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The opera ended and the curtain fell. There was a buzz of talk.
"Our anthem comes now, Elsa," said I.
"Yes," she whispered, crus.h.i.+ng the bizarre satin rag of a programme that they had given her. "I have never heard Madame Mansoni," she added. I glanced at her; there was a blush on her cheek. She had heard of Madame Mansoni, although she had not heard her sing.
I put up my gla.s.s again and looked at Wetter. He nodded slightly but unmistakably, then flung his head back and laughed again. Now we waited only for Coralie. With her coming we should be complete.
The music began. By arrangement or impulse, I knew not which, everybody rose to their feet. Only Elsa and I sat still. The curtain rose and Coralie was revealed in her rare beauty and her matchless calm. A moment later the great full feelingless voice filled the theatre; she had had no doubt that she could fill the theatre. I saw Struboff leaning back in his chair, his shoulders eloquent of despair; I saw Wetter with straining eyes and curling lips, Varvilliers smiling in mischievous remembrance of our rehearsal. By my side Elsa was breathing quick and fast. I turned to her; her eyes were sparkling in triumph and excitement. It was a grand moment. She felt my glance; her cheek reddened, her eyes dropped, her lip quivered; the swiftest covert glance flew toward where Varvilliers was. I turned away with a sort of sickness on me.
Coralie's voice rose and fell, chanting out her words. The deadness of her singing seemed subtle mockery, as though she would not degrade true pa.s.sion to the service of this sham, as though the words were enough for such a marriage, and the spirit scorned to sanction it. Elsa's eyes were on her now, and the Countess leaned forward, gazing at her. The last verse came, and Coralie, with a low bow and a smile, sang it direct to me--to me across all the theatre, so plainly that now all heads were turned from her, the people facing round and looking all at me and at Elsa by my side. Every eye was on us. The song ended. A storm of cheers burst out. A short gasp or sob came from Elsa. The cheers swelled and swelled, handkerchiefs waved in the air. I rose to my feet, gave Elsa my hand, and helped her to rise. Then together we took a step forward and bowed to all. Silence fell. Coralie's voice rose again, repeating the last verse. Now all the chorus joined in. We stood till the song ended again, and through the tempest of cheers. There had been no such enthusiasm in Forstadt within the memory of man. The heart of the people went forth to us; it was a triumph, a triumph, a triumph!
The next day we were married, and in the evening my wife and I set out together for Artenberg. This was what Bederhof had arranged.
THE END.
BY ANTHONY HOPE.
The King's Mirror.
Ill.u.s.trated. 12mo. Cloth, $1.50.
Mr. Hope's new romance pictures the life of a prince and king under conditions modern, and yet shared by representatives of royalty almost throughout history. The interactions of the people and royalty, the aspirations of the prince, the intrigues surrounding him, the cares of state, and the craving for love, are some of the motives developed, with the accompaniments of incident and adventure, wherein the author proves his mastery of suspended interest and dramatic effect. It is a romance which will not only absorb the attention of readers, but impress them with a new admiration for the author's power.
The Chronicles of Count Antonio.
With Photogravure Frontispiece by S. W. Van Schaick. 12mo. Cloth, $1.50.
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