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"Oh, no," said Michael. "I'm beastly untidy."
He would condescend to Drake for the sake of his love, but he did not think that love demanded the sacrifice of condescending to a possibly more expansive acquaintance with Drake's family.
"So you've met the fair Lily," Drake said, as they strolled along.
"Pretty smart, what, my boy?"
"I'm going to tea with them to-morrow," Michael informed him.
"Mrs. Haden's a bit thick," said Drake confidentially. "And Doris is of a very coming-on disposition."
Michael thought of Alan and sighed; then he thought of himself listening to this and he was humiliated.
"But Lily is a bit stand-offish," said Drake. "Of course I never could stand very fair girls, myself. I say, talking of girls, there's a girl in Sherringham Road, well--she's an actress's French maid, as a matter of fact, but, my gad, if you like cayenne, you ought to come along with me, and I'll introduce you. She'll be alone now. Are you on?"
"Oh, thanks very much," said Michael. "But I must get back. Good-night, Drake."
"Well, you're a nice chap to ask a fellow to come out. Come on, don't be an a.s.s. Her name's Marie."
"I don't care if her name's Marie or Mabel or what it is," Michael declared in exasperation. "I'm sorry. I've got to go home. Thanks for coming out."
He turned abruptly and walked off, leaving Drake to apostrophize his eccentricity and seek consolation with Marie.
On Sunday afternoon Michael, torn between a desire to arrive before the crowd of artists and actors who thronged the house and an unwillingness to obtrude upon the Sabbath lethargy of half-past three o'clock, set out with beating heart to invade Lily's home. Love made him reckless and luck rewarded him, for when he enquired for Mrs. Haden the maid told him that only Miss Lily was in.
"Who shall I say?" she asked.
"Mr. Fane."
"Step this way, please. Miss Lily's down in the morning-room."
And this so brief and so bald a colloquy danced in letters of fire across the darkling descent of the enclosed stairs down to the ground-floor.
"Someone to see you, Miss Lily."
Not Iris could have delivered a richer message.
Deep in a wicker chair by a dull red fire sat Lily with open book upon her delicate dress of lavender. The door closed; the daylight of the grey October afternoon seemed already to have fled this room. Dusky in a corner stood a great dolls' house, somewhat sad like a real house that has been left long untenanted.
"Well, now we're alone enough," murmured Lily.
He knelt beside her chair and let his head fall upon her silken shoulder.
"I'm glad you're in your own room," Michael sighed in answer.
Outside, a m.u.f.fin-man went ringing through the sombre Sabbath chill; and sometimes, disturbing the monotonous railings above the area, absurd legs were seen hurrying to their social tasks. No other sign was given of a life that went on unaware of these two on whom time showered twenty golden minutes.
"Mother and Doris will be back at four," Lily said. "Is my face flushed?"
Fresh carnations would have seemed faded near her, when she looked at Michael for an answer.
"Only very slightly," he rea.s.sured her.
"Come up to the drawing-room," she commanded.
"Can I look at your dolls' house?" Michael asked.
"That old thing," said Lily scornfully.
Reverently he pulled aside the front of the battered dwelling-place, and saw the minute furniture higgledy-piggledy.
"I wonder if anyone has ever thought of burning an old dolls' house,"
said Michael thoughtfully. "It would be rather a rag. I've got an old toy fire-engine somewhere at home."
"You baby," said Lily.
"Well, it depresses me to see that dolls' house all disused and upside down and no good any more. My kiddy sister gave hers to a hospital. What a pity I never thought of burning that," sighed Michael regretfully. "I say, some time we must explore this room. It reminds me of all sorts of things."
"What sort of things?" asked Lily indifferently.
"Oh, being a kid."
"Well, I don't want to be reminded of that," said Lily. "I wish I was older than I am."
"Oh, so do I," said Michael. "I don't want to be a kid again."
Upstairs in the drawing-room it was still fairly light, but the backs of the grey houses opposite and the groups of ghostly trees that filmed the leaden air seemed to call for curtains to be drawn across the contemplation of their melancholy. Yet before they sat down by the crackling fire, Michael and Lily stood with their cheeks against the cold window-panes in a luxury of bodeful silence.
"No, you're not to sit so close now," Lily ordained, when by a joint impulse they turned to inhabit the room in which they had been standing.
Michael saw a large photograph alb.u.m and seized it.
"No, you're not to look in that," Lily cried.
"Why not?" he asked, holding it high above his head.
"Because I don't want you to," said Lily. "Put it down."
"I want to see if there are any photographs of you when you were a kid."
"Well, I don't want you to see them," Lily persisted.
In the middle of a struggle for possession of the alb.u.m, Mrs. Haden and Doris came in, and Michael felt rather foolish.
"What a dreadfully noisy girl you are, Lily," said Mrs. Haden. "And is this your friend Mr. Fane? How d'ye do?"
"I'm afraid it was my fault," said Michael. "I was trying to bag the photograph alb.u.m."
"Oh, Lily hates anyone to see that picture of her," Doris interposed.
"She's so conceited, and just because----"