The Crushed Flower and Other Stories Part 10

"I have seen your s.h.i.+p."

Haggart advances to her quickly and bends down. His face is terrible.

"It is not true. When?"

"Last evening."

"It is not true! Which way was it going?"

"Toward the sun."

"Last evening I was drunk and I slept. But this is not true. I have never seen it. You are testing me. Beware!"

"Shall I tell you if I see it again?"

"How can you tell me?"

"I shall come up your hill."

Haggart looks at her attentively.

"If you are only telling me the truth. What sort of people are there in your land--false or not? In the lands I know, all the people are false.

Has any one else seen that s.h.i.+p?"

"I don't know. I was alone on the sh.o.r.e. Now I see that it was not your s.h.i.+p. You are not glad to hear of it."

Haggart is silent, as though he has forgotten her presence.

"You have a pretty uniform. You are silent? I shall come up to you."

Haggart is silent. His dark profile is stern and wildly gloomy; every motion of his powerful body, every fold of his clothes, is full of the dull silence of the taciturnity of long hours, or days, or perhaps of a lifetime.

"Your sailor will not kill me? You are silent. I have a betrothed. His name is Philipp, but I don't love him. You are now like that rock which lies on the road leading to the castle."

Haggart turns around silently and starts.

"I also remember your name. Your name is Haggart."

He goes away.

"Haggart!" calls Mariet, but he has already disappeared behind the house. Only the creaking of the scattered cobblestones is heard, dying away in the misty air. Dan, who has taken a rest, is playing again; he is telling G.o.d about those who have perished at sea.

The night is growing darker. Neither the rock nor the castle is visible now; only the light in the window is redder and brighter.

The dull thuds of the tireless breakers are telling the story of different lives.

CHAPTER II

A strong wind is tossing the fragment of a sail which is hanging over the large, open window. The sail is too small to cover the entire window, and, through the gaping hole, the dark night is breathing inclement weather. There is no rain, but the warm wind, saturated with the sea, is heavy and damp.

Here in the tower live Haggart and his sailor, Khorre. Both are sleeping now a heavy, drunken sleep. On the table and in the corners of the room there are empty bottles, and the remains of food; the only taburet is overturned, lying on one side. Toward evening the sailor got up, lit a large illumination lamp, and was about to do more, but he was overcome by intoxication again and fell asleep upon his thin mattress of straw and seagra.s.s. Tossed by the wind, the flame of the illumination-lamp is quivering in yellow, restless spots over the uneven, mutilated walls, losing itself in the dark opening of the door, which leads to the other rooms of the castle.

Haggart lies on his back, and the same quivering yellow shades run noiselessly over his strong forehead, approach his closed eyes, his straight, sharply outlined nose, and, tossing about in confusion, rush back to the wall. The breathing of the sleeping man is deep and uneven; from time to time his heavy, strange hand lifts itself, makes several weak, unfinished movements, and falls down on his breast helplessly.

Outside the window the breakers are roaring and raging, beating against the rocks--this is the second day a storm is raging in the ocean. The ancient tower is quivering from the violent blows of the waves. It responds to the storm with the rustling of the falling plaster, with the rattling of the little cobblestones as they are torn down, with the whisper and moans of the wind which has lost its way in the pa.s.sages. It whispers and mutters like an old woman.

The sailor begins to feel cold on the stone floor, on which the wind spreads itself like water; he tosses about, folds his legs under himself, draws his head into his shoulders, gropes for his imaginary clothes, but is unable to wake up--his intoxication produced by a two days' spree is heavy and severe. But now the wind whines more powerfully than before; something heaves a deep groan. Perhaps a part of a destroyed wall has sunk into the sea. The quivering yellow spots commence to toss about upon the crooked wall more desperately, and Khorre awakes.

He sits up on his mattress, looks around, but is unable to understand anything.

The wind is hissing like a robber summoning other robbers, and filling the night with disquieting phantoms. It seems as if the sea were full of sinking vessels, of people who are drowning and desperately struggling with death. Voices are heard. Somewhere near by people are shouting, scolding each other, laughing and singing, like madmen, or talking sensibly and rapidly--it seems that soon one will see a strange human face distorted by horror or laughter, or fingers bent convulsively. But there is a strong smell of the sea, and that, together with the cold, brings Khorre to his senses.

"Noni!" he calls hoa.r.s.ely, but Haggart does not hear him. After a moment's thought, he calls once more:

"Captain. Noni! Get up."

But Haggart does not answer and the sailor mutters:

"Noni is drunk and he sleeps. Let him sleep. Oh, what a cold night it is. There isn't enough warmth in it even to warm your nose. I am cold.

I feel cold and lonesome, Noni. I can't drink like that, although everybody knows I am a drunkard. But it is one thing to drink, and another to drown in gin--that's an entirely different matter. Noni--you are like a drowned man, simply like a corpse. I feel ashamed for your sake, Noni. I shall drink now and--"

He rises, and staggering, finds an unopened bottle and drinks.

"A fine wind. They call this a storm--do you hear, Noni? They call this a storm. What will they call a real storm?"

He drinks again.

"A fine wind!"

He goes over to the window and, pus.h.i.+ng aside the corner of the sail, looks out.

"Not a single light on the sea, or in the village. They have hidden themselves and are sleeping--they are waiting for the storm to pa.s.s.

B-r-r, how cold! I would have driven them all out to sea; it is mean to go to sea only when the weather is calm. That is cheating the sea. I am a pirate, that's true; my name is Khorre, and I should have been hanged long ago on a yard, that's true, too--but I shall never allow myself such meanness as to cheat the sea. Why did you bring me to this hole, Noni?"

He picks up some brushwood, and throws it into the fireplace.

"I love you, Noni. I am now going to start a fire to warm your feet. I used to be your nurse, Noni; but you have lost your reason--that's true.

I am a wise man, but I don't understand your conduct at all. Why did you drop your s.h.i.+p? You will be hanged, Noni, you will be hanged, and I will dangle by your side. You have lost your reason, that's true!"

He starts a fire, then prepares food and drink.

"What will you say when you wake up? 'Fire.' And I will answer, 'Here it is.' Then you will say, 'Something to drink.' And I will answer, 'Here it is.' And then you will drink your fill again, and I will drink with you, and you will prate nonsense. How long is this going to last? We have lived this way two months now, or perhaps two years, or twenty years--I am drowning in gin--I don't understand your conduct at all, Noni."

He drinks.