Legacy of the Dead Part 26

With a glowing face he said, "I'll have mysel' one of them!"

"I'm sure you will," Rutledge answered.

And then, as if in payment for the special treat, the boy leaned toward him, standing on tiptoe. "There was was a man with Betty-I saw him. Even though she claimed it was only the sun playing tricks." a man with Betty-I saw him. Even though she claimed it was only the sun playing tricks."

"What did he look like?" Rutledge asked quickly, suddenly intent.

The boy backed away, already regretting his confidence. "Fair," he mumbled, and then ran back to the croft door, slipping between his mother's skirts and his father's legs. Disappearing into the house.

Rutledge nodded to the Lawlors, then turned the car around. He had lost his escort back through the glen. But it had been worth it.

25.

WARY OF BEING FOLLOWED, RUTLEDGE DIDN'T STAY THE night in Lanark as he'd intended. The last thing he wanted to do was lead someone to the small clinic and Dr. Wilson. Instead he drove some distance beyond the town, then decided to continue to Duncarrick through the night. With scones, pork pies, and tea he bought at a pub, and Hamish to keep him awake, he let the smooth sound of the engine form a backdrop to his thoughts. His headlamps picked out road signs and the dark fronts of towns and farms as he mentally went back through all his notes, looking at every word with a fresh eye. night in Lanark as he'd intended. The last thing he wanted to do was lead someone to the small clinic and Dr. Wilson. Instead he drove some distance beyond the town, then decided to continue to Duncarrick through the night. With scones, pork pies, and tea he bought at a pub, and Hamish to keep him awake, he let the smooth sound of the engine form a backdrop to his thoughts. His headlamps picked out road signs and the dark fronts of towns and farms as he mentally went back through all his notes, looking at every word with a fresh eye.

Well, reasonably fresh, he told himself as he finished the last of the scones. He stopped several times to stretch his legs or clear his head, the night air cool on his face and the moonlight turning the landscape into stark shapes of deep shadows and brighter patches. It was a far cry from France, he thought, where the long line of the battlefield had no natural definition, the trees blasted into black fingers of ruined trunks and the gentle roll of the fields destroyed in the sh.e.l.ling, with man-made twists of wire and humps of sh.e.l.l-tortured earth the only landmarks. A bizarre black-and-gray world where only the scavengers lived.

Except for a lorry or two, a skittering of hares racing across his headlamps, and once a wagon filled with crates of chickens on their way to market, there was less and less traffic on the road as the hours pa.s.sed.

Hamish said, "Any decent man is at home in his bed!"

But Rutledge was at peace with the night. It was, he thought, a sanctuary of sorts, where there was no one else to overhear the voice in his head or the long conversations that sometimes tricked him into answering aloud.

Nor did he fear that the sniper might try again. In the night even a marksman would find it impossible to shoot at a moving target, a tire or a radiator, to send Rutledge careering into a ditch. But it helped to keep him awake, thinking about that as well.

"It's a foolish man-or a desperate one-shooting at a policeman."

"It was a warning," Rutledge answered. "I've come too close to something. Or to someone. I've breached the outer defenses of a wall of silence."

Hamish said, "It wasna' a woman, to climb that far with a rifle."

"There's no way to be sure of that. But I rather think you're right. I would give much to know when the first cracks appeared in that wall." Rutledge smiled to himself. "I'd take great pleasure in widening them!"

WHEN HE REACHED Duncarrick, he bathed and shaved, went to bed, and slept two hours. Then he went in search of Constable McKinstry. Duncarrick, he bathed and shaved, went to bed, and slept two hours. Then he went in search of Constable McKinstry.

Rutledge ran him to earth making his rounds, coming back from the east end of town with a clutch of small boys in his wake. Their faces were long, downcast. Truants by the look of them. McKinstry dropped them off at the school, where a stern school-master had been watching for him. The boys went in through the door with the air of the condemned, dragging their feet.

"Future criminals," McKinstry said, catching sight of Rutledge standing in a shop doorway. "But they're not bad, really, they just have no taste for learning. I probably didn't either at that age. And they're fatherless. It doesn't help."

"It's an excuse they'll hear until they believe it."

"Still, we make allowances." The constable grinned ruefully. "The headmaster, now, he he won't." As the grin faded, he added, "I thought you'd finished with us." won't." As the grin faded, he added, "I thought you'd finished with us."

"Not finished, no." They turned to walk along together. "Do you remember, when you came to ask Morag if you could speak to me, what you told me about solving crimes in Duncarrick? You said you knew the people, and that that was often the key to finding who had stolen a horse and why-who had killed a lamb and why."

"Yes. It's true-"

"But in Fiona's case, you were at a loss. You couldn't draw on your knowledge of this town to find out who was persecuting her."

"That's right. I don't have the experience to put with the knowledge."

They crossed the square and dodged a milk dray lumbering past. Rutledge said, "I'm working at a disadvantage also. Eleanor Gray is pulling me in one direction, and Fiona MacDonald is pulling me in another. I can't find the link between them. In life, I mean. How they met, why they met, when and where they met." He took a deep breath. "If Fiona didn't murder Eleanor Gray, then whose bones do we have on a mountainside in Glencoe? And if those bones belong to Eleanor Gray, then how did she come to die there in a wilderness four or five months after she arrived in Scotland?"

"The brooch-"

"Yes." Rutledge stopped outside the hotel. "The brooch. It's d.a.m.ning. But it doesn't put a name to the bones, does it? Only to the killer."

McKinstry rubbed his eyes. "I lay awake at night and try to find an answer. Inspector Oliver says she admitted that the thing belonged to her mother. He came to me later and asked if I'd seen Fiona wearing it after she moved here to Duncarrick. And I can't remember! And I can't remember!"

"Why not?" It was curt, accusing.

"Because I want so badly to remember that I can't be sure it's true. She wore a green dress, I remember that very well. But I can't be sure if she had a scarf at her throat, or that d.a.m.ned brooch! And sometimes she wore her aunt's pin. It wasn't something a man would think was important, and I'm not much with women's clothing anyway. The green dress was wonderful with her eyes. The rose one brought out the darkness of her hair. And in the summer there was a very soft cream-color affair with a wide collar and sprigs of some flower in a print. Lavender, like lilacs or heliotrope. I can't tell you how they were cut or what she wore with them. Or whether she had on that one brooch-" There was anguish in his face.

"Then what did you tell Oliver?"

"I told him the truth-I couldn't remember!"

"You might have lied, for her sake."

"Yes," McKinstry said with heavy sorrow. "I thought of that too. But I'm trained to duty." He started to walk away, then turned around again. "Would you you lie to save her?" Whatever he saw in Rutledge's face, he continued, "If I have to, I'll change my testimony in the courtroom. I'd hoped-I thought you might have looked into it. But you went away and did nothing. d.a.m.ning as it was, you did nothing!" lie to save her?" Whatever he saw in Rutledge's face, he continued, "If I have to, I'll change my testimony in the courtroom. I'd hoped-I thought you might have looked into it. But you went away and did nothing. d.a.m.ning as it was, you did nothing!"

"Oliver made it plain it was none of my business." Rutledge smiled wryly. "And I've been occupied with Eleanor Gray. I told you."

"Yes, well, if the Gray woman is dead, she's well out of it. If she's alive, I wish to G.o.d she'd show her face before it's too late."

This time he turned away and kept walking.

Rutledge looked after him. Hamish taunted, "You didna' confront him with what you've learned about yon brooch!"

Pa.s.sing through the lobby, Rutledge responded silently, "No. It was more useful to see if he'd bring up the brooch- and in what context. Persuasive, was he, do you think?"

"He left it sitting at your door. I wouldna' call that a verra' brave defense of the accused!"

"Well, then, if he didn't put the brooch in the hands of Betty Lawlor, he must have come close to losing his own belief in Fiona's innocence when he heard the story Betty had to tell! He didn't have much to say on the drive back from the glen, and he didn't have much to say just now."

"If he's behind yon business of the brooch, then it was clever of him to make the Yard an ally-as you pointed out the holes in the charges, he set about filling them in!"

Climbing the stairs, Rutledge answered: "Then he shouldn't have given his own name to that Glasgow jeweler! Was it McKinstry who drove Eleanor Gray north?"

"He was in France in 1916."

Rutledge stopped at the head of the stairs. "No. He told Morag that he had met me there. Until now I've had no reason to doubt what he'd said. It will have to be checked."

"He had a verra' good reason to fire at you in the glen. To prevent you from talking to Betty Lawlor."

"That's possible, yes." He opened the door to his room and threw his hat on the chair beside the bed. Crossing to the window, he looked out at the clouds moving in from the west. "I don't know. I'm a better judge of character, I think, than to be taken in by McKinstry-" He shook his head. "I haven't finished it. It may never be finished."

"Your meddling is no' making someone happy."

Rutledge turned from the window and took a deep breath. "If it isn't Fiona who matters, and it isn't the inn, where's the p.a.w.n in all of this?"

"The boy."

"Yes," Rutledge said slowly. "The legacy of the dead. Why is that so very important?"

But Hamish had no answer to give him.

RUTLEDGE ATE A hurried lunch and then went to the police station, requesting to see Fiona MacDonald. hurried lunch and then went to the police station, requesting to see Fiona MacDonald.

Pringle, on duty, protested, "I don't know that I can give you the key, sir! Inspector Oliver says you've finished with this part of the investigation."

"I thought I was," Rutledge said easily. "I have here a list of names, men who might have known Eleanor Gray. We haven't asked Miss MacDonald if any of them mean anything to her. If Oliver complains, send him to me."

Pringle reached behind the desk for the key and handed it over.

Rutledge found Fiona standing, as if she'd been restlessly pacing her cell. Little enough exercise for a woman accustomed to having her days filled with activity at The Reivers. Prisoners often complained about that-the sheer, wasting boredom of waiting for trial.

He shut the door behind him and began by saying, "I saw the child the other day. He had been feeding the cat with Drummond."

"Did he look well? Happy?" she asked anxiously. "I wonder often if he's sleeping properly. Or if he has nightmares-"

"He seemed happy enough." He took out his list of names and slowly read them to her, watching her face. But Fiona shook her head.

"I can't identify any of them. I'm sorry."

Closing his notebook, he said, "Fiona. If you didn't kill the mother of that child-if you're being persecuted for no reason that either of us can put a finger on-then I'm forced to ask myself what there is about that child that threatens someone's peace enough to get at him through harming you."

"How could such a small boy threaten anyone!" she parried, surprised.

"I don't know. But the deeper I go into this mystery of yours, the more certain I am that he's the key."

"He's only a little boy who thought he belonged to me. He doesn't know or care who his real mother was-who his father might have been. And there's no fortune unless he's allowed to inherit The Reivers when I'm-dead."

"But someone does care. For a time I considered the possibility that it had to do with the Gray fortune. Or protecting a family's reputation. Now I'm less convinced. In my judgment, the child's important because no one is sure exactly who he is, and either someone wants that proof-or wants to bury it with you. I'm beginning to think that the hope was, if the police investigated thoroughly enough, they'd find the answer to the question of his mother's ident.i.ty. And save someone else the trouble of doing so. Or else the court will hang you and save that someone else the trouble of getting rid of you before you speak out."

Something in her eyes told him that he was close to the truth-but not really there. That he still hadn't put his finger on the crux of Fiona's secret.

As if talking to himself, he murmured, "A child who came to light at the wrong time could cheat someone out of an inheritance. Or embarra.s.s a family on the point of contracting an important marriage. Or bring to light a liaison that has been hidden until now." He added after a moment, "Or it might be that someone wants him rather badly but doesn't want to step forward and admit that the boy is hers-or his. If Ian is in an orphanage, he can be adopted properly, without revealing any connection with you or him."

Fiona said carefully, "If I told you the name of Ian's father, you'd find nothing in the knowledge to explain what's happening. He was an ordinary man. A very kind and a very good man. But a very ordinary man."

"If he's dead, then we're left with the mother."

"Why should his mother-who most certainly knew who that child is-fear him in any way?"

"Then why is she protecting him? At the cost of your life?"

"She's dead. She can't protect anyone, not even herself."

Rutledge said, "Let's examine another possibility. That the child is precisely what you say he is-an ordinary child with an ordinary father, threatening no one. That his mother is dead. What if-mind you, this is pure speculation, but hear me out-what if someone thinks thinks the boy matters? And removing you from his guardians.h.i.+p is necessary to prevent him from ever being identified. What if someone has been searching for some time for a missing child about Ian's age? And that someone believes, without a shadow of doubt, that he's been found here in Duncarrick." the boy matters? And removing you from his guardians.h.i.+p is necessary to prevent him from ever being identified. What if someone has been searching for some time for a missing child about Ian's age? And that someone believes, without a shadow of doubt, that he's been found here in Duncarrick."

"You have a wonderful imagination," she said, smiling in spite of herself. "Or have you convinced yourself that the mother of Eleanor Gray is trying to prevent Ian from ruining her family's reputation?"

"Imagination has often been the best and quickest way through a thicket of lies." He made a swift decision and s.h.i.+fted direction. "Whose wedding ring do you wear on a chain around your neck?"

Her face flamed. "Who told you such a thing?"

"Dorothea MacIntyre. She didn't mean to betray you. In the course of describing how well you'd cared for her when she was ill, she spoke of it. She believed it was truly yours."

"It was my grandmother's ring. If I was a married woman, I ought to have a ring. But it was loose, it didn't fit my finger. So I wore it around my neck, telling my aunt that I was afraid it might fall off and be lost. You'll find it at the inn. Unless someone has taken that as well! I put it away when I could no longer call myself Mrs. MacLeod." She looked away. The memory hurt her.

Earnestly, he said, "Won't you tell me which one of my guesses is closest to the truth? Because once I know, I can protect you, I can protect that child."

"But you can't give him back to me when it's over!" It was a cry of anguish. "You've already told me that no matter how this ends, I shall never have him back again."

He looked at her, trying to read her face. "Is that the bargain you're making with me? If I can guarantee that you shall have your child again, you will finally tell me the truth?"

She bit her lip, torn between duty and love and hope.

He had finally found the key to Fiona MacDonald's silence. Something she wanted more than life-even her own life. That child.

Then, to his utter astonishment, she replied, "Will you kill someone for me? Because if you can't, promises will be useless."

She read his answer in his face.

"No. I didn't think you could." There was infinite sorrow in her voice.

He waited, but she said nothing more. No explanation, no self-defense for even asking such a thing of him.

Into the silence he asked, "Do you trust Constable McKinstry?"

Surprised, she said, "Yes. I think I do. Why shouldn't I? He wanted to marry me."

Hamish said, "If he wed her, he'd have custody of the child. Is that what began this business, her refusal?"

"Why didn't you marry him?" Rutledge asked. "Ian would have had a proper father."

"I didn't want to marry. I didn't want to wake up in the morning and find his face on the pillow next to mine. Or anyone else's. I don't love him. I gave my heart away once. I never want to do it again. It hurts too much!"

He thought of Jean. Yes, it hurt far more than it should, to love.

Fiona smoothed her hands together. "Have you ever made a house of playing cards? I used to do it for the Davison children sometimes. It always falls in upon itself. That's my dilemma, Ian Rutledge. How to keep the cards from falling in on themselves. And try as I will, I don't see the way to prevent it. It will be better for my son to grow up hating me or not even remembering my name and face than for the cards to fall in."