Myths and Legends of Ancient Greece and Rome Part 3

Surprised and grieved at this unlooked-for desertion, Zeus resolved to leave no means untried to win her back again. In this emergency he consulted Cithaeron, king of Platea, who was famed for his great wisdom and subtlety. Cithaeron advised him to dress up an image in bridal attire and place it in a chariot, announcing that this was Platea, his future wife.

The artifice succeeded. Hera, incensed at the idea of a rival, flew to meet the procession in great anger, and seizing the supposed bride, she furiously attacked her and dragged off her nuptial attire. Her delight on discovering the deception was so great that a {41} reconciliation took place, and, committing the image to the flames, with joyful laughter she seated herself in its place and returned to Olympus.

Hera was the mother of Ares (Mars), Hephaestus, Hebe, and Eileithyia. Ares was the G.o.d of War; Hephaestus, of Fire; Hebe, of Youth; and Eileithyia presided over the birth of mortals.

Hera dearly loved Greece, and indeed always watched over and protected Greek interests, her beloved and favourite cities being Argos, Samos, Sparta, and Mycenae.

[Ill.u.s.tration]

Her princ.i.p.al temples were at Argos and Samos. From a remote period she was greatly venerated at Olympia, and her temple there, which stood in the Altis or sacred grove, was five hundred years older than that of Zeus on the same spot. Some interesting excavations which are now going on there have brought to light the remains of the ancient edifice, which contains among other treasures of antiquity several beautiful statues, the work of the famous sculptors of ancient Greece. At first this temple was built of wood, then of stone, and the one lately discovered was formed of conglomerate of sh.e.l.ls.

In the Altis races were run by young maidens in honour of Hera, and the fleetest of foot received in token of her victory an olive-wreath and a piece of the flesh of the sacrifices. These races, like the Olympic Games, were celebrated at intervals of four years, and were called Herae. A beautiful robe, woven by sixteen women chosen from the sixteen cities of Elis, was always offered to Hera on these {42} occasions, and choral songs and sacred dances formed part of the ceremonies.

Hera is usually represented seated on a throne, holding a pomegranate in one hand and a sceptre surmounted by a cuckoo in the other. She appears as a calm, dignified matron of majestic beauty, robed in a tunic and mantle, her forehead is broad and intellectual, her eyes large and fully opened, and her arms dazzlingly white and finely moulded.

The finest statue of this divinity was that by Polycletus at Argos.

Her attributes are the diadem, veil, sceptre, and peac.o.c.k.

The first day of every month a ewe-lamb and sow were sacrificed to Hera.

The hawk, goose, and more particularly the peac.o.c.k[17] were sacred to her.

Flocks of these beautiful birds generally surround her throne and draw her chariot, Iris, the Rainbow, being seated behind her.

Her favourite flowers were the dittany, poppy, and lily.

JUNO.

Juno, the Roman divinity supposed to be identical with the Greek Hera, differed from her in the most salient points, for whereas Hera invariably appears as the haughty, unbending queen of heaven, Juno, on the other hand, is revered and beloved as the type of a matron and housewife. She was wors.h.i.+pped in Rome under various t.i.tles, most of which point to her vocation as the protectress of married women. Juno was believed to watch over and guard the life of every woman from her birth to her death. The princ.i.p.al temples dedicated to her were in Rome, one being erected on the Aventine, and the other on the Capitoline Hill. She had also a temple on the Arx, in which she was wors.h.i.+pped as Juno Moneta, or the {43} warning G.o.ddess. Adjacent to this shrine was the public mint.[18] On the 1st of March a grand annual festival, called the Matronalia, was celebrated in her honour by all the married women of Rome, and this religious inst.i.tution was accompanied with much solemnity.[19]

PALLAS-ATHENE (MINERVA).

Pallas-Athene, G.o.ddess of Wisdom and Armed Resistance, was a purely Greek divinity; that is to say, no other nation possessed a corresponding conception. She was supposed, as already related, to have issued from the head of Zeus himself, clad in armour from head to foot. The miraculous advent of this maiden G.o.ddess is beautifully described by Homer in one of his hymns: snow-capped Olympus shook to its foundation; the glad earth re-echoed her martial shout; the billowy sea became agitated; and Helios, the sun-G.o.d, arrested his fiery steeds in their headlong course to welcome this wonderful emanation from the G.o.dhead. Athene was at once admitted into the a.s.sembly of the G.o.ds, and henceforth took her place as the most faithful and sagacious of all her father's counsellors. This brave, dauntless maiden, so exactly the essence of all that is n.o.ble in the character of "the father of G.o.ds and men," remained throughout chaste in word and deed, and kind at heart, without exhibiting any of those failings which somewhat mar the n.o.bler features in the character of Zeus. This direct emanation from his own self, justly his favourite child, his better and purer counterpart, received from him several important prerogatives.

She was permitted to hurl the thunderbolts, to prolong the life of man, and to bestow the gift of prophecy; in fact Athene was the only divinity whose authority was equal to that of Zeus himself, and when he had ceased to visit the earth in person {44} she was empowered by him to act as his deputy. It was her especial duty to protect the state and all peaceful a.s.sociations of mankind, which she possessed the power of defending when occasion required. She encouraged the maintenance of law and order, and defended the right on all occasions, for which reason, in the Trojan war she espouses the cause of the Greeks and exerts all her influence on their behalf. The Areopagus, a court of justice where religious causes and murders were tried, was believed to have been inst.i.tuted by her, and when both sides happened to have an equal number of votes she gave the casting-vote in favour of the accused. She was the patroness of learning, science, and art, more particularly where these contributed directly towards the welfare of nations. She presided over all inventions connected with agriculture, invented the plough, and taught mankind how to use oxen for farming purposes. She also instructed mankind in the use of numbers, trumpets, chariots, &c., and presided over the building of the Argo,[20]

thereby encouraging the useful art of navigation. She also taught the Greeks how to build the wooden horse by means of which the destruction of Troy was effected.

The safety of cities depended on her care, for which reason her temples were generally built on the citadels, and she was supposed to watch over the defence of the walls, fortifications, harbours, &c. A divinity who so faithfully guarded the best interests of the state, by not only protecting it from the attacks of enemies, but also by developing its chief resources of wealth and prosperity, was worthily chosen as the presiding deity of the state, and in this character as an essentially political G.o.ddess she was called Athene-Polias.

The fact of Athene having been born clad in armour, which merely signified that her virtue and purity were una.s.sailable, has given rise to the erroneous supposition that she was the presiding G.o.ddess of war; but a deeper {45} study of her character in all its bearings proves that, in contradistinction to her brother Ares, the G.o.d of war, who loved strife for its own sake, she only takes up arms to protect the innocent and deserving against tyrannical oppression. It is true that in the Iliad we frequently see her on the battlefield fighting valiantly, and protecting her favourite heroes; but this is always at the command of Zeus, who even supplies her with arms for the purpose, as it is supposed that she possessed none of her own. A marked feature in the representations of this deity is the aegis, that wonderful s.h.i.+eld given to her by her father as a further means of defence, which, when in danger, she swung so swiftly round and round that it kept at a distance all antagonistic influences; hence her name Pallas, from _pallo_, I swing. In the centre of this s.h.i.+eld, which was covered with dragon's scales, bordered with serpents, and which she sometimes wore as a breastplate, was the awe-inspiring head of the Medusa, which had the effect of turning to stone all beholders.

In addition to the many functions which she exercised in connection with the state, Athene presided over the two chief departments of feminine industry, spinning and weaving. In the latter art she herself displayed unrivalled ability and exquisite taste. She wove her own robe and that of Hera, which last she is said to have embroidered very richly; she also gave Jason a cloak wrought by herself, when he set forth in quest of the Golden Fleece. Being on one occasion challenged to a contest in this accomplishment by a mortal maiden named Arachne, whom she had instructed in the art of weaving, she accepted the challenge and was completely vanquished by her pupil. Angry at her defeat, she struck the unfortunate maiden on the forehead with the shuttle which she held in her hand; and Arachne, being of a sensitive nature, was so hurt by this indignity that she hung herself in despair, and was changed by Athene into a spider. This G.o.ddess is said to have invented the flute,[21] upon {46} which she played with considerable talent, until one day, being laughed at by the a.s.sembled G.o.ds and G.o.ddesses for the contortions which her countenance a.s.sumed during these musical efforts, she hastily ran to a fountain in order to convince herself whether she deserved their ridicule. Finding to her intense disgust that such was indeed the fact, she threw the flute away, and never raised it to her lips again.

[Ill.u.s.tration]

Athene is usually represented fully draped; she has a serious and thoughtful aspect, as though replete with earnestness and wisdom; the beautiful oval contour of her countenance is adorned by the luxuriance of her wealth of hair, which is drawn back from the temples and hangs down in careless grace; she looks the embodiment of strength, grandeur, and majesty; whilst her broad shoulders and small hips give her a slightly masculine appearance.

When represented as the war-G.o.ddess she appears clad in armour, with a helmet on her head, from which waves a large plume; she carries the aegis on her arm, and in her hand a golden staff, which possessed the property of endowing her chosen favourites with youth and dignity.

Athene was universally wors.h.i.+pped throughout Greece, but was regarded with special veneration by the Athenians, she being the guardian deity of Athens. Her most celebrated temple was the Parthenon, which stood on the {47} Acropolis at Athens, and contained her world-renowned statue by Phidias, which ranks second only to that of Zeus by the same great artist.

This colossal statue was 39 feet high, and was composed of ivory and gold; its majestic beauty formed the chief attraction of the temple. It represented her standing erect, bearing her spear and s.h.i.+eld; in her hand she held an image of Nike, and at her feet there lay a serpent.

The tree sacred to her was the olive, which she herself produced in a contest with Poseidon. The olive-tree thus called into existence was preserved in the temple of Erectheus, on the Acropolis, and is said to have possessed such marvellous vitality, that when the Persians burned it after sacking the town it immediately burst forth into new shoots.

The princ.i.p.al festival held in honour of this divinity was the Panathenaea.

The owl, c.o.c.k, and serpent were the animals sacred to her, and her sacrifices were rams, bulls, and cows.

[Ill.u.s.tration]

MINERVA.

The Minerva of the Romans was identified with the Pallas-Athene of the Greeks. Like her she presides over learning and all useful arts, and is the patroness of the feminine accomplishments of sewing, spinning, weaving, &c.

Schools were under her especial care, and schoolboys, therefore, had holidays during her festivals (the Greater Quinquatria), when they always brought a gift to their master, called the Minerval.

It is worthy of notice that the only three divinities {48} wors.h.i.+pped in the Capitol were Jupiter, Juno, and Minerva, and in their joint honour the Ludi Maximi or great games were held.

THEMIS.

Themis, who has already been alluded to as the wife of Zeus, was the daughter of Cronus and Rhea, and personified those divine laws of justice and order by means of which the well-being and morality of communities are regulated. She presided over the a.s.semblies of the people and the laws of hospitality. To her was intrusted the office of convoking the a.s.sembly of the G.o.ds, and she was also mistress of ritual and ceremony. On account of her great wisdom Zeus himself frequently sought her counsel and acted upon her advice. Themis was a prophetic divinity, and had an oracle near the river Cephissus in Boeotia.

She is usually represented as being in the full maturity of womanhood, of fair aspect, and wearing a flowing garment, which drapes her n.o.ble, majestic form; in her right hand she holds the sword of justice, and in her left the scales, which indicate the impartiality with which every cause is carefully weighed by her, her eyes being bandaged so that the personality of the individual should carry no weight with respect to the verdict.

This divinity is sometimes identified with Tyche, sometimes with Ananke.

Themis, like so many other Greek divinities, takes the place of a more ancient deity of the same name who was a daughter of Ura.n.u.s and Gaea. This elder Themis inherited from her mother the gift of prophecy, and when she became merged into her younger representative she transmitted to her this prophetic power.

HESTIA (Vesta).

Hestia was the daughter of Cronus and Rhea. She was the G.o.ddess of Fire in its first application to the wants of mankind, hence she was essentially the presiding deity {49} of the domestic hearth and the guardian spirit of man, and it was her pure and benign influence which was supposed to protect the sanct.i.ty of domestic life.

Now in these early ages the hearth was regarded as the most important and most sacred portion of the dwelling, probably because the protection of the fire was an important consideration, for if once permitted to become extinct, re-ignition was attended with extreme difficulty. In fact, the hearth was held so sacred that it const.i.tuted the sanctum of the family, for which reason it was always erected in the centre of every house. It was a few feet in height and was built of stone; the fire was placed on the top of it, and served the double purpose of preparing the daily meals, and consuming the family sacrifices. Round this domestic hearth or altar were gathered the various members of the family, the head of the house occupying the place of honour nearest the hearth. Here prayers were said and sacrifices offered, and here also every kind and loving feeling was fostered, which even extended to the hunted and guilty stranger, who, if he once succeeded in touching this sacred altar, was safe from pursuit and punishment, and was henceforth placed under the protection of the family.

Any crime committed within the sacred precincts of the domestic hearth was invariably visited by death.

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In Grecian cities there was a common hall, called the Prytaneum, in which the members of the government had their meals at the expense of the state, and here too was the Hestia, or public hearth, with its fire, by means of which those meals were prepared. It was customary for emigrants to take with them a portion of this sacred fire, which they jealously guarded and brought with them to their new home, where it served as a connecting link between the young Greek colony and the mother country. Hestia is generally represented standing, and in accordance with the dignity and sanct.i.ty of her character, always appears fully draped. Her countenance is distinguished by a serene gravity of expression. {50}

VESTA.

Vesta occupies a distinguished place among the earlier divinities of the Romans. Her temple in Rome, containing as it were the hearthstone of the nation, stood close beside the palace of Numa Pompilius.

On her altar burned the never-ceasing fire, which was tended by her priestesses, the Vestal Virgins.[22]

The temple of Vesta was circular in form, and contained that sacred and highly prized treasure the Palladium of Troy.[23]

The great festival in honour of Vesta, called the Vestalia, was celebrated on the 9th of June.

DEMETER (Ceres).

Demeter (from _Ge-meter_, earth-mother) was the daughter of Cronus and Rhea.[24] She represented that portion of Gaea (the whole solid earth) which we call the earth's crust, and which produces all vegetation. As G.o.ddess of agriculture, field-fruits, plenty, and productiveness, she was the sustainer of material life, and was therefore a divinity of great importance. When ancient Gaea lost, with Ura.n.u.s, her position as a ruling divinity, she abdicated her sway in favour of her daughter Rhea, who henceforth inherited the powers which her mother had previously possessed, receiving in her place the honour and wors.h.i.+p of mankind. In a very old poem Gaea is accordingly described as retiring to a cavern in the bowels {51} of the earth, where she sits in the lap of her daughter, slumbering, moaning, and nodding for ever and ever.