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The Three Impostors Part 12

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"But, pardon me, Miss Leicester, I understood you were in some difficulty. You were kind enough to ask me to a.s.sist you in some way."

"Ah," she said, "I had forgotten that. My own present trouble seems of such little consequence in comparison with what I have told you. But as you are so good to me, I will go on. You will scarcely believe it, but I found that certain persons suspected, or rather pretended to suspect that I had murdered my brother. These persons were relatives of mine, and their motives were extremely sordid ones; but I actually found myself subject to the shameful indignity of being watched. Yes, sir, my steps were dogged when I went abroad, and at home I found myself exposed to constant if artful observation. With my high spirit this was more than I could brook, and I resolved to set my wits to work and elude the persons who were shadowing me. I was so fortunate as to succeed. I a.s.sumed this disguise, and for some time have lain snug and unsuspected.

But of late I have reason to believe that the pursuer is on my track; unless I am greatly deceived, I saw yesterday the detective who is charged with the odious duty of observing my movements. You, sir, are watchful and keen-sighted; tell me, did you see any one lurking about this evening?"

"I hardly think so," said Dyson, "but perhaps you would give me some description of the detective in question."

"Certainly; he is a youngish man, dark, with dark whiskers. He has adopted spectacles of large size in the hope of disguising himself effectually, but he cannot disguise his uneasy manner, and the quick, nervous glances he casts to right and left."



This piece of description was the last straw for the unhappy Dyson, who was foaming with impatience to get out of the house, and would gladly have sworn eighteenth century oaths if propriety had not frowned on such a course.

"Excuse me, Miss Leicester," he said with cold politeness, "I cannot a.s.sist you."

"Ah!" she said sadly, "I have offended you in some way. Tell me what I have done, and I will ask you to forgive me."

"You are mistaken," said Dyson, grabbing his hat, but speaking with some difficulty; "you have done nothing. But, as I say, I cannot help you.

Perhaps," he added, with some tinge of sarcasm, "my friend Russell might be of service."

"Thank you," she replied; "I will try him," and the lady went off into a shriek of laughter, which filled up Mr. Dyson's cup of scandal and confusion.

He left the house shortly afterwards, and had the peculiar delight of a five-mile walk, through streets which slowly changed from black to gray, and from gray to s.h.i.+ning pa.s.sages of glory for the sun to brighten. Here and there he met or overtook strayed revellers, but he reflected that no one could have spent the night in a more futile fas.h.i.+on than himself; and when he reached his home he had made resolves for reformation. He decided that he would abjure all Milesian and Arabian methods of entertainment, and subscribe to Mudie's for a regular supply of mild and innocuous romance.

STRANGE OCCURRENCE IN CLERKENWELL.

Mr. Dyson had inhabited for some years a couple of rooms in a moderately quiet street in Bloomsbury, where, as he somewhat pompously expressed it, he held his finger on the pulse of life without being deafened with the thousand rumors of the main arteries of London. It was to him a source of peculiar, if esoteric gratification, that from the adjacent corner of Tottenham Court Road a hundred lines of omnibuses went to the four quarters of the town; he would dilate on the facilities for visiting Dalston, and dwell on the admirable line that knew extremest Ealing and the streets beyond Whitechapel. His rooms, which had been originally "furnished apartments," he had gradually purged of their more peccant parts; and though one would not find here the glowing splendors of his old chambers in the street off the Strand, there was something of severe grace about the appointments which did credit to his taste. The rugs were old, and of the true faded beauty; the etchings, nearly all of them proofs printed by the artist, made a good show with broad white margins and black frames, and there was no spurious black oak. Indeed, there was but little furniture of any kind: a plain and honest table, square and st.u.r.dy, stood in one corner; a seventeenth century settle fronted the hearth; and two wooden elbow-chairs, and a bookshelf of the Empire made up the equipment, with an exception worthy of note. For Dyson cared for none of these things. His place was at his own bureau, a quaint old piece of lacquered-work at which he would sit for hour after hour, with his back to the room, engaged in the desperate pursuit of literature, or, as he termed his profession, the chase of the phrase.

The neat array of pigeon-holes and drawers teemed and overflowed with ma.n.u.script and note-books, the experiments and efforts of many years; and the inner well, a vast and cavernous receptacle, was stuffed with acc.u.mulated ideas. Dyson was a craftsman who gloved all the detail and the technique of his work intensely; and if, as has been hinted, he deluded himself a little with the name of artist, yet his amus.e.m.e.nts were eminently harmless, and, so far as can be ascertained, he (or the publishers) had chosen the good part of not tiring the world with printed matter.

Here, then, Dyson would shut himself up with his fancies, experimenting with words, and striving, as his friend the recluse of Bayswater strove, with the almost invincible problem of style, but always with a fine confidence, extremely different from the chronic depression of the realist. He had been almost continuously at work on some scheme that struck him as well-nigh magical in its possibilities since the night of his adventure with the ingenious tenant of the first floor in Abingdon Grove; and as he laid down the pen with a glow of triumph, he reflected that he had not viewed, the streets for five days in succession. With all the enthusiasm of his accomplished labor still working in his brain, he put away his papers, and went out, pacing the pavement at first in that rare mood of exultation which finds in every stone upon the way the possibilities of a masterpiece. It was growing late, and the autumn evening was drawing to a close amidst veils of haze and mist, and in the stilled air the voices, and the roaring traffic, and incessant feet seemed, to Dyson like the noise upon the stage when all the house is silent. In the square, the leaves rippled down as quick as summer rain, and the street beyond was beginning to flare with the lights in the butcher's shops and the vivid illumination of the green-grocer. It was a Sat.u.r.day night, and the swarming populations of the slums were turning out in force; the battered women in rusty black had begun to paw the lumps of cagmag, and others gloated over unwholesome cabbages, and there was a brisk demand for four-ale. Dyson pa.s.sed through these night-fires with some relief; he loved to meditate, but his thoughts were not as De Quincey's after his dose; he cared not two straws whether onions were dear or cheap, and would not have exulted if meat had fallen to twopence a pound. Absorbed in the wilderness of the tale he had been writing, weighing nicely the points of plot and construction, relis.h.i.+ng the recollection of this and that happy phrase, and dreading failure here and there, he left the rush and the whistle of the gas-flares behind him, and began to touch upon pavements more deserted.

He had turned, without taking note, to the northward, and was pa.s.sing through an ancient fallen street, where now notices of floors and offices to let hung out, but still about it there was the grace and the stiffness of the Age of Wigs; a broad roadway, a broad pavement, and on each side a grave line of houses with long and narrow windows flush with the walls, all of mellowed brick-work. Dyson walked with quick steps, as he resolved that short work must be made of a certain episode; but he was in that happy humor of invention, and another chapter rose in the inner chamber of his brain, and he dwelt on the circ.u.mstances he was to write down with curious pleasure. It was charming to have the quiet streets to walk in, and in his thought he made a whole district the cabinet of his studies, and vowed he would come again. Heedless of his course, he struck off to the east again, and soon found himself involved in a squalid network of gray two-storied houses, and then in the waste void and elements of brick-work, the pa.s.sages and unmade roads behind great factory walls, enc.u.mbered with the refuse of the neighborhood, forlorn, ill-lighted, and desperate. A brief turn, and there rose before him the unexpected, a hill suddenly lifted from the level ground, its steep ascent marked by the lighted lamps, and eager as an explorer Dyson found his way to the place, wondering where his crooked paths had brought him. Here all was again decorous, but hideous in the extreme.

The builder, some one lost in the deep gloom of the early 'twenties, had conceived the idea of twin villas in gray brick, shaped in a manner to recall the outlines of the Parthenon, each with its cla.s.sic form broadly marked with raised bands of stucco. The name of the street was all strange, and for a further surprise, the top of the hill was crowned with an irregular plot of gra.s.s and fading trees, called a square, and here again the Parthenon-motive had persisted. Beyond the streets were curious, wild in their irregularities, here a row of sordid, dingy dwellings, dirty and disreputable in appearance, and there, without warning, stood a house genteel and prim with wire blinds and brazen knocker, as clean and trim as if it had been the doctor's house in some benighted little country town. These surprises and discoveries began to exhaust Dyson, and he hailed with delight the blazing windows of a public-house, and went in with the intention of testing the beverage provided for the dwellers in this region, as remote as Libya and Pamphylia and the parts about Mesopotamia. The babble of voices from within warned him that he was about to a.s.sist at the true parliament of the London workman, and he looked about him for that more retired entrance called private. When he had settled himself on an exiguous bench, and had ordered some beer, he began to listen to the jangling talk in the public bar beyond; it was a senseless argument, alternately furious and maudlin, with appeals to Bill and Tom, and mediaeval survivals of speech, words that Chaucer wrote belched out with zeal and relish, and the din of pots jerked down and coppers rapped smartly on the zinc counter made a thorough ba.s.s for it all. Dyson was calmly smoking his pipe between the sips of beer, when an indefinite looking figure slid rather than walked into the compartment. The man started violently when he saw Dyson placidly sitting in the corner, and glanced keenly about him. He seemed to be on wires, controlled by some electric machine, for he almost bolted out of the door when the barman asked with what he could serve him, and his hand s.h.i.+vered as he took the gla.s.s.

Dyson inspected him with a little curiosity; he was m.u.f.fled up almost to the lips, and a soft felt hat was drawn down over his eyes; he looked as if he shrank from every glance, and a more raucous voice suddenly uplifted in the public bar seemed to find in him a sympathy that made him shake and quiver like a jelly. It was pitiable to see any one so thrilled with nervousness, and Dyson was about to address some trivial remark of casual inquiry to the man, when another person came into the compartment, and, laying a hand on his arm, muttered something in an undertone, and vanished as he came. But Dyson had recognized him as the smooth-tongued and smooth-shaven Burton, who had displayed so sumptuous a gift in lying; and yet he thought little of it, for his whole faculty of observation was absorbed in the lamentable and yet grotesque spectacle before him. At the first touch of the hand on his arm, the unfortunate man had wheeled round as if spun on a pivot, and shrank back with a low, piteous cry, as if some dumb beast were caught in the toils.

The blood fled away from the wretch's face, and the skin became gray as if a shadow of death had pa.s.sed in the air and fallen on it, and Dyson caught a choking whisper--

"Mr. Davies! For G.o.d's sake, have pity on me, Mr. Davies. On my oath, I say--" and his voice sank to silence as he heard the message, and strove in vain to bite his lip; and summon up to his aid some tinge of manhood.

He stood there a moment, wavering as the leaves of an aspen, and then he was gone out into the street, as Dyson thought silently, with his doom upon his head. He had not been gone a minute when it suddenly flashed into Dyson's mind that he knew the man; it was undoubtedly the young man with spectacles for whom so many ingenious persons were searching; the spectacles indeed were missing, but the pale face, the dark whiskers, and the timid glances were enough to identify him, Dyson saw at once that by a succession of hazards he had unawares. .h.i.t upon the scent of some desperate conspiracy, wavering as the track of a loathsome snake in and out of the highways and byways of the London cosmos; the truth was instantly pictured before him, and he divined that all unconscious and unheeding he had been privileged to see the shadows of hidden forms, chasing and hurrying, and grasping and vanis.h.i.+ng across the bright curtain of common life, soundless and silent, or only babbling fables and pretences. For him in an instant the jargoning of voices, the garish splendor, and all the vulgar tumult of the public-house became part of magic; for here before his eyes a scene in this grim mystery play had been enacted, and he had seen human flesh grow gray with a palsy of fear; the very h.e.l.l of cowardice and terror had gaped wide within an arm's breadth. In the midst of these reflections, the barman came up and stared at him as if to hint that he had exhausted his right to take his ease, and Dyson bought another lease of the seat by an order for more beer. As he pondered the brief glimpse of tragedy, he recollected that with his first start of haunted fear the young man with whiskers had drawn his hand swiftly from his great coat pocket, and that he had heard something fall to the ground; and pretending to have dropped his pipe, Dyson began to grope in the corner, searching with his fingers. He touched some thing, and drew it gently to him, and with one brief glance, as he put it quietly in his pocket, he saw it was a little old-fas.h.i.+oned note book, bound in faded green morocco.

He drank down his beer at a gulp, and left the place, overjoyed at his fortunate discovery, and busy with conjecture as to the possible importance of the find. By turns he dreaded to find perhaps mere blank leaves, or the labored follies of a betting-book, but the faded morocco cover seemed to promise better things, and hint at mysteries. He piloted himself with no little difficulty out of the sour and squalid quarter he had entered with a light heart, and emerging at Gray's Inn Road, struck off down Guilford Street, and hastened home, only anxious for a lighted candle and solitude.

Dyson sat down at his bureau, and placed the little book before him; it was an effort to open the leaves and dare disappointment. But in desperation at last he laid his finger between the pages at haphazard, and rejoiced to see a compact range of writing with a margin, and as it chanced, three words caught his glance, and stood out apart from the ma.s.s. Dyson read:

THE GOLD TIBERIUS,

and his face flushed with fortune and the l.u.s.t of the hunter.

He turned at once to the first leaf of the pocket-book, and proceeded to read with rapt interest the

HISTORY OF THE YOUNG MAN WITH SPECTACLES

From the filthy and obscure lodging, situated, I verily believe, in one of the foulest slums of Clerkenwell, I indite this history of a life which, daily threatened, cannot last for very much longer. Every day, nay, every hour, I know too well my enemies are drawing their nets closer about me; even now, I am condemned to be a close prisoner in my squalid room, and I know that when I go out I shall go to my destruction. This history, if it chance to fall into good hands, may, perhaps, be of service in warning young men of the dangers and pitfalls that most surely must accompany any deviation from the ways of rect.i.tude.

My name is Joseph Walters. When I came of age I found myself in possession of a small but sufficient income, and I determined that I would devote my life to scholars.h.i.+p. I do not mean the scholars.h.i.+p of these days; I had no intention of a.s.sociating myself with men whose lives are spent in the unspeakably degrading occupation of "editing"

cla.s.sics, befouling the fair margins of the fairest books with idle and superfluous annotation, and doing their utmost to give a lasting disgust of all that is beautiful. An abbey church turned to the base use of a stable or a bake-house is a sorry sight; but more pitiable still is a masterpiece spluttered over with the commentator's pen, and his hideous mark "cf."

For my part I chose the glorious career of scholar in its ancient sense; I longed to possess encyclopaedic learning, to grow old amongst books, to distil day by day, and year after year, the inmost sweetness of all worthy writings. I was not rich enough to collect a library, and I was therefore forced to betake myself to the Reading-Room of the British Museum.

O dim, far-lifted and mighty dome, Mecca of many minds, mausoleum of many hopes, sad house where all desires fail. For there men enter in with hearts uplifted, and dreaming minds, seeing in those exalted stairs a ladder to fame, in that pompous portico the gate of knowledge; and going in, find but vain vanity, and all but in vain. There, when the long streets are ringing, is silence, there eternal twilight, and the odor of heaviness. But there the blood flows thin and cold, and the brain burns adust; there is the hunt of shadows, and the chase of embattled phantoms; a striving against ghosts, and a war that has no victory. O dome, tomb of the quick; surely in thy galleries where no reverberant voice can call, sighs whisper ever, and mutterings of dead hopes; and there men's souls mount like moths towards the flame, and fall scorched and blackened beneath thee, O dim, far-lifted, and mighty dome.

Bitterly do I now regret the day when I took my place at a desk for the first time, and began my studies. I had not been an habitue of the place for many months, when I became acquainted with a serene and benevolent gentleman, a man somewhat past middle age, who nearly always occupied a desk next to mine. In the Reading-Room it takes little to make an acquaintance, a casual offer of a.s.sistance, a hint as to the search in the catalogue, and the ordinary politeness of men who constantly sit near each other; it was thus I came to know the man calling himself Dr.

Lipsius. By degrees I grew to look for his presence, and to miss him when he was away, as was sometimes the case, and so a friends.h.i.+p sprang up between us. His immense range of learning was placed freely at my service; he would often astonish me by the way in which he would sketch out in a few minutes the bibliography of a given subject, and before long I had confided to him my ambitions.

"Ah," he said, "you should have been a German. I was like that myself when I was a boy. It is a wonderful resolve, an infinite career. 'I will know all things;' yes, it is a device indeed. But it means this--a life of labor without end, and a desire unsatisfied at last. The scholar has to die, and die saying, 'I know very little.'"

Gradually, by speeches such as these, Lipsius seduced me: he would praise the career, and at the same time hint that it was as hopeless as the search for the philosopher's stone, and so by artful suggestions, insinuated with infinite address, he by degrees succeeded in undermining all my principles. "After all," he used to say, "the greatest of all sciences, the key to all knowledge, is the science and art of pleasure.

Rabelais was perhaps the greatest of all the encyclopaedic scholars; and he, as you know, wrote the most remarkable book that has ever been written. And what does he teach men in this book? Surely, the joy of living. I need not remind you of the words, suppressed in most of the editions, the key of all the Rabelaisian mythology, of all the enigmas of his grand philosophy, _Vivez joyeux_. There you have all his learning; his work is the inst.i.tutes of pleasure as the fine art; the finest art there is; the art of all arts. Rabelais had all science, but he had all life too. And we have gone a long way since his time. You are enlightened, I think; you do not consider all the petty rules and by-laws that a corrupt society has made for its own selfish convenience as the immutable decrees of the eternal."

Such were the doctrines that he preached; and it was by such insidious arguments, line upon line, here a little and there a little, that he at last succeeded in making me a man at war with the whole social system. I used to long for some opportunity to break the chains and to live a free life, to be my own rule and measure. I viewed existence with the eyes of a pagan, and Lipsius understood to perfection the art of stimulating the natural inclinations of a young man hitherto a hermit. As I gazed up at the great dome I saw it flushed with the flames and colors of a world of enticement, unknown to me, my imagination played me a thousand wanton tricks, and the forbidden drew me as surely as a loadstone draws on iron. At last my resolution was taken, and I boldly asked Lipsius to be my guide.

He told me to leave the Museum at my usual hour, half past four, to walk slowly along the northern pavement of Great Russell Street, and to wait at the corner of the street till I was addressed, and then to obey in all things the instructions of the person who came up to me. I carried out these directions, and stood at the corner looking about me anxiously, my heart beating fast, and my breath coming in gasps. I waited there for some time, and had begun to fear I had been made the object of a joke, when I suddenly became conscious of a gentleman who was looking at me with evident amus.e.m.e.nt from the opposite pavement of Tottenham Court Road. He came over, and raising his hat, politely begged me to follow him, and I did so without a word, wondering where we were going, and what was to happen. I was taken to a house of quiet and respectable aspect in a street lying to the north of Oxford Street, and my guide rang the bell, and a servant showed us into a large room, quietly furnished, on the ground floor. We sat there in silence for some time, and I noticed that the furniture, though unpretending, was extremely valuable. There were large oak-presses, two book-cases of extreme elegance, and in one corner a carved chest which must have been mediaeval. Presently Dr. Lipsius came in and welcomed me with his usual manner, and after some desultory conversation, my guide left the room.

Then an elderly man dropped in and began talking to Lipsius; and from their conversation I understood that my friend was a dealer in antiques; they spoke of the Hitt.i.te seal, and of the prospects of further discoveries, and later, when two or three more persons had joined us, there was an argument as to the possibility of a systematic exploration of the pre-celtic monuments in England I was; in fact, present at an archaeological reception of an informal kind; and at nine o'clock, when the antiquaries were gone, I stared at Lipsius in a manner that showed I was puzzled, and sought an explanation.

"Now," he said, "we will go upstairs."

As we pa.s.sed up the stairs, Lipsius lighting the way with a hand-lamp, I heard the sound of a jarring lock and bolts and bars shot on at the front door. My guide drew back a baize door, and we went down a pa.s.sage, and I began to hear odd sounds, a noise of curious mirth, and then he pushed me through a second door, and my initiation began. I cannot write down what I witnessed that night; I cannot bear to recall what went on in those secret rooms fast shuttered and curtained so that no light should escape into the quiet street; they gave me red wine to drink, and a woman told me as I sipped it that it was wine of the Red Jar that Avallaunius had made. Another asked me how I liked the Wine of the Fauns, and I heard a dozen fantastic names, while the stuff boiled in my veins, and stirred, I think, something that had slept within me from the moment I was born. It seemed as if my self-consciousness deserted me; I was no longer a thinking agent, but at once subject and object. I mingled in the horrible sport and watched the mystery of the Greek groves and fountains enacted before me, saw the reeling dance, and heard the music calling as I sat beside my mate, and yet I was outside it all, and viewed my own part an idle spectator. Thus with strange rites they made me drink the cup, and when I woke up in the morning I was one of them, and had sworn to be faithful. At first I was shown the enticing side of things. I was bidden to enjoy myself and care for nothing but pleasure, and Lipsius himself indicated to me as the acutest enjoyment the spectacle of the terrors of the unfortunate persons who were from time to time decoyed into the evil house. But after a time it was pointed out to me that I must take my share in the work, and so I found myself compelled to be in my turn a seducer; and thus it is on my conscience that I have led many to the depths of the pit.

One day Lipsius summoned me to his private room, and told me that he had a difficult task to give me. He unlocked a drawer, and gave me a sheet of type-written paper, and had me read it. It was without place, or date, or signature, and ran as follows:--

"Mr. James Headley, F.S.A., will receive from his agent in Armenia, on the 12th inst., a unique coin, the gold Tiberius. It hears on the reverse a faun, with the legend VICTORIA. It is believed that this coin is of immense value. Mr. Headley will come up to town to show the coin to his friend, Professor Memys, of Chenies Street, Oxford Street, on some date between the 13th and the 18th."

Dr. Lipsius chuckled at my face of blank surprise when I laid down this singular communication.

"You will have a good chance of showing your discretion," he said. "This is not a common case; it requires great management and infinite tact. I am sure I wish I had a Panurge in my service, but we will see what you can do."

"But is it not a joke?" I asked him. "How can you know, or rather how can this correspondent of yours know that a coin has been despatched from Armenia to Mr. Headley? And how is it possible to fix the period in which Mr. Headley will take it into his head to come up to town? It seems to me a lot of guess work."

"My dear Mr. Walters," he replied; "we do not deal in guess work here.

It would bore you if I went into all these little details, the cogs and wheels, if I may say so, which move the machine. Don't you think it is much more amusing to sit in front of the house and be astonished, than to be behind the scenes and see the mechanism? Better tremble at the thunder, believe me, than see the man rolling the cannon ball. But, after all, you needn't bother about the how and why; you have your share to do. Of course, I shall give you full instructions, but a great deal depends on the way the thing is carried out. I have often heard very young men maintain that style is everything in literature, and I can a.s.sure you that the same maxim holds good in our far more delicate profession. With us style is absolutely everything, and that is why we have friends like yourself."

I went away in some perturbation; he had no doubt designedly left everything in mystery, and I did not know what part I should have to play. Though I had a.s.sisted at scenes of hideous revelry, I was not yet dead to all echo of human feeling, and I trembled lest I should receive the order to be Mr. Headley's executioner.

A week later, it was on the sixteenth of the month, Dr. Lipsius made me a sign to come into his room.

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The Three Impostors Part 12 summary

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