The German Classics of the Nineteenth and Twentieth Centuries Volume Xix Part 48

The smith sat erect, and his hairy right hand lay on the well-worn old Bible, from which he read every evening before supper. His two companions at table sat with strange humility at each side of the smith. Even now when the maid had left the room, all was still, as if no one could breathe. At last Ludwig, the smith's brother, pushed his chair back angrily and started to rise from the table.

"I will not sit here any longer," he exclaimed. His face was fair and young by contrast with the other, his figure slenderer, and more supple, and his ways more refined, such as one brings back from foreign lands. But his features resembled Stephen's, and his hair and beard were thick and wavy like the other's, only they were blond, beautiful silvery blond.

"Of course you will stay," said the smith in a low tone, but shortly, and gloomily, and as he raised his heavy arm to draw his brother back into the chair, the latter sat down again. He sat there as before, stooping over and staring at his plate. So too, sat Maria gazing into her plate. Yet her graceful blond head rose erect from her black neck frill, and her throat, which was of a strange, transparent, blue-white tint, showed a beautiful, upward curve; so that her depression only showed in the timid droop of her eyelids.

The smith took up the Bible. "And you are going to read too!" said the blond brother breathlessly, turning toward him suddenly, and once more half rising from his chair.

Stephen seized him by the wrist. "I shall do the same as every day.

When you have eaten your supper, you may go, and not before!"

Ludwig sank back again. There was no use in trying to do anything else; he could not prevail against his brother's bodily strength.

Mastering both the others with his quiet force, the smith sat towering above them and began to read from the Bible. He did not seek long. He opened the book and turned a few leaves.

"And Cain talked with Abel his brother: and it came to pa.s.s, when they were in the field, that Cain rose up against Abel his brother, and slew him."

Stephen closed the book with a bang. "Well--I made it short enough, didn't I?" said he. A peculiar drawn look disfigured his face yet more.

His lower jaw seemed to tremble as if with physical pain. Then he went on: "A man can also kill his brother, without laying hands on him--he can--he can--kill his soul, you see."

Two tears ran down Maria's pale, delicate face into her plate. She trembled as if with cold or fear. The blond brother s.n.a.t.c.hed up his sharp table-knife. "Now let me go, you!" he muttered savagely.

The table stood between him and the door. Stephen rose and stood before the door. His head reached almost to the ceiling of the high room. His shoulders were broader than the doorway that he was guarding. "Lay the knife down," said he. The other looked up at him and obeyed. It was unthinkable that he could defend himself against such a man.

Stephen came slowly back to the table. "When you are through eating, no one will keep you any longer," said he, "but supper must be eaten--everything in regular order."

So then they ate their strange meal together. Each took his portion from the platter onto his plate; Ludwig set his teeth and ate, neither more nor less than on ordinary days, the smith ate just as usual, but Maria took only a few drops which seemed to choke her. When they had eaten in silence, Ludwig rose, and forced out two or three words.

"Now--perhaps I may go--now--" and he took his blacksmith's cap from a chair near by.

Stephen Fausch, the smith, did not hinder him. He too arose, picked up his ragged leather ap.r.o.n from the floor, and tied the stiff thing on.

Meanwhile his brother stepped to the door. There he made some sign to Maria, and for a moment it seemed as if she too was going to turn toward him; but in an instant it was as if fear had overcome them both.

Maria put the plates together, and the blond young man left the room without any sign of farewell. With leisurely tread the smith followed his departing brother.

On the landing Ludwig picked up a traveling sack that was already packed, slung it on a stick, and shouldered it. Then he walked out with a long, firm stride, exactly like his brother Stephen's. The smith followed the younger man down the steps of the house and as far as the workshop, into which he stepped for a moment. When he had fumbled about among his tools and came back to the threshold, he was carrying his heavy sledge hammer in his right hand, from long habit. He stood leaning on the blackened handle, the heavy head of the hammer buried in the snow, and looked after his brother, who was walking along the road northward, toward the wood. Above this wood a sharp, orange red streak now seemed to slash through the monotony of the landscape like a gaping wound. The sun was sinking. The dark, still and motionless wood seemed to keep watch and ward over the young man's path, above this the flame colored band, against which the separate treetops were outlined as if a fret-saw had cut them out of the brilliant background. A yellow tint lay also upon the road, and Ludwig's figure, the only living thing in sight, looked taller and sharply outlined. He now stood still, looked about him and threw the sack from his shoulder onto the snow. When Stephen saw this, he stepped out into the road and planted himself firmly there, as if he were asking: What's this? What now? The brothers stood thus for several minutes, and it was strange to see the two men standing in the middle of the road, burly and motionless as if defying each other: "You can't make me stir from this spot." Finally Ludwig took up his bundle, strode off with rapid steps, soon reached the wood and disappeared. Then Stephen Fausch also left the road. He busied himself in the workshop for a while, and then went back to his wife.

Maria seemed to have been whispering with the maid in the kitchen. As she heard his step on the landing, she slipped back into the living room, and as he entered, she seemed undecided what to busy herself with, and afraid that he might notice her confusion. Since she found nothing to her purpose, she turned at the window and faced him, supporting herself with trembling hands on the window-sill. The waning light streamed over her blond head, her slender shoulders, and her delicate, long neck. Her face was almost as white as her throat, her eyebrows were light and glistened against her brow like gold. Her blue eyes were big and dark with fear.

Stephen walked up to her and placed a chair in front of her. Then she shrank together, and crossed her slender arms, as if she were cringing from a blow.

"You needn't s.h.i.+ver so, I shall not beat you," said the smith. Her lips parted, but no words came at first.

"Let me--let me go--I--don't want to be in your way any more," she stammered at last.

Fausch sank into the chair, close in front of her: he was now like a block, barring her way. "Don't try it," said he, "you know me--don't you try to run away, I should have you brought back!" He threw his arm over the back of the chair, and the sudden movement made her shrink again, as if he had meant to strike her.

"No, no, I will stay," she whispered, trembling.

He leaned forward and gazed long at his beautiful wife, from head to foot. "You have n.o.body left," he said slowly. "Your people are all dead. That is why you took me, as you told me, for the sake of a home.

But--you have one thing--a pretty face--you have that! And Ludwig found that out too."

Stephen spat.

"He--we--it all came over us so"--Maria began to explain in a frightened tone.

"Ha, ha!" laughed the smith, and grasped her wrist, which his hand encircled like a handcuff, and shook her.

She cried out.

"Be still," he commanded, "I shall not beat you." Then he pushed her from him. She slipped away to the back part of the room, found her knitting, dropped into a chair and began to put the st.i.tches in order.

"When is the child coming?" asked Fausch after a while, speaking over his shoulder. Obediently she put her hand to her forehead and thought.

"It will be in the summer," she said humbly.

Stephen got up. He took off his leather ap.r.o.n and went into the next room. After a time he came back in his Sunday coat, pa.s.sed his wife without a word, and went out of the door. He made his usual trip to the tavern as his custom was on Sundays. It was late when he came home.

Chapter II

Maria, the smith's wife, had not been spoiled. At home her father and her brothers had beaten her, and now that they were all dead, although indeed, as Fausch's wife, she had no more blows to endure, yet her life with Stephen was none the easier because he did not strike her, as others might have done; for Stephen was a violent man--though his will was violent rather than his fists. No one else had a will of such a bull-like obstinacy. For this reason many pitied his wife, and this was why she cringed; she had grown used to cringing.

In Waltheim, the village to which the smithy belonged, a bit of news had been traveling about for some time: Ludwig Fausch was gone, and had been sent away by his brother, the smith, on account of Maria, his wife. She was going to have a baby! Finally--Ludwig--

More they would not say. The love of gossip is so mean. They only hinted, and never spoke out plainly.

All the life of the great country road pa.s.sed by the smithy, a road that came from far away, and went on and on, to vanish in the far, far distance. Heavy teams came by on working days, as well as the lighter traveling carriages of country doctors or commercial travelers and the rumbling carts of the peasants. They knew of the smithy on their way, and used to give Stephen Fausch work. His best customers were the cattle and horse dealers, who used to travel to North Germany, and also southward toward Italy. They called the smithy their halfway house and always had Fausch attend to their wagons and their animals. Moreover, they had a certain weakness for the stubborn fellow, or perhaps this weakness was only fear of him, since he had gradually come to be a sort of master over the stretch of road on which he dwelt. Among the traders, little Moritz Hallheimer was the one who came from the greatest distance. He was a wiry, thin old man, neat and active, with gray beard and hair, bad teeth, and weak eyes hidden behind dark gla.s.ses. He was shrewd and talkative and knew a great many people, and because he thought Stephen one of the most unusual men among his acquaintance, he always stopped a while at the smithy and watched him with wonder, but could never understand him.

One evening in early summer, Moritz Hallheimer arrived from Waltheim.

He was sitting in his small open wagon, driving his brown trotting horse without any whip. On both sides and at the back of the wagon were tied six horses that he had for sale. Their hoofs and legs were white with dust, for they had made a long journey. The trader came onward from the woods toward the smithy through the golden light of the setting sun. So bright was this golden haze between him and the blacksmith shop, that the horses and wagon could not be seen, and Stephen, the smith, who was hammering at a wagon in front of his workshop, suddenly saw him appear with his trotting horses as if coming out of a fire. Fausch shaded his eyes with his swarthy arm, then he bent once more over his work and let the trader come up to him.

Hallheimer found other customers already there. For a time the road was blocked with vehicles. Two peasants stood watching Stephen, who was mending their broken pole with a metal ring. Beyond them, a woman sat, on a wagon loaded with vegetables, waiting for the smith to shoe her mare who had gone lame.

"Good evening, Stephen," said the trader, and received a curt greeting in return. Then Fausch drove the last nail into the pole of the peasants' wagon. As he stood erect again, the brilliant purity of the evening seemed, as it were, to recoil from his grimy figure. No brightness appeared on his swarthy face surrounded with the thick black beard. His flannel s.h.i.+rt, trousers and leather ap.r.o.n, and even his arms and hands were as dark as the inside of his workshop, whose dinginess he seemed, as it were, to wear on his person. And the grimy fellow, who seemed really an insult to the sunset glow, stood there like a tree trunk, taller and broader than any one else on the road.

"You can harness up," said he to the peasants, who at once went to bring their poor old nags from a hitching post near by. The vegetable woman began to unharness her little horse; but Stephen did not concern himself about her. He turned to the trader.

"You have come over the mountains from Italy?" he asked.

Hallheimer held out his hand, which the smith took, at the same time glancing at the wagon and inspecting the horses.

"I haven't any work for you today," said the trader, "I only thought I would pa.s.s a word with you."

"The gray has a shoe loose," said Stephen, untying the horse he had pointed out.

"Never mind. He can easily go as far as the stable," said the other, declining the proffered aid; but Stephen was already leading the creature to the ring in the wall, where he tied him. So the little man got down from the wagon, laughing to himself, and let the smith have his own way. He knew Stephen. Whatever he took into his head, he must do. Many complained of him for this reason. He never asked what work he should do, but took it in hand himself, and did it according to his own ideas, no matter if the customers told him ten times over that they wanted it done differently.

Meanwhile the woman on the vegetable wagon was growing uneasy. "Hallo, smith," she called out, "I came here first. You must take my horse first!"

"That's so," said Hallheimer goodnaturedly, "she did come first."

"After I've done with this, or not at all," said the smith, loosening the shoe from the gray's foot.