The Twelve Rooms of the Nile Part 1

The Twelve Rooms of the Nile.

Enid Shomer.

In memory of William Magazine and for my family.

-Nirah, Mike, Oren, and Paula.

Is discontent a privilege? . . . Woman has nothing but her affections,-and this makes her at once more loving and less loved.

-FLORENCE NIGHTINGALE, Ca.s.sANDRA.

The future is the worst thing about the present. The question "What are you going to do?," when it is cast in your face, is like an abyss in front of you that keeps moving ahead with each step you take.

-GUSTAVE FLAUBERT.

To speak the names of the dead is to make them live again.

-THE BOOK OF THE DEAD.

1.

FATHER MUSTACHE AND THE FATHER OF THINNESS.

Had the young Frenchman not been lost in thought, he might have caught his Baedeker as it jostled free of the gunwale and slipped into the river. Bound in red morocco with gilt lettering and gilt-edged pages, it was a costly gift from his dear mother.

At first the book floated, spread open like a bird with small red wings. But as the waters of the Nile darkened the onionskin pages already stained with Oriental sauces and cup after cup of Turkish coffee, they swelled like the gills of a drowning fish. His dragoman, Joseph, reached for it with an oar, but the attempt served only to push the guidebook farther under and soon it disappeared into the murky wake of the cange. The gentleman frowned.

The crew set about mooring the vessel on the riverbank. The Frenchman took a deep breath and realigned the incident in his mind, turning it the way you might a newspaper the better to scissor out an article. If he had to lose his guidebook, what better place than the Nile, that great liquid treasure pit? Let it molder in the deep, among shepherds' crooks and shards of clay oil lamps, or be heaved ash.o.r.e with the river's yearly inundation of silt. He pictured a workman or scientist retrieving it in the future, reading the inscription he'd written on the fly page in indelible ink: "G. Flaubert, author of the failed novel The Temptation of Saint Anthony, 1849." Maybe he would be remembered for something after all! But the thought only made him frown again. Ambition was a dull pain, like a continually broken heart.

The crew prepared to serve the midday meal. Egyptian cleverness extended not only upward to the immense, immovable majesty of the Pyramids, the Sphinx, and the gargantuan colonnades at Karnak, but also downward to the practical and portable, to folding stools, chairs, and tables, expandable fishnet sleeping hammocks, and sacs for foodstuffs. Where moments before the crew had trafficked the broad central planks of the deck, there now appeared a dining nook, shaded by muslin hoisted on poles and tied at the top like a fancy parasol. He watched Achmet float a white damask cloth onto the table, then lay pewter chargers and pink porcelain plates, and finally, neatly frame each table setting with utensils and drinking vessels. A ewer of red wine and two full winegla.s.ses in the dead center of the table reminded him of a floral arrangement trailing two spilled roses.

On the foredeck, a Nubian crewman was chopping and cooking, while leaning on the mainmast of the skysails, Rais Ibrahim, the captain, haggled with a fishmonger. Soon enough a phalanx of tin trays laden with dolma-all manner of stuffed vegetables-would appear to rise unaided, levitating on the heads of the crew.

Gustave and his companion, Max, had left France four months earlier. They were sailing south to Abu Simbel, after which they would turn around and follow the current back toward Cairo, visiting more monuments at their leisure. Upon the completion of their river journey, now in its eighth week, they would tackle Greece, Syria, Palestine, and all of western Turkey from Smyrna to Constantinople. Later, perhaps Persia and India.

Most of their itinerary lay within the borders of the Ottomans, who cared nothing, Gustave knew, for the connection to the cla.s.sical past that so thrilled him. Genuflection at the altar of Graeco-Roman and Egyptian antiquity was to their thinking probably amusing if not idiotic. Their holy shrines lay farther east, in domains marked by a fastness of sand and abstinence. When, four decades earlier, they'd allowed the Elgin Marbles to be removed to England, it had ignited bidding wars among curators, archaeologists, and wealthy collectors for every torso, ossuary, and water jar. To the Turks this was not vandalism, but an opportunity to sell off useless debris. With their prohibition against the graven image, he imagined they might even be disgusted that a human form fetched up in stone could excite such ardor.

Though his hosts ruled a large chunk of the world, historians seemed to agree that a golden age based in raw courage and gallantry was behind them, that they now lived by collecting in tribute what they had once secured with the b.l.o.o.d.y scimitar. He admired the fact that unlike the Europeans, who were p.r.o.ne to wars of ideas, the Turks reigned benignly, ceding to their conquered peoples great lat.i.tude in the practice of religious and national customs. Or were they benign out of inefficiency? The sultans, caliphs, viceroys, emirs, sheiks, and pashas-they had countless names for grand and petty offices-ruled from an ornately disorganized web of bribery and corruption so bloated with excess that the empire had grown unwieldy as an elephant balanced on a ball. Someday it would tumble in an earth-shaking, ruined heap.

In the meantime, both he and Max entertained fantasies of returning home with a marble bust or two, possibly a mummy. For they had learned the secret to a successful tour of the Orient: baksheesh. A handful of drachmas or piastres opened the doors of private estates to the two young Frenchmen. Obscure ruins were lit by torchlight if necessary for their inspection, and skilled cicerones were a.s.signed to guide them to hidden corners of antiquity. With the right attire, a modic.u.m of financial resources, and a pouch bulging with doc.u.ments adorned with diplomatic wax and ink flourishes, Europeans traveling the Orient enjoyed the privileges of n.o.bility. Lord knew that made for a stampede of them everywhere in the cities of the delta, if not yet on the river itself. Egypt was on the verge of becoming an industry. They would be among the last to see it before it was entirely corrupted by foreigners.

To burnish their air of importance, Max, the more savvy of the two, had secured official missions for them from two different ministries of the French government. Unpaid missions, to be sure, but nonetheless effective in connecting them to diplomats and commercial agents in the East. Gustave's collection of gaseous bureaucratic prose commended him to the world beyond the Tuileries as a gentleman in the employ of the Ministry of Agriculture and Commerce with the task of collecting in ports and caravansaries information of interest to chambers of commerce in France. He had planned to dispense with his official designation upon arrival, but soon grasping its value, instructed his mother and friends to address their letters to "Gustave Flaubert, charge d'une mission en Orient."

Max's mission was substantive, and Gustave envied him it, though he was too lazy to have undertaken it himself. The Ministry of Public Instruction had charged Max with compiling a catalog of the ancient monuments. With the latest camera, Monsieur Du Camp could efficiently replace corps of savants and artists who in Napoleon's day had performed this task. He was also charged with making life-sized facsimiles of the inscriptions, similar to stone rubbings, but producing an actual relief. These molds, or "squeezes," made using wet paper, were simple but tedious to produce, and Max depended upon Gustave to a.s.sist in their manufacture. Much to his disgust, Gustave often wandered off or fell asleep precisely when he was needed.

The truth was that Gustave had never considered himself anything but a writer. He pictured his study at home, an airy consortium of books and flowered chintz, thriving potted plants, a bearskin rug and ma.s.sive desk where he had devoted the last two years to his first novel. While other writers poured out their tales or allowed them to trickle forth like seasonal streams, he had carved The Temptation of Saint Anthony from the very mountain of the French language. Then, after reading it aloud to them, his best friends Max and Bouilhet had p.r.o.nounced it inferior, unworthy of publication. The recollection sent a sharp pain through his chest and arrested his breathing. The reverie of the writer's life he would return to in his study at home vanished, like smoke on a wind.

He turned his attention to the crew approaching single-file amids.h.i.+ps. On either side of them the waters of the Nile lapped like molten pewter touched with rivulets of gold. Hasan lowered a tray of delicacies, while above his shoulder, a gull's wing fluttered like a feathery epaulet as the bird swooped onto the bow of the cange. I'm traveling in the world of Byron! he thought, surrounded not by shopkeepers and prim demoiselles, but men wearing fezzes, bare-chested under fancy red vests. Nota bene: trimmed with soutache and black silk embroidery, one of these vests would make the ideal gift for Louise. In the past few months, the memory of her infuriating possessiveness had faded somewhat, and he had begun to ponder her charms. Just now, as he sipped his wine, he recalled the disarming way on their first rendezvous she had turned to him and said, "Shall we kiss awhile, my darling?"

Each man had spent the morning in solitary ch.o.r.es, Gustave composing in his journal, Max readying the camera for the afternoon excursion.

Max appeared at the table and greeted him. "I will need your help," he said. "Today we scout the temple of Derr."

"Yes," Gustave muttered. "I'm sure it will be grand." He was remembering the Sphinx, that sublime surprise. He had seen drawings of Luxor, Giza, and Abu Simbel at an exhibition in Paris. The Sphinx, though, had existed only in his imagination until the instant he came upon it, a ferocious giant perched on the desert floor, its nose smeared flat as if bloodied in a brawl.

"There will be many inscriptions, many squeezes to be made."

Gustave savored his wine, letting it trickle into the back of his throat. "How many?"

"Hundreds. I don't know. Thousands. Too many to do. There are hieroglyphs, demotic Egyptian, Greek, and something called Carian, a language no one can read."

Gustave scratched his whiskers. "In that case, we will have to bring an extra pack donkey." He served himself a second helping of rice flavored with cinnamon and c.u.min. The first thing he had noticed about the Orient was its parade of exotic spices, the bazaars smelling of coffee and sandalwood oil; the prost.i.tutes of rosewater, balsam, and musk.

Max thought for a moment. "A litter will do, I think, dragged behind us Indian style."

Usually, he and Max rode donkeys or horses, but now Gustave imagined himself tugged along on the pallet, reclining like a minor grandee. Save for the dust. And the smell and sight of the animal relieving itself. A veritable s.h.i.+t caravan.

"Joseph, of course, will go with us," Max planned aloud, "plus two of the crew, Aouadallah and Hadji Ismael, as usual."

"Yes, Hadji Ismael, for scale."

Gustave hated being within range of a camera, so Max used Hadji Ismael in his photographs to establish the implausible size of Egypt's monuments. Perched on a gigantic toe, lounging inside a mammoth doorway, Hadji Ismael was not only reliable but also photogenic-a one-eyed, well-muscled fellow who spoke a strange pidgin in the considerable gaps of which he remained always courteous and sweet. On the s.h.i.+p, he acted the wife to Big Achmet. Bardashes all, the crew. That was something s.e.xual he'd not yet tried. He was just waiting for the right opportunity. At a Turkish hammam, perhaps, where the young attendants were willing and the steam would leave him open-pored and pliant . . .

"Not just for scale-to represent the human enterprise," Max said for perhaps the fifth time in two weeks. "Even the stars mean nothing without a steaming hovel beneath them."

Such grandiose talk was the result of the photography apprentices.h.i.+p in Paris that the ever-industrious, energetic Max had completed to prepare for the trip. Upon their return, his photographs would likely be the subject of an exhibition, and serve as ill.u.s.trations for the travelogue he was writing. Gustave disliked this aspect of his friend-the pragmatist who readily lowered his nose to the grindstone to advance himself. In this regard, Gustave was something of a sn.o.b, deeming useless knowledge (of beauty, truth, love, etc.) preferable-indeed, superior-to more practical information. If he were ever to publish a book, ideally he wanted it to be about nothing.

"You and Aouadallah will work on the squeezes," Max said, wiping a spot of red sauce from his chin with his napkin, "and I will join you when I can." He pushed back his chair as a crewman began to collect the dishes.

Gustave scoffed at this idea. "But you will be photographing all day, and then the sun will be down. You can't help to make squeezes in the dark. Besides, I have my own mission to accomplish. Who knows what commercial secrets I may uncover? I may find a mirage that is real, for example."

Max began packing his bulky and fragile photographic equipment into sheepskin cases he'd had custom-tailored for the trip. "We have a deal," he reminded Gustave. "Let's stick to it."

They did have a deal, struck in the sixth week when Gustave announced he could not bear to make one more squeeze; the process was driving him mad. He no longer felt like a man, but an automaton, a mold machine. Max was sympathetic; nonetheless, he needed Gustave's labor as well as his supervision over any Egyptian apprentices. And so, in exchange for Gustave's help, he had promised to make a formal photograph of Gustave's favorite prost.i.tute. It was a strong enticement: in the damp cold of Normandy, Gustave would have his sun-drenched wh.o.r.e in crisp black and white and silky grays, every eyelash sharp as a pin. Not even Madame Flaubert would object to an artful rendering of an Oriental woman on the wall. The following week he had chosen Kuchuk Hanem, the dancing girl of Esneh, with whom he and Max had spent a satisfying day and night. But the photograph was spoiled by a mistake in the exposure. Max planned to remake it on their trip back down the Nile. What, though, if Kuchuk Hanem were not at home when they called? What if she had moved or was occupied or had fallen ill? Herac.l.i.tus was right-time was a river you couldn't step into twice. Gustave thought of nothing so much as the return visit to her quarters.

Their deal-exchanging squeezes for photographs-was a polite and simplified version of the complicated alliance between them, about which they never spoke. Max loved literature and had literary aspirations, and it was in the fire of that mutual pa.s.sion that their friends.h.i.+p had been forged and was continually annealed. But Gustave was deeply indebted to Max on several counts, for without him there would have been no trip. And while Max graciously acted his equal, he was in fact the senior partner in the venture. As the more experienced traveler, he was willing to sort out the tangle of logistics. He was wealthier, which put the burden of keeping within a budget on Gustave. But most important, it was Max who had swayed Madame Flaubert into subscribing to the near-mythic healing powers of the Mediterranean. In service of this, Max had all but sworn to be the guardian of her delicate younger son. In this web of obligation and kindness, only one question sometimes nagged at Gustave: had Max cynically manipulated his dear mother, playing her for a fool, or did he actually care for her (and him)? Perhaps Max himself did not know. That would be like him, Gustave thought. Nevertheless, out of grat.i.tude for Max's many beneficences, Gustave had agreed to make squeezes, and though he found it insufferable at times, he intended to keep his word.

Gustave would have napped after lunch, but Max insisted they leave immediately. Gustave donned his heavy boots and pulled up the hood of his burnoose, which framed his face with a fringe of black pompoms that bobbed with the slightest movement, adding a dimension of merriment to his guise. With the help of the crew, they collected their belongings and arranged the donkey packs. Joseph had three horses waiting on the bank. They set off at once. Neither man had shaved or barbered in weeks, and with their ragged beards and soiled clothes, they looked neither European nor Egyptian but altogether alien.

They rode small mares trained to neck-rein. Compared to the colder-blooded European horses, the Arabians appeared scraggly and weak; in fact, Gustave had discovered, they were fine mounts of excellent endurance and temperament, accustomed to the grueling sun and sand and the merciless onslaughts of the khamsin. Hadji Ismael and Aouadallah rode donkeys, hurtling alongside them.

The road from Aswan to Derr was crowded, being the only overland route south of the cataracts on the eastern riverbank. Aside from the monuments, Gustave had observed, little in Egypt stayed still. In the desert's dry sea, the Bedouin lived as nomads; on the great Nile, commerce from all of Africa moved to market, whether slave girls from Nubia or rice from Luxor. The Bedouin took their houses on their backs; the Nubians lived in mud huts that could be rebuilt in a day elsewhere.

The stream of traffic reminded him of the sugar ants that invaded the house at Croisset in early summer. With no laws or rules of etiquette for the road, people traveled on both sides and in the middle. Every manner of conveyance and beast moved together-camel caravans, flocks of sheep and goats, a.s.ses, horses, and the occasional richly draped palanquin with, presumably, a notable personage within. The ubiquitous cudgel flashed out from robes and saddlebags like a lightning bolt. Public beatings were an everyday occurrence. It seemed to Gustave that everyone in clean clothes routinely beat everyone in dirty clothes. Where baksheesh ended, the cudgel began. Between the two, commerce moved at a brisk clip. Arguments were short, ending with much begging and quivering before punishment was meted out and all protest resolved by a quick blow to the back or thighs. He had witnessed an official bastinado in Cairo-fifty strokes delivered unhaltingly to the soles of the feet. The poor fellow was no doubt crippled for life.

They skirted a shallow lake as calm and bright as a sheet of steel. What had appeared from the distance as clumps of snow on the surrounding trees were revealed at closer range to be rookeries of white ibis, herons, egrets, brown pelicans, and other birds he had not yet identified in his Baedeker and now never would.

"Look up, Du Camp Aga," he called to Max, pointing at the birds. "Are these edible?" Their horses were walking slowly, unable to get up any speed in the crowd.

"Your highness, O sheik Abu Dimple, it would seem so."

They'd taken to this kind of chitchat during their hiking tour in 1846, although then they had affected the bourgeois accent of Brittany, and had been, instead of sheiks, two irreverent adolescents. "I feel like shooting something now, effendi," said Gustave, "don't you?"

"Well, I am a lower sheik than you, so I would have to say I only want to if you do."

"Indeed. Let's get the guns out," Gustave said.

Hadji Ismael took the rifles from the donkey and pa.s.sed them to his masters. "Gustave Bey," he muttered as he handed over the gun, "who shall be the most fortunately blessed one to pick up the birds when they fall?"

There was a shortage of gun dogs in the Orient-none, to be exact. Arabs apparently considered canines too filthy and profane to domesticate, though they didn't mind sleeping alongside their sheep, goats, and camels. "You and Aouadallah will go out for them," he said, looking at Max. "Right, Sheik Max?"

"No heroic efforts, though."

The crewmen looked puzzled as Joseph translated.

"Don't worry if you don't find them," said Max. "We will buy dinner somewhere else."

Joseph bowed slightly. "Captain is buy fish for dinner, effendi." It had taken Gustave weeks to adjust to Joseph's strange French, which had Italian and Arabic elements and a completely mongrelized grammar, made up as needed. Genoa-born, he was a self-effacing, diffident man. Though he had an encyclopedic knowledge of Egypt, he rarely volunteered information, preferring to be asked for it. He had made the voyage up and down the river sixty times.

"Then this will be the first course, should we have any luck," Max said.

The Frenchmen slid down off their mounts and took aim in the distant trees. Gustave fired first at a tall white bird standing on a dead snag, while Max aimed at a brownish clump on a nearby branch. As the shots rang out, every human being on the road dropped to the ground in terror. The two servants trotted off in search of the shot quarry, and the ersatz sheiks stared up at the circling flocks. "Beautiful sight," Max said. "Makes me long for quail."

Gustave was not particularly fond of birds. He preferred animals with fur, and was considering bringing back a monkey to France. A monkey, six meters of Dacca cloth, stones from the Parthenon, maybe a mummy, the photograph of a wh.o.r.e, a red vest . . . the list was starting to sound like an incantation. He tinkered with the order. A monkey, six meters . . . a mummy, stones, a photograph, a red vest. That was better-more musical, more memorable.

The crowd began to right itself, among its members three Europeans traveling in the opposite direction, one of whom now approached, a woman wearing a dark blue dress and pink bonnet. Gustave couldn't help noticing her neck, which was unusually long, slender, and, despite the unrelenting suns.h.i.+ne, pale. "I say, I think it's bad form," she announced in a firm voice, "very bad form."

Gustave knew only a little English. "Je ne comprends pas l'anglais," he said, staring sweetly at her, his eyebrows a question. Her hair was a plain, honest brown, but so clean, despite the dusty air, that tiny rainbows danced along the strands about her face. Her eyes were gray and her gaze direct, without the habit of looking away as she spoke that, to his mind, made so many women look insincere.

She encircled the stock of his gun with one hand. "ca, ce n'est pas bon. C'est mal. C'est malheureux." The woman appeared to be groping for French words to launch a jeremiad against the discharge of firearms in public places. "Je suis malhereuse!" she protested, jabbing at her chest with an index finger as she repeated, "I am unhappy!" and awaited a reply.

"Aha!" Gustave said, nodding with dawning comprehension. All women are unhappy, he wanted to reply. He understood women to be powerless and therefore demanding, and had confided to his mother that he would never marry. Besides, how could he give up his darling prost.i.tutes? He could not imagine being loved so thoroughly in a domestic arrangement where he would have to worry about offending a proper dame. His mother concurred in his determined bachelorhood, eager to keep her delicate son with her rather than sanction a union with some pet.i.te bourgeoise and be reduced to the status of infrequent visitor.

"Allow me to make the introductions," the ever-unflappable Max said, stepping forward to offer her his hand. "May I present M. Gustave Flaubert? And I am Maxime Du Camp." He paused and added their official designations. "Charges d'une mission en Orient."

"Florence Nightingale." The woman curtsied as she took Max's hand. "From England." She acknowledged Gustave with a nod.

He would have known her for English anywhere in the world, his friends, the Collier sisters, having been his University of English Womanhood. Miss Nightingale had, for one thing, the typical English prepossession. "Much charming," he said, continuing his struggle in the language, "tres charmante. Enchante."

"How do you do?" She paused, sucked in a little air, then switched back to her tentative French. "I hope you won't mind if I say you shouldn't be shooting here." She gestured toward the stream of humanity once again toiling down the road. "Stray bullets, women and children, livestock, innocents all."

"We aimed at the birds," Max replied.

"It is inconsiderate. And very dangerous. Loose bullets kill."

"We will be happy to oblige you, then, mademoiselle," Max said, switching back to French. He doffed an imaginary hat and swept it before him in a broad arc. "No more shooting on this road. Where are you headed, by the way? You are the first white woman we've seen in these parts."

"I am touring the Nile," she replied in French. "Visiting the monuments. Nous trois." She gestured toward a couple on the far side of the road. The woman waved back. The man saluted. There was not the nick of a doubt in Gustave's mind that this pair was English too, though they were surely too young to be her parents. An aunt and uncle perhaps?

"So are we," Gustave said. "Max is making photographs, and I am recording the inscriptions."

For the first time she looked pleased. "I, too, am sketching and reading the inscriptions."

"You can read them?" Max asked. "The hieroglyphics, I mean?"

"Oh, yes, most of the time, with the help of my good friend Herr Professor Bunsen." She paused. "That's a book," she explained, smiling quickly. The two men nodded.

"And of course you read Greek," Max said.

"Yes, Father taught it to me and my sister. We were very fortunate."

"What is your itinerary?" Max asked. "Perhaps we may a.s.sist you in some way."

As she and Max talked, Gustave thought about the Collier sisters and decided that it was the eyelashes that distinguished English-from Frenchwomen. Englishwomen were not inclined to show theirs off, while the French used them as semaph.o.r.es, signaling with quick blinks and flashes, like peac.o.c.ks in a courts.h.i.+p dance. Miss Nightingale blinked only when necessary. She was like an English sparrow, short of wing, busy with purpose; not, by a mile, the flirtatious, feathery bird of paradise. All her delicacy, which was considerable, was contradicted-indeed, canceled out-by her commanding voice and pragmatic eyes.

It soon became clear that Miss Nightingale's itinerary on the river was nearly identical to theirs. She was also traveling by houseboat, in a splendid dahabiyah, a bigger, more deluxe version of their cange. She, too, planned a long stay at Abu Simbel, after which she would float downriver touring select monuments. She had spent the previous few days visiting four temples just south of Aswan at Kalabsha, Dakkeh, Beit el-Wali, and Gerf Hussein, the last by moonlight with the entire village hooting at her heels. Today she and her companions had bought dates in Derr. She would return home via Europe by late summer. They all agreed it was confusing that the Nile insisted on flowing north to the Mediterranean, and that Upper Egypt lay to the south and lower Egypt to the north. "It always seems backwards when I look at the map," Max said. "Yes," Miss Nightingale replied with a nod, "I believe most rivers flow south." They chatted for a while about the Blue and White Nile, the mysterious sources of the river.

"Did you adore," Gustave took her hand, "comment ca se dit en anglais?" He switched to French. "Did you like the crocodiles and the hippopotami at Kalabsha? But the people, you must have been as shocked as we were. They wore no clothes."

"Oh," she said, as if someone had p.r.i.c.ked her with a needle. "Yes, we saw the poor creatures." Her expression turned grave.

"Don't tease our new friend," Max said, elbowing Gustave.

"We must remember," Gustave said, recalling the bouquets of naked b.r.e.a.s.t.s and b.u.t.tocks-some of the women had worn little more than beads around their waists-"they are all innocents."

"Women and children living in such squalor," Miss Nightingale opined, her voice grim. "One wishes one could intercede on their behalf."

"Yes," Gustave agreed, noticing that her French had improved. "Sometimes one does, one must enter their lives. It seems too tragic to refrain." He could sense Max stifling a smirk. He loved to torture him this way. Max would reprimand him later for the double entendres. They'd have a good laugh.

"Baksheesh, always baksheesh." Miss Nightingale's voice rasped in imitation of the beggars. She shook her head in disapproval, though whether of the constant request for money or the deplorable condition of the beggars was not clear.

Suddenly she straightened up and her demeanor changed. "How are you sleeping then?" she asked, her voice edged with eagerness, as if she had a secret to share.

Max and Gustave shot brief glances at each other. "Well enough," Max said. "Why do you ask?"

Miss Nightingale drew a little closer. "I am sleeping with a new invention."

Obscene images tumbling through his mind, Gustave pasted a smile on his mouth and blinked, waiting. Max grew more animated, not from bawdiness, Gustave knew, but curiosity-Max could turn serious in an instant. Another trait of his that Gustave did not altogether admire. Laughter, after all, was far too rare. One could be serious all night while one slept.