The Memory Keeper's Daughter Part 23

There was a silence then; she imagined him standing in his office, so rea.s.suring in his white coat, his hair alive with silver. No one seeing him would imagine the way he'd come back home: unshaven, his clothes torn and filthy, a pregnant girl in a shabby black coat by his side.

"Look, just give me the address," she said. "I'll meet you there."

"He's at the police station, Norah. Central booking. Where do you think, the zoo? But sure, hang on. I'll give you the address."

As Norah was writing it down, she looked up to see Bree closing the front door behind Neil Simms.

"Paul's okay?" Bree asked.

Norah nodded, too moved, too relieved, to speak. Hearing his name had made the news real. Paul was safe, maybe in handcuffs but safe. Alive. The office staff, hovering in the reception room, began to clap, and Bree crossed the room to hug her. So thin, Norah thought, tears in her eyes; her sister's shoulder blades were delicate and sharp, like wings.

"I'll drive," Bree said, taking her arm. "Come on. Tell me as we go."

Norah let herself be led down the hall and into the elevator, to the car in the garage. Bree drove through the crowded downtown streets while Norah talked, relief rus.h.i.+ng through her like a wind.

"I can't believe it," she said. "I was awake all night. I know Paul's an adult now. I know in a few months he'll be off to college, and I won't have a clue where he is at any given moment. But I couldn't stop worrying."

"He's still your baby."

"Always. It's hard, letting him go. Harder than I thought."

The were pa.s.sing the low dull buildings of IBM, and Bree waved at them. "Hey, Neil," she said. "Be seeing you soon."

"All that work." Norah sighed.

"Oh, don't worry. We won't lose the account," Bree said. "I was very, very charming. And Neil's a family man. He's also, I suspect, the sort who likes a damsel in distress."

"You're setting back the cause," Norah retorted, remembering Bree in the filtered light of the dining room long ago, waving pamphlets on lactation.

Bree laughed. "Not at all. I've just learned to work with what I have. We'll get the account, don't worry."

Norah didn't reply. White fences flashed and blurred against the lush gra.s.s. Horses stood calmly in their fields; tobacco barns, weathered gray, were set against one hillside, then another. Early spring, Derby time soon, the redbuds bursting into bloom. They crossed the Kentucky River, muddy and glinting. In a field just beyond the bridge a single daffodil waved, a bright flash of beauty, gone. How many times had she traveled this road, the wind in her hair, the Ohio River luring her with its promise, its swift and undulating beauty? She had given up the gin, the windswept drives; she had bought this travel business and made it grow; she had changed her life. But a realization came to her now clearly, suddenly, like a harsh new light in the room: she had never stopped running. To San Juan and Bangkok, London and Alaska. Into the arms of Howard and the others, all the way to Sam and to this moment.

"I can't lose you, Bree." she said. "I don't know how you're being so calm about everything, because I feel like I've run into a wall." She remembered David saying the same thing yesterday, standing in the driveway, trying to explain why he'd brought young Rosemary home. What had happened to him in Pittsburgh, to leave him so changed?

"I'm calm," Bree said, "because you're not going to lose me."

"Good. I'm glad you're so sure. Because I couldn't stand it."

They drove in silence for a few miles.

"Do you remember that ratty old blue sofa I had?" Bree asked at last.

"Vaguely," Norah said, wiping her eyes. "What about it?"

A tobacco barn, another, and a long stretch of green.

"I always thought it was so beautiful, that sofa. Then one day-it was during a really bleak time in my life-the light was coming in the room differently, snow outside or something, and I realized that old sofa was utterly decrepit, only held together by dust. I knew I had to make some changes." She glanced across the car, smiling. "So I came to work for you."

"A bleak time?" Norah repeated. "I always imagined your life was so glamorous. Next to mine, anyway. I didn't know you went through a bleak time, Bree. What happened?"

"It doesn't matter. It's ancient history. But I was awake last night too. I have the same kind of feeling: something's changing. It's funny how things seem different, suddenly. This morning I found myself staring at the light coming in the kitchen window. It made a long rectangle on the floor, and the shadows of new leaves were moving in it, making all their patterns. Such a simple thing, but it was beautiful."

Norah studied Bree's profile, remembering her as she had been, carefree, bold, and a.s.sured in her boldness, standing on the steps of the administration building. Where had that young girl gone? How had she become this woman, so lean and determined, so forceful and so solitary?

"Oh, Bree," Norah managed, at last.

"It's not a death sentence, Norah." Bree was speaking crisply now, focused and determined, as if she were giving an overview of accounts receivable. "More like a wake-up call. I did some reading, and my chances really are very good. And I was thinking this morning that if there's not a support group for women like me, I'm going to start one."

Norah smiled. "That sounds just like you. That's the most rea.s.suring thing you've said yet." They drove in silence for a few minutes longer, and then Norah added, "But you didn't tell me. All those years ago, when you were unhappy. You never told me."

"Right," Bree said. "I'm telling you now."

Norah put her hand on Bree's knee, feeling her sister's heat, her thinness.

"What can I do?"

"Just go on, day by day. I'm on the prayer list at church, and that helps."

Norah looked at her sister, her short stylish hair, her sharp profile, wondering how to respond. About a year ago Bree had started attending a small Episcopalian church near her home. Norah had gone with her once, but the service, with its complex rituals of kneeling and standing, prayer and silence, had made her feel inept, an outsider. She had sat stealing glances at the others in the pews, wondering what they were feeling, what had made them get out of bed and come here to church on this beautiful Sunday morning. It was hard to see any mystery, hard to see anything but the clear light and a group of tired, hopeful, dutiful people. She'd never gone back, but now she found herself suddenly, fiercely grateful for whatever solace her sister had gathered, for whatever she'd found in that quiet church that Norah hadn't seen.

The world flashed by: gra.s.s, trees, sky. Then, increasingly, buildings. They had entered Louisville now, and Bree was merging into the heavy traffic on I-71, into swift lanes full of rus.h.i.+ng cars. The parking lot of the police station was nearly full, s.h.i.+mmering faintly in the noon sun. They got out of the car, their slammed doors echoing, and walked along a concrete sidewalk bordered by a series of small tired bushes, through the revolving doors, and into the dim underwater light inside.

Paul was on a bench on the far side of the room, hunched over, his elbows on his knees and his hands dangling loosely between them. Norah's heart caught. She walked past the desk and the officers, wading through that thick sea-green air to her son. It was hot in the room. A fan turned almost imperceptibly against the stained acoustic tiles on the ceiling. She sat down beside Paul on the bench. He hadn't bathed, his hair was thick and greasy, and beneath the stink of sweat and dirty clothes the odor of cigarettes clung to him. Acrid, sharp smells, the smells of a man. His fingers were calloused, tough from the guitar. He had his own life now, his secret life. It humbled her suddenly to find he was so much his own person. Of her, yes, always that, but no longer hers.

"I'm glad to see you," she said quietly. "I was worried, Paul. We all were."

He looked at her, his eyes darkly angry and suspicious, and turned away suddenly, blinking back tears.

"I stink," he said.

"Yeah," Norah agreed. "You really do."

He scanned the lobby, his gaze lingering on Bree, who stood at the desk, and then on the swirl and flash of the revolving doors.

"So. I guess I'm lucky he didn't bother to come."

David, he meant. Such pain in his voice. Such anger.

"He's coming," Norah said, keeping her voice even. "He'll be here any minute. Bree drove me over. Flew, really."

She had meant to make him smile, but he only nodded.

"Is she okay?"

"Yes," Norah said, thinking of their conversation in the car. "She's okay."

He nodded again. "Good. That's good. I'll bet Dad's p.i.s.sed off."

"Count on it."

"Am I going to jail?" Paul's voice was very soft.

She took a breath. "I don't know. I hope not. But I don't know."

They sat in silence. Bree was talking to an officer, nodding, gesturing. Beyond, the revolving door turned and turned, flas.h.i.+ng light and dark, spilling strangers inside or out, one by one, and then it was David striding across the terrazzo floor, his black shoes squeaking, his expression serious and impa.s.sive, impossible to read. Norah tensed and felt Paul tense beside her. To her astonishment, David walked straight to Paul and grabbed him in a powerful, wordless hug.

"You're safe," he said. "Thank G.o.d."

She drew a deep breath, grateful for this moment. An officer with a white crew cut and startling blue eyes crossed the room, a clipboard under one arm. He shook Norah's hand, David's. Then he turned to Paul.

"What I'd like to do is put you in the slammer," he said conversationally. "A smart-aleck boy like yourself. Don't know how many I've seen over the years, boys thinking they're so tough, boys who get let off again and again, until eventually they hit real trouble. Then they go to jail for a long time and find out that they're not tough at all. It's a shame. But it seems your neighbors think they're doing you a favor and won't press charges about the car. So since I can't lock you up, I'm releasing you in the custody of your parents."

Paul nodded. His hands were trembling; he shoved them in his pockets. They all watched as the officer tore a paper off his clipboard, handed it to David, and walked slowly back to the desk.

"I called the Bolands," David explained, folding the paperwork and tucking it into his breast pocket. "They were reasonable. This could have been much worse, Paul. But don't think you won't be paying back every red cent of what it will cost to get that car repaired. And don't think your life is going to be very happy for quite a while. No friends. No social life."

Paul nodded, swallowing.

"I have to rehea.r.s.e," he said. "I can't just drop the quartet."

"No," David said. "What you can't do is steal a car from our neighbors and expect life to go on as usual."

Norah felt Paul, so tense beside her and so angry. Leave it, Leave it, she found herself thinking, seeing the muscle move in David's jaw. she found herself thinking, seeing the muscle move in David's jaw. Leave it alone, both of you. That's enough. Leave it alone, both of you. That's enough.

"Fine," Paul said. "Then I'm not coming home. I'd rather go to jail."

"Well, I can certainly arrange that," David answered, his tone dangerously cool.

"Go ahead," Paul said. "Arrange it. Because I'm a musician. And I'm good. And I'd rather sleep in the streets than give it up. h.e.l.l, I'd rather be dead."

There was a moment, a heartbeat. When David didn't respond, Paul's eyes narrowed.

"My sister doesn't know how good she's got it," he said.

Norah, who had been holding herself very still, felt the words like shards of ice, a harsh, bright, piercing grief. Before she knew what she'd done, she'd slapped Paul across the face. The stubble of his new beard was rough against her palm-he was a man, no longer a boy, and she'd hit him hard. He turned, shocked, a red mark already rising on his cheek.

"Paul," David said, "don't make things worse than they are. Don't say things you'll regret for the rest of your life."

Norah's hand was still stinging; her blood rushed. "We'll go home," she said. "We'll settle this at home."

"I don't know. A night in jail might do him good."

"I lost one child," she said, turning to him. "I will not lose another."

Now David looked stunned, as if she'd slapped him too. The ceiling fan clicked, and the revolving door spun with rhythmic thunks. thunks.

"All right," David said. "Maybe that's right. Maybe you're right to pay no attention to me. G.o.d knows I'm sorry for the things I've done to fail you both."

"David?" Norah said, as he turned away, but he didn't respond. She watched him walk across the room and enter the revolving door. Outside, he was visible for an instant, a middle-aged man in a dark jacket, part of the crowd, then gone. The ceiling fan clicked amid smells of sour flesh and French fries and cleaning fluid.

"I didn't mean-" Paul began.

Norah held up her hand. "Don't. Please. Don't say another word."

It was Bree, calm and efficient, who got them to the car. They opened the windows against Paul's stench, and Bree drove, her thin fingers steady on the wheel. Norah, brooding, paid little attention, and it was nearly half an hour before she realized that they were no longer on an interstate but were traveling more slowly, on smaller roads, through the vivid spring countryside. Fields, barely greening, flashed in the windows, and branches with their just-opening buds.

"Where are you going?" Norah asked.

"On a little adventure," Bree said. "You'll see."

Norah didn't want to look at Bree's hands, so bony, the blue veins visible. She glanced at Paul in the rearview mirror. He sat, pale and sullen, arms folded, slouching, clearly furious, clearly in pain. She had done the wrong thing back there, las.h.i.+ng out at David like that, slapping Paul; she had only made things worse. His angry eyes met hers in the mirror, and she remembered his soft plump infant hand pressed against her cheek, his laughter trilling through the rooms. Another boy altogether, that child. Where had he gone?

"What kind of adventure?" Paul asked.

"Well, actually I'm trying to find the Abbey of Gethsemani."

"What for?" Norah asked. "Is it nearby?"

Bree nodded. "It's supposed to be. I've always wanted to see it, and on the way here I realized how close we were. I thought, Why not? It's such a pretty day."

It was pretty, the sky a clear blue, pale at the horizon, the trees vivid and alive, fluttering in the breeze. They drove along the narrow roads for another ten minutes, and then Bree pulled over to the side of the road and started rummaging under the seat.

"I guess I didn't bring a map," she said, sitting up.

"You never bring a map, "Norah replied, realizing in that moment that this had been true of Bree all her life. Yet it didn't seem to matter. She and David had started off with all sorts of maps, and look where they were now.

Bree had stopped near two farmhouses, modest and white, the doors shut tight and no one in sight, the tobacco barns, weathered silver, standing open on the far hills. It was planting season. Distantly, tractors crawled across the newly plowed fields, and people followed, reaching to set the bright green tobacco seedlings into the dark earth. Down the road, at the far end of the field, there was a small white church, shaded by old sycamores, bordered with a row of purple pansies. At the side of this church was a graveyard, the old stones tilting behind a wrought-iron fence. It was so like the place where her daughter was buried that Norah caught her breath, remembering that long-ago March day, damp gra.s.s beneath her feet, the low clouds pressing down, and David silent and distant beside her. Ashes to ashes, dust to dust, Ashes to ashes, dust to dust, and the known world had s.h.i.+fted under their feet. and the known world had s.h.i.+fted under their feet.

"Let's go to the church," she said. "Someone there might know."

They drove down the road, and she and Bree got out of the car by the church, feeling citified and out of place in their work clothes. The day was very still, almost hot, sunlight flickering through the leaves. The gra.s.s against Bree's yellow shoes was dark green and lush. Norah put her hand on Bree's thin arm, the yellow linen both soft and crisp.

"You're going to ruin those shoes," she said.

Bree looked down, nodded, and slipped them off. "I'll ask at the manse," she said. "The front door's open."

"Go on," Norah said. We'll wait here."

Bree stooped to pick up her shoes and then made her way through the rich green gra.s.s, something girlish and vulnerable about her pale legs, her stocking feet. Her yellow shoes were swinging from her hand. Norah remembered her, suddenly, running through a field behind their childhood home, laughter floating through the sunlit air. Be well, Be well, she thought, watching. she thought, watching. Oh, my sister, be well. Oh, my sister, be well.

"I'm going to take a walk," she told Paul, who was still slouching in the backseat. She left him there and followed the gravel path to the cemetery. The iron gate pushed open easily, and Norah wandered in among the stones, gray and worn. She had not been to the grave on Bentley's farm for years. She looked back at Paul. He was getting out of the car, stretching, his eyes masked by dark sungla.s.ses.

The church door was red. It swung open silently when Norah touched it. The sanctuary was dim and cool, and the stained-gla.s.s windows were ablaze, jewel-like images of saints and biblical scenes, doves and fire. Norah thought of Sam's bedroom, the riot of colors there, and how tranquil this seemed in contrast, the colors stable, fixed, falling through the air. A guest book lay open, and she signed it in her fluid script, remembering the ex-nun who had taught her cursive writing. Norah lingered. Perhaps it was simply the silence that caused her to take a few steps down the empty center aisle: silence and this sense of peace and emptiness, the way the light fell through the stained-gla.s.s windows, the dusty air. Norah walked through this light: red, dark blue, gold.

The pews smelled of furniture polish. She slid into one. There were blue velvet kneelers, a little dusty. She thought of Bree's old sofa, and then she had a sudden memory of the women of her long-ago night circle, the women who had come to her house bearing gifts for Paul. She remembered helping them once to clean the church, how they'd polished the pews by sitting on rags and sliding across the long smooth planks on their bottoms. More weight this way, More weight this way, they'd joked, laughter filling the sanctuary. In her grief Norah had turned away from them and never gone back, but it occurred to her now that they had suffered too, had lost loved ones, experienced illnesses, failed themselves and others. Norah had not wanted to be one of them or to accept their comfort, and she had walked away. Remembering, her eyes filled with tears. Oh, this was silly, her loss had happened almost two decades ago. Surely this grief should not be welling up, fresh as water in a spring. they'd joked, laughter filling the sanctuary. In her grief Norah had turned away from them and never gone back, but it occurred to her now that they had suffered too, had lost loved ones, experienced illnesses, failed themselves and others. Norah had not wanted to be one of them or to accept their comfort, and she had walked away. Remembering, her eyes filled with tears. Oh, this was silly, her loss had happened almost two decades ago. Surely this grief should not be welling up, fresh as water in a spring.

It was crazy. She was crying so hard. She'd run so fast, so far, to avoid this moment, and yet it was still happening: a stranger slept on the pull-out sofa, dreaming, a mysterious new life within her like a secret, and David shrugged and turned away. She would go home, she knew, to find him gone, a suitcase packed, perhaps, but nothing else taken. She wept for this knowledge and for Paul, the rage and lostness in his eyes. For her daughter, never known. For Bree's thin hands. For the mult.i.tude of ways in which their love had failed them all, and they, love. Grief, it seemed, was a physical place. Norah wept, unaware of anything except a kind of release she remembered from childhood; she sobbed until she was aching, breathless, spent.