and liberal in the spending of them; and lastly (for there is no end of all the particulars of his glory), to bequeath all this with one word to his posterity; to die with peace at home, and triumph abroad; to be buried among kings, and with more than regal solemnity; and to leave a name behind him, not to be extinguished but with the whole world; which as it is now too little for his praises, so might have been too for his conquests, if the short line of his human life could have been stretched out to the extent of his immortal designs!'

Cromwell was a bad speaker and a worse writer. Milton wrote his despatches for him in elegant and erudite Latin; and the pen of the one, like the sword of the other, was 'sharp and sweet.' We have not that union in modern times of the heroic and literary character which was common among the ancients. Julius Caesar and Xenophon recorded their own acts with equal clearness of style and modesty of temper. The Duke of Wellington (worse off than Cromwell) is obliged to get Mr. Mudford to write the History of his Life. Sophocles, AEschylus, and Socrates were distinguished for their military prowess among their contemporaries, though now only remembered for what they did in poetry and philosophy.

Cicero and Demosthenes, the two greatest orators of antiquity, appear to have been cowards: nor does Horace seem to give a very favourable picture of his martial achievements. But in general there was not that division in the labours of the mind and body among the Greeks and Romans that has been introduced among us either by the progress of civilisation or by a greater slowness and inapt.i.tude of parts. The French, for instance, appear to unite a number of accomplishments, the literary character and the man of the world, better than we do. Among us, a scholar is almost another name for a pedant or a clown: it is not so with them. Their philosophers and wits went into the world and mingled in the society of the fair. Of this there needs no other proof than the spirited print of most of the great names in French literature, to whom Moliere is reading a comedy in the presence of the celebrated Ninon de l'Enclos. D'Alembert, one of the first mathematicians of his age, was a wit, a man of gallantry and letters. With us a learned man is absorbed in himself and some particular study, and minds nothing else. There is something ascetic and impracticable in his very const.i.tution, and he answers to the description of the Monk in Spenser--

From every work he challenged essoin For contemplation's sake.

Perhaps the superior importance attached to the inst.i.tutions of religion, as well as the more abstracted and visionary nature of its objects, has led (as a general result) to a wider separation between thought and action in modern times.

Ambition is of a higher and more heroic strain than avarice. Its objects are n.o.bler, and the means by which it attains its ends less mechanical.

Better be lord of them that riches have, Than riches have myself, and be their servile slave.

The incentive to ambition is the love of power; the spur to avarice is either the fear of poverty or a strong desire of self-indulgence. The ama.s.sers of fortunes seem divided into two opposite cla.s.ses--lean, penurious-looking mortals, or jolly fellows who are determined to get possession of, because they want to enjoy, the good things of the wo others, in the fulness of their persons and the robustness of their const.i.tutions, seem to bespeak the reversion of a landed estate, rich acres, fat beeves, a substantial mansion, costly clothing, a chine and curkey, choice wines, and all other good things consonant to the wants and full-fed desires of their bodies. Such men charm fortune by the sleekness of their aspects and the goodly rotundity of their honest faces, as the others scare away poverty by their wan, meagre looks. The last starve themselves into riches by care and carking; the first eat, drink, and sleep their way into the good things of this life. The greatest number of _warm_ men in the city are good, jolly follows. Look at Sir William -----. Callipash and callipee are written in his face: he rolls about his unwieldy bulk in a sea of turtle-soup. How many haunches of venison does he carry on his back! He is larded with jobs and contracts: he is stuffed and swelled out with layers of bank-notes and invitations to dinner! His face hangs out a flag of defiance to mischance: the roguish twinkle in his eye with which he lures half the city and beats Alderman ----- hollow, is a smile reflected from heaps of unsunned gold! Nature and Fortune are not so much at variance as to differ about this fellow. To enjoy the good the G.o.ds provide us is to deserve it. Nature meant him for a Knight, Alderman, and City Member; and Fortune laughed to see the goodly person and prospects of the man!(2) I am not, from certain early prejudices, much to admire the ostentatious marks of wealth (there are persons enough to admire them without me)--but I confess, there is something in the look of the old banking-houses in Lombard Street, the posterns covered with mud, the doors opening sullenly and silently, the absence of all pretence, the darkness and the gloom within, the gleaming of lamps in the day-time,

Like a faint shadow of uncertain light,

that almost realises the poetical conception of the cave of Mammon in Spenser, where dust and cobwebs concealed the roofs and pillars of solid gold, and lifts the mind quite off its ordinary hinges. The account of the manner in which the founder of Guy's Hospital acc.u.mulated his immense wealth has always to me something romantic in it, from the same force of contrast. He was a little shop-keeper, and out of his savings bought Bibles and purchased seamen's tickets in Queen Anne's wars, by which he left a fortune of two hundred thousand pounds. The story suggests the idea of a magician; nor is there anything in the _Arabian Nights_ that looks more like a fiction.

NOTES to ESSAY XI

(1) When Buonaparte left the Chamber of Deputies to go and fight his last fatal battle, he advised them not to be debating the forms of Const.i.tutions when the enemy was at their gates. Benjamin Constant thought otherwise. He wanted to play a game at _cat's-cradle_ between the Republicans and Royalists, and lost his match. He did not care, so that he hampered a more efficient man than himself.

(2) A thorough fitness for any end implies the means. Where there is a will, there is a way. A real pa.s.sion, an entire devotion to any object, always succeeds. The strong sympathy with what we wish and imagine realises it, dissipates all obstacles, and removes all scruples. The disappointed lover may complain as much as he pleases. He was himself to blame. He was a half-witted, _wishy-washy_ fellow. His love might be as great as he makes it out; but it was not his ruling pa.s.sion. His fear, his pride, his vanity was greater. Let any one's whole soul be steeped in this pa.s.sion; let him think and care for nothing else; let nothing divert, cool, or intimidate him; let the _ideal_ feeling become an actual one and take possession of his whole faculties, looks, and manner; let the same voluptuous hopes and wishes govern his actions in the presence of his mistress that haunt his fancy in her absence, and I will answer for his success. But I will not answer for the success of 'a dish of skimmed milk' in such a case.--I could always get to see a fine collection of pictures myself. The fact is, I was set upon it. Neither the surliness of porters nor the impertinence of footmen could keep me back. I had a portrait of t.i.tian in my eye, and nothing could put me out in my determination. If that had not (as it were) been looking on me all the time I was battling my way, I should have been irritated or disconcerted, and gone away. But my liking to the end conquered my scruples or aversion to the means. I never understood the Scotch character but on these occasions. I would not take 'No' for an answer.

If I had wanted a place under government or a writers.h.i.+p to India, I could have got it from the same importunity, and on the same terms.

ESSAY XII. ON WILL-MAKING

Few things show the human character in a more ridiculous light than the circ.u.mstance of will-making. It is the latest opportunity we have of exercising the natural perversity of the disposition, and we take care to make a good use of it. We husband it with jealousy, put it off as long as we can, and then use every precaution that the world shall be no gainer by our deaths. This last act of our lives seldom belies the former tenor of them for stupidity, caprice, and unmeaning spite. All that we seem to think of is to manage matters so (in settling accounts with those who are so unmannerly as to survive us) as to do as little good, and to plague and disappoint as many people, as possible.

Many persons have a superst.i.tion on the subject of making their last will and testament, and think that when everything is ready signed and sealed, there is nothing further left to delay their departure. I have heard of an instance of one person who, having a feeling of this kind on his mind, and being teased into making his will by those about him, actually fell ill with pure apprehension, and thought he was going to die in good earnest, but having executed the deed over-night, awoke, to his great surprise, the next morning, and found himself as well as ever he was.(1)

An elderly gentleman possessed of a good estate and the same idle notion, and who found himself in a dangerous way, was anxious to do this piece of justice to those who remained behind him, but when it came to the point, his heart failed him, and his nervous fancies returned in full force. Even on his death-bed he still held back and was averse to sign what he looked upon as his own death-warrant, and just at the last gasp, amidst the anxious looks and silent upbraidings of friends and relatives that surrounded him, he summoned resolution to hold out his feeble hand, which was guided by others, to trace his name, and he fell back--a corpse! If there is any pressing reason for it, that is, if any particular person would be relieved from a state of hara.s.sing uncertainty or materially benefited by their making a will, the old and infirm (who do not like to be put out of their way) generally make this an excuse to themselves for putting it off to the very last moment, probably till it is too late; or where this is sure to make the greatest number of blank faces, contrive to give their friends the slip, without signifying their final determination in their favour. Where some unfortunate individual has been kept long in suspense, who has been perhaps sought out for that very purpose, and who may be in a great measure dependent on this as a last resource, it is nearly a certainty that there will be no will to be found; no trace, no sign to discover whether the person dying thus intestate ever had any intention of the sort, or why they relinquished it. This is to bespeak the thoughts and imaginations of others for victims after we are dead, as well as their persons and expectations for hangers-on while we are living. A celebrated beauty of the middle of the last century, towards its close, sought out a female relative, the friend and companion of her youth, who had lived during the forty years of their separation in rather straitened circ.u.mstances, and in a situation which admitted of some alleviations. Twice they met after that long lapse of time--once her relation visited her in the splendour of a rich old family mansion, and once she crossed the country to become an inmate of the humble dwelling of her early and only remaining friend. What was this for? Was it to revive the image of her youth in the pale and careworn face of her friend? Or was it to display the decay of her charms and recall her long-forgotten triumphs to the memory of the only person who could bear witness to them? Was it to show the proud remains of herself to those who remembered or had often heard what she was--her skin like shrivelled alabaster, her emaciated features chiselled by Nature's finest hand, her eyes that, when a smile lighted them up, still shone like diamonds, the vermilion hues that still bloomed among wrinkles? Was it to talk of bone-lace, of the flounces and brocades of the last century, of race-b.a.l.l.s in the year '62, and of the scores of lovers that had died at her feet, and to set whole counties in a flame again, only with a dream of faded beauty? Whether it was for this, or whether she meant to leave her friend anything (as was indeed expected, all things considered, not without reason), n.o.body knows--for she never breathed a syllable on the subject herself, and died without a will. The accomplished coquette of twenty, who had pampered hopes only to kill them, who had kindled rapture with a look and extinguished it with a breath, could find no better employment at seventy than to revive the fond recollections and raise up the drooping hopes of her kinswoman only to let them fall--to rise no more. Such is the delight we have in trifling with and tantalising the feelings of others by the exquisite refinements, the studied sleights of love or friends.h.i.+p!

Where a property is actually bequeathed, supposing the circ.u.mstances of the case and the usages of society to leave a practical discretion to the testator, it is most frequently in such portions as can be of the least service. Where there is much already, much is given; where much is wanted, little or nothing. Poverty invites a sort of pity, a miserable dole of a.s.sistance; necessity, neglect and scorn; wealth attracts and allures to itself more wealth by natural a.s.sociation of ideas or by that innate love of inequality and injustice which is the favourite principle of the imagination. Men like to collect money into large heaps in their lifetime; they like to leave it in large heaps after they are dead. They grasp it into their own hands, not to use it for their own good, but to h.o.a.rd, to lock it up, to make an object, an idol, and a wonder of it. Do you expect them to distribute it so as to do others good; that they will like those who come after them better than themselves; that if they were willing to pinch and starve themselves, they will not deliberately defraud their sworn friends and nearest kindred of what would be of the utmost use to them? No, they will thrust their heaps of gold and silver into the hands of others (as their proxies) to keep for them untouched, still increasing, still of no use to any one, but to pamper pride and avarice, to glitter in the huge, watchful, insatiable eye of fancy, to be deposited as a new offering at the shrine of Mammon, their G.o.d,--this is with them to put it to its intelligible and proper use; this is fulfilling a sacred, indispensable duty; this cheers them in the solitude of the grave, and throws a gleam of satisfaction across the stony eye of death. But to think of frittering it down, of sinking it in charity, of throwing it away on the idle claims of humanity, where it would no longer peer in monumental pomp over their heads,--and that, too, when on the point of death themselves, _in articulo mortis,_ oh!

it would be madness, waste, extravagance, impiety!--Thus worldlings feel and argue without knowing it; and while they fancy they are studying their own interest or that of some b.o.o.by successor, their _alter idem,_ are but the dupes and puppets of a favourite idea, a phantom, a prejudice, that must be kept up somewhere (no matter where), if it still plays before and haunts their imagination, while they have sense or understanding left to cling to their darling follies.

There was a remarkable instance of this tendency _to the heap,_ this desire to cultivate an abstract pa.s.sion for wealth, in a will of one of the Thelussons some time back. This will went to keep the greater part of a large property from the use of the natural heirs and next-of-kin for a length of time, and to let it acc.u.mulate at compound interest in such a way and so long, that it would at last mount up in value to the purchase-money of a whole county. The interest accruing from the funded property or the rent of the lands at certain periods was to be employed to purchase other estates, other parks and manors in the neighbourhood or farther off, so that the prospect of the future demesne that was to devolve at some distant time to the unborn lord of acres swelled and enlarged itself, like a sea, circle without circle, vista beyond vista, till the imagination was staggered and the mind exhausted. Now here was a scheme for the acc.u.mulation of wealth and for laying the foundation of family aggrandis.e.m.e.nt purely imaginary, romantic--one might almost say, disinterested. The vagueness, the magnitude, the remoteness of the object, the resolute sacrifice of all immediate and gross advantages, clothe it with the privileges of an abstract idea, so that the project has the air of a fiction or of a story in a novel. It was an instance of what might be called posthumous avarice, like the love of posthumous fame. It had little more to do with selfishness than if the testator had appropriated the same sums in the same way to build a pyramid, to construct an aqueduct, to endow a hospital, or effect any other patriotic or merely fantastic purpose. He wished to heap up a pile of wealth (millions of acres) in the dim horizon of future years, that could be of no use to him or to those with whom he was connected by positive and personal ties, but as a crotchet of the brain, a gewgaw of the fancy.(2) Yet to enable himself to put this scheme in execution, he had perhaps toiled and watched all his life, denied himself rest, food, pleasure, liberty, society, and persevered with the patience and self-denial of a martyr. I have insisted on this point the more, to show how much of the imaginary and speculative there is interfused even in those pa.s.sions and purposes which have not the good of others for their object, and how little reason this honest citizen and builder of castles in the air would have had to treat those who devoted themselves to the pursuit of fame, to obloquy and persecution for the sake of truth and liberty, or who sacrificed their lives for their country in a just cause, as visionaries and enthusiasts, who did not understand what was properly due to their own interest and the securing of the main chance.

Man is not the creature of sense and selfishness, even in those pursuits which grow out of that origin, so much as of imagination, custom, pa.s.sion, whim, and humour.

I have heard of a singular instance of a will made by a person who was addicted to a habit of lying. He was so notorious for this propensity (not out of spite or cunning, but as a gratuitous exercise of invention) that from a child no one could ever believe a syllable he uttered. From the want of any dependence to be placed on him, he became the jest and by-word of the school where he was brought up. The last act of his life did not disgrace him; for, having gone abroad, and falling into a dangerous decline, he was advised to return home. He paid all that he was worth for his pa.s.sage, went on s.h.i.+p-board, and employed a few remaining days he had to live in making and executing his will; in which he bequeathed large estates in different parts of England, money in the funds, rich jewels, rings, and all kinds of valuables to his old friends and acquaintance, who, not knowing how far the force of nature could go, were not for some time convinced that all this fairy wealth had never had an existence anywhere but in the idle coinage of his brain, whose whims and projects were no more!--The extreme keeping in this character is only to be accounted for by supposing such an original const.i.tutional levity as made truth entirely indifferent to him, and the serious importance attached to it by others an object of perpetual sport and ridicule!

The art of will-making chiefly consists in baffling the importunity of expectation. I do not so much find fault with this when it is done as a punishment and oblique satire on servility and selfishness. It is in that case _Diamond cut Diamond_--a trial of skill between the legacy-hunter and the legacy-maker, which shall fool the other. The cringing toad-eater, the officious tale-bearer, is perhaps well paid for years of obsequious attendance with a bare mention and a mourning-ring; nor can I think that Gil Blas' library was not quite as much as the c.o.xcombry of his pretensions deserved. There are some admirable scenes in Ben Jonson's _Volpone,_ showing the humours of a legacy-hunter, and the different ways of fobbing him off with excuses and a.s.surances of not being forgotten. Yet it is hardly right, after all, to encourage this kind of pitiful, barefaced intercourse without meaning to pay for it, as the coquette has no right to jilt the lovers she has trifled with.

Flattery and submission are marketable commodities like any other, have their price, and ought scarcely to be obtained under false pretences. If we see through and despise the wretched creature that attempts to impose on our credulity, we can at any time dispense with his services: if we are soothed by this mockery of respect and friends.h.i.+p, why not pay him like any other drudge, or as we satisfy the actor who performs a part in a play by our particular desire? But often these premeditated disappointments are as unjust as they are cruel, and are marked with circ.u.mstances of indignity, in proportion to the worth of the object.

The suspecting, the taking it for granted that your name is down in the will, is sufficient provocation to have it struck out: the hinting at an obligation, the consciousness of it on the part of the testator, will make him determined to avoid the formal acknowledgment of it at any expense. The disinheriting of relations is mostly for venial offences, not for base actions: we punish out of pique, to revenge some case in which we been disappointed of our wills, some act of disobedience to what had no reasonable ground to go upon; and we are obstinate in adhering to our resolution, as it was sudden and rash, and doubly bent on a.s.serting our authority in what we have least right to interfere in.

It is the wound inflicted upon our self-love, not the stain upon the character of the thoughtless offender, that calls for condign punishment. Crimes, vices may go unchecked or unnoticed; but it is the laughing at our weaknesses, or thwarting our humours, that is never to be forgotten. It is not the errors of others, but our own miscalculations, on which we wreak our lasting vengeance. It is ourselves that we cannot forgive. In the will of Nicholas Gimcrack the virtuoso, recorded in the _Tatler,_ we learn, among other items, that his eldest son is cut off with a single c.o.c.klesh.e.l.l for his undutiful behaviour in laughing at his little sister whom his father kept preserved in spirits of wine. Another of his relations has a collection of gra.s.shoppers bequeathed him, as in the testator's opinion an adequate reward and acknowledgment due to his merit. The whole will of the said Nicholas Gimcrack, Esq., is a curious doc.u.ment and exact picture of the mind of the worthy virtuoso defunct, where his various follies, littlenesses, and quaint humours are set forth as orderly and distinct as his b.u.t.terflies' wings and c.o.c.kle-sh.e.l.ls and skeletons of fleas in gla.s.s cases.(3) We often successfully try, in this way, to give the finis.h.i.+ng stroke to our pictures, hang up our weaknesses in perpetuity, and embalm our mistakes in the memories of others.

Even from the tomb the voice of nature cries, Even in our ashes live their wonted fires.