Marie Antoinette and the Downfall of Royalty Part 2

Speaking of herself in her Memoirs, she becomes ecstatic over the child who "read serious works, explained very well the circles of the celestial globe, used crayons and the burin, found at eight years that she was the best dancer in an a.s.sembly of young persons older than herself," and who, nevertheless, "was often summoned to the kitchen to make an omelette, clean the vegetables, or skim the pot." She admires her own willingness to descend to domestic cares: "I was never out of my element," she says; "I could make soup as skilfully as Philopoemen could chop wood; but no one, observing me, could imagine that this was suitable employment." Still speaking of herself, she celebrates "the little person who on Sundays went to church or out walking in a spick-and-span costume whose appearance was fully sustained by her demeanor and her language." She calls attention to the contrast by which, on week-days, the same child went out alone, in a little cloth frock, to buy parsley and salad at a short distance from home. "It must be owned," she adds, "that I did not like this very well; but I did not show it, and I had the art of doing my errands in such a way as to find some pleasure in it. I united such great politeness to a certain dignity, that the fruit-seller or other person {49} of the sort, took pleasure in serving me first, and even those who came before me thought this proper."

So the little Philipon wanted to take the chief place in the fruiterer's shop, just as, later on, she desired it on the political stage or the Ministry of the Interior. This enemy of privileges will admit them only for herself. In everything she made pretentions: pretentions to elegance, beauty, distinction, talent, knowledge, eloquence, genius, and, when she wanted to be simple, to simplicity.

In her style as in her conversation, in her public as in her private life, what she sought before all things was effect. It was absolutely essential that people should talk about her, that she should be playing a part, or standing on a pedestal. a.s.suredly, if she had a fault, it was not excess of modesty. She regarded herself as the flower of her s.e.x, a superior woman, made to be loved, flattered, and adored. She speaks of her charms with the precision of a doctor and the enthusiasm of a poet. Not one of her perfections escapes her. It is through a magnifying-gla.s.s and before a mirror that she studies and admires herself. She discovers that a society in which a woman so remarkable and so attractive is not thoroughly well known, must be badly organized. Middle-cla.s.s by birth, and aristocratic by instinct, she represents what one might then have called the new social strata. A secret voice told her that the day was to come when she would make herself feared by the powerful of the earth, those giants with feet of clay who, at the beginning of her {50} career, were still looked at kneeling. Banished by fate from the theatre where the human tragi-comedy is played, she said to herself: "I too will have a part one of these days." In the earliest stage of her existence there was in her a confused medley of uneasiness and ambition, of spite and anger. She had a horror of the slightly disdainful protection of people of quality. She conceived an aversion for persons like that Demoiselle d'Hannaches, "big, awkward, dry, and yellow," infatuated with her n.o.bility, annoying everybody with her t.i.tles, and yet, in spite of her ignorance, her stiff manners, her old-fas.h.i.+oned dress and her follies, well received everywhere on account of her birth.

Slowly, but steadily, the future amazon of the Revolution prepared herself for the combat. The books which she read and re-read incessantly were the a.r.s.enal whence she drew her weapons. One of those presentiments which do not deceive, promised her a stormy but ill.u.s.trious destiny. More Roman than French, more pagan than Christian, she longed for glory like that of the heroines of Plutarch, her favorite author. In the humble dwelling of her father, situated at the corner of the Pont-Neuf and the Quai des Orfevres, she caught a glimpse of horizons as wide as her thoughts. "From the upper part of our house," she says, "a great expanse offered itself to my dreamy and romantic imagination. How often from my north window have I contemplated with emotion the deserts of the sky, its superb azure {51} vault splendidly outlined from the bluish dawn far behind the Pont du Change, to the sunset gilded with a faint purplish l.u.s.tre behind the trees of the Champs Elysees and the houses of Chaillot."

Irritated with the obscurity to which she was condemned by fate, there was but one resource which could have consoled her for the social inequalities which bruised her vanity and her pride. That resource would have been religion. Nothing but an ideal of humility could have appeased the interior revolts of this soul of fire. To such a woman, what is lacking is heaven. Earth, no matter what happens, can give her nothing but deceptions. The only moment of her life when she felt herself really happy was that when she enjoyed the supreme good, peace of heart. Of all parts of her Memoirs, the most pure and touching are those she devotes to her recollections of the convent. One might think that the author of _Rolla_ had remembered them when he described in such penetrating terms the mystic poetry of the cloister, and the regrets often engendered by the loss of faith in the minds and hearts of people who have become unbelievers.

The little Philipon, being in her twelfth year, asked to be sent to a convent, in order to prepare better for her first communion. She was placed with the Ladies of the Congregation, rue Neuve-Saint-etienne, in the Faubourg Saint-Marcel, near Sainte-Pelagie, her future prison: "How I pressed my dear mamma in my arms at the moment of parting {52} from her for the first time! I was stifled, overwhelmed; but I obeyed the voice of G.o.d, and crossed the threshold of the cloister, offering Him with tears the greatest sacrifice that I could make. The first night I spent at the convent was agitated: I was no longer under the paternal roof. I felt that I was far from that good mother who was surely thinking of me with tenderness. There was a feeble light in the room where I had been put to bed, with four other children of my own age; I rose quietly and went to the window. The moonlight permitted me to see the garden upon which it looked. The most profound silence reigned; I listened to it, so to say, with a sort of respect; great trees cast their gigantic shadows here and there, and promised a safe refuge for tranquil meditation. I lifted my eyes to the pure and serene sky, and thought I felt the presence of the Divinity, who smiled at my sacrifice and already offered me its recompense in the peace of a celestial abode. Delicious tears flowed slowly down my cheeks; I reiterated my vows with a holy transport, and I enjoyed the slumber of the elect."

As if in these silent cloisters, which she crossed slowly so as to enjoy their solitude more fully, she had a presentiment of the storms in her destiny and her heart, she sometimes stopped beside a tomb on which was engraven the eulogy of a holy maiden. "She is happy!" she said to herself with a sigh. While she was in prison she remembered with emotion a novice's taking the veil: "I experience yet the {53} thrill caused by her faintly tremulous voice when she chanted melodiously the customary versicle: '_Elegi_: Here I have chosen my abode, and I will not depart from it forever.' I have not forgotten the notes of this little air; I can repeat them as exactly as if I had heard them yesterday."

Unhappily, religious ideas were soon to undergo a change in the mind of the future Madame Roland. Returning to the paternal dwelling, she was badly brought up there; her mother let her read everything, even _Candide_. Voltaire, Helvetius, Diderot, had no secrets for this young girl. Extreme disorder and confusion in mind and heart were the result. When she had the misfortune to lose her mother at the age of twenty-one, the book in which she sought consolation was the _Nouvelle Heloise_. Jean-Jacques became her G.o.d. "It seems," she says, "as if he were my natural aliment and the interpreter of the sentiment I had already, and which he alone knew how to explain to me.... To have the whole of Jean-Jacques," she says again, "to be able to consult him incessantly, to enlighten and elevate one's self with him at all times of life, is a felicity which can only be tasted by adoring him as I did." Such reading robbed her of faith. It made her a free-thinker and a bluestocking. It inspired her with an unhealthy ambition, sullied her imagination, and troubled the peace of her heart. It deprived her of that moral delicacy, lacking which, even virtue itself loses its charms. She was no longer anything but a young {54} girl, well-conducted but not pure, honest but shameless.

Was not a day coming when, a prisoner and on the point of getting into the fatal cart, she would throw off the terrible anxieties of her situation in order to imitate the impurities of the _Confessions_ of Jean-Jacques, and retrace indecent details with complacency? Do not seek in her that flower of innocence which is the young girl's grace.

The charming puritan does not commit great faults, but she has astonis.h.i.+ng licenses of thought and speech. For her, Louvet's _Faublas_ is "one of those charming romances known to persons of taste, in which the graces of imagination ally themselves to the tone of philosophy." Is not this woman, who begins her life like a saint and ends it as a pupil of Voltaire and Jean-Jacques Rousseau, the symbol of that troubled eighteenth century which opened in fidelity to religious faith and closed in the depths of the abyss of incredulity? The ravages caused by bad reading in the soul of this young girl explain the catastrophes of the entire century.

From the time when she replaced the Gospels by the _Contrat Social_ and the _Imitation of Jesus Christ_ by the _Nouvelle Heloise_, there was no longer anything simple or natural remaining in the young philosopher.

All her thoughts and actions became declamatory. There was something theatrical in her att.i.tudes and gestures, and even in the sound of her voice. Her speech was rhythmical, cadenced, marked {55} by a special accent. Even her private letters often resemble the amplifications of rhetoric rather than the effusions of friends.h.i.+p. One might say that their author had a presentiment that they would be printed. She wrote to Mademoiselle Sophie Cannet, January 3, 1776: "In any case, burn nothing. Though my letters were one day to be read by all the world, I would not hide the only monuments of my weakness, and my sentiments."

Monuments of weakness--is not the expression worthy of the bombast of the time?

Not finding love, Mademoiselle Philipon married philosophically. Her union bears a striking imitation to that of Heloise with M. de Volmar.

"Looking her destiny peacefully and tenderly in the face, greatly moved but not infatuated," she united herself to a man whom she esteemed but did not love. This was Roland de la Platiere, who was descended from an ancient and very honorable middle cla.s.s family. Though not rich, he was at least comfortably well off. "Well educated, honest, simple in his tastes and manners, he fulfilled his duties as inspector of manufactures in a notable way. The marriage was celebrated on February 4, 1780. Roland was forty-six years old, while his wife was not yet twenty-six. Thin, bald, careless in his dress, the husband was not at all an ideal person. It had taken him five years to declare his pa.s.sion, and this hesitation, as his wife was to write thirteen years later, "left not a vestige of illusion in his sentiments." "I have often felt," {56} says she, "that there was no similarity between us.

If we lived in retirement, I spent many painful hours; if we mingled in society, I was loved by persons among whom I perceived there were some who might affect me too much; I plunged into labor with my husband....

It was a long time before I gained courage to contradict him."

M. Roland was sent to Amiens, where his wife presented him with a daughter, whom she nursed, and afterwards brought up with the utmost tenderness and devotion. In 1784, he was summoned to Lyons, where he found himself once more in his native region. Thenceforward he spent two of the winter months in Lyons, and the remainder of the year on his paternal domain, the Close of Platiere, two leagues from Villefranche, surrounded by woods and vineyards, and opposite the mountains of Beaujolais. While her husband went to take possession of his new post, Madame Roland, not yet a republican, remained a few weeks in Paris in order to obtain, if possible, the patent of n.o.bility so ardently desired by the family. Her solicitations proved unsuccessful, and the married pair, despairing of becoming n.o.bles, consoled themselves by a frank avowal of democracy.

Up to the time of the Revolution, Madame Roland's life glided peacefully away without any remarkable incidents. In the Close of Platiere, which she calls her dovecot, she appears as a good housekeeper who looks after everything, from the cellar to the garret; {57} who plays the doctor among the poor villagers; who is delighted to find in nature a savor of frank and free rusticity. The life she leads is not merely honest, but edifying. She is very careful at this period to hide her philosophy. She writes to Bosc, one of her friends, February 9, 1785: "My brother-in-law, whose disposition is extremely gentle and sensitive, is also very religious; I leave him the satisfaction of thinking that the dogmas are as evident to me as they appear to him, and my exterior actions are such as become the mother of a family out in the country, who is bound to edify everybody. As I was very devout in my early youth, I know my prayers as well as my philosophy, and I prefer to make use of my first erudition." She wrote again to Bosc, October 12, 1785: "I have hardly touched a pen for a month, and I think I am acquiring some of the inclinations of the beast whose milk refreshes me; I am extremely _asinine_, and I busy myself with all the petty cares of the _hoggish_ country life. I make preserved pears that are delicious; we dry grapes and plums; we wash and make up linen; we have white wine for breakfast, and we lie down on the gra.s.s to rest; we follow the vintagers; we repose in the woods and fields."

Before looking at the female politician, let us glance once more at the woman in private life, the charitable, devoted, honorable mother of a family, such as she paints herself in a letter of November 10, 1786: "From the corner of my fire, at eleven {58} o'clock, after a quiet night and the various morning cares, my husband at his desk, my little girl knitting, and I chatting with one and superintending the other's work, enjoying the happiness of being snugly in the bosom of my dear little family, writing to a friend, while the snow is falling on so many wretches weighed down by poverty and sorrow, I am touched with compa.s.sion for their fate; I turn back sweetly to my own, and at this moment I count as nothing the annoyances of relations or circ.u.mstances which seem occasionally to mar its felicity."

Alas, why did not Madame Roland stay in her modest country-house to dry her grapes and plums, to superintend her was.h.i.+ng, mend her linen, and spread out in her garret the fruits for winter use? Were not obscurity, repose, peace of heart, better for her than that fict.i.tious glory which was to pa.s.s so quickly and end upon the scaffold? One might say that before quitting nature, that great consoler which calms and does not betray, in order to plunge herself into the odious world of politics, which spoils and embitters the most beautiful souls, she experiences a certain vague regret for the sweet and tranquil joys which her folly was about to cause her to renounce forever.

"The weather is delightful," wrote Madame Roland, May 17, 1790; "the country has changed almost beyond recognition in only six days; the vines and walnuts were as black as they are in winter, but a stroke of the magic wand does not alter the aspect of {59} things more quickly than the heat of a few fine days has done; everything turns green and leafs out; a soft verdure is visible where there was nothing but the dull and faded tint of torpor and inaction. I could easily forget public affairs and men's controversies here; content to arrange the manor, to see my fowls brood, and take care of my rabbits, I would care nothing more about the revolutions of empires. But, as soon as I am in the city, the poverty of the people and the insolence of the rich rouse my hatred of injustice and oppression: I have no longer any soul or desire except for the triumph of great truths and the success of our regeneration."

The die is cast. The daughter of Philipon the engraver is about to become a political woman. The hour is come when this great actress, who has long known her part, is at last going on the stage. She has a presentiment of the risk she is running in a.s.suming a task which is beyond her s.e.x. But, like soldiers who love danger for danger's sake, and prefer the emotions of the battle-field to garrison life, she will joyfully quit her province and throw herself into the seething furnace of Paris. Even though she is to meet persecution and death at the end of her new career, she will not recoil. A short but agitated life will seem better to her than a long and fortunate existence without violent emotions. A clear sky pleases her no longer. She is homesick for storms and lightning flashes.

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VI.

MADAME ROLAND'S ENTRANCE ON THE SCENE.

The hour of the Revolution had struck, and, ambitious, unbelieving, full of disdain for the leading cla.s.ses, full of confidence in her own superiority, active, eloquent, impa.s.sioned, uniting the language of an orator to the seductions of a charming woman, Madame Roland was ripe for the Revolution. Her epoch suited her, and she suited her epoch.

This pagan who, according to her own expression, roamed mentally in Greece, attended the Olympic games, and despised herself for being French; this fanatical admirer of antiquity who, at eight years of age, carried Plutarch to church with her instead of a missal, who styled Roland _the virtuous_ as the Athenians called Aristides the _just_, who will die like her heroes, Socrates and Phocion; this student who, at another period, would have been rated as an under-bred woman of the middle cla.s.s, a more or less ridiculous bluestocking, suddenly found herself, in consequence of a general panic and circ.u.mstances as strange as they were unforeseen, the very ideal of the society in which she lived. For several months she was to be its fas.h.i.+onable type, its favorite heroine. {61} But the Revolution was a Saturn who devoured his children, male and female, and the Egeria of the Girondins expiated bitterly the intoxication caused by her brief popularity.

In 1777, at the age of twenty-three, she had written: "Gay and jesting speeches fall from this mouth which sobs at night upon its pillow; a laugh dwells on my lips, while my tears, shut up within my heart, at length make on it, in spite of its hardness, the effect produced by water on a stone: falling drop by drop, they insensibly wear it away."

In 1791, when she was thirty-eight, she wrote: "The phenomena of nature, which make the vulgar grow pale, and which are imposing even to the philosophical eye, offer nothing to a sensitive person preoccupied with great concerns, but scenes inferior to those of which her own heart is the theatre." The flame consuming the eloquent and ardent disciple of Rousseau was in need of fuel, and, finding this in politics, she threw herself upon it with a sort of ravenous fury, just as she had once abandoned herself to study. At twenty-two she had written to one of her young friends: "You scold me for studying too hard. Bear in mind, then, that unless I did so, love might perhaps excite my imagination to frenzy. It is a necessary distraction. I am not trying to become a learned woman; I study because I need to study, as I do to eat." It was thus that Madame Roland plunged into politics.

All her unappeased instincts and repressed forces found their outlet in that direction.

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Woman being formed by nature to be dominated, nothing is more agreeable to her than to invert the parts, and in her turn to domineer. To exert influence in public affairs, to designate or support the candidates for great offices of State, to organize or direct a ministry, to make themselves listened to by serious men, to inspire opinions or systems, is to ambitious women a kind of revenge for their s.e.x. Those who have acquired a habit of exercising this sort of power cannot relinquish it without extreme reluctance. If they have once persuaded themselves of their superiority to men, nothing can ever root the conviction from their minds. To be protected humiliates them; what they long for most of all is to be acknowledged as protectresses. Self-deluded, they attribute to their pa.s.sion for the public welfare what is, especially in their case, the need of petty glory, the thirst for emotions, or the amus.e.m.e.nt of pride and vanity.

The Revolutionary bluestocking, Madame Roland, was from the very start delighted to see that her works were printed, and that they produced as much effect as if they had been written by some great statesman. These first successes seemed to her to justify the excellent opinion she had always entertained of herself. She got into a habit of playing the oracle. No sooner had her lips touched the cup containing this poisonous but intoxicating beverage than she would have no other. That alone could refresh, even while it killed her.

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Politics has the immense defect of exasperating, troubling, and disfiguring souls. Madame Roland was born good, sensible, and generous. Politics made her at times wicked, vindictive, and cruel.

July 26, 1789, she wrote this odious letter: "You are nothing but children; your enthusiasm is a fire of straw, and if the National a.s.sembly does not order the trial of two ill.u.s.trious heads, or some generous Decius does not strike them down, you are all ... lost"

(Madame Roland employed a more trivial expression). "If this letter does not reach you, may the cowards who read it redden to learn that it is from a woman, and tremble in reflecting that she can create a hundred enthusiasts from whom will proceed a million others." Roland had been employed by the Agricultural Society of Lyons to draw up its reports for the States-General. Madame Roland wrote much more of them than her husband did. She sent article on article to a journal founded by Champagneux to forward the revolutionary propaganda. Sixty thousand copies were printed of one of them in which she described the festival of the Federation at Lyons. Imagine the joy felt by the _femme-auteur_, the pupil of Jean-Jacques, the model of George Sand!

Soon afterwards, the munic.i.p.ality deputed Roland to the Const.i.tuent a.s.sembly to advocate the interests of the city, which was involved to the extent of forty millions, and which asked to have this debt a.s.sumed by the State. Roland and his wife arrived in Paris, February 20, 1791.

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The married pair installed themselves on the third floor of the hotel Britannique, in rue Guenegaud. There a sort of political reunion was formed, of which Brissot was the first link. Four times a week a few friends, and certain deputies and journalists, met around this still unknown woman, whose wit, charm, and beauty were not long in making a sensation. It was at this period that she made Buzot's acquaintance.

The day of her first interview with the young and brilliant deputy was an epoch in her sentimental life. Thenceforward, two pa.s.sions, love and ambition, the one as fierce and devouring as the other, were to occupy her ardent soul. Comparing the young orator, whom she perhaps transformed in her imagination into the president of a more or less Athenian republic, with the austere and prosaic companion of her existence, she perceived that, according to her own expression, there was no equality between her and her husband, and that "the ascendency of a domineering character, joined to twenty years' seniority, rendered one of these superiorities too great"--that of age. She was herself six years older than Buzot. Even though her love for him may have remained Platonic, she gave him all her heart and soul.

For the majority of women, still beautiful, who mingle in public affairs, love is the princ.i.p.al thing; politics but the accessory, the pretext. They imagine they are attaching themselves to ideas, and it is to men. In this respect the heroines of the Revolution resemble those of the Fronde. The stateswoman in {65} Madame Roland plays second to the lover of Buzot. In her mind the Republic and the handsome republican blend into one. Believing herself a patriot when she is above all a woman in love, she carries the emotions, the infatuations, the ardors and exaggerations of her private life into her public one. With her, angers and enthusiasms rise to paroxysm. She is extreme in all things.

She detests Louis XVI. as much as she loves Buzot. After the flight to Varennes, she wrote: "To replace the King on the throne is a folly, an absurdity, if it is not a horror; to declare him demented is to make obligatory the appointment of a regent. To impeach Louis XVI. would be, beyond all contradiction, the greatest and most righteous step, but you are incapable of taking it. Well then, put him not exactly under interdict, but suspend him." Here begins the influence of Madame Roland. The suspension of the royal authority is one of her ideas.

"So long as peace lasted," she says, "I adhered to the peaceful role and to that kind of influence which I thought fitting to my s.e.x; when war was declared by the King's departure, it appeared to me that every one should devote himself unreservedly. I joined the fraternal societies, being persuaded that zeal and good intentions might be very useful in critical moments. I was unable to stay at home any longer, and I went to the houses of worthy people of my acquaintance that we might excite each other to great measures." One knows what the {66} Revolution meant by that expression: great measures. Madame Roland became furious. She wanted a freedom of the press without check or limit. She was angry because Marat's newspapers were destroyed by the satellites of Lafayette. "It is a cruel thing to think of," she exclaims, "but it becomes every day more evident that peace means retrogression, and that we can only be regenerated by blood."

Her hatred includes both Louis XVI. and Marie Antoinette. June 25, 1791, she writes: "It appears to me that the King ought to be sequestered and his wife impeached." And on July 1: "The King has sunk to the lowest depths of degradation; his trick has exposed him completely, and he inspires nothing but contempt. His name, his portrait, and his arms have been effaced everywhere. Notaries have been obliged to take down the escutcheons marked with a flower-de-luce which served to designate their houses. He is called nothing but Louis the False, or the great hog. Caricatures of every sort represent him under emblems which, though not the most odious, are the most suitable to nourish and augment popular disdain. The people tend of their own accord to all that can express this sentiment, and it is impossible that they should ever again be willing to see seated on the throne a being they despise so completely."

Things did not go fast enough to suit Madame Roland's furious hatred.

The popular gathering in the Champ-de-Mars, whose aim was to bring about {67} the deposition of the King, was forcibly dispersed on July 17. With six exceptions, all the deputies who had belonged either to the Jacobin Club or that of the Cordeliers, left them on account of their demand that Louis XVI. should be brought to trial. The time for great measures, to use Madame Roland's expression, had not yet arrived.

The ardent democrat laments it. "I cannot describe our situation to you," she writes at this moment of the revolutionary recoil; "I feel environed by a silent horror; my heart grows steadfast in a mournful and solemn silence, ready to sacrifice all rather than cease to defend principles, but not knowing the moment when they can triumph, and forming no resolution but that of giving a great example."

The mission which had kept Roland in Paris for seven months being ended, the discouraged pair returned to their province in September.

After stopping a few days in Lyons, in order to found a popular society affiliated to the Jacobins of the capital, they went to spend the remainder of the autumn at their country place, the Close of Platiere.

But calm and silence no longer suited Madame Roland. Repose exasperated her. She missed the struggle and the emotions of revolutionary Paris, of which she had said: "One lives ten years here in twenty-four hours; events and affections blend with and succeed each other with singular rapidity; no such great events ever occupied minds."

The pleasure of seeing her daughter again was not {68} enough to compensate her for the chagrin of having parted from Buzot. Just as she was despairing at the thought of sinking back into all the nullity of the province, as she expresses it, the news came that the inspectors of agriculture had been suppressed. Roland, no longer an official, deliberated with his wife as to their next step. His own inclination was to settle permanently in the country and devote himself to agricultural labors which would surely and safely augment his fortune.

But his wife was by no means of the same mind. She must see her dear Buzot again at any cost. She flattered the self-love of her unsuspecting spouse, and persuaded him that Paris was the sole theatre worthy of the virtuous Roland. Roland allowed himself to be convinced.

His wife, no longer mistress of herself, was drawn into the Parisian abyss as by an irresistible force. And yet was it not she who had proposed to herself this ideal, so easily to have been realized? "I have never imagined anything more desirable than a life divided between domestic cares and those of agriculture, spent on a healthy and fertile farm, with a little family where the example of its heads and common labor maintain attachment, peace, and freedom." Was it not she who had uttered this profoundly true thought: "I see neither pleasure nor happiness except in the reunion of that which charms the heart as well as the senses, and costs no regrets"? In the most beautiful days of her youth had she not written: "There was a time when I was never content {69} except when I had a book or a pen in my hand; at present I am as well satisfied when I have made a s.h.i.+rt for my father or added up an account of expenses as if I had read something profound. I do not care at all to be learned; I want to be good and happy; that is my chief business. What is necessary but good, honest common sense?" Is it not she, too, who will write at the beginning of her Memoirs: "I have observed that in all cla.s.ses, ambition is generally fatal; for the few happy ones whom it exalts, it makes a mult.i.tude of victims." Why did she not more frequently remind herself of the sentiment so just and well expressed in a letter dated in 1790: "Women are not made to share in all the occupations of men: they are altogether bound to domestic cares and virtues, and they cannot turn away from them without destroying their happiness." But, alas! pa.s.sion does not reason.

Farewell common sense, wisdom, and experience, when ambition and love have taken possession of a woman's heart. Returning to Paris, December 15, 1791, the Rolands established themselves in the rue de la Harpe, and plunged head-long into politics. The wife redoubled her activity, eloquence, and pa.s.sion. The husband, instead of attending quietly to the management of his retiring pension, was named a member of the Jacobin corresponding committee at the beginning of 1792, a revolutionary centre of which Brissot was the leader. At this period, we are informed by Madame Roland, the intimidated court imagined that the nomination of a {70} minister chosen from among the patriots of the a.s.sembly would cause it to regain a little popularity. Brissot proposed Roland, who, on March 24, 1792, accepted the portfolio of the Interior.

Madame, behold yourself, then, the wife of a minister, and in fact more of a minister than your husband. Your ambitious projects, which have been treated as chimerical, are now realized. You have a cortege like Marie Antoinette. Men seek the favor of a smile, a word, from you.

They court, they solicit, they fear you. The monarchy, which you detest, is at last obliged to reckon with you and your friends. Your beauty, your talent, and your eloquence are boasted of. Your name is in every mouth. You are powerful, you are celebrated. Well! you will find out for yourself what bitterness there is at the bottom of this cup of pride which has tempted your lips so long. You will learn at your own expense that renown does not produce happiness, and that, for a woman, twilight is better than the full glare of day. Yes, you will long for the obscurity which weighed upon you. You will long for the house of your father, the engraver, on the Quai des Orfevres. You will dream of the sunsets which affected you, and of the monotonous but peaceful succession of your days. You, the deist, the female philosopher, will recall with regret the cloisters where in your adolescence you tasted the peace of the elect. In the time of your supreme trial Buzot's miniature will not console you; it is not his image you should cover with your {71} kisses. No; that miniature is not the viatic.u.m for eternity. What you will need is the crucifix, and you respect the crucifix no longer. And yet your imagination will evoke the mystic cloister, with its altars decked with flowers, its painted windows, its penetrating and ineffable poesy. And in thought, also, you will see the country once more, the harvest time, the month of the vintage, the poor who come to the door asking for bread and who go away with blessings on their lips and grat.i.tude in their hearts.

Why have you quitted these honest people? What have you come to do in the midst of these ferocious Jacobins, who flatter you to-day and will a.s.sa.s.sinate you to-morrow? Do you fancy that Marie Antoinette is the only woman who will be insulted, calumniated, and betrayed? Why do you seat at your hospitable table this livid-faced Robespierre, who to-day, perhaps, will address you a madrigal, and to-morrow send you to the scaffold? You will pay very dear for these false and artificial joys, these gusts of commonplace vanity, this pride of a parvenu, and the pleasure of presiding for a few evenings at the dinners given to the Minister of the Interior in Calonne's dining-room. The Legislative a.s.sembly, the Jacobin Club, the journals and the ministry, the souvenirs of Plutarch and the parodies of Jean-Jacques, the noisy crowd of flatterers who are the courtiers of demagogues as they would have been the courtiers of kings, these adulators who are going to change into executioners,--all are vanity! Poor {72} woman, whose power will be so ephemeral, why do you make yourself a persecutor? You will so soon be persecuted. Why labor so relentlessly to shake the foundations of a throne that will bury you beneath its ruins?