Heart of the West Part 38

Every one knew that it was Peter Hildesmuller's fault, so they paid no attention to his words.

A moment afterward a strange, faint voice was heard to call: "Mamma!"

Frau Hildesmuller at first thought it was Lena's spirit calling, and then she rushed to the rear of Fritz's covered wagon, and, with a loud shriek of joy, caught up Lena herself, covering her pale little face with kisses and smothering her with hugs. Lena's eyes were heavy with the deep slumber of exhaustion, but she smiled and lay close to the one she had longed to see. There among the mail sacks, covered in a nest of strange blankets and comforters, she had lain asleep until wakened by the voices around her.

Fritz stared at her with eyes that bulged behind his spectacles.

"Gott in Himmel! [113]" he shouted. "How did you get in that wagon?

Am I going crazy as well as to be murdered and hanged by robbers this day?"

[FOOTNOTE 113: Gott in Himmel!--(German) G.o.d in Heaven!]

"You brought her to us, Fritz," cried Frau Hildesmuller. "How can we ever thank you enough?"

"Tell mamma how you came in Fritz's wagon," said Frau Hildesmuller.

"I don't know," said Lena. "But I know how I got away from the hotel.

The Prince brought me."

"By the Emperor's crown!" shouted Fritz, "we are all going crazy."

"I always knew he would come," said Lena, sitting down on her bundle of bedclothes on the sidewalk. "Last night he came with his armed knights and captured the ogre's castle. They broke the dishes and kicked down the doors. They pitched Mr. Maloney into a barrel of rain water and threw flour all over Mrs. Maloney. The workmen in the hotel jumped out of the windows and ran into the woods when the knights began firing their guns. They wakened me up and I peeped down the stair. And then the Prince came up and wrapped me in the bedclothes and carried me out. He was so tall and strong and fine. His face was as rough as a scrubbing brush, and he talked soft and kind and smelled of schnapps. He took me on his horse before him and we rode away among the knights. He held me close and I went to sleep that way, and didn't wake up till I got home."

"Rubbis.h.!.+" cried Fritz Bergmann. "Fairy tales! How did you come from the quarries to my wagon?"

"The Prince brought me," said Lena, confidently.

And to this day the good people of Fredericksburg haven't been able to make her give any other explanation.

XIX

THE REFORMATION OF CALLIOPE

Calliope Catesby was in his humours again. Ennui was upon him. This goodly promontory, the earth--particularly that portion of it known as Quicksand--was to him no more than a pestilent congregation of vapours. Overtaken by the megrims [114], the philosopher may seek relief in soliloquy; my lady find solace in tears; the flaccid Easterner scold at the millinery bills of his women folk. Such recourse was insufficient to the denizens of Quicksand. Calliope, especially, was wont to express his ennui according to his lights.

[FOOTNOTE 114: megrims--depression, unhappiness]

Over night Calliope had hung out signals of approaching low spirits.

He had kicked his own dog on the porch of the Occidental Hotel, and refused to apologise. He had become capricious and fault-finding in conversation. While strolling about he reached often for twigs of mesquite and chewed the leaves fiercely. That was always an ominous act. Another symptom alarming to those who were familiar with the different stages of his doldrums was his increasing politeness and a tendency to use formal phrases. A husky softness succeeded the usual penetrating drawl in his tones. A dangerous courtesy marked his manners. Later, his smile became crooked, the left side of his mouth slanting upward, and Quicksand got ready to stand from under.

At this stage Calliope generally began to drink. Finally, about midnight, he was seen going homeward, saluting those whom he met with exaggerated but inoffensive courtesy. Not yet was Calliope's melancholy at the danger point. He would seat himself at the window of the room he occupied over Silvester's tonsorial parlours and there chant lugubrious and tuneless ballads until morning, accompanying the noises by appropriate maltreatment of a jangling guitar. More magnanimous than Nero, he would thus give musical warning of the forthcoming munic.i.p.al upheaval that Quicksand was scheduled to endure.

A quiet, amiable man was Calliope Catesby at other times--quiet to indolence, and amiable to worthlessness. At best he was a loafer and a nuisance; at worst he was the Terror of Quicksand. His ostensible occupation was something subordinate in the real estate line; he drove the beguiled Easterner in buckboards out to look over lots and ranch property. Originally he came from one of the Gulf States, his lank six feet, slurring rhythm of speech, and sectional idioms giving evidence of his birthplace.

And yet, after taking on Western adjustments, this languid pine-box whittler, cracker barrel hugger, shady corner lounger of the cotton fields and sumac hills of the South became famed as a bad man among men who had made a life-long study of the art of truculence.

At nine the next morning Calliope was fit. Inspired by his own barbarous melodies and the contents of his jug, he was ready primed to gather fresh laurels from the diffident brow of Quicksand. Encircled and criss-crossed with cartridge belts, abundantly garnished with revolvers, and copiously drunk, he poured forth into Quicksand's main street. Too chivalrous to surprise and capture a town by silent sortie, he paused at the nearest corner and emitted his slogan--that fearful, bra.s.sy yell, so reminiscent of the steam piano [115], that had gained for him the cla.s.sic appellation that had superseded his own baptismal name. Following close upon his vociferation came three shots from his forty-five by way of limbering up the guns and testing his aim. A yellow dog, the personal property of Colonel Swazey, the proprietor of the Occidental, fell feet upward in the dust with one farewell yelp. A Mexican who was crossing the street from the Blue Front grocery carrying in his hand a bottle of kerosene, was stimulated to a sudden and admirable burst of speed, still grasping the neck of the shattered bottle. The new gilt weather-c.o.c.k on Judge Riley's lemon and ultramarine two-story residence s.h.i.+vered, flapped, and hung by a splinter, the sport of the wanton breezes.

[FOOTNOTE 115: steam piano--calliope. Joshua C. Stoddard (1814-1902) invented the calliope in 1855 and formed the American Steam Piano Company to manufacture it commercially.]

The artillery was in trim. Calliope's hand was steady. The high, calm ecstasy of habitual battle was upon him, though slightly embittered by the sadness of Alexander in that his conquests were limited to the small world of Quicksand.

Down the street went Calliope, shooting right and left. Gla.s.s fell like hail; dogs vamosed; chickens flew, squawking; feminine voices shrieked concernedly to youngsters at large. The din was perforated at intervals by the _staccato_ of the Terror's guns, and was drowned periodically by the brazen screech that Quicksand knew so well. The occasions of Calliope's low spirits were legal holidays in Quicksand.

All along the main street in advance of his coming clerks were putting up shutters and closing doors. Business would languish for a s.p.a.ce.

The right of way was Calliope's, and as he advanced, observing the dearth of opposition and the few opportunities for distraction, his ennui perceptibly increased.

But some four squares farther down lively preparations were being made to minister to Mr. Catesby's love for interchange of compliments and repartee. On the previous night numerous messengers had hastened to advise Buck Patterson, the city marshal, of Calliope's impending eruption. The patience of that official, often strained in extending leniency toward the disturber's misdeeds, had been overtaxed. In Quicksand some indulgence was accorded the natural ebullition of human nature. Providing that the lives of the more useful citizens were not recklessly squandered, or too much property needlessly laid waste, the community sentiment was against a too strict enforcement of the law.

But Calliope had raised the limit. His outbursts had been too frequent and too violent to come within the cla.s.sification of a normal and sanitary relaxation of spirit.

Buck Patterson had been expecting and awaiting in his little ten-by-twelve frame office that preliminary yell announcing that Calliope was feeling blue. When the signal came the city marshal rose to his feet and buckled on his guns. Two deputy sheriffs and three citizens who had proven the edible qualities of fire also stood up, ready to bandy with Calliope's leaden jocularities.

"Gather that fellow in," said Buck Patterson, setting forth the lines of the campaign. "Don't have no talk, but shoot as soon as you can get a show. Keep behind cover and bring him down. He's a nogood 'un. It's up to Calliope to turn up his toes this time, I reckon. Go to him all spraddled out, boys. And don't git too reckless, for what Calliope shoots at he hits."

Buck Patterson, tall, muscular, and solemn-faced, with his bright "City Marshal" badge s.h.i.+ning on the breast of his blue flannel s.h.i.+rt, gave his posse directions for the onslaught upon Calliope. The plan was to accomplish the downfall of the Quicksand Terror without loss to the attacking party, if possible.

The splenetic Calliope, unconscious of retributive plots, was steaming down the channel, cannonading on either side, when he suddenly became aware of breakers ahead. The city marshal and one of the deputies rose up behind some dry-goods boxes half a square to the front and opened fire. At the same time the rest of the posse, divided, sh.e.l.led him from two side streets up which they were cautiously manoeuvring from a well-executed detour.

The first volley broke the lock of one of Calliope's guns, cut a neat underbit in his right ear, and exploded a cartridge in his crossbelt, scorching his ribs as it burst. Feeling braced up by this unexpected tonic to his spiritual depression, Calliope executed a fortissimo note from his upper register, and returned the fire like an echo. The upholders of the law dodged at his flash, but a trifle too late to save one of the deputies a bullet just above the elbow, and the marshal a bleeding cheek from a splinter that a ball tore from the box he had ducked behind.

And now Calliope met the enemy's tactics in kind. Choosing with a rapid eye the street from which the weakest and least accurate fire had come, he invaded it at a double-quick, abandoning the unprotected middle of the street. With rare cunning the opposing force in that direction--one of the deputies and two of the valorous volunteers--waited, concealed by beer barrels, until Calliope had pa.s.sed their retreat, and then peppered him from the rear. In another moment they were reinforced by the marshal and his other men, and then Calliope felt that in order to successfully prolong the delights of the controversy he must find some means of reducing the great odds against him. His eye fell upon a structure that seemed to hold out this promise, providing he could reach it.

Not far away was the little railroad station, its building a strong box house, ten by twenty feet, resting upon a platform four feet above ground. Windows were in each of its walls. Something like a fort it might become to a man thus sorely pressed by superior numbers.

Calliope made a bold and rapid spurt for it, the marshal's crowd "smoking" him as he ran. He reached the haven in safety, the station agent leaving the building by a window, like a flying squirrel, as the garrison entered the door.

Patterson and his supporters halted under protection of a pile of lumber and held consultations. In the station was an unterrified desperado who was an excellent shot and carried an abundance of ammunition. For thirty yards on either side of the besieged was a stretch of bare, open ground. It was a sure thing that the man who attempted to enter that unprotected area would be stopped by one of Calliope's bullets.

The city marshal was resolved. He had decided that Calliope Catesby should no more wake the echoes of Quicksand with his strident whoop.

He had so announced. Officially and personally he felt imperatively bound to put the soft pedal on that instrument of discord. It played bad tunes.

Standing near was a hand truck used in the manipulation of small freight. It stood by a shed full of sacked wool, a consignment from one of the sheep ranches. On this truck the marshal and his men piled three heavy sacks of wool. Stooping low, Buck Patterson started for Calliope's fort, slowly pus.h.i.+ng this loaded truck before him for protection. The posse, scattering broadly, stood ready to nip the besieged in case he should show himself in an effort to repel the juggernaut of justice that was creeping upon him. Only once did Calliope make demonstration. He fired from a window, and some tufts of wool spurted from the marshal's trustworthy bulwark. The return shots from the posse pattered against the window frame of the fort. No loss resulted on either side.

The marshal was too deeply engrossed in steering his protected battles.h.i.+p to be aware of the approach of the morning train until he was within a few feet of the platform. The train was coming up on the other side of it. It stopped only one minute at Quicksand. What an opportunity it would offer to Calliope! He had only to step out the other door, mount the train, and away.

Abandoning his breastwork, Buck, with his gun ready, dashed up the steps and into the room, driving upon the closed door with one heave of his weighty shoulder. The members of the posse heard one shot fired inside, and then there was silence.

At length the wounded man opened his eyes. After a blank s.p.a.ce he again could see and hear and feel and think. Turning his eyes about, he found himself lying on a wooden bench. A tall man with a perplexed countenance, wearing a big badge with "City Marshal" engraved upon it, stood over him. A little old woman in black, with a wrinkled face and sparkling black eyes, was holding a wet handkerchief against one of his temples. He was trying to get these facts fixed in his mind and connected with past events, when the old woman began to talk.

"There now, great, big, strong man! That bullet never tetched ye! Jest skeeted along the side of your head and sort of paralysed ye for a spell. I've heerd of sech things afore; cun-cussion is what they names it. Abel Wadkins used to kill squirrels that way--barkin' 'em, Abe called it. You jest been barked, sir, and you'll be all right in a little bit. Feel lots better already, don't ye! You just lay still a while longer and let me bathe your head. You don't know me, I reckon, and 'tain't surprisin' that you shouldn't. I come in on that train from Alabama to see my son. Big son, ain't he? Lands! you wouldn't hardly think he'd ever been a baby, would ye? This is my son, sir."

Half turning, the old woman looked up at the standing man, her worn face lighting with a proud and wonderful smile. She reached out one veined and calloused hand and took one of her son's. Then smiling cheerily down at the prostrate man, she continued to dip the handkerchief in the waiting-room tin washbasin and gently apply it to his temple. She had the benevolent garrulity of old age.

"I ain't seen my son before," she continued, "in eight years. One of my nephews, Elkanah Price, he's a conductor on one of them railroads and he got me a pa.s.s to come out here. I can stay a whole week on it, and then it'll take me back again. Jest think, now, that little boy of mine has got to be a officer--a city marshal of a whole town! That's somethin' like a constable, ain't it? I never knowed he was a officer; he didn't say nothin' about it in his letters. I reckon he thought his old mother'd be skeered about the danger he was in. But, laws! I never was much of a hand to git skeered. 'Tain't no use. I heard them guns a-shootin' while I was gettin' off them cars, and I see smoke a-comin'

out of the depot, but I jest walked right along. Then I see son's face lookin' out through the window. I knowed him at oncet. He met me at the door, and squeezes me 'most to death. And there you was, sir, a-lyin' there jest like you was dead, and I 'lowed we'd see what might be done to help sot you up."