Sinister Street Volume I Part 70

During the latter half of September Michael went to stay with Alan at Richmond, partly because with the nearness of Stella's appearance he began to feel nervous, and partly because he found speculation about Oxford in Alan's company a very diverting pursuit. From Richmond he went up at the end of the month in order to pa.s.s Responsions without difficulty. On the sixth of October was the concert at King's Hall.

Michael had spent a good deal of time in sending letters to all the friends he could think of, inviting their attendance on this occasion of importance. He even wrote to Wilmot and many of the people he had met at Edwardes Square. Everyone must help in Stella's triumph.

At the beginning of October Mrs. Ross arrived at the Merivales' house, and for the first time since their conversation in the orchard she and Michael met. He was shy at first, but Mrs. Ross was so plainly anxious to show that she regarded him as affectionately as ever that Michael found himself able to resume his intimacy at once. However, since Stella was always uppermost in his thoughts, he did not test Mrs. Ross with any more surprizing admissions.

On the night before the concert Mr. and Mrs. Merivale, Mrs. Ross, Alan and Michael sat in the drawing-room, talking over the concert from every point of view.

"Of course she'll be a success," said Mr. Merivale, and managed to implicate himself as usual in a network of bad puns that demanded the heartiest reprobation from his listeners.

"Dear little girl," said Mrs. Merivale placidly. "How nice it is to see children doing things."

"Of course she'll be a success," Alan vowed. "You've only got to look at her to see that. By gad, what an off-drive she would have had, if she'd only been a boy."

Michael looked at Alan quickly. This was the first time he had ever heard him praise a girl of his own accord. He made up his mind to ask Stella when her concert was over how Alan had impressed her.

"Dear Michael," said Mrs. Ross earnestly, "you must not worry about Stella. Don't you remember how years ago I said she would be a great pianist? And you were so amusing about it, because you would insist that you didn't like her playing."

"Nor I did," said Michael in laughing defence of himself at eight years old. "I used to think it was the most melancholy noise on earth.

Sometimes I think so now, when Stella wraps herself up in endless scales. By Jove," he suddenly exclaimed, "what's the time?"

"Half-past eight nearly. Why?" Alan asked.

"I forgot to write and tell Viner to come. It's not very late. I think I'll go over to Notting Hill now, and ask him. I haven't been to see him much lately, and he was always awfully decent to me."

Mr. Viner was reading in his smoke-hung room.

"Hullo," he said. "You've not been near me for almost a year."

"I know," said Michael apologetically. "I feel rather a brute. Some time I'll tell you why."

Then suddenly Michael wondered if the priest knew about Lord Saxby, and he felt shy of him. He felt that he could not talk intimately to him until he had told him about the circ.u.mstances of his birth.

"Is that what's been keeping you away?" asked the priest. "Because, let me tell you, I've known all about you for some years. And look here, Michael, don't get into your head that you've got to make this sort of announcement every time you form a new friends.h.i.+p."

"Oh, that wasn't the reason I kept away," said Michael. "But I don't want to talk about myself. I want to talk about my sister. She's going to play at the King's Hall concert to-morrow night. You will come, won't you?"

"Of course I will," said the priest.

"Thanks, and--er--if you could think about her when you're saying Ma.s.s to-morrow morning, why, I'd rather like to serve you, if I may. I must tear back now," Michael added. "Good night."

"Good night," said the priest, and as Michael turned in the doorway his smile was like a benediction.

Very early on the next morning through the curdled October mists Michael went over to Notting Hill again. The Mission Church stood obscurely amid a press of mean houses, and as Michael hurried along the fetid narrow thoroughfare, the bell for Ma.s.s was clanging among the fog and smoke. Here and there women were belabouring their doorsteps with mangy mats or leaning with grimed elbows on their sills in depressed antic.i.p.ation of a day's drudgery. From bed-ridden rooms came the sound of children wailing and fighting over breakfast. Lean cats nosed in the garbage strewn along the gutters.

The Mission Church smelt strongly of soap and stale incense, and in the frore atmosphere the coloured pictures on the walls looked more than usually crude and violent. It was the Octave of St. Michael and All Angels, and the white chrysanthemums on the altar were beginning to turn brown. There was not a large congregation--two sisters of mercy, three or four pious and dowdy maiden ladies, and the sacristan. It was more than two years since Michael had served at Ma.s.s, and he was glad and grateful to find that every small ceremony still seemed sincere and fit and inevitable. There was an exquisite morning stillness in this small tawdry church, and Michael thought how strange it was that in this festering corner of the city it was possible to create so profound a sense of mystery. Whatever emotion he gained of peace and reconciliation and brooding holiness he vowed to Stella and to her fame and to her joy.

After Ma.s.s Michael went back to breakfast with Mr. Viner, and as they sat talking about Oxford, Michael thought how various Oxford was compared with school, how many different kinds of people would be appropriate to their surroundings, and he began with some of the ardour that he had given hitherto to envy of life to covet all varieties of intellectual experience. What a wonderfully suggestive word was University, and how exciting it was to see Viner tabulating introductions for his benefit.

Michael sat by himself at the concert. During the afternoon he had talked to Stella for a few minutes, but she had seemed more than ever immeasurably remote from conversation, and Michael had contented himself with offering stock phrases of encouragement and exhortation. He went early to King's Hall and sat high up in the topmost corner looking down on the orchestra. Gradually through the bluish mist the indefinite audience thickened, and their acc.u.mulated voices echoed less and less.

The members of the orchestra had not yet entered, but their music-stands stood about with a ridiculous likeness to human beings. In the middle was Stella's piano black and lifeless, a little ominous in its naked and insistent and faintly s.h.i.+ning ebon solemnity. One of the orchestra threaded his way through the chairs to where the drums stood in a bizarre group. From time to time this lonely human figure struck his instruments to test their pitch, and the low boom sounded hollowly above the murmurous audience.

A general accession of light took place, and now suddenly the empty platform was filled with nonchalant men who gossiped while they made discordant sounds upon their instruments. The conductor came in and bowed. The audience clapped. There was a momentary hush, followed by a sharp rat-tat of the baton, and the Third Leonora Overture began.

To Michael the music was a blur. It was soundless beside his own beating heart, his heart that thudded on and on, on and on, while the faces of the audience receded farther and farther through the increasing haze.

The Overture was finished. From the hall that every moment seemed to grow darker came a sound of ghostly applause. Michael looked at his programme in a fever. What was this unp.r.o.nounceable German composition, this Tonic Poem that must be played before Stella's turn would arrive?

It seemed to go on for ever in a most barbaric and amorphous din; with corybantic cras.h.i.+ngs, with brazen fanfares and stinging cymbals it flung itself against the audience, while the woodwind howled and the violins were harsh as cats. Michael brooded unreceptive; he had a sense of monstrous loneliness; he could think of nothing. The noise overpowered his beating heart, and he began to count absurdly, while he bit his nails or s.h.i.+vered in alternations of fire and snow. Then his programme fluttered down on to the head of a bald violoncellist, and the ensuing shock of self-consciousness, that was mingled with a violent desire to laugh very loudly, restored him to his normal calm. The Tonic Poem shrieked and tore itself to death. The world became very quiet.

There was a gradual flap of rising applause, and it was Stella who, tall and white, was being handed across the platform. It was Stella who was sitting white and rigid at the black piano that suddenly seemed to have shrunk into a puny insignificance. It was Stella whose fingers were causing those rills of melody to flow. She paused, while the orchestra took up their part, and then again the rills began to flow, gently, fiercely, madly, sadly, wildly. Now she seemed to contend against the mighty odds of innumerable rival instruments; now her own frail instrument seemed to flag; now she was gaining strength; her cool clear harmonies were subduing this welter of violins, this tempest of horns and clarionets, this menace of ba.s.s-viols and drums. The audience was extinguished like a candle. The orchestra seemed inspired by the angry forces of Nature herself. The bows of the violins whitened and flickered like willows in a storm, and yet amid this almost intolerable movement Stella sat still as a figure of eternal stone. A faint smile curved more sharply her lips; the black bows in her hair trembled against her white dress; her wonderful hands went galloping away to right and left of her straight back. Plangent as music itself, serene as sculpture, with smiling lips magically crimson, adorably human, she finished her first concerto. And while she bowed to the audience and to the orchestra and the great s.h.a.ggy conductor, Michael saw ridiculous teardrops bedewing his sleeve, not because he had been moved by the music, but because he was unable to shake by the hand every single person in King's Hall who was now applauding his sister.

It was not until Beethoven's somber knock at the opening of the Fifth Symphony that Michael began to dream upon the deeps of great music, that his thoughts liberated from anxiety went straying into time. Stella, when for a little while he had reveled in her success, was forgotten, and the people in this hall, listening, listening, began to move him with their unimaginable variety. Near him were lovers who in this symphony were fast imparadised; their hands were interlaced; visibly they swayed nearer to each other on the waves of melody. Old men were near him, solitary old men listening, listening ... old men who at the summons of these ringing notes were traversing their past that otherwise might have stayed forever unvoyageable.

Michael sometimes craved for Lily's company, wished that he could clasp her to him and swoon away upon these blinding chords. But she was banished from this world of music, she who had betrayed the beauty of love. There was something more n.o.ble in this music than the memory of a slim and lovely girl and of her flower-soft kisses. The world itself surely seemed to travel the faster for this urgent symphony. Michael was spinning face to face with the spinning stars.

And then some thread of simple melody would bring him back to the green world and the little memories of his boyhood. Now more than ever did it seem worth while to live on earth. He recognized, as if suddenly he had come down from incredible heights, familiar faces in the audience. He saw his mother with Mrs. Ross beside her, two figures that amid all this intoxication of speeding life must forever mourn. Now while the flood of music was sounding in his ears, he wished that he could fly down through this dim hall, and tell them, as they sat there in black with memories beside them, how well he loved them, how much he honoured them, how eagerly he demanded from them pride in himself.

After the first emotions of the mighty music had worn themselves out, Michael's imagination began to wander rapidly. At one point the ba.s.soons became very active, and he was somehow reminded of Mr. Neech. He was puzzled for awhile to account for this a.s.sociation of an old form-master with the noise of ba.s.soons. '_For he heard the loud ba.s.soon_.' Out of the past came the vision of old Neech wagging the tail of his gown as he strode backward and forwards over the floor of the Sh.e.l.l cla.s.s-room.

'_The Wedding-Guest here beat his breast, For he heard the loud ba.s.soon_.' Out of the past came the shrill sound of boys ruining The Ancient Mariner, and Michael heard again the outraged apostrophes of Mr.

Neech. He began to create from his fancy of Mr. Neech a grotesque symbol of public-school education. Certainly he was the only master who had taught him anything. Yet he had probably tried less earnestly to teach than any other masters. Why did this image of Mr. Neech materialize whenever his thoughts went back to school? Years had pa.s.sed since he had enjoyed the Sh.e.l.l. He had never talked intimately to Neech; indeed, he had scarcely held any communication with him since he left his form. The influence of Neech must have depended on a personality that demanded from his pupils a stoic bearing, a sense of humour, a capacity for inquisitiveness, an idea of continuity. He could not remember that any of these qualities had been appreciated by himself until he had entered the Sh.e.l.l. Michael regretted very deeply that on the day before he left school he had not thanked Neech for his existence. How nebulous already most of his other masters seemed. Only Neech stood out clear-cut as the intagliation of a sardonyx.

Meditation upon Neech took Michael off to Thackeray. He had been reading Pendennis lately, and the book had given him much the same sensation of finality as his old form-master, and as Michael thought of Thackeray, he began to speculate upon the difference between Michael Fane and the fourteenth Earl of Saxby. Yet he was rather glad that after all he was not the fourteenth Earl of Saxby. It would be interesting to see how his theories of good-breeding were carried out by himself as a n.o.body with old blood in his veins. He would like to test the common talk that rank was an accident, that old families, old faiths, old education, old customs, old manners, old thoughts, old books were all so much moons.h.i.+ne. Michael wondered whether it were so; whether indeed all men if born with equal chances would not display equal qualities. He did not believe it: he hated the doctrine. Yet people in all their variety called to him still, and as he surveyed the audience he was aware from time to time of a great longing to involve himself in the web of humanity. He was glad that he had not removed himself from the world like Chator. Chator! He must go down to Clere and see how Chator was getting on as a monk. He had not even thought of Chator for a year. But after all Oxford had a monastic intention, and Michael believed that from Oxford he would gain as much austerity of att.i.tude as Chator would acquire from the rule of St. Benedict. And when he left Oxford, he would explore humanity. He would travel through the world and through the underworld and apply always his standard of ... of what? What was his standard? A cla.s.sic permanence, a cla.s.sic simplicity and inevitableness?

The symphony stopped. He must hurry out and congratulate Stella. What a possession she was; what an excitement her career would be. How he would love to control her extravagance, and even as he controlled it, how he would admire it. And his mother had talked of taking a house in Chelsea.

What various interests were springing into existence. He must not forget to ask Alan what train he was going by to Oxford. They must arrive together. He had not yet bought his china. His china! His pictures! His books! His rooms in college! Life was really astonis.h.i.+ng.

The concert was over, and as Michael came swirling down the stairs on the flood of people going home, he had a strange sensation of life beginning all over again.

THE END OF THE FIRST VOLUME