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Myths and Legends of Our Own Land Part 11

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Evangeline was not taken far away, only to New England; but without Gabriel all lands were drear, and she set off in the search for him, working here and there, sometimes looking timidly at the headstones on new graves, then travelling on. Once she heard that he was a _coureur des bois_ on the prairies, again that he was a voyageur in the Louisiana lowlands; but those of his people who kept near her inclined to jest at her faith and urged her to marry Leblanc, the notary's son, who truly loved her. To these she only replied, "I cannot."

Down the Ohio and Mississippi she went--on a raft--with a little band of those who were seeking the French settlements, where the language, religion, and simplicity of life recalled Acadia. They found it on the banks of the Teche, and they reached the house of the herdsman Gabriel on the day that he had departed for the north to seek Evangeline. She and the good priest who had been her stay in a year of sorrow turned back in pursuit, and for weary months, over prairie and through forest, skirting mountain and mora.s.s, going freely among savages, they followed vain clues, and at last arrived in Philadelphia. Broken in spirit then, but not less sweet of nature for the suffering that she had known, she who had been named for the angels became a minister of mercy, and in the black robe of a nun went about with comforts to the sick and poor. A pestilence was sweeping through the city, and those who had no friends nor attendants were taken to the almshouse, whither, as her way was, Evangeline went on a soft Sabbath morning to calm the fevered and brighten the hearts of the dying.

Some of the patients of the day before had gone and new were in their places. Suddenly she turned white and sank on her knees at a bedside, with a cry of "Gabriel, my beloved!" breathed into the ears of a prematurely aged man who lay gasping in death before her. He came out of his stupor, slowly, and tried to speak her name. She drew his head to her bosom, kissed him, and for one moment they were happy. Then the light went out of his eyes and the warmth from his heart. She pressed his eyelids down and bowed her head, for her way was plainer now, and she thanked G.o.d that it was so.

THE SNORING OF SWUNKSUS

The original proprietor of Deer Isle, off the coast of Maine--at least, the one who was in possession one hundred and thirty years ago--had the liquid name of Swunksus. His name was not the only liquid thing in the neighborhood, however, for, wherever Swunksus was, fire-water was not far. Shortly before the Revolution a renegade from Boston, one Conary, moved up to the island and helped himself to as much of it as he chose, but the longer he lived there the more he wanted. Swunksus was willing enough to divide his domain with the white intruder, but Conary was not satisfied with half. He did not need it all; he just wanted it. Moreover, he grew quarrelsome and was continually nagging poor Swunksus, until at last he forced the Indian to accept a challenge, not to immediate combat, but to fight to the death should they meet thereafter.



The red man retired to his half of the island and hid among the bushes near his home to await the white man, but in this little fastness he discovered a jug of whiskey that either fate or Conary had placed there.

Before an hour was over he was "as full and mellow as a harvest moon,"

and it was then that his enemy appeared. There was no trouble in finding Swunksus, for he was snoring like a fog horn, and walking boldly up to him, Conary blew his head off with a load of slugs. Then he took possession of the place and lived happily ever after. Swunksus takes his deposition easily, for, although he has more than once paraded along the beaches, his ghost spends most of the time in slumber, and terrific snores have been heard proceeding from the woods in daylight.

THE LEWISTON HERMIT

On an island above the falls of the Androscoggin, at Lewiston, Maine, lived a white recluse at the beginning of the eighteenth century. The natives, having had good reason to mistrust all palefaces, could think no good of the man who lived thus among but not with them. Often they gathered at the bank and looked across at his solitary candle twinkling among the leaves, and wondered what manner of evil he could be planning against them. Wherever there are many conspirators one will be a gabbler or a traitor; so, when the natives had resolved on his murder, he, somehow, learned of their intent and set himself to thwart it. So great was their fear of this lonely man, and of the malignant powers he might conjure to his aid, that nearly fifty Indians joined the expedition, to give each other courage.

Their plan was to go a little distance up the river and come down with the current, thus avoiding the dip of paddles that he might hear in a direct crossing. When it was quite dark they set off, and keeping headway on their canoes aimed them toward the light that glimmered above the water. But the cunning hermit had no fire in his cabin that night. It was burning on a point below his shelter, and from his hiding-place among the rocks he saw their fleet, as dim and silent as shadows, go by him on the way to the misguiding beacon.

Presently a cry arose. The savages had pa.s.sed the point of safe sailing; their boats had become unmanageable. Forgetting their errand, their only hope now was to save themselves, but in vain they tried to reach the sh.o.r.e: the current was whirling them to their doom. Cries and death-songs mingled with the deepening roar of the waters, the light barks reached the cataract and leaped into the air. Then the night was still again, save for the booming of the flood. Not one of the Indians who had set out on this errand of death survived the hermit's stratagem.

THE DEAD s.h.i.+P OF HARPSWELL

At times the fisher-folk of Maine are startled to see the form of a s.h.i.+p, with gaunt timbers showing through the planks, like lean limbs through rents in a pauper's garb, float sh.o.r.eward in the sunset. She is a s.h.i.+p of ancient build, with tall masts and sails of majestic spread, all torn; but what is her name, her port, her flag, what harbor she is trying to make, no man can tell, for on her deck no sailor has ever been seen to run up colors or heard to answer a hail. Be it in calm or storm, in-come or ebb of tide, the s.h.i.+p holds her way until she almost touches sh.o.r.e.

There is no creak of spars or whine of cordage, no spray at the bow, no ripple at the stern--no voice, and no figure to utter one. As she nears the rocks she pauses, then, as if impelled by a contrary current, floats rudder foremost off to sea, and vanishes in twilight. Harpswell is her favorite cruising-ground, and her appearance there sets many heads to shaking, for while it is not inevitable that ill luck follows her visits, it has been seen that burial-boats have sometimes had occasion to cross the harbor soon after them, and that they were obliged by wind or tide or current to follow her course on leaving the wharf.

THE SCHOOLMASTER HAD NOT REACHED ORRINGTON.

The quiet town of Orrington, in Maine, was founded by Jesse Atwood, of Wellfleet, Cape Cod, in 1778, and has become known, since then, as a place where skilful farmers and brave sailors could always be found. It also kept Maine supplied for years with oldest inhabitants. It is said that the name was an accident of illiteracy, and that it is the only place in the world that owes its t.i.tle to bad spelling. The settlers who followed Atwood there were numerous enough to form a towns.h.i.+p after ten years, and the name they decided on for their commonwealth was Orangetown, so called for a village in Maryland where some of the people had a.s.sociations, but the clerk of the town meeting was not a college graduate and his spelling of Orange was Orring, and of town, ton. His draft of the resolutions went before the legislature, and the people directly afterward found themselves living in Orrington.

JACK WELCH'S DEATH LIGHT

Pond Cove, Maine, is haunted by a light that on a certain evening, every summer, rises a mile out at sea, drifts to a spot on sh.o.r.e, then whirls with a buzz and a glare to an old house, where it vanishes. Its first appearance was simultaneous with the departure of Jack Welch, a fisherman. He was seen one evening at work on his boat, but in the morning he was gone, nor has he since shown himself in the flesh.

On the tenth anniversary of this event three fishermen were hurrying up the bay, hoping to reach home before dark, for they dreaded that uncanny light, but a fog came in and it was late before they reached the wharf.

As they were tying their boat a channel seemed to open through the mist, and along that path from the deep came a ball of pallid flame with the rush of a meteor. There was one of the men who cowered at the bottom of the boat with ashen face and shaking limbs, and did not watch the light, even though it shot above his head, played through the rigging, and after a wide sweep went sh.o.r.eward and settled on his house. Next day one of his comrades called for him, but Tom Wright was gone, gone, his wife said, before the day broke. Like Jack Welch's disappearance, this departure was unexplained, and in time he was given up for dead.

Twenty years had pa.s.sed, when Wright's presumptive widow was startled by the receipt of a letter in a weak, trembling hand, signed with her husband's name. It was written on his death-bed, in a distant place, and held a confession. Before their marriage, Jack Welch had been a suitor for her hand, and had been the favored of the two. To remove his rival and prosper in his place, Wright stole upon the other at his work, killed him, took his body to sea, and threw it overboard. Since that time the dead man had pursued him, and he was glad that the end of his days was come. But, though Tom Wright is no more, his victim's light comes yearly from the sea, above the spot where his body sank, floats to the scene of the murder on the sh.o.r.e, then flits to the house where the a.s.sa.s.sin lived and for years simulated the content that comes of wedded life.

MOGG MEGONE

Hapless daughter of a renegade is Ruth Bonython. Her father is as unfair to his friends as to his enemies, but to neither of them so merciless as to Ruth. Although he knows that she loves Master Scammon--in spite of his desertion and would rather die than wed another, he has promised her to Mogg Megone, the chief who rules the Indians at the Saco mouth. He, blundering savage, fancies that he sees to the bottom of her grief, and one day, while urging his suit, he opens his blanket and shows the scalp of Scammon, to prove that he has avenged her. She looks in horror, but when he flings the b.l.o.o.d.y trophy at her feet she baptizes it with a forgiving tear. What villainy may this lead to? Ah, none for him, for Bonython now steps in and plies him with flattery and drink, gaining from the chief, at last, his signature--the bow totem--to a transfer of the land for which he is willing to sell his daughter. Ruth, maddened at her father's meanness and the Indian's brutality, rushes on the imbruted savage, grasps from his belt the knife that has slain her lover, cleaves his heart in twain, and flies into the wood, leaving Bonython stupid with amazement.

Father Rasles, in his chapel at Norridgewock, is affecting his Indian converts against the Puritans, who settled to the southward of him fifty years before. To him comes a woman with torn garments and frightened face. Her dead mother stood before her last night, she says, and looked at her reprovingly, for she had killed Mogg Megone. The priest starts back in wrath, for Mogg was a hopeful agent of the faith, and bids her go, for she can ask no pardon. Brooding within his chapel, then, he is startled by the sound of shot and hum of arrows. Harmon and Moulton are advancing with their men and crying, "Down with the beast of Rome! Death to the Babylonish dog!" Ruth, knowing not what this new misfortune may mean, runs from the church and disappears.

Some days later, old Baron Castine, going to Norridgewock to bury and revenge the dead, finds a woman seated on the earth and gazing over a field strewn with ashes and with human bones. He touches her. She is cold. There has been no life for days. It is Ruth.

THE LADY URSULA

In 1690 a stately house stood in Kittery, Maine, a strongly guarded place with moat and drawbridge (which was raised at night) and a moated grange adjacent where were cattle, sheep, and horses. Here, in lonely dignity, lived Lady Ursula, daughter of the lord of Grondale Abbey, across the water, whose distant grandeurs were in some sort reflected in this manor of the wilderness. Silver, mahogany, paintings, tapestries, waxed floors, and carven chests of linen represented wealth; prayers were said by a chaplain every morning and evening in the chapel, and, though the main hall would accommodate five hundred people, the lady usually sat at meat there with her thirty servants, her part of the table being raised two feet above theirs.

It was her happiness to believe that Captain Fowler, now absent in conflict with the French, would return and wed her according to his promise, but one day came a tattered messenger with bitter news of the captain's death. She made no talk of her grief, and, while her face was pale and step no longer light, she continued in the work that custom exacted from women of that time: help for the sick, alms for the poor, teaching for the ignorant, religion for the savage. Great was her joy, then, when a s.h.i.+p came from England bringing a letter from Captain Fowler himself, refuting the rumor of defeat and telling of his coming. Now the hall took on new life, reflecting the pleasure of its mistress; color came back to her cheek and sparkle to her eye, and she could only control her impatience by more active work and more aggressive charities. The day was near at hand for the arrival of her lover, when Ursula and her servants were set upon by Indians, while away from the protection of the manor, and slain. They were buried where they fell, and Captain Fowler found none to whom his love or sorrow could be told.

FATHER MOODY'S BLACK VEIL

In 1770 the Reverend Joseph Moody died at York, Maine, where he had long held the pastorate of a church, and where in his later years his face was never seen by friend or relative. At home, when any one was by, on the street, and in the pulpit his visage was concealed by a double fold of c.r.a.pe that was knotted above his forehead and fell to his chin, the lower edge of it being shaken by his breath. When first he presented himself to his congregation with features masked in black, great was the wonder and long the talk about it. Was he demented? His sermons were too logical for that. Had he been crossed in love? He could smile, though the smile was sad. Had he been scarred by accident or illness? If so, no physician knew of it.

After a time it was given out that his eyes were weakened by reading and writing at night, and the wonder ceased, though the veiled parson was less in demand for weddings, christenings, and social gatherings, and more besought for funerals than he had been. If asked to take off his c.r.a.pe he only replied, "We all wear veils of one kind or another, and the heaviest and darkest are those that hang about our hearts. This is but a material veil. Let it stay until the hour strikes when all faces shall be seen and all souls reveal their secrets."

Little by little the clergyman felt himself enforced to withdraw from the public gaze. There were rough people who were impertinent and timid people who turned out of their road to avoid him, so that he found his out-door walks and meditations almost confined to the night, unless he chose the grave-yard for its seclusion or strolled on the beach and listened to the wallowing and grunting of the Black Boars--the rocks off sh.o.r.e that had laughed on the night when the York witch went up the chimney in a gale. But his life was long and kind and useful, and when at last the veiled head lay on the pillow it was never to rise from consciously, a fellow-clergyman came to soothe his dying moments and commend his soul to mercy.

To him, one evening, Father Moody said, "Brother, my hour is come and the veil of eternal darkness is falling over my eyes. Men have asked me why I wear this piece of c.r.a.pe about my face, as if it were not for them a reminder and a symbol, and I have borne the reason so long within me that only now have I resolved to tell it. Do you recall the finding of young Clark beside the river, years ago? He had been shot through the head. The man who killed him did so by accident, for he was a bosom friend; yet he could never bring himself to confess the fact, for he dreaded the blame of his townsmen, the anguish of the dead man's parents, the hate of his betrothed. It was believed that the killing was a murder, and that some roving Indian had done it. After years of conscience-darkened life, in which the face of his dead friend often arose accusingly before him, the unhappy wretch vowed that he would never again look his fellows openly in the face: he would pay a penalty and conceal his shame. Then it was that I put a veil between myself and the world."

Joseph Moody pa.s.sed away and, as he wished, the veil still hid his face in the coffin, but the clergyman who had raised it for a moment to compose his features, found there a serenity and a beauty that were majestic.

THE HOME OF THUNDER

Some Indians believe that the Thunder Bird is the agent of storm; that the flashes of his eyes cause lightning and the flapping of his cloud-vast wings make thunder. Not so the Pa.s.samaquoddies, for they hold that Katahdin's spirit children are Thunders, and in this way an Indian found them: He had been seeking game along the Pen.o.bscot and for weeks had not met one of his fellow creatures. On a winter day he came on the print of a pair of snow-shoes; next morning the tracks appeared in another part of the forest, and so for many days he found them.

After a time it occurred to him to see where these tracks went to, and he followed them until they merged with others in a travelled road, ending at a precipice on the side of Katahdin (Great Mountain).

While lost in wonder that so many tracks should lead nowhere, he was roused by a footfall, and a maiden stepped from the precipice to the ledge beside him. Though he said nothing, being in awe of her stateliness and beauty, she replied in kind words to every unspoken thought and bade him go with her. He approached the rock with fear, but at a touch from the woman it became as mist, and they entered it together.

Presently they were in a great cave in the heart of Katahdin, where sat the spirit of the mountain, who welcomed them and asked the girl if her brothers had come. "I hear them coming," she replied. A blinding flash, a roar of thunder, and there stepped into the cave two men of giant size and gravely beautiful faces, hardened at the cheeks and brows to stone.

"These," said the girl to the hunter, "are my brothers, the Thunder and the Lightning. My father sends them forth whenever there is wrong to redress, that those who love us may not be smitten. When you hear Thunder, know that they are shooting at our enemies."

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Myths and Legends of Our Own Land Part 11 summary

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