Myths and Legends of Ancient Greece and Rome Part 8

Ocea.n.u.s was the son of Ura.n.u.s and Gaea. He was the personification of the ever-flowing stream, which, according to the primitive notions of the early Greeks, encircled the world, and from which sprang all the rivers and streams that watered the earth. He was married to Tethys, one of the t.i.tans, and was the father of a {108} numerous progeny called the Oceanides, who are said to have been three thousand in number. He alone, of all the t.i.tans, refrained from taking part against Zeus in the t.i.tanomachia, and was, on that account, the only one of the primeval divinities permitted to retain his dominion under the new dynasty.

NEREUS.

Nereus appears to have been the personification of the sea in its calm and placid moods, and was, after Poseidon, the most important of the sea-deities. He is represented as a kind and benevolent old man, possessing the gift of prophecy, and presiding more particularly over the aegean Sea, of which he was considered to be the protecting spirit. There he dwelt with his wife Doris and their fifty blooming daughters, the Nereides, beneath the waves in a beautiful grotto-palace, and was ever ready to a.s.sist distressed mariners in the hour of danger.

PROTEUS.

Proteus, more familiarly known as "The Old Man of the Sea," was a son of Poseidon, and gifted with prophetic power. But he had an invincible objection to being consulted in his capacity as seer, and those who wished him to foretell events, watched for the hour of noon, when he was in the habit of coming up to the island of Pharos,[42] with Poseidon's flock of seals, which he tended at the bottom of the sea. Surrounded by these creatures of the deep, he used to slumber beneath the grateful shade of the rocks. This was the favourable moment to seize the prophet, who, in order to avoid importunities, would change himself into an infinite variety of forms. But patience gained the day; for if he were only held long enough, he became wearied at last, and, resuming his true form, gave the information desired, after which he dived down again to the bottom of the sea, accompanied by the animals he tended.

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TRITON and the TRITONS.

Triton was the only son of Poseidon and Amphitrite, but he possessed little influence, being altogether a minor divinity. He is usually represented as preceding his father and acting as his trumpeter, using a conch-sh.e.l.l for this purpose. He lived with his parents in their beautiful golden palace beneath the sea at aegea, and his favourite pastime was to ride over the billows on horses or sea-monsters. Triton is always represented as half man, half fish, the body below the waist terminating in the tail of a dolphin. We frequently find mention of Tritons who are either the offspring or kindred of Triton.

GLAUCUS.

Glaucus is said to have become a sea-divinity in the following manner.

While angling one day, he observed that the fish he caught and threw on the bank, at once nibbled at the gra.s.s and then leaped back into the water. His curiosity was naturally excited, and he proceeded to gratify it by taking up a few blades and tasting them. No sooner was this done than, obeying an irresistible impulse, he precipitated himself into the deep, and became a sea-G.o.d.

Like most sea-divinities he was gifted with prophetic power, and each year visited all the islands and coasts with a train of marine monsters, foretelling all kinds of evil. Hence fishermen dreaded his approach, and endeavoured, by prayer and fasting, to avert the misfortunes which he prophesied. He is often represented floating on the billows, his body covered with mussels, sea-weed, and sh.e.l.ls, wearing a full beard and long flowing hair, and bitterly bewailing his immortality.

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THETIS.

The silver-footed, fair-haired Thetis, who plays an important part in the mythology of Greece, was the daughter of Nereus, or, as some a.s.sert, of Poseidon. Her grace and beauty were so remarkable that Zeus and Poseidon both sought an alliance with her; but, as it had been foretold that a son of hers would gain supremacy over his father, they relinquished their intentions, and she became the wife of Peleus, son of aeacus. Like Proteus, Thetis possessed the power of transforming herself into a variety of different shapes, and when wooed by Peleus she exerted this power in order to elude him. But, knowing that persistence would eventually succeed, he held her fast until she a.s.sumed her true form. Their nuptials were celebrated with the utmost pomp and magnificence, and were honoured by the presence of all the G.o.ds and G.o.ddesses, with the exception of Eris. How the G.o.ddess of discord resented her exclusion from the marriage festivities has already been shown.

Thetis ever retained great influence over the mighty lord of heaven, which, as we shall see hereafter, she used in favour of her renowned son, Achilles, in the Trojan War.

When Halcyone plunged into the sea in despair after the s.h.i.+pwreck and death of her husband King Ceyx, Thetis transformed both husband and wife into the birds called kingfishers (halcyones), which, with the tender affection which characterized the unfortunate couple, always fly in pairs. The idea of the ancients was that these birds brought forth their young in nests, which float on the surface of the sea in calm weather, before and after the shortest day, when Thetis was said to keep the waters smooth and tranquil for their especial benefit; hence the term "halcyon-days," which signifies a period of rest and untroubled felicity.

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THAUMAS, PHORCYS, and CETO.

The early Greeks, with their extraordinary power of personifying all and every attribute of Nature, gave a distinct personality to those mighty wonders of the deep, which, in all ages, have afforded matter of speculation to educated and uneducated alike. Among these personifications we find Thaumas, Phorcys, and their sister Ceto, who were the offspring of Pontus.

Thaumas (whose name signifies Wonder) typifies that peculiar, translucent condition of the surface of the sea when it reflects, mirror-like, various images, and appears to hold in its transparent embrace the flaming stars and illuminated cities, which are so frequently reflected on its gla.s.sy bosom.

Thaumas married the lovely Electra (whose name signifies the sparkling light produced by electricity), daughter of Ocea.n.u.s. Her amber-coloured hair was of such rare beauty that none of her fair-haired sisters could compare with her, and when she wept, her tears, being too precious to be lost, formed drops of s.h.i.+ning amber.

Phorcys and Ceto personified more especially the hidden perils and terrors of the ocean. They were the parents of the Gorgons, the Graea, and the Dragon which guarded the golden apples of the Hesperides.

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LEUCOTHEA.

Leucothea was originally a mortal named Ino, daughter of Cadmus, king of Thebes. She married Athamas, king of Orchomenus, who, incensed at her unnatural conduct to her step-children,[43] pursued her and her son to the sea-sh.o.r.e, when, seeing no hope of escape, she flung herself with her child into the deep. They were kindly received by the Nereides, and became sea-divinities under the name of Leucothea and Palaemon.

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THE SIRENS.

The Sirens would appear to have been personifications of those numerous rocks and unseen dangers, which abound on the S.W. coast of Italy. They were sea-nymphs, with the upper part of the body that of a maiden and the lower that of a sea-bird, having wings attached to their shoulders, and were endowed with such wonderful voices, that their sweet songs are said to have lured mariners to destruction.

ARES (MARS).

Ares, the son of Zeus and Hera, was the G.o.d of war, who gloried in strife for its own sake; he loved the tumult and havoc of the battlefield, and delighted in slaughter and extermination; in fact he presents no benevolent aspect which could possibly react favourably upon human life.

Epic poets, in particular, represent the G.o.d of battles as a wild ungovernable warrior, who pa.s.ses through the armies like a whirlwind, hurling to the ground the brave and cowardly alike; destroying chariots and helmets, and triumphing over the terrible desolation which he produces.

In all the myths concerning Ares, his sister Athene ever appears in opposition to him, endeavouring by every means in her power to defeat his bloodthirsty designs. Thus she a.s.sists the divine hero Diomedes at the siege of Troy, to overcome Ares in battle, and so well does he profit by her timely aid, that he succeeds in wounding the sanguinary war-G.o.d, who makes his exit from the field, roaring like ten thousand bulls.

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Ares appears to have been an object of aversion to all the G.o.ds of Olympus, Aphrodite alone excepted. As the son of Hera, he had inherited from his mother the strongest feelings of independence and contradiction, and as he took delight in upsetting that peaceful course of state-life which it was pre-eminently the care of Zeus to establish, he was naturally disliked and even hated by him.

When wounded by Diomedes, as above related, he complains to his father, but receives no sympathy from the otherwise kindly and beneficent ruler of Olympus, who thus angrily addresses him: "Do not trouble me with thy complaints, thou who art of all the G.o.ds of Olympus most hateful to me, for thou delightest in nought save war and strife. The very spirit of thy mother lives in thee, and wert thou not my son, long ago wouldst thou have lain deeper down in the bowels of the earth than the son of Ura.n.u.s."

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Ares, upon one occasion, incurred the anger of Poseidon by slaying his son Halirrhothios, who had insulted Alcippe, the daughter of the war-G.o.d. For this deed, Poseidon summoned Ares to appear before the tribunal of the Olympic G.o.ds, which was held upon a hill in Athens. Ares was acquitted, and this event is supposed to have given rise to the name Areopagus (or Hill of Ares), which afterwards became so famous as a court of justice. In the Gigantomachia, Ares was defeated by the Aloidae, the two giant-sons of Poseidon, who put him in chains, and kept him in prison for thirteen months.

Ares is represented as a man of youthful appearance; his tall muscular form combines great strength with wonderful agility. In his right hand he bears a sword or a mighty lance, while on the left arm he carries his round s.h.i.+eld (see next page). His demoniacal surroundings are Terror and Fear;[44] Enyo, the G.o.ddess of the war-cry; Keidomos, the demon of the noise of battles; and Eris (Contention), his twin-sister and companion, who always {114} precedes his chariot when he rushes to the fight, the latter being evidently a simile of the poets to express the fact that war follows contention.

Eris is represented as a woman of florid complexion, with dishevelled hair, and her whole appearance angry and menacing. In one hand she brandishes a poniard and a hissing adder, whilst in the other she carries a burning torch. Her dress is torn and disorderly, and her hair intertwined with venomous snakes. This divinity was never invoked by mortals, except when they desired her a.s.sistance for the accomplishment of evil purposes.

MARS.

The Roman divinity most closely resembling the Greek Ares, and identified with him, was called Mars, Mamers, and Marspiter or Father Mars.

The earliest Italian tribes, who were mostly engaged in the pursuit of husbandry, regarded this deity more especially as the G.o.d of spring, who vanquished the powers of winter, and encouraged the peaceful arts of agriculture. But with the Romans, who were an essentially warlike nation, Mars gradually loses his peaceful character, and, as G.o.d of war, attains, after Jupiter, the highest position among the Olympic G.o.ds. The Romans looked upon him as their special protector, and declared him to have been the father of Romulus and Remus, the founders of their city. But although he was especially {115} wors.h.i.+pped in Rome as G.o.d of war, he still continued to preside over agriculture, and was also the protecting deity who watched over the welfare of the state.

As the G.o.d who strode with warlike step to the battlefield, he was called Gradivus (from _gradus_, a step), it being popularly believed by the Romans that he himself marched before them to battle, and acted as their invisible protector. As the presiding deity over agriculture, he was styled Sylva.n.u.s, whilst in his character as guardian of the state, he bore the name of Quirinus.[45]

The priests of Mars were twelve in number, and were called Salii, or the dancers, from the fact that sacred dances, in full armour, formed an important item in their peculiar ceremonial. This religious order, the members of which were always chosen from the n.o.blest families in Rome, was first inst.i.tuted by Numa Pompilius, who intrusted to their special charge the Anciliae, or sacred s.h.i.+elds. It is said that one morning, when Numa was imploring the protection of Jupiter for the newly-founded city of Rome, the G.o.d of heaven, as though in answer to his prayer, sent down an oblong brazen s.h.i.+eld, and, as it fell at the feet of the king, a voice was heard announcing that on its preservation depended the future safety and prosperity of Rome. In order, therefore, to lessen the chances of this sacred treasure being abstracted, Numa caused eleven more to be made exactly like it, which were then given into the care of the Salii.

The a.s.sistance and protection of the G.o.d of war was always solemnly invoked before the departure of a Roman army for the field of battle, and any reverses of fortune were invariably ascribed to his anger, which was accordingly propitiated by means of extraordinary sin-offerings and prayers.

In Rome a field, called the Campus Martius, was dedicated to Mars. It was a large, open s.p.a.ce, in which armies were collected and reviewed, general a.s.semblies of {116} the people held, and the young n.o.bility trained to martial exercises.

The most celebrated and magnificent of the numerous temples built by the Romans in honour of this deity was the one erected by Augustus in the Forum, to commemorate the overthrow of the murderers of Caesar.

Of all existing statues of Mars the most renowned is that in the Villa Ludovisi at Rome, in which he is represented as a powerful, muscular man in the full vigour of youth. The att.i.tude is that of thoughtful repose, but the short, curly hair, dilated nostrils, and strongly marked features leave no doubt as to the force and turbulence of his character. At his feet, the sculptor has placed the little G.o.d of love, who looks up all undaunted at the mighty war-G.o.d, as though mischievously conscious that this unusually quiet mood is attributable to his influence.

Religious festivals in honour of Mars were generally held in the month of March; but he had also a festival on the Ides of October, when chariot-races took place, after which, the right-hand horse of the team which had drawn the victorious chariot, was sacrificed to him. In ancient times, human sacrifices, more especially prisoners of war, were offered to him; but, at a later period, this cruel practice was discontinued.