The Weird Part 92

'Why do you keep asking?' Longhorn cried, growing angry. 'They set fire to themselves.'

But I could not stop; I went on, stubbornly: 'But who are they? What do they want?'

Longhorn had turned his back to me and was pretending to examine my books. The conversation seemed repugnant in the extreme to him, and I was ashamed of my own tactlessness. Nevertheless, I felt that if I could solve the mystery of the fire I would also understand why some people chose destruction as if it were a privilege.

But Longhorn shrugged his back-armour wearily.

'What do they want, you ask. They are sectarian delusions. To redeem Tainaron, I suppose that is what they want. That the Tainaronians should live differently from how they do. That they should wake up from their sleep; that is what they say. Mad!'

And he shook his fists at the mist-clad mountain that bowed over the city. 'How many innocent souls will they yet take with them to the pyre?'

Yesterday it was new moon once more. Early in the evening, I had done exactly as Longhorn had instructed me: I had drawn the curtains across my windows. But after I had gone to bed I could not sleep, and it seemed to me that a red colour was s.h.i.+ning through the curtains.

Then I got up, went on to the balcony and immediately saw the balefire, high on the mountain in the darkness of the new moon. None of the lights of Tainaron not its neon colours, not the lights of its Ferris wheel burned as brightly as the fire on the mountain. There it blazed, attracting the gazes of the city-dwellers as a lamp attracts moths. Even from miles away it was dazzling, and made my face glow.

Last night was calm, and the sacrifice burned evenly. It was a candle on the table, the night's focus and its terrible purifier. Who was he who was burning with such a high and unwavering flame? What did he believe he knew that no one in the valley of Tainaron knew, which was more than life, more than his own boiling tears and his scalding eyes? Was it as clearly visible to him as the fire on the mountain was to me? To me, lingering on the balcony; to me, who could not take my eyes off the fire, was no justification to him, no expiation, no comfort.

And I had gazed on the blaze as if it were a midnight flower, rejoicing!

No, as long as the sacrifice burned, I could not go to sleep, could not concentrate on anything. I stood on the balcony until he, whoever he was, had turned from fire into embers and from embers into ashes.

Will there ever be a new moon when there is no need to light a fire high on the hill?

Their Innumerable Dwellings The Eight Letter Tainaron is full of voices of a kind I have not heard anywhere else. Here I have come to realise that there is no clear dividing line between music and language. For the citizens, you see, secrete their voices from themselves which can be interpreted sometimes as speech, sometimes as music. I do not mean they sing; that is, at least, not very common here. Neither do they play instruments of any kind; instead, their voices are created with the help of muscles, glands and guts or chitin armature.

Their voices may well up from a surprising depth, as if from leagues away, so that it is no wonder that they are often so difficult to locate. For, you see, the Tainaronians' way of life is a very curious one. You will perhaps not have heard that they often have a number of dwellings, but not only in the way that we have city apartments and summer villas. No: the people here are able to live in many dwellings at the same time, as in a nest of boxes. Some of them carry their innermost apartment, a one-roomed flat which fits their dimensions like a glove, with them everywhere. But this has the drawback that one cannot always make sense of what they say, for it echoes and reverberates from the walls of their private apartments. It is also vexing to me that I cannot always tell where the dwelling ends and its inhabitant begins.

Poor things, who never come among people without this innermost s.h.i.+eld. It reflects the terrible vulnerability of their lives. Their little home may be made of the most diverse ingredients: grains of sand, bark, straw, clay, leaves...But it protects them better than others are protected by armour, from every direction, and it is a direct continuation of themselves, much more so than clothes are to you or me. But if it is taken away from them, they die perhaps simply of shame, perhaps because their skins are too soft for the outside air, or because they do not have any skin at all.

Who would be so cruel as to tear from them this last s.h.i.+eld! Oh, I have heard that such things, too, happen here in Tainaron; I have been startled by the moans of death-throes in the deeps of the night.

But I have my own theory concerning why this happens. For, you see, those who constantly drag their houses with them remain unknown to other people. Once can gain only a brief glimpse of them, if that; they are always in hiding.

And then there are those who cannot bear such a situation, those who wish to see everything face to face and to reveal, open, show the whole world the nakedness of things...Now and then the temptation becomes overwhelming to them, and they split open the house of some poor unfortunate. I awake to shrieking, sigh and turn over and soon fall asleep again.

Like Burying Beetles The Ninth Letter You do not reply. It is something that stays in my mind almost incessantly. The reasons for this silence are perhaps independent of you; or then again not. But I continue writing that freedom I do allow myself and I believe, I trust well, no more of that!

There is much here that reminds me of former things, particularly of the city in which we once lived, close to each other. For example, a particular office window brings to mind another shop window on the far side of the green and white Oceanos.

I walked past it almost every day, but I never stopped in front of it, because it was always the same. Behind the gla.s.s hung a skilfully draped blue curtain; in front of it were set a stone urn and a wreath of flowers tied with a white silk ribbon.

There is such a shop in Tainaron, too, but its windows display not urns but small, very beautiful boxes. One day I went inside with Longhorn, who continues to guide me patiently from day to day in this city.

Someone had died, someone who I heard only now had been alive and who had known Longhorn, perhaps well, so that it was his task now to care for the funeral arrangements. I followed Longhorn because I had often, pa.s.sing by, looked at those small boxes, and I wanted to examine them more closely.

The shop was empty as we stepped inside, but on the shelves that ran along the walls I saw more boxes, of all shapes, some smaller even than matchboxes, and the largest the size of books. They were covered in multicoloured fine fabrics, or painted or engraved with mark and symbols whose meaning I did not understand. What astonished me the most was their smallness. Among the Tainaronians, it is true, there are some very small races, but even for the smallest baby these boxes were far too small.

'Are these urns?' I asked Longhorn, who was examining brochures at the counter. 'Are they used for dead people's ashes?'

'Ashes? No, there is no crematorium here,' he said. 'They are used for a single organ, often an eye or an antenna. But sometimes the family may chose part of a wing, a part with a beautiful pattern.'

I fingered one of the boxes. It was as delicate and pretty as a confectionery box, and lined in white silk. I remembered that I had once, as a child, received just such a box, in which there had been sweeties. It had been Easter morning, and I had just been allowed to get out of bed for the first time after a bout of bronchitis. I am still seeking the purity, the silken whiteness and the colours of the metallic foil of that convalescent morning, its p.u.s.s.y-willows, its feather-tufts, in the world.

'What happens to the rest of the body?' I asked, wrapped in my thoughts, but Longhorn did not reply, for out of the back room, at that moment, stepped the funeral director, a very imposing man. Most noticeable about him was, however, not his size, but his colours: they were as bright as the complicated patterns of the boxes. His chest ranged from green to lemon, while the k.n.o.bs of his antennae were as yellow as clementines. He bowed elegantly, and was surrounded by a cloud of scent which I recognised only after a moment: it was undoubtedly musk.

He became absorbed, with Longhorn, in a conversation conducted in low voices, in conclusion of which one of the boxes was chosen from the shelf, round and gra.s.s-green, with sky-blue crescent moons.

When the funeral director turned to tap at the cash register, I went up to Longhorn and asked once more: 'What happens to the rest of the body?'

I was a little startled at Longhorn's look, for it betrayed irritation, from which I understood immediately that my question was unseemly. All the same, I waited for his answer.

'Do you really want to know?' he asked.

'Why not? I am interested in everything,' I said with some hauteur, and when he continued in silence, I asked again, with real curiosity, 'Is there something secret about it, then?'

'Very well,' said Longhorn, somewhat coolly. Suddenly he stepped up to the funeral director and whispered a couple of words to him, pointing in my direction.

The funeral director looked at me strangely, from head to foot, bowed once more in his cultivated way, and asked me to follow him. I looked interrogatively at Longhorn, and he growled: 'Go on, I'll stay here.'

The funeral director had already reached the back room and was waiting for me, silent but smiling. He opened a door leading to a badly lit stairway, which smelt of cellars and fish; or that is what I thought then. The funeral director gestured for me to walk in front of him, but when I shook my head he stepped past me into the gloom. My curiosity had now completely disappeared, but I followed the strange figure lower and lower down the steep and uneven stairs, regretting my frivolous wish for information. The deeper we went, the more uncomfortable I felt, above all because of the increasingly strong smell. Finally I stopped, intending to return to ground level without delay, but as it turned out the funeral director was now behind me, so close that his yellow chest was nearly touching my back and his musky vapours mixed with still odder scents. I continued my descent unhappily, for one way or another the man was pus.h.i.+ng me forward, gently enough, it is true, but so firmly that it was no longer impossible for me to retreat.

'The fish is rotten,' I thought, but the smell of decay had already grown to a stench that filled my lungs with nausea. I scarcely realised that we had arrived in a great vault, and that it was filled with an extraordinary bustling.

I could no longer see my guide anywhere. I felt faint, and pressed my back against the damp stone wall. I already realised that I had been brought into a sepulchre. Before me on the earthen floor lay carca.s.ses without number, but about them was such a ceaseless bustle that at times it looked as if there were still some degree of life in them. Around me moved dozens of creatures that were reminiscent in their appearance of the funeral director, but whose clothing was if possible still more brilliant. The more closely I examined them and their work, the more they reminded me of the toil of burying beetles.

I had descended into the Hades of Tainaron. I had asked: 'What happens to the bodies?' and the answer to my question was now before my eyes. One of the most prosaic and indispensable of the functions of the city of Tainaron was carried out here, s.h.i.+elded from the gaze of pa.s.sers-by; but as I looked at their toil, my horror gave way and made s.p.a.ce for impartial examination, even respect.

I spoke of Hades and a sepulchre, but in reality the s.p.a.ce in which I found myself served the opposite purpose: it was a dining room and a nursery. Those who toiled here were not merely workers; they were also, above all, mothers. Now I could see that around every larger form flocked a swarm of smaller creatures, its offspring. As they did the work that had to be done for life in this city to be at all possible, these workers were at the same time feeding their heirs; and if the way in which they did it was not to my taste, where would I find more convincing proof of the never-broken alliance between destruction and florescence, birth and death?

So: there was a carca.s.s, of which one could no longer detect who or what it had been when it was alive, so decomposed were its features. But I no longer felt sick, although I saw one of the mothers poking about in its pile of dross. For that was where the mother sought nourishment for her heirs, her snout buried in the stinking carca.s.s, and look! there glistened a dark droplet, which one of the little ones drank, and after a moment the second received its share, and the third; no one was forgotten.

And here, then, was their work: to distil pure nectar from such filth, to extract from the slimy liquid of death health, strength and new life. How could I ever complain about what took place in the Hades of Tainaron. Truly, it is a laboratory compared to which even the greatest achievements of the alchemists are put to shame; but all that is done there is what the earth achieves every year when it builds a new spring from and on what rotted and died in the autumn.

'Have you seen enough?' someone asked behind me. I turned and saw Longhorn, who was standing at the mouth of the corridor, looking at me in a troubled way. I do not know whether his expression was caused merely by the stench, which my own nose hardly sensed any longer, or whether it was real grief. For his friend had just died, and I had hardly spared a thought for his feelings. But when our eyes met, I, too, felt the bite of suffering.

The kindness of his eyes! How had I never noticed it before. And they were so dazzlingly black, so wise and alive...But in fact I have seen just such a gaze before, and more than once. I have seen it do not be shocked in your eyes, too, different as they are. I have encountered it or seen it pa.s.s me by among acquaintances and strangers, at parties, in department stores, in my own home, in trains, on stations and in lecture-halls, shops and cafes; in summer, in the great lime trees in the park, where cast-iron benches have been placed for the citizens; and I am sure that at unguarded moments it has also resided in my own eyes.

That it ever disappears! It was the impossible, and unbearable, thing that, as I turned to look behind me and met Longhorn's eyes, was relentless in us both, and the strange meal we were following as onlookers offered no solution.

The soundless glitter of immense treasures That it could be extinguished and sink into the cold ma.s.s of raw material is if it had not been anything more than the moisture of lachrymal fluid on the surface of the cornea...

'Come away,' said Longhorn, with unexpected softness, and we left Hades without looking at each other again.

The Charioteer The Tenth Letter I have received a card from my home country. Yes, it was not from you; we know that. The bronze statue on the card is two thousand four hundred years old, but he whom the card shows is a mere youth. His forehead is encircled by an ornamental ribbon, and his hair curls, lightly gilded, over his ears. He holds a pair of reins in his hands, and his eyes are dark stones, glittering, mysterious and surprised.

But what life and riches s.h.i.+ne from them! It is hard for me to believe that what I see is merely coloured light reflected from stone. What a coincidence that it arrived just as I had sent you my last letter! For, don't you see, he has the same gaze, the one I was talking about, which hurts me, which I recognise everywhere.

But this young man is astonished at something; even his mouth is astonished, already ajar and about to open. I am sure I am not mistaken in remembering that I once saw a similar expression on the face of someone who was dying; all the tubes had been disengaged, and his eyes were wide open. The same concentration marks both their faces and forces both of them forward in an invisible race.

Why is it that it is in the form of this young man's face that I should most like to remember the face of humankind...

Tracks in the Dust The Eleventh Letter Have I told you that Tainaron has a prince? As a foreigner, I was unexpectedly offered the opportunity to attend his reception. I asked Longhorn for advice as to how I should dress for the occasion and what behaviour was expected. I felt his answer was vacuous, and did not help me one bit.

'You can go in whatever you like,' he said. 'You can ask whatever you want.'

And then he added: 'It's not important, after all.'

'Not important?' I was astonished. 'Do you just go there as you are, straight off the street, and say whatever comes to mind to the prince?'

But he did not give me any more clues, and I went there by myself, in my best dress of course, but distinctly nervous.

The prince lives in the middle of the city, in his palace, which is surrounded by a moat. The drawbridge was down, and there were no guards to be seen. People were going in and out, and no one paid any attention to me. I had been given a piece of paper, a promissory not which I tried to proffer to some of the pa.s.sersby whom I guessed to be members of the palace staff, but no one wanted to accept it; everyone just waved their hands vaguely: 'It's not necessary.'

'Where does the prince hold his reception?' I asked three different times, and it was only on the third occasion that I was directed to the right place; but no one bothered to come with me as a guide, and the corridors along which I walked were empty. Through doors that had been left open I saw various different rooms: tambours, halls and stairwells, new colonnaded corridors and courtyards where landscape gardens had been built with pavilions, artificial lakes and bridges.

The prince received visitors in the tower at the heart of the palace, in the donjon. I saw him from a distance from the dim pa.s.sageway on whose stone floor my shoes tapped alarmingly noisily.

The door to his reception room was wide open, and I could not see anyone else in the vicinity.

The salon was oval in shape and small. At its centre was a single chair, on which the prince sat.

The room was very high, in fact as high as the tower, so that the prince looked as if he were sitting at the bottom of a well.

I stopped before stepping across the threshold, for I did not know how I should approach him. He sat motionless, but seemed to be looking me straight in the eye. He was vary old and frail. The way in which the light fell around him and on to his domed head from the upper windows made the vision desolate and melancholy.

I think I stood there for a long time, anxiously, but just as it began to seem to me that the prince was sleeping with his eyes open, his forelimb rose in an encouraging gesture, slowly and ceremoniously. I stepped into the room.

'Your highness,' I began, 'I have come...'

'Yes, yes,' he interrupted me before I had time to begin. 'It's perfectly clear. You can ask whatever you want.'

I had prepared many kinds of questions concerning both domestic and foreign policies, trade links and tax reform, but at the moment they all fell out of my head.

'May I ask, may I ask,' I mumbled, 'how you are?'

This was, of course, completely inappropriate, I understood that myself. But I could not get anything else out of my mouth, and I looked at him, dumbly, waiting for him to rise and announce that the audience was over.

Strangely enough, he seemed on the contrary to be engrossed by my question, as if it were completely apt for that time and place.

'As to my health, I have nothing to complain about,' he said, in such a low voice that I had to lean forward to hear. 'But I am worried about my ears. There is a murmuring in them all the time. Or else a ringing, of a little silver bell.'

And he suddenly shook his head, so that the fluffy blue collar that surrounded his neck hissed and rustled.

'And then there are the nights, they are definitely too big. They have grown larger and larger since the princess left, and the princess left thirty years ago, in her prime. You will not believe how small they were when she was still here. This small!'

He stretched out two of the downy pincers of his forelimb for me to see: they were almost touching. I looked at them with polite interest and nodded.

The prince leaned backward in his chair and spoke now more audibly, as if with greater warmth: 'When the princess had died, I often went into the city incognito, in strange armour. I stood by the bridge and did not let anyone by without inspecting him or her thoroughly from head to feet. But I never saw the princess again, for I should have known her in any disguise, even if she had been through the most comprehensive of metamorphoses, that you may believe. For the images of shared secrets had remained in the princess's eyes, and they, at last, would have revealed her immediately, but in the uninterrupted flow of oncomers there flowed only the loam of strange memories...'

And the prince's voice fell. I suspected that the audience should have ended long ago, and it tired me to stand before me as the only hearer of his ancient yearning. No one came to fetch me away, and in the palace there was a soundlessness as if there were no one else there.

'Do you know why we have been forgotten?' the prince whispered unexpectedly, and his choice of words surprised me: why that 'we', it was not really right in this situation, and why did he lower his voice in such a familiar way?

'Because it is all the same to them,' the prince whispered, 'what I do now, where I go or what I say, everything is permitted now. Do you understand?'

'No, I do not believe it, your highness,' I said hesitantly, but his forelimb crooked and beckoned me closer.

I bent obediently toward him and came so close that I thought I heard the little silver bell he had mentioned, as well as the scent of some bitter herb. Then he whispered into my ear: 'In reality, I am no longer the prince.'

He drew away to see the effect of his words on me. I can say that they did not really have any effect. I was convinced he was speaking the truth. Only thus did the emptiness and indifference which I had encountered in the palace and earlier make sense.

'I see you believe that I...,' the prince said heavily. 'But do not worry, that is not the case, not in the least. Know this: times change, but each is only one time of many. So what; it can be changed, like a change of clothes. Today I still sit in my palace. But often I ring my bell for a long while and no one comes. My s.h.i.+rt still bears the arms of Tainaron, but the wine which is brought to me is no longer of the same quality as before. So what. For tomorrow I shall be in exile, or my body will lie in that landscape garden on the little wooden bridge and the national guard will have pierced it with newly sharpened bayonets.'

Now he finally rose to his feet I had been expecting it for a long time and I realised, with relief, that the audience was over. I bowed respectfully, and when I turned, I saw only my own footprints in the heavy dust that completely covered the stone floor of the donjon.

Their solitude proved to me with complete clarity that no one had visited the room for ages, and that the prince himself had not left it.

He was a lost cause.

The Day of the Great Mogul The Twelfth Letter I do not know why I pick up my pen again. No longer because I might expect return mail. But I would like to tell someone that something strange has happened, some curious, unpleasant changes, and I have no idea what has caused them. Perhaps it is temporary, and my life will return to how it was before. Perhaps, too, the days that were like prizes, long ago, will return.

I have not travelled anywhere, but this city is now different. The change does not please me. When I look out, I see that it is as if it has been unclothed. The most important thing is absent; the thing that once, just a moment ago, made me strong and happy. I look at the ground, I look at the sky, and everywhere is the same absence, in the eyes that crowd the streets and the department stores as if they were seeking their lost pupils in the windows and sales counters. If I were to send you photographs of Tainaron before and Tainaron now, you would say no difference is visible, and perhaps it is so; but nevertheless I know that everything is decisively different.

If the sounds of the city were to be muted for a moment, I could hear a secretly crumbling sound as if a trickle of sand were falling from the side of a sandpit. And the vital force, which I believed to be inexhaustible, runs and runs somewhere where no one can use it.

Is this is what is known as growing old? Do I see it everywhere, although it exists only inside myself? And what once was happiness around me, was it too a mere reflection? But in that case how can I know anything of what Tainaron is, what it is like?

Today the book I open describes the great mogul Aurangzeb, who was a cruel tyrant. Fifteen of his elephants fell into a cleft on a mountain road, and on the back of one of them was his favourite wife.

'Remarkable,' writes the great mogul, 'empty-handed I came into this world, and now, as I leave it, I drag with me an enormous caravan of sins...My sorrow mortifies me. Farewell, farewell, farewell.'

I force myself to get up and open the door and step out into the street. I have decided to eat, but from the window table of the cafe the pa.s.sers-by look as if they are dragging burdens which are invisible but nevertheless heavy. The liquid glimmers in my cup, and soon I shall have to swallow it. I look at it as if it were the goblet of today.

Under the marble table my legs wait, motionless, symmetrical, side by side. I do not know whether I have ever sensed their existence as such. They are alive, and all at once I am scorched by hot pity. My legs, my poor legs! Modest, st.u.r.dy and resilient, my own pillars, you too will wither!

Small days, small days. The woman who, in the tramcar, takes a comb from her handbag and, pulling it through her stiff hair, complains: 'The comb doesn't work, no. The concrete eats the hair so.'

A friend who sways toward me, his coat open, shaking his fingers. There was a time when he ran from table to table, his face flushed, to proclaim that his dogma was the youth of the world. What he says now is something quite different, quite different, but I do not listen; I mourn. The youth of the world!

How we secrete words around us, so that the eye of reality may not see us! In vain! So hopelessly thin and tattered a veil does not hide anything, and we writhe in the brightness of destiny. No s.h.i.+eld, no armour, and neither will flesh ever return to the word.

And when I pa.s.s by the statue of the Great Sleeper, around it billows a tired song: Sweet is my sleep, but more to be mere stone, so long as ruin and dishonour reign; to bear nought, to feel nought, is my great gain; then wake me not, speak in an undertone!

My poor friend! I saw his finger fall and he wavered across the frosty wasteland and shut himself up in the fortress of the telephone kiosk in the square.

It happened there, not here in Tainaron, for these are different statues, but the days are as small everywhere and their shape is that of a funnel.

I wonder if you too have noticed: there are moments when you do not wish to wish and then you look inward and what is it that you see? An endless sequence of wishes, infinitely many yous, and all of the yous are threaded on to the tough thread of memory, and in the end you yourself are no more than that thinnest of thin threads, and it quivers, tensed...