The $30,000 Bequest Part 4

"And me, too. How heartbreakingly beautiful it is when some youthful sorrow is brooding in her breast and she sings it for the mystic healing it brings... . Aunt Hannah?"

"Dear Margaret?"

"I am very ill. Sometimes it comes over me that I shall never hear that dear voice again."

"Oh, don't--don't, Margaret! I can't bear it!"

Margaret was moved and distressed, and said, gently: "There--there--let me put my arms around you. Don't cry. There--put your cheek to mine. Be comforted. I wish to live. I will live if I can. Ah, what could she do without me! ... Does she often speak of me?--but I know she does."

"Oh, all the time--all the time!"

"My sweet child! She wrote the note the moment she came home?"

"Yes--the first moment. She would not wait to take off her things."

"I knew it. It is her dear, impulsive, affectionate way. I knew it without asking, but I wanted to hear you say it. The petted wife knows she is loved, but she makes her husband tell her so every day, just for the joy of hearing it... . She used the pen this time. That is better; the pencil-marks could rub out, and I should grieve for that. Did you suggest that she use the pen?"

"Y--no--she--it was her own idea."

The mother looked her pleasure, and said: "I was hoping you would say that. There was never such a dear and thoughtful child! ... Aunt Hannah?"

"Dear Margaret?"

"Go and tell her I think of her all the time, and wors.h.i.+p her. Why--you are crying again. Don't be so worried about me, dear; I think there is nothing to fear, yet."

The grieving messenger carried her message, and piously delivered it to unheeding ears. The girl babbled on unaware; looking up at her with wondering and startled eyes flaming with fever, eyes in which was no light of recognition: "Are you--no, you are not my mother. I want her--oh, I want her! She was here a minute ago--I did not see her go. Will she come? will she come quickly? will she come now? ... There are so many houses ... and they oppress me so ... and everything whirls and turns and whirls ... oh, my head, my head!"--and so she wandered on and on, in her pain, flitting from one torturing fancy to another, and tossing her arms about in a weary and ceaseless persecution of unrest.

Poor old Hannah wetted the parched lips and softly stroked the hot brow, murmuring endearing and pitying words, and thanking the Father of all that the mother was happy and did not know.

CHAPTER VI.

Daily the child sank lower and steadily lower towards the grave, and daily the sorrowing old watchers carried gilded tidings of her radiant health and loveliness to the happy mother, whose pilgrimage was also now nearing its end. And daily they forged loving and cheery notes in the child's hand, and stood by with remorseful consciences and bleeding hearts, and wept to see the grateful mother devour them and adore them and treasure them away as things beyond price, because of their sweet source, and sacred because her child's hand had touched them.

At last came that kindly friend who brings healing and peace to all. The lights were burning low. In the solemn hush which precedes the dawn vague figures flitted soundless along the dim hall and gathered silent and awed in Helen's chamber, and grouped themselves about her bed, for a warning had gone forth, and they knew. The dying girl lay with closed lids, and unconscious, the drapery upon her breast faintly rising and falling as her wasting life ebbed away. At intervals a sigh or a m.u.f.fled sob broke upon the stillness. The same haunting thought was in all minds there: the pity of this death, the going out into the great darkness, and the mother not here to help and hearten and bless.

Helen stirred; her hands began to grope wistfully about as if they sought something--she had been blind some hours. The end was come; all knew it. With a great sob Hester gathered her to her breast, crying, "Oh, my child, my darling!" A rapturous light broke in the dying girl's face, for it was mercifully vouchsafed her to mistake those sheltering arms for another's; and she went to her rest murmuring, "Oh, mamma, I am so happy--I longed for you--now I can die."

Two hours later Hester made her report. The mother asked: "How is it with the child?"

"She is well."

CHAPTER VII.

A sheaf of white c.r.a.pe and black was hung upon the door of the house, and there it swayed and rustled in the wind and whispered its tidings. At noon the preparation of the dead was finished, and in the coffin lay the fair young form, beautiful, and in the sweet face a great peace. Two mourners sat by it, grieving and wors.h.i.+pping-- Hannah and the black woman Tilly. Hester came, and she was trembling, for a great trouble was upon her spirit. She said: "She asks for a note."

Hannah's face blanched. She had not thought of this; it had seemed that that pathetic service was ended. But she realized now that that could not be. For a little while the two women stood looking into each other's face, with vacant eyes; then Hannah said: "There is no way out of it--she must have it; she will suspect, else."

"And she would find out."

"Yes. It would break her heart." She looked at the dead face, and her eyes filled. "I will write it," she said.

Hester carried it. The closing line said: "Darling Mousie, dear sweet mother, we shall soon be together again. Is not that good news? And it is true; they all say it is true."

The mother mourned, saying: "Poor child, how will she bear it when she knows? I shall never see her again in life. It is hard, so hard. She does not suspect? You guard her from that?"

"She thinks you will soon be well."

"How good you are, and careful, dear Aunt Hester! None goes near herr who could carry the infection?"

"It would be a crime."

"But you SEE her?"

"With a distance between--yes."

"That is so good. Others one could not trust; but you two guardian angels--steel is not so true as you. Others would be unfaithful; and many would deceive, and lie."

Hester's eyes fell, and her poor old lips trembled.

"Let me kiss you for her, Aunt Hester; and when I am gone, and the danger is past, place the kiss upon her dear lips some day, and say her mother sent it, and all her mother's broken heart is in it."

Within the hour, Hester, raining tears upon the dead face, performed her pathetic mission.

CHAPTER VIII.

Another day dawned, and grew, and spread its suns.h.i.+ne in the earth. Aunt Hannah brought comforting news to the failing mother, and a happy note, which said again, "We have but a little time to wait, darling mother, then we shall be together."

The deep note of a bell came moaning down the wind.

"Aunt Hannah, it is tolling. Some poor soul is at rest. As I shall be soon. You will not let her forget me?"

"Oh, G.o.d knows she never will!"

"Do not you hear strange noises, Aunt Hannah? It sounds like the shuffling of many feet."

"We hoped you would not hear it, dear. It is a little company gathering, for--for Helen's sake, poor little prisoner. There will be music--and she loves it so. We thought you would not mind."

"Mind? Oh no, no--oh, give her everything her dear heart can desire. How good you two are to her, and how good to me! G.o.d bless you both always!"

After a listening pause: "How lovely! It is her organ. Is she playing it herself, do you think?" Faint and rich and inspiring the chords floating to her ears on the still air. "Yes, it is her touch, dear heart, I recognize it. They are singing. Why--it is a hymn! and the sacredest of all, the most touching, the most consoling... . It seems to open the gates of paradise to me... . If I could die now... ."

Faint and far the words rose out of the stillness: Nearer, my G.o.d, to Thee, Nearer to Thee, E'en though it be a cross That raiseth me.

With the closing of the hymn another soul pa.s.sed to its rest, and they that had been one in life were not sundered in death. The sisters, mourning and rejoicing, said: "How blessed it was that she never knew!"

CHAPTER IX.

At midnight they sat together, grieving, and the angel of the Lord appeared in the midst transfigured with a radiance not of earth; and speaking, said: "For liars a place is appointed. There they burn in the fires of h.e.l.l from everlasting unto everlasting. Repent!"

The bereaved fell upon their knees before him and clasped their hands and bowed their gray heads, adoring. But their tongues clove to the roof of their mouths, and they were dumb.

"Speak! that I may bear the message to the chancery of heaven and bring again the decree from which there is no appeal."

Then they bowed their heads yet lower, and one said: "Our sin is great, and we suffer shame; but only perfect and final repentance can make us whole; and we are poor creatures who have learned our human weakness, and we know that if we were in those hard straits again our hearts would fail again, and we should sin as before. The strong could prevail, and so be saved, but we are lost."

They lifted their heads in supplication. The angel was gone. While they marveled and wept he came again; and bending low, he whispered the decree.

CHAPTER X.

Was it Heaven? Or h.e.l.l?

A CURE FOR THE BLUES.

By courtesy of Mr. Cable I came into possession of a singular book eight or ten years ago. It is likely that mine is now the only copy in existence. Its t.i.tle-page, unabbreviated, reads as follows: "The Enemy Conquered; or, Love Triumphant. By G. Ragsdale McClintock, [1] author of 'An Address,' etc., delivered at Sunflower Hill, South Carolina, and member of the Yale Law School. New Haven: published by T. H. Pease, 83 Chapel Street, 1845."

No one can take up this book and lay it down again unread. Whoever reads one line of it is caught, is chained; he has become the contented slave of its fascinations; and he will read and read, devour and devour, and will not let it go out of his hand till it is finished to the last line, though the house be on fire over his head. And after a first reading he will not throw it aside, but will keep it by him, with his Shakespeare and his Homer, and will take it up many and many a time, when the world is dark and his spirits are low, and be straightway cheered and refreshed. Yet this work has been allowed to lie wholly neglected, unmentioned, and apparently unregretted, for nearly half a century.

The reader must not imagine that he is to find in it wisdom, brilliancy, fertility of invention, ingenuity of construction, excellence of form, purity of style, perfection of imagery, truth to nature, clearness of statement, humanly possible situations, humanly possible people, fluent narrative, connected sequence of events-- or philosophy, or logic, or sense. No; the rich, deep, beguiling charm of the book lies in the total and miraculous ABSENCE from it of all these qualities--a charm which is completed and perfected by the evident fact that the author, whose naive innocence easily and surely wins our regard, and almost our wors.h.i.+p, does not know that they are absent, does not even suspect that they are absent. When read by the light of these helps to an understanding of the situation, the book is delicious--profoundly and satisfyingly delicious.

I call it a book because the author calls it a book, I call it a work because he calls it a work; but, in truth, it is merely a duodecimo pamphlet of thirty-one pages. It was written for fame and money, as the author very frankly--yes, and very hopefully, too, poor fellow-- says in his preface. The money never came--no penny of it ever came; and how long, how pathetically long, the fame has been deferred-- forty-seven years! He was young then, it would have been so much to him then; but will he care for it now?

As time is measured in America, McClintock's epoch is antiquity. In his long-vanished day the Southern author had a pa.s.sion for "eloquence"; it was his pet, his darling. He would be eloquent, or perish. And he recognized only one kind of eloquence--the lurid, the tempestuous, the volcanic. He liked words--big words, fine words, grand words, rumbling, thundering, reverberating words; with sense attaching if it could be got in without marring the sound, but not otherwise. He loved to stand up before a dazed world, and pour forth flame and smoke and lava and pumice-stone into the skies, and work his subterranean thunders, and shake himself with earthquakes, and stench himself with sulphur fumes. If he consumed his own fields and vineyards, that was a pity, yes; but he would have his eruption at any cost. Mr. McClintock's eloquence-- and he is always eloquent, his crater is always spouting--is of the pattern common to his day, but he departs from the custom of the time in one respect: his brethren allowed sense to intrude when it did not mar the sound, but he does not allow it to intrude at all. For example, consider this figure, which he used in the village "Address" referred to with such candid complacency in the t.i.tle-page above quoted--"like the topmost topaz of an ancient tower." Please read it again; contemplate it; measure it; walk around it; climb up it; try to get at an approximate realization of the size of it. Is the fellow to that to be found in literature, ancient or modern, foreign or domestic, living or dead, drunk or sober? One notices how fine and grand it sounds. We know that if it was loftily uttered, it got a n.o.ble burst of applause from the villagers; yet there isn't a ray of sense in it, or meaning to it.

McClintock finished his education at Yale in 1843, and came to Hartford on a visit that same year. I have talked with men who at that time talked with him, and felt of him, and knew he was real. One needs to remember that fact and to keep fast hold of it; it is the only way to keep McClintock's book from undermining one's faith in McClintock's actuality.

As to the book. The first four pages are devoted to an inflamed eulogy of Woman--simply woman in general, or perhaps as an inst.i.tution-- wherein, among other compliments to her details, he pays a unique one to her voice. He says it "fills the breast with fond alarms, echoed by every rill." It sounds well enough, but it is not true. After the eulogy he takes up his real work and the novel begins. It begins in the woods, near the village of Sunflower Hill.

Brightening clouds seemed to rise from the mist of the fair Chattahoochee, to spread their beauty over the thick forest, to guide the hero whose bosom beats with aspirations to conquer the enemy that would tarnish his name, and to win back the admiration of his long-tried friend.

It seems a general remark, but it is not general; the hero mentioned is the to-be hero of the book; and in this abrupt fas.h.i.+on, and without name or description, he is shoveled into the tale. "With aspirations to conquer the enemy that would tarnish his name" is merely a phrase flung in for the sake of the sound--let it not mislead the reader. No one is trying to tarnish this person; no one has thought of it. The rest of the sentence is also merely a phrase; the man has no friend as yet, and of course has had no chance to try him, or win back his admiration, or disturb him in any other way.

The hero climbs up over "Sawney's Mountain," and down the other side, making for an old Indian "castle"--which becomes "the red man's hut" in the next sentence; and when he gets there at last, he "surveys with wonder and astonishment" the invisible structure, "which time has buried in the dust, and thought to himself his happiness was not yet complete." One doesn't know why it wasn't, nor how near it came to being complete, nor what was still wanting to round it up and make it so. Maybe it was the Indian; but the book does not say. At this point we have an episode: Beside the sh.o.r.e of the brook sat a young man, about eighteen or twenty, who seemed to be reading some favorite book, and who had a remarkably n.o.ble countenance--eyes which betrayed more than a common mind. This of course made the youth a welcome guest, and gained him friends in whatever condition of his life he might be placed. The traveler observed that he was a well-built figure which showed strength and grace in every movement. He accordingly addressed him in quite a gentlemanly manner, and inquired of him the way to the village. After he had received the desired information, and was about taking his leave, the youth said, "Are you not Major Elfonzo, the great musician [2]--the champion of a n.o.ble cause-- the modern Achilles, who gained so many victories in the Florida War?" "I bear that name," said the Major, "and those t.i.tles, trusting at the same time that the ministers of grace will carry me triumphantly through all my laudable undertakings, and if," continued the Major, "you, sir, are the patronizer of n.o.ble deeds, I should like to make you my confidant and learn your address." The youth looked somewhat amazed, bowed low, mused for a moment, and began: "My name is Roswell. I have been recently admitted to the bar, and can only give a faint outline of my future success in that honorable profession; but I trust, sir, like the Eagle, I shall look down from the lofty rocks upon the dwellings of man, and shall ever be ready to give you any a.s.sistance in my official capacity, and whatever this muscular arm of mine can do, whenever it shall be called from its buried GREATNESS." The Major grasped him by the hand, and exclaimed: "O! thou exalted spirit of inspiration--thou flame of burning prosperity, may the Heaven-directed blaze be the glare of thy soul, and battle down every rampart that seems to impede your progress!"

There is a strange sort of originality about McClintock; he imitates other people's styles, but n.o.body can imitate his, not even an idiot. Other people can be windy, but McClintock blows a gale; other people can blubber sentiment, but McClintock spews it; other people can mishandle metaphors, but only McClintock knows how to make a business of it. McClintock is always McClintock, he is always consistent, his style is always his own style. He does not make the mistake of being relevant on one page and irrelevant on another; he is irrelevant on all of them. He does not make the mistake of being lucid in one place and obscure in another; he is obscure all the time. He does not make the mistake of slipping in a name here and there that is out of character with his work; he always uses names that exactly and fantastically fit his lunatics. In the matter of undeviating consistency he stands alone in authors.h.i.+p. It is this that makes his style unique, and ent.i.tles it to a name of its own--McClintockian. It is this that protects it from being mistaken for anybody else's. Uncredited quotations from other writers often leave a reader in doubt as to their authors.h.i.+p, but McClintock is safe from that accident; an uncredited quotation from him would always be recognizable. When a boy nineteen years old, who had just been admitted to the bar, says, "I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man," we know who is speaking through that boy; we should recognize that note anywhere. There be myriads of instruments in this world's literary orchestra, and a mult.i.tudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognizable, and about it there can be no blur of doubt.

The novel now arrives at the point where the Major goes home to see his father. When McClintock wrote this interview he probably believed it was pathetic.

The road which led to the town presented many attractions Elfonzo had bid farewell to the youth of deep feeling, and was now wending his way to the dreaming spot of his fondness. The south winds whistled through the woods, as the waters dashed against the banks, as rapid fire in the pent furnace roars. This brought him to remember while alone, that he quietly left behind the hospitality of a father's house, and gladly entered the world, with higher hopes than are often realized. But as he journeyed onward, he was mindful of the advice of his father, who had often looked sadly on the ground, when tears of cruelly deceived hope moistened his eyes. Elfonzo had been somewhat a dutiful son; yet fond of the amus.e.m.e.nts of life-- had been in distant lands--had enjoyed the pleasure of the world, and had frequently returned to the scenes of his boyhood, almost dest.i.tute of many of the comforts of life. In this condition, he would frequently say to his father, "Have I offended you, that you look upon me as a stranger, and frown upon me with stinging looks? Will you not favor me with the sound of your voice? If I have trampled upon your veneration, or have spread a humid veil of darkness around your expectations, send me back into the world, where no heart beats for me--where the foot of man had never yet trod; but give me at least one kind word--allow me to come into the presence sometimes of thy winter-worn locks." "Forbid it, Heaven, that I should be angry with thee," answered the father, "my son, and yet I send thee back to the children of the world--to the cold charity of the combat, and to a land of victory. I read another destiny in thy countenance--I learn thy inclinations from the flame that has already kindled in my soul a strange sensation. It will seek thee, my dear ELFONZO, it will find thee--thou canst not escape that lighted torch, which shall blot out from the remembrance of men a long train of prophecies which they have foretold against thee. I once thought not so. Once, I was blind; but now the path of life is plain before me, and my sight is clear; yet, Elfonzo, return to thy worldly occupation--take again in thy hand that chord of sweet sounds-- struggle with the civilized world and with your own heart; fly swiftly to the enchanted ground--let the night-OWL send forth its screams from the stubborn oak--let the sea sport upon the beach, and the stars sing together; but learn of these, Elfonzo, thy doom, and thy hiding-place. Our most innocent as well as our most lawful DESIRES must often be denied us, that we may learn to sacrifice them to a Higher will."

Remembering such admonitions with grat.i.tude, Elfonzo was immediately urged by the recollection of his father's family to keep moving.

McClintock has a fine gift in the matter of surprises; but as a rule they are not pleasant ones, they jar upon the feelings. His closing sentence in the last quotation is of that sort. It brings one down out of the tinted clouds in too sudden and collapsed a fas.h.i.+on. It incenses one against the author for a moment. It makes the reader want to take him by this winter-worn locks, and trample on his veneration, and deliver him over to the cold charity of combat, and blot him out with his own lighted torch. But the feeling does not last. The master takes again in his hand that concord of sweet sounds of his, and one is reconciled, pacified.

His steps became quicker and quicker--he hastened through the PINY woods, dark as the forest was, and with joy he very soon reached the little village of repose, in whose bosom rested the boldest chivalry. His close attention to every important object--his modest questions about whatever was new to him--his reverence for wise old age, and his ardent desire to learn many of the fine arts, soon brought him into respectable notice.

One mild winter day, as he walked along the streets toward the Academy, which stood upon a small eminence, surrounded by native growth-- some venerable in its appearance, others young and prosperous-- all seemed inviting, and seemed to be the very place for learning as well as for genius to spend its research beneath its spreading shades. He entered its cla.s.sic walls in the usual mode of southern manners.

The artfulness of this man! None knows so well as he how to pique the curiosity of the reader--and how to disappoint it. He raises the hope, here, that he is going to tell all about how one enters a cla.s.sic wall in the usual mode of Southern manners; but does he? No; he smiles in his sleeve, and turns aside to other matters.

The princ.i.p.al of the Inst.i.tution begged him to be seated and listen to the recitations that were going on. He accordingly obeyed the request, and seemed to be much pleased. After the school was dismissed, and the young hearts regained their freedom, with the songs of the evening, laughing at the antic.i.p.ated pleasures of a happy home, while others t.i.ttered at the actions of the past day, he addressed the teacher in a tone that indicated a resolution-- with an undaunted mind. He said he had determined to become a student, if he could meet with his approbation. "Sir," said he, "I have spent much time in the world. I have traveled among the uncivilized inhabitants of America. I have met with friends, and combated with foes; but none of these gratify my ambition, or decide what is to be my destiny. I see the learned world have an influence with the voice of the people themselves. The despoilers of the remotest kingdoms of the earth refer their differences to this cla.s.s of persons. This the illiterate and inexperienced little dream of; and now if you will receive me as I am, with these deficiencies--with all my misguided opinions, I will give you my honor, sir, that I will never disgrace the Inst.i.tution, or those who have placed you in this honorable station." The instructor, who had met with many disappointments, knew how to feel for a stranger who had been thus turned upon the charities of an unfeeling community. He looked at him earnestly, and said: "Be of good cheer--look forward, sir, to the high destination you may attain. Remember, the more elevated the mark at which you aim, the more sure, the more glorious, the more magnificent the prize." From wonder to wonder, his encouragement led the impatient listener. A strange nature bloomed before him--giant streams promised him success--gardens of hidden treasures opened to his view. All this, so vividly described, seemed to gain a new witchery from his glowing fancy.

It seems to me that this situation is new in romance. I feel sure it has not been attempted before. Military celebrities have been disguised and set at lowly occupations for dramatic effect, but I think McClintock is the first to send one of them to school. Thus, in this book, you pa.s.s from wonder to wonder, through gardens of hidden treasure, where giant streams bloom before you, and behind you, and all around, and you feel as happy, and groggy, and satisfied with your quart of mixed metaphor aboard as you would if it had been mixed in a sample-room and delivered from a jug.

Now we come upon some more McClintockian surprise--a sweetheart who is sprung upon us without any preparation, along with a name for her which is even a little more of a surprise than she herself is.

In 1842 he entered the cla.s.s, and made rapid progress in the English and Latin departments. Indeed, he continued advancing with such rapidity that he was like to become the first in his cla.s.s, and made such unexpected progress, and was so studious, that he had almost forgotten the pictured saint of his affections. The fresh wreaths of the pine and cypress had waited anxiously to drop once more the dews of Heaven upon the heads of those who had so often poured forth the tender emotions of their souls under its boughs. He was aware of the pleasure that he had seen there. So one evening, as he was returning from his reading, he concluded he would pay a visit to this enchanting spot. Little did he think of witnessing a shadow of his former happiness, though no doubt he wished it might be so. He continued sauntering by the roadside, meditating on the past. The nearer he approached the spot, the more anxious he became. At that moment a tall female figure flitted across his path, with a bunch of roses in her hand; her countenance showed uncommon vivacity, with a resolute spirit; her ivory teeth already appeared as she smiled beautifully, promenading--while her ringlets of hair dangled unconsciously around her snowy neck. Nothing was wanting to complete her beauty. The tinge of the rose was in full bloom upon her cheek; the charms of sensibility and tenderness were always her a.s.sociates. In Ambulinia's bosom dwelt a n.o.ble soul--one that never faded-- one that never was conquered.

Ambulinia! It can hardly be matched in fiction. The full name is Ambulinia Valeer. Marriage will presently round it out and perfect it. Then it will be Mrs. Ambulinia Valeer Elfonzo. It takes the chromo.

Her heart yielded to no feeling but the love of Elfonzo, on whom she gazed with intense delight, and to whom she felt herself more closely bound, because he sought the hand of no other. Elfonzo was roused from his apparent reverie. His books no longer were his inseparable companions--his thoughts arrayed themselves to encourage him to the field of victory. He endeavored to speak to his supposed Ambulinia, but his speech appeared not in words. No, his effort was a stream of fire, that kindled his soul into a flame of admiration, and carried his senses away captive. Ambulinia had disappeared, to make him more mindful of his duty. As she walked speedily away through the piny woods, she calmly echoed: "O! Elfonzo, thou wilt now look from thy sunbeams. Thou shalt now walk in a new path--perhaps thy way leads through darkness; but fear not, the stars foretell happiness."

To McClintock that jingling jumble of fine words meant something, no doubt, or seemed to mean something; but it is useless for us to try to divine what it was. Ambulinia comes--we don't know whence nor why; she mysteriously intimates--we don't know what; and then she goes echoing away--we don't know whither; and down comes the curtain. McClintock's art is subtle; McClintock's art is deep.