The Brass Bottle Part 2

Horace rose, the better to examine the top. As far as he could make out in the flickering light of one of the gas-stars, which the auctioneer had just ordered to be lit, there were half-erased scratches and triangular marks on the cap that might possibly be an inscription. If so, might there not be the means here of regaining the Professor's favour, which he felt that, as it was, he should probably forfeit, justly or not, by his ill-success?

He could hardly spend the Professor's money on it, since it was not in the catalogue, and he had no authority to bid for it, but he had a few s.h.i.+llings of his own to spare. Why not bid for it on his own account as long as he could afford to do so? If he were outbid, as usual, it would not particularly matter.

"Thirteen s.h.i.+llings," the auctioneer was saying, in his dispa.s.sionate tones. Horace caught his eye, and slightly raised his catalogue, while another man nodded at the same time. "Fourteen in two places." Horace raised his catalogue again. "I won't go beyond fifteen," he thought.

"Fifteen. It's _against_ you, sir. Any advance on fifteen? Sixteen--this very quaint old Oriental bottle going for only sixteen s.h.i.+llings.

"After all," thought Horace, "I don't mind anything under a pound for it." And he bid seventeen s.h.i.+llings. "Eighteen," cried his rival, a short, cheery, cherub-faced little dealer, whose neighbours adjured him to "sit quiet like a good little boy and not waste his pocket-money."

"Nineteen!" said Horace. "Pound!" answered the cherubic man.

"A pound only bid for this grand bra.s.s vessel," said the auctioneer, indifferently. "All done at a pound?"

Horace thought another s.h.i.+lling or two would not ruin him, and nodded.

"A guinea. For the last time. You'll _lose_ it, sir," said the auctioneer to the little man.

"Go on, Tommy. Don't you be beat. Spring another bob on it, Tommy," his friends advised him ironically; but Tommy shook his head, with the air of a man who knows when to draw the line. "One guinea--and that's not half its value! Gentleman on my left," said the auctioneer, more in sorrow than in anger--and the bra.s.s bottle became Ventimore's property.

He paid for it, and, since he could hardly walk home nursing a large metal bottle without attracting an inconvenient amount of attention, directed that it should be sent to his lodgings at Vincent Square.

But when he was out in the fresh air, walking westward to his club, he found himself wondering more and more what could have possessed him to throw away a guinea--when he had few enough for legitimate expenses--on an article of such exceedingly problematical value.

CHAPTER III

AN UNEXPECTED OPENING

Ventimore made his way to Cottesmore Gardens that evening in a highly inconsistent, not to say chaotic, state of mind. The thought that he would presently see Sylvia again made his blood course quicker, while he was fully determined to say no more to her than civility demanded.

At one moment he was blessing Professor Futvoye for his happy thought in making use of him; at another he was bitterly recognising that it would have been better for his peace of mind if he had been left alone. Sylvia and her mother had no desire to see more of him; if they had, they would have asked him to come before this. No doubt they would tolerate him now for the Professor's sake; but who would not rather be ignored than tolerated?

The more often he saw Sylvia the more she would make his heart ache with vain longing--whereas he was getting almost reconciled to her indifference; he would very soon be cured if he didn't see her.

Why _should_ he see her? He need not go in at all. He had merely to leave the catalogue with his compliments, and the Professor would learn all he wanted to know.

On second thoughts he must go in--if only to return the bank-note. But he would ask to see the Professor in private. Most probably he would not be invited to join his wife and daughter, but if he were, he could make some excuse. They might think it a little odd--a little discourteous, perhaps; but they would be too relieved to care much about that.

When he got to Cottesmore Gardens, and was actually at the door of the Futvoyes' house, one of the neatest and demurest in that retired and irreproachable quarter, he began to feel a craven hope that the Professor might be out, in which case he need only leave the catalogue and write a letter when he got home, reporting his non-success at the sale, and returning the note.

And, as it happened, the Professor _was_ out, and Horace was not so glad as he thought he should be. The maid told him that the ladies were in the drawing-room, and seemed to take it for granted that he was coming in, so he had himself announced. He would not stay long--just long enough to explain his business there, and make it clear that he had no wish to force his acquaintance upon them. He found Mrs. Futvoye in the farther part of the pretty double drawing-room, writing letters, and Sylvia, more dazzlingly fair than ever in some sort of gauzy black frock with a heliotrope sash and a bunch of Parma violets on her breast, was comfortably established with a book in the front room, and seemed surprised, if not resentful, at having to disturb herself.

"I must apologise," he began, with an involuntary stiffness, "for calling at this very unceremonious time; but the fact is, the Professor----"

"I know all about it," interrupted Mrs. Futvoye, brusquely, while her shrewd, light-grey eyes took him in with a cool stare that was humorously observant without being aggressive. "We heard how shamefully my husband abused your good-nature. Really, it was too bad of him to ask a busy man like you to put aside his work and go and spend a whole day at that stupid auction!"

"Oh, I'd nothing particular to do. I can't call myself a busy man--unfortunately," said Horace, with that frankness which scorns to conceal what other people know perfectly well already.

"Ah, well, it's very nice of you to make light of it; but he ought not to have done it--after so short an acquaintance, too. And to make it worse, he has had to go out unexpectedly this evening, but he'll be back before very long if you don't mind waiting."

"There's really no need to wait," said Horace, "because this catalogue will tell him everything, and, as the particular things he wanted went for much more than he thought, I wasn't able to get any of them."

"I'm sure I'm very glad of it," said Mrs. Futvoye, "for his study is crammed with odds and ends as it is, and I don't want the whole house to look like a museum or an antiquity shop. I'd all the trouble in the world to persuade him that a great gaudy gilded mummy-case was not quite the thing for a drawing-room. But, please sit down, Mr. Ventimore."

"Thanks," stammered Horace, "but--but I mustn't stay. If you will tell the Professor how sorry I was to miss him, and--and give him back this note which he left with me to cover any deposit, I--I won't interrupt you any longer."

He was, as a rule, imperturbable in most social emergencies, but just now he was seized with a wild desire to escape, which, to his infinite mortification, made him behave like a shy schoolboy.

"Nonsense!" said Mrs. Futvoye; "I am sure my husband would be most annoyed if we didn't keep you till he came."

"I really ought to go," he declared, wistfully enough.

"We mustn't tease Mr. Ventimore to stay, mother, when he so evidently wants to go," said Sylvia, cruelly.

"Well, I won't detain you--at least, not long. I wonder if you would mind posting a letter for me as you pa.s.s the pillar-box? I've almost finished it, and it ought to go to-night, and my maid Jessie has such a bad cold I really don't like sending her out with it."

It would have been impossible to refuse to stay after that--even if he had wished. It would only be for a few minutes. Sylvia might spare him that much of her time. He should not trouble her again. So Mrs. Futvoye went back to her bureau, and Sylvia and he were practically alone.

She had taken a seat not far from his, and made a few constrained remarks, obviously out of sheer civility. He returned mechanical replies, with a dreary wonder whether this could really be the girl who had talked to him with such charming friendliness and confidence only a few weeks ago in Normandy.

And the worst of it was, she was looking more bewitching than ever; her slim arms gleaming through the black lace of her sleeves, and the gold threads in her soft ma.s.ses of chestnut hair sparkling in the light of the shaded lamp behind her. The slight contraction of her eyebrows and the mutinous downward curve of her mouth seemed expressive of boredom.

"What a dreadfully long time mamma is over that letter!" she said at last. "I think I'd better go and hurry her up."

"Please don't--unless you are particularly anxious to get rid of me."

"I thought you seemed particularly anxious to escape," she said coldly.

"And, as a family, we have certainly taken up quite enough of your time for one day."

"That is not the way you used to talk at St. Luc!" he said.

"At St. Luc? Perhaps not. But in London everything is so different, you see."

"Very different."

"When one meets people abroad who--who seem at all inclined to be sociable," she continued, "one is so apt to think them pleasanter than they really are. Then one meets them again, and--and wonders what one ever saw to like in them. And it's no use pretending one feels the same, because they generally understand sooner or later. Don't you find that?"

"I do, indeed," he said, wincing, "though I don't know what I've done to deserve that you should tell me so!"

"Oh, I was not blaming you. You have been most angelic. I can't think how papa could have expected you to take all that trouble for him--still, you did, though you must have simply hated it."

"But, good heavens! don't you know I should be only too delighted to be of the least service to him--or to any of you?"

"You looked anything but delighted when you came in just now; you looked as if your one idea was to get it over as soon as you could. You know perfectly well you're longing now for mother to finish her letter and set you free. Do you really think I can't see that?"