Sketches New and Old Part 19

THE KILLING OF JULIUS CAESAR "LOCALIZED"

[Written about 1865.]

Being the only true and reliable account ever published; taken from the Roman "Daily Evening Fasces," of the date of that tremendous occurrence.

Nothing in the world affords a newspaper reporter so much satisfaction as gathering up the details of a b.l.o.o.d.y and mysterious murder and writing them up with aggravating circ.u.mstantiality. He takes a living delight in this labor of love-for such it is to him, especially if he knows that all the other papers have gone to press, and his will be the only one that will contain the dreadful intelligence. A feeling of regret has often come over me that I was not reporting in Rome when Caesar was killed-reporting on an evening paper, and the only one in the city, and getting at least twelve hours ahead of the morning-paper boys with this most magnificent "item" that ever fell to the lot of the craft. Other events have happened as startling as this, but none that possessed so peculiarly all the characteristics of the favorite "item" of the present day, magnified into grandeur and sublimity by the high rank, fame, and social and political standing of the actors in it.

However, as I was not permitted to report Caesar's a.s.sa.s.sination in the regular way, it has at least afforded me rare satisfaction to translate the following able account of it from the original Latin of the Roman Daily Evening Fasces of that date-second edition:

Our usually quiet city of Rome was thrown into a state of wild excitement yesterday by the occurrence of one of those b.l.o.o.d.y affrays which sicken the heart and fill the soul with fear, while they inspire all thinking men with forebodings for the future of a city where human life is held so cheaply and the gravest laws are so openly set at defiance. As the result of that affray, it is our painful duty, as public journalists, to record the death of one of our most esteemed citizens-a man whose name is known wherever this paper circulates, and whose fame it has been our pleasure and our privilege to extend, and also to protect from the tongue of slander and falsehood, to the best of our poor ability. We refer to Mr. J. Caesar, the Emperor-elect.

The facts of the case, as nearly as our reporter could determine them from the conflicting statements of eye-witnesses, were about as follows:-The affair was an election row, of course. Nine-tenths of the ghastly butcheries that disgrace the city nowadays grow out of the bickerings and jealousies and animosities engendered by these accursed elections. Rome would be the gainer by it if her very constables were elected to serve a century; for in our experience we have never even been able to choose a dog-pelter without celebrating the event with a dozen knockdowns and a general cramming of the station-house with drunken vagabonds overnight. It is said that when the immense majority for Caesar at the polls in the market was declared the other day, and the crown was offered to that gentleman, even his amazing unselfishness in refusing it three times was not sufficient to save him from the whispered insults of such men as Casca, of the Tenth Ward, and other hirelings of the disappointed candidate, hailing mostly from the Eleventh and Thirteenth and other outside districts, who were overheard speaking ironically and contemptuously of Mr. Caesar's conduct upon that occasion.

We are further informed that there are many among us who think they are justified in believing that the a.s.sa.s.sination of Julius Caesar was a put-up thing-a cut-and-dried arrangement, hatched by Marcus Brutus and a lot of his hired roughs, and carried out only too faithfully according to the program. Whether there be good grounds for this suspicion or not, we leave to the people to judge for themselves, only asking that they will read the following account of the sad occurrence carefully and dispa.s.sionately before they render that judgment.

The Senate was already in session, and Caesar was coming down the street toward the capitol, conversing with some personal friends, and followed, as usual, by a large number of citizens. Just as he was pa.s.sing in front of Demosthenes and Thucydides' drug store, he was observing casually to a gentleman, who, our informant thinks, is a fortune-teller, that the Ides of March were come. The reply was, "Yes, they are come, but not gone yet." At this moment Artexnidorus stepped up and pa.s.sed the time of day, and asked Caesar to read a schedule or a tract or something of the kind, which he had brought for his perusal. Mr. Decius Brutus also said something about an "humble suit" which he wanted read. Artexnidorus begged that attention might be paid to his first, because it was of personal consequence to Caesar. The latter replied that what concerned himself should be read last, or words to that effect. Artemidorus begged and beseeched him to read the paper instantly!-[Mark that: It is hinted by William Shakespeare, who saw the beginning and the end of the unfortunate affray, that this "schedule" was simply a note discovering to Caesar that a plot was brewing to take his life.]-However, Caesar shook him off, and refused to read any pet.i.tion in the street. He then entered the capitol, and the crowd followed him.

About this time the following conversation was overheard, and we consider that, taken in connection with the events which succeeded it, it bears an appalling significance: Mr. Papilius Lena remarked to George W. Ca.s.sius (commonly known as the "n.o.bby Boy of the Third Ward"), a bruiser in the pay of the Opposition, that he hoped his enterprise to-day might thrive; and when Ca.s.sius asked "What enterprise?" he only closed his left eye temporarily and said with simulated indifference, "Fare you well," and sauntered toward Caesar. Marcus Brutus, who is suspected of being the ringleader of the band that killed Caesar, asked what it was that Lena had said. Ca.s.sius told him, and added in a low tone, "I fear our purpose is discovered."

Brutus told his wretched accomplice to keep an eye on Lena, and a moment after Ca.s.sius urged that lean and hungry vagrant, Casca, whose reputation here is none of the best, to be sudden, for he feared prevention. He then turned to Brutus, apparently much excited, and asked what should be done, and swore that either he or Caesar would never turn back-he would kill himself first. At this time Caesar was talking to some of the back-country members about the approaching fall elections, and paying little attention to what was going on around him. Billy Trebonius got into conversation with the people's friend and Caesar's-Mark Antony-and under some pretense or other got him away, and Brutus, Decius, Casca, Cinna, Metellus Cimber, and others of the gang of infamous desperadoes that infest Rome at present, closed around the doomed Caesar. Then Metellus Cimber knelt down and begged that his brother might be recalled from banishment, but Caesar rebuked him for his fawning conduct, and refused to grant his pet.i.tion. Immediately, at Cimber's request, first Brutus and then Ca.s.sias begged for the return of the banished Publius; but Caesar still refused. He said he could not be moved; that he was as fixed as the North Star, and proceeded to speak in the most complimentary terms of the firmness of that star and its steady character. Then he said he was like it, and he believed he was the only man in the country that was; therefore, since he was "constant" that Cimber should be banished, he was also "constant" that he should stay banished, and he'd be hanged if he didn't keep him so!

Instantly seizing upon this shallow pretext for a fight, Casca sprang at Caesar and struck him with a dirk, Caesar grabbing him by the arm with his right hand, and launching a blow straight from the shoulder with his left, that sent the reptile bleeding to the earth. He then backed up against Pompey's statue, and squared himself to receive his a.s.sailants. Ca.s.sias and Cimber and Cinna rushed upon him with their daggers drawn, and the former succeeded in inflicting a wound upon his body; but before he could strike again, and before either of the others could strike at all, Caesar stretched the three miscreants at his feet with as many blows of his powerful fist. By this time the Senate was in an indescribable uproar; the throng of citizens in the lobbies had blockaded the doors in their frantic efforts to escape from the building, the sergeant-at-arms and his a.s.sistants were struggling with the a.s.sa.s.sins, venerable senators had cast aside their enc.u.mbering robes, and were leaping over benches and flying down the aisles in wild confusion toward the shelter of the committee-rooms, and a thousand voices were shouting "Po-lice! Po-lice!" in discordant tones that rose above the frightful din like shrieking winds above the roaring of a tempest. And amid it all great Caesar stood with his back against the statue, like a lion at bay, and fought his a.s.sailants weaponless and hand to hand, with the defiant bearing and the unwavering courage which he had shown before on many a b.l.o.o.d.y field. Billy Trebonius and Caius Legarius struck him with their daggers and fell, as their brother-conspirators before them had fallen. But at last, when Caesar saw his old friend Brutus step forward armed with a murderous knife, it is said he seemed utterly overpowered with grief and amazement, and, dropping his invincible left arm by his side, he hid his face in the folds of his mantle and received the treacherous blow without an effort to stay the hand that gave it. He only said, "Et tu, Brute?" and fell lifeless on the marble pavement.

We learn that the coat deceased had on when he was killed was the same one he wore in his tent on the afternoon of the day he overcame the Nervii, and that when it was removed from the corpse it was found to be cut and gashed in no less than seven different places. There was nothing in the pockets. It will be exhibited at the coroner's inquest, and will be d.a.m.ning proof of the fact of the killing. These latter facts may be relied on, as we get them from Mark Antony, whose position enables him to learn every item of news connected with the one subject of absorbing interest of-to-day.

LATER:-While the coroner was summoning a jury, Mark Antony and other friends of the late Caesar got hold of the body, and lugged it off to the Forum, and at last accounts Antony and Brutus were making speeches over it and raising such a row among the people that, as we go to press, the chief of police is satisfied there is going to be a riot, and is taking measures accordingly.

THE WIDOW'S PROTEST

One of the saddest things that ever came under my notice (said the banker's clerk) was there in Corning during the war. Dan Murphy enlisted as a private, and fought very bravely. The boys all liked him, and when a wound by and by weakened him down till carrying a musket was too heavy work for him, they clubbed together and fixed him up as a sutler. He made money then, and sent it always to his wife to bank for him. She was a washer and ironer, and knew enough by hard experience to keep money when she got it. She didn't waste a penny.

On the contrary, she began to get miserly as her bank-account grew. She grieved to part with a cent, poor creature, for twice in her hard-working life she had known what it was to be hungry, cold, friendless, sick, and without a dollar in the world, and she had a haunting dread of suffering so again. Well, at last Dan died; and the boys, in testimony of their esteem and respect for him, telegraphed to Mrs. Murphy to know if she would like to have him embalmed and sent home, when you know the usual custom was to dump a poor devil like him into a shallow hole, and then inform his friends what had become of him. Mrs. Murphy jumped to the conclusion that it would only cost two or three dollars to embalm her dead husband, and so she telegraphed "Yes." It was at the "wake" that the bill for embalming arrived and was presented to the widow.

She uttered a wild, sad wail that pierced every heart, and said, "Sivinty-foive dollars for stooffin' Dan, blister their sowls! Did thim divils suppose I was goin' to stairt a Museim, that I'd be dalin' in such expinsive curia.s.sities!"

The banker's clerk said there was not a dry eye in the house.

THE SCRIPTURAL PANORAMIST

[Written about 1866.]

"There was a fellow traveling around in that country," said Mr. Nickerson, "with a moral-religious show-a sort of scriptural panorama-and he hired a wooden-headed old slab to play the piano for him. After the first night's performance the showman says: "'My friend, you seem to know pretty much all the tunes there are, and you worry along first rate. But then, didn't you notice that sometimes last night the piece you happened to be playing was a little rough on the proprieties, so to speak-didn't seem to jibe with the general gait of the picture that was pa.s.sing at the time, as it were-was a little foreign to the subject, you know-as if you didn't either trump or follow suit, you understand?'

"'Well, no,' the fellow said; 'he hadn't noticed, but it might be; he had played along just as it came handy.'

"So they put it up that the simple old dummy was to keep his eye on the panorama after that, and as soon as a stunning picture was reeled out he was to fit it to a dot with a piece of music that would help the audience to get the idea of the subject, and warm them up like a camp-meeting revival. That sort of thing would corral their sympathies, the showman said.

"There was a big audience that night-mostly middle-aged and old people who belong to the church, and took a strong interest in Bible matters, and the balance were pretty much young bucks and heifers-they always come out strong on panoramas, you know, because it gives them a chance to taste one another's complexions in the dark.

"Well, the showman began to swell himself up for his lecture, and the old mud-jobber tackled the piano and ran his fingers up and down once or twice to see that she was all right, and the fellows behind the curtain commenced to grind out the panorama. The showman balanced his weight on his right foot, and propped his hands over his hips, and flung his eyes over his shoulder at the scenery, and said: "'Ladies and gentlemen, the painting now before you ill.u.s.trates the beautiful and touching parable of the Prodigal Son. Observe the happy expression just breaking over the features of the poor, suffering youth-so worn and weary with his long march; note also the ecstasy beaming from the uplifted countenance of the aged father, and the joy that sparkles in the eyes of the excited group of youths and maidens, and seems ready to burst into the welcoming chorus from their lips. The lesson, my friends, is as solemn and instructive as the story is tender and beautiful.'

"The mud-jobber was all ready, and when the second speech was finished, struck up: "Oh, we'll all get blind drunk When Johnny comes marching home!

"Some of the people giggled, and some groaned a little. The showman couldn't say a word; he looked at the pianist sharp, but he was all lovely and serene-he didn't know there was anything out of gear.

"The panorama moved on, and the showman drummed up his grit and started in fresh.

"'Ladies and gentlemen, the fine picture now unfolding itself to your gaze exhibits one of the most notable events in Bible history-our Saviour and His disciples upon the Sea of Galilee. How grand, how awe-inspiring are the reflections which the subject invokes! What sublimity of faith is revealed to us in this lesson from the sacred writings! The Saviour rebukes the angry waves, and walks securely upon the bosom of the deep!'

"All around the house they were whispering, 'Oh, how lovely, how beautiful!' and the orchestra let himself out again: "A life on the ocean wave, And a home on the rolling deep!

"There was a good deal of honest snickering turned on this time, and considerable groaning, and one or two old deacons got up and went out. The showman grated his teeth, and cursed the piano man to himself; but the fellow sat there like a knot on a log, and seemed to think he was doing first-rate.

"After things got quiet the showman thought he would make one more stagger at it, anyway, though his confidence was beginning to get mighty shaky. The supes started the panorama grinding along again, and he says: "'Ladies and gentlemen, this exquisite painting represents the raising of Lazarus from the dead by our Saviour. The subject has been handled with marvelous skill by the artist, and such touching sweetness and tenderness of expression has he thrown into it that I have known peculiarly sensitive persons to be even affected to tears by looking at it. Observe the half-confused, half-inquiring look upon the countenance of the awakened Lazarus. Observe, also, the att.i.tude and expression of the Saviour, who takes him gently by the sleeve of his shroud with one hand, while He points with the other toward the distant city.'

"Before anybody could get off an opinion in the case the innocent old a.s.s at the piano struck up: "Come rise up, William Ri-i-ley, And go along with me!

"Whe-ew! All the solemn old flats got up in a huff to go, and everybody else laughed till the windows rattled.

"The showman went down and grabbed the orchestra and shook him up and says: "'That lets you out, you know, you chowder-headed old clam. Go to the doorkeeper and get your money, and cut your stick-vamose the ranch! Ladies and gentlemen, circ.u.mstances over which I have no control compel me prematurely to dismiss the house.'"

CURING A COLD

[Written about 1864]