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'A certain yakkhini (demoness) named Chetiya, having the form and countenance of a mare, dwelt near the marsh of Tumbariungona. A certain person in the prince's (Pandukabhayo) retinue having seen this beautiful (creature), white with red legs, announced the circ.u.mstance to the prince. The prince set out with a rope to secure her. She seeing him approach from behind, losing her presence of mind from fear, under the influence of his imposing appearance, fled without (being able to exert the power she possessed of) rendering herself invisible. He gave chase to the fugitive. She, persevering in her flight, made the circuit of the marsh seven times. She made three more circuits of the marsh, and then plunged into the river at the Kachchhaka ferry. He did the same, and (in the river) seized her by the tail, and (at the same time grasped) the leaf of a palmira tree which the stream was carrying down. By his supernatural good fortune this (leaf) became an enormous sword. Exclaiming, 'I put thee to death!' he flourished the sword over her. 'Lord!' replied she to him, 'subduing this kingdom for thee, I will confer it on thee: spare me my life.' Seizing her by the throat, and with the point of the sword boring her nostril, he secured her with his rope: she (instantly) became tractable. Conducting her to the Dhumarakkho mountain, he obtained a great accession of warlike power by making her his battle-steed.' [193] The wonderful victories won by the prince, aided by this magical mare, are related, and the tale ends with his setting up 'within the royal palace itself the mare-faced yakkhini,'
and providing for her annually 'demon offerings.'
Equally ambiguous with the Horse in this zoologic diablerie is the Stag. In the Heraklean legends we find that hero's son, Telephon, nursed by a hind in the woods; and on the other hand, his third 'labour' was the capture of Artemis' gold-antlered stag, which brought on him her wrath (it being 'her majesty's favourite stag'). We have again the story of Actaeon pursuing the stag too far and suffering the fate he had prepared for it; and a reminiscence of it in the 'Pentamerone,' when the demon Huoreo allures Canneloro into the wood by taking the form of a beautiful hind. These complex legends are reflected in Northern folklore also. Count Otto I. of Altmark, while out hunting, slept under an oak and dreamed that he was furiously attacked by a stag, which disappeared when he called on the name of G.o.d. The Count built a monastery, which still stands, with the oak's stump built into its altar. On the other hand, beside the altar of a neighbouring church hang two large horns of a stag said to have brought a lost child home on its back. Thus in the old town of Steindal meet these contrary characters of the mystical stag, of which it is not difficult to see that the evil one results from its misfortune in being at once the huntsman's victim and scapegoat. [194]
In the legend of St. Hubert we have the sign of Christ--risen from his tomb among the rich Christians to share for a little the crucifixion of their first missionaries in the North--to the huntsmen of Europe. Hubert pursues the stag till it turns to face him, and behold, between its antlers, the cross! It is a fable conceived in the spirit of him who said to fishermen, 'Come with me and I will make you fishers of men.' The effect was much the same in both cases. Hubert kneels before the stag, and becomes a saint, as the fishermen left their nets and became apostles. But, as the proverb says, when the saint's day is over, farewell the saint. The fishermen's successors caught men with iron hooks in their jaws; the successors of Hubert hunted men and women so l.u.s.tily that they never paused long enough to see whether there might not be a cross on their forehead also.
It was something, however, that the cross which Constantine could only see in the sky could be seen by any eye on the forehead of a harmless animal; and this not only because it marked the rising in christian hearts of pity for the animals, but because what was done to the flying stag was done to the peasant who could not fly, and more terribly. The vision of Hubert came straight from the pagan heart of Western and Northern Europe. In the Bible, from Genesis to Apocalypse, no word is found clearly inculcating any duty to the animals. So little, indeed, could the christians interpret the beautiful tales of folklore concerning kindly beasts, out of which came the legend of Hubert, that Hubert was made patron of huntsmen; and while, by a popular development, Wodan was degraded to a devil, the baptized sportsman rescued his chief occupation by ascribing its most das.h.i.+ng legends to St. Martin and their inspiration to the Archangel Michael.
It is now necessary to consider the light which the German heart cast across the dark shadows of Wodan. This is to be discovered in the myth of the White Lady. We have already seen, in the confessions of the witches of Elfdale, in Sweden, that when they were gathering before their formidable Devil, a certain White Spirit warned them back. The children said she tried to keep them from entering the Devil's Church at Blockula. This may not be worth much as a 'confession,' but it sufficiently reports the theories prevailing in the popular mind of Elfdale at that time. It is not doubtful now that this White Lady and that Devil she opposed were, in pre-christian time, Wodan and his wife Frigga. The humble people who had gladly given up the terrible huntsman and warrior to be degraded into a Devil, and with him the barbaric Nimrods who wors.h.i.+pped him, did not agree to a similar surrender of their dear household G.o.ddess, known to them as Frigga, Holda, Bertha, Mother Rose,--under all her epithets the Madonna of the North, interceding between them and the hard king of Valhalla, ages before they ever heard of a jealous Jehovah and a tender interceding Mary.
Dr. Wuttke has collected many variants of the myths of Frigga, some of which bear witness to the efforts of the Church to degrade her also into a fiend. She is seen was.h.i.+ng white clothes at fountains, milking cows, spinning flax with a distaff, or combing her flaxen hair. She was believed to be the divine ancestress of the human race; many of the oldest families claimed descent from her, and believed that this Ahnenfrau announced to them good fortune, or, by her wailing, any misfortune coming to their families. She brought evil only to those who spoke evil of her. If any one shoots at her the ball enters his own heart. She appears to poor wandering folk, especially children, and guides them to spots where they find heaps of gold covered with the flower called 'Forget-me-not'--because her gentle voice is heard requesting, as the only compensation, that the flowers shall be replaced when the gold is removed. The primroses are sacred to her, and often are the keys (thence called 'key-blossoms') which unlock her treasures. The smallest tribute she repays,--even a pebble consecrated to her. Every child ascending the Burgeiser Alp places a stone on a certain heap of such, with the words, 'Here I offer to the wild maidens.' These are Bertha's kindly fairies. (When Frederika Bremer was with a picnic on the Hudson heights, which Was.h.i.+ngton Irving had peopled with the Spirits he had brought from the Rhine, she preferred to pour out her champagne as a libation to the 'good spirits' of Germany and America.) The beautiful White Lady wears a golden chain, and glittering keys at her belt; she appears at mid-day or in strong moonlight. In regions where priestly influence is strong she is said to be half-black, half-white, and to appear sometimes as a serpent. She often helps the weary farmer to stack his corn, and sorely-tasked Cinderellas in their toil.
In pre-christian time this amiable G.o.ddess--called oftenest Bertha (s.h.i.+ning) and Mother Rose--was related to Wodan as the spring and summer to the storms of winter, in which the Wild Huntsman's procession no doubt originated. The Northman's experience of seed-time and harvest was expressed in the myth of this sweet Rose hidden through the winter's blight to rise again in summer. This myth has many familiar variants, such as Aschenputtel and Sleeping Beauty; but it was more particularly connected with the later legends of the White Lady, as victim of the Wild Huntsman, by the stories of transformed princesses delivered by youths. Rescue of the enchanted princess is usually effected by three kisses, but she is compelled to appear before the deliverer in some hideous aspect--as toad or serpent; so that he is repelled or loses courage. This is the rose hid under the ugliness of winter.
When the storm-G.o.d Wodan was banished from nature altogether and identified with the imported, and naturally inconceivable, Satan, he was no more regarded as Frigga's rough lord, but as her remorseless foe. She was popularly revered as St. Walpurga, the original May Queen, and it was believed that happy and industrious children might sometimes see her on May-day with long flowing flaxen hair, fine shoes, distaff in hand, and a golden crown on her head. But for the nine nights after May-day she was relentlessly pursued by the Wild Huntsman and his mounted train. There is a picture by G. Watts of the hunted lady of Bocaccio's tale, now in the Cosmopolitan Club of London, which vividly reproduces the weird impressiveness of this myth. The White Lady tries to hide from her pursuer in standing corn, or gets herself bound up in a sheaf. The Wild Huntsman's wrath extends to all her retinue,--moss maidens of the wood, or Holtzweibeln. The same belief characterises Waldemar's hunt. It is a common legend in Denmark that King Volmer rode up to some peasants, busy at harvest on Sobjerg Hill, and, in reply to his question whether they had seen any game, one of the men said--'Something rustled just now in yonder standing corn.' The King rushed off, and presently a shot was heard. The King reappeared with a mermaid lying across his horse, and said as he pa.s.sed, 'I have chased her a hundred years, and have her at last.' He then rode into the hill. In this way Frigga and her little people, hunted with the wild creatures, awakened sympathy for them.
The holy friar. Eckhardt (who may be taken as a myth and type of the Church ad hoc) gained his legendary fame by being supposed to go in advance of the Wild Huntsman and warn villagers of his approach; but as time went on and a compromise was effected between the hunting Barons and the Church, on the basis that the sports and cruelties should be paid for with indulgence-fees, Eckhardt had to turn his attention rather to the White Lady. She was declared a Wild Huntress, but the epithet slipped to other shoulders. The priests identified her ultimately with Freija, or Frau Venus; and Eckhardt was the holy hermit who warned young men against her sorceries in Venusberg and elsewhere. But Eckhardt never prevailed against the popular love of Mother Rose as he had against her pursuer; he only increased the attractions of 'Frau Venus' beyond her deserts. In the end it was as much as the Church could do to secure for Mary the mantle of her elder sister's sanct.i.ty. Even then the earlier faith was not eradicated. After the altars of Mary had fallen, Frigga had vitality enough to hold her own as the White Witch who broke the Dark One's spells. It was chiefly this helpful Mother-G.o.ddess to whom the wretched were appealing when they were burnt for witchcraft.
At Urselberg, Wurtemberg, there is a deep hole called the 'Nightmaidens' Retreat,' in which are piled the innumerable stones that have been cast therein by persons desiring good luck on journeys. These stones correspond to the bones of the 11,000 Virgins in St. Ursula's Church at Cologne. The White Lady was sainted under her name of Ursel (the glowing one), otherwise Horsel. Horselberg, near Eisenach, became her haunt as Venus, the temptress of Tannhausers; Urselberg became her retreat as the good fairy mother; but the attractions of herself and her moss-maidens, which the Church wished to borrow, were taken on a long voyage to Rome, and there trans.m.u.ted to St. Ursula and her 11,000 Virgins. These Saints of Cologne encountered their ancient mythical pursuers--the Wild Huntsman's train--in those barbarian Huns who are said to have slaughtered them all because they would not break their vows of chast.i.ty. The legend is but a variant of Wodan's hunt after the White Lady and her maidens. When it is remembered that before her transformation by Christianity Ursula was the Huntsman's own wife, Frigga, a quaint incident appears in the last meeting between the two. After Wodan had been transformed to the Devil, he is said to have made out the architectural plan for Cologne Cathedral, and offered it to the architect in return for a bond for his soul; but, having weakly allowed him to get possession of the doc.u.ment before the bond was signed, the architect drew from under his gown a bone of St. Ursula, from which the Devil fled in great terror. It was bone of his bone; but after so many mythological vicissitudes Wodan and his Horsel could hardly be expected to recognise each other at this chance meeting in Cologne.
CHAPTER XXVII.
LE BON DIABLE.
The Devil repainted--Satan a divine agent--St. Orain's heresy--Primitive universalism--Father Sinistrari--Salvation of demons--Mediaeval sects--Aquinas--His prayer for Satan--Popular antipathies--The Devil's grat.i.tude--Devil defending innocence--Devil against idle lords--The wicked ale-wife--Pious offenders punished--Anachronistic Devils--Devils turn to poems--Devil's good advice--Devil sticks to his word--His love of justice--Charlemagne and the Serpent--Merlin--His prison of Air--Mephistopheles in Heaven.
The phrase which heads this chapter is a favourite one in France. It may have had a euphemistic origin, for the giants dreaded by primitive Europeans were too formidable to be lightly spoken of. But within most of the period concerning which we have definite knowledge such phrases would more generally have expressed the half-contemptuous pity with which these huge beings with weak intellects were regarded. The Devil imported with Christianity was made over, as we have seen, into the image of the Dummeteufel, or stupid good-natured giant, and he is represented in many legends which show him giving his gifts and services for payments of which he is constantly cheated. Le Bon Diable in France is somewhat of this character, and is often taken as the sign of tradesmen who wish to represent themselves as lavis.h.i.+ng their goods recklessly for inadequate compensation. But the large accession of demons and devils from the East through Jewish and Moslem channels, of a character far from stupid, gave a new sense to that phrase and corresponding ones. There is no doubt that a very distinct reaction in favour of the Devil arose in Europe, and one expressive of very interesting facts and forces. The pleasant names given him by the ma.s.ses would alone indicate this,--Monsieur De Scelestat, Lord Voland, Blumlin (floweret), Federspiel (gay-plumed), Maitre Bernard, Maitre Parsin (Parisian).
The Devil is not so black as he's painted. This proverb concerning the long-outlawed Evil One has a respectable antiquity, and the feeling underlying it has by no means been limited to the vulgar. Even the devout George Herbert wrote--
We paint the Devil black, yet he Hath some good in him all agree.
Robert Burns naively appeals to Old Nick's better nature--
But fare ye weel, auld Nickie-ben!
O wad ye tak a thought an' men'!
Ye aiblins might--I dinna ken-- Still ha'e a stake; I'm wae to think upon yon den, E'en for your sake!
It is hard to destroy the natural sentiments of the human heart. However much they may be overlaid by the transient exigencies of a creed, their indestructible nature is pretty certain to reveal itself. The most orthodox supporters of divine cruelty in their own theology will cry out against it in another. The saint who is quite satisfied that the everlasting torture of Satan or Judas is justice, will look upon the doom of Prometheus as a sign of heathen heartlessness; and the burning of one widow for a few moments on her husband's pyre will stimulate merciful missionary ardour among millions of christians whose creed pa.s.ses the same poor victim to endless torture, and half the human race with her.
It is doubtful whether the general theological conception of the functions of Satan is consistent with the belief that he is in a state of suffering. As an agent of divine punishment he is a part of the divine government; and it is even probable that had it not been for the necessity of keeping up his office, theology itself would have found some means of releasing him and his subordinates from h.e.l.l, and ultimately of restoring them to heaven and virtue. [195]
It is a legend of the island Iona that when St. Columba attempted to build a church there, the Devil--i.e., the same Druid magicians who tried to prevent his landing there by tempests--threw down the stones as often as they were piled up. An oracle declared that the church could arise only after some holy man had been buried alive at the spot, and the saint's friend Orain offered himself for the purpose. After Orain had been buried, and the wall was rising securely, St. Columba was seized with a strong desire to look upon the face of his poor friend once more. The wall was pulled down, the body dug up; but instead of Orain being found dead, he sat up and told the a.s.sembled christians around him that he had been to the other world, and discovered that they were in error about various things,--especially about h.e.l.l, which really did not exist at all. Outraged by this heresy the christians immediately covered up Orain again in good earnest.
The resurrection of this primitive universalist of the seventh century, and his burial again, may be regarded as typifying a dream of the ultimate restoration of the universe to the divine sway which has often given signs of life through christian history, though many times buried. The germ of it is even in Paul's hope that at last 'G.o.d may be all in all' (1 Cor. xv. 28). In Luke x. 17, also, it was related that the seventy whom Jesus had sent out among the idol-wors.h.i.+pping Gentiles 'returned again with joy, saying, Lord, even the devils are subject unto us through thy name.' These ideas are recalled in various legends, such as that elsewhere related of the Satyr who came to St. Anthony to ask his prayers for the salvation of his demonic tribe. On the strength of Anthony's courteous treatment of that Satyr, the famous Consulteur of the Inquisition, Father Sinistrari (seventeenth century), rested much of his argument that demons were included in the atonement wrought by Christ and might attain final beat.i.tude. The Father affirmed that this was implied in Christ's words, 'Other sheep I have which are not of this flock: them also I must bring, and they shall hear my voice; and there shall be one fold and one shepherd' [196] (John x. 16). That these words were generally supposed to refer to the inclusion of the Gentile world was not accepted by Sinistrari as impairing his argument, but the contrary. He maintained with great ingenuity that the salvation of the Gentiles logically includes the salvation of their inspiring demons, and that there would not be one fold if these aerial beings, whose existence all authorities attested, were excluded. He even intimates, though more timidly, that their father, Satan himself, as a partic.i.p.ator in the sin of Adam and sharer of his curse, may be included in the general provision of the deity for the entire and absolute removal of the curse throughout nature.
Sinistrari's book was placed on the 'Index Expurgatorius' at Rome in 1709, 'donec corrigatur,' eight years after the author's death; it was republished, 'correctus,' 1753. But the fact that such sentiments had occupied many devout minds in the Church, and that they had reached the dignity of a consistent and scholarly statement in theology, was proved. The opinion grew out of deeper roots than New Testament phrases or the Anthony fables. The Church had been for ages engaged in the vast task of converting the Gentile world; in the course of that task it had succeeded only by successive surrenders of the impossible principles with which it had started. The Prince of this World had been baptized afresh with every European throne ascended by the Church. Asmodeus had triumphed in the sacramental inclusion of marriage; St. Francis d'a.s.sisi, preaching to the animals, represented innumerable pious myths which had been impossible under the old belief in a universal curse resting upon nature. The evolution of this tendency may be traced through the entire history of the Church in such sects as the Paulicians, Cathari, Bogomiles, and others, who, though they again and again formulated anew the principle of an eternal Dualism, as often revealed some further stage in the progressive advance of the christianised mind towards a normal relation with nature. Thus the Cathari maintained that only those beings who were created by the evil principle would remain unrecovered; those who were created by G.o.d, but seduced by the Adversary, would be saved after sufficient expiation. The fallen angels, they believed, were pa.s.sing through earthly, in some cases animal, bodies to the true Church and to heaven. Such views as these were not those of the learned, but of the dissenting sects, and they prepared ignorant minds in many countries for that revival of confidence in their banished deities which made the cult of Witchcraft.
St. Thomas Aquinas, the 'Angelical Doctor,' in his famous work 'Summa Theologiae,' maintains that in the Resurrection the bodies of the redeemed will rise with all their senses and organs, including those of s.e.x, active and refined. The authentic affirmation of that doctrine in the thirteenth century was of a significance far beyond the comprehension of the Church. Aquinas confused the lines between flesh and spirit, especially by admitting s.e.x into heaven. The Devil could not be far behind. The true interpretation of his doctrine is to be found in the legend that Aquinas pa.s.sed a night in prayer for the salvation and restoration of the Devil. This legend is the subject of a modern poem so fraught with the spirit of the mediaeval heart, pining in its dogmatic prison, that I cannot forbear quoting it here:--
All day Aquinas sat alone; Compressed he sat and spoke no word, As still as any man of stone, In streets where never voice is heard; With ma.s.sive front and air antique He sat, did neither move or speak, For thought like his seemed words too weak.
The shadows brown about him lay; From sunrise till the sun went out, Had sat alone that man of grey, That marble man, hard crampt by doubt; Some kingly problem had he found, Some new belief not wholly sound, Some hope that overleapt all bound.
All day Aquinas sat alone, No answer to his question came, And now he rose with hollow groan, And eyes that seemed half love, half flame.
On the bare floor he flung him down, Pale marble face, half smile, half frown, Brown shadow else, mid shadows brown.
'O G.o.d,' he said, 'it cannot be, Thy Morning-star, with endless moan, Should lift his fading orbs to thee, And thou be happy on thy throne.
It were not kind, nay, Father, nay, It were not just, O G.o.d, I say, Pray for thy Lost One, Jesus, pray!
'How can thy kingdom ever come, While the fair angels howl below?
All holy voices would be dumb, All loving eyes would fill with woe, To think the lordliest Peer of Heaven, The starry leader of the Seven, Would never, never, be forgiven.
'Pray for thy Lost One, Jesus, pray!
O Word that made thine angel speak!
Lord! let thy pitying tears have way; Dear G.o.d! not man alone is weak.
What is created still must fall, And fairest still we frailest call; Will not Christ's blood avail for all?
'Pray for thy Lost One, Jesus, pray!
O Father! think upon thy child; Turn from thy own bright world away, And look upon that dungeon wild.
O G.o.d! O Jesus! see how dark That den of woe! O Saviour! mark How angels weep, how groan! Hark, hark!
'He will not, will not do it more, Restore him to his throne again; Oh, open wide that dismal door Which presses on the souls in pain.
So men and angels all will say, 'Our G.o.d is good.' Oh, day by day, Pray for thy Lost One, Jesus, pray!'
All night Aquinas knelt alone, Alone with black and dreadful Night, Until before his pleading moan The darkness ebbed away in light.
Then rose the saint, and 'G.o.d,' said he, 'If darkness change to light with thee, The Devil may yet an angel be.' [197]
While this might be the feeling of devout philosophers whose minds were beginning to form a conception of a Cosmos in which the idea of a perpetual empire of Evil could find no place, the humble and oppressed ma.s.ses, as we have seen in the chapter on Witchcraft, were familiarising their minds with the powers and glories of a Satan in antagonism to the deities and saints of the Church. It was not a penitent devil supplicating for pardon whom they desired, but the veritable Prince of the World, to whom as well as to themselves their Christian oppressors were odious. They invested the Powers which the priests p.r.o.nounced infernal with those humanly just and genial qualities that had been discarded by ecclesiastical ambition. The legends which must be interpreted in this sense are very numerous, and a few of the most characteristic must suffice us here. The habit of attributing every mishap to the Devil was rebuked in many legends. One of these related that when a party were driving over a rough road the waggon broke down and one of the company exclaimed, 'This is a bit of the Devil's work!' A gentleman present said, 'It is a bit of corporation work. I don't believe in saddling the Devil with all the bad roads and bad axles.' Some time after, when this second speaker was riding over the same road alone, an old gentleman in black met him, and having thanked him for his defence of the Devil, presented him with a casket of splendid jewels. Very numerous are legends of the Devil's apparition to a.s.sist poor architects and mechanics unable to complete their contracts, even carving beautiful church pillars and the like for them, and this sometimes without receiving any recompense. The Devil's apparition in defence of accused innocence is a well-known feature of European folklore. On one occasion a soldier, having stopped at a certain inn, confided to the innkeeper some money he had for safe-keeping, and when he was about to leave the innkeeper denied having received the deposit. The soldier battered down the door, and the neighbours of the innkeeper, a prominent man in the town, put him in prison, where he lay in prospect of suffering death for an attempted burglary. The poor soldier, being a stranger without means, was unable to obtain counsel to defend him. When the parties appeared before the magistrate, a smart young lawyer, with blue hat and white feathers, unknown in the town, volunteered to defend the soldier, and related the whole story with such effect that the innkeeper in his excitement cried, 'Devil take me if I have the money!' Instantly the smart lawyer spread his wings, and, seizing the innkeeper, disappeared with him through the roof of the court-room. The innkeeper's wife, struck with horror, restored the money. In an Altmark version of this story the Devil visits the prisoner during the previous night and asks for his soul as fee, but the soldier refuses, saying he had rather die. Despite this the Devil intervened. It was an old-time custom in Denmark for courts to sit with an open window, in order that the Devil might more easily fly away with the perjurer.
Always a democrat, the Devil is said in many stories to have interfered in favour of the peasant or serf against the n.o.ble. On one occasion he relieved a certain district of all its arrogant and idle n.o.blemen by gathering them up in a sack and flying away with them; but unhappily, as he was pa.s.sing over the town of Friesack, his sack came in collision with the church steeple, and through the hole so torn a large number of n.o.ble lords fell into the town--which thence derived its name--and there they remained to be patrons of the steeple and burthens on the people.
The Devil was universally regarded as a Nemesis on all publicans and ale-wives who adulterated the beer they dealt out to the people, or gave short measures. At Reetz, in Altmark, the legend of an ale-wife with whom he flew away is connected with a stone on which they are said to have rested, and the villagers see thereon prints of the Devil's hoof and the woman's feet. This was a favourite theme of old English legends. The accompanying Figure (23), one of the misereres in Ludlow parish church, Shrops.h.i.+re, represents the end of a wicked ale-wife. A devil on one side reads the long list of her shortcomings, and on the other side h.e.l.l-mouth is receiving other sinners. A devil with bagpipe welcomes her arrival. She carries with her only her fraudulent measure and the fas.h.i.+onable head-dress paid for out of its wicked gains.
In a marionette performance which I witnessed at Tours, the accusations brought against the tradesmen who cheated the people were such as to make one wish that the services of some equally strict devil could be secured by the authorities of all cities, to detect adulterators and dealers in false weights and measures. The same retributive agency, in the popular interest, was ascribed to the Devil in his att.i.tude towards misers. There being no law which could reach men whose h.o.a.rded wealth brought no good to themselves or others, such were deemed proper cases for the interposition of the Devil. There is a significant contrast between the legends favoured by the Church and those of popular origin. The former, made prominent in frescoes, often show how, at the weighing of souls, the sinner is saved by a saint or angel, or by some instance of service to the Church being placed in the scale against the otherwise heavier record of evil deeds. A characteristic legend is that which is the subject of the frescoes in the portico of St. Lorenzo Church at Rome (thirteenth century). St. Lawrence sees four devils pa.s.sing his hermitage, and learns from them that they are going for the soul of Henry II. In the next scene, when the wicked Count is weighed, the scroll of his evil deeds far outweighs that of his good actions, until the Saint casts into the scale a chalice which the prince had once given to his church. For that one act Henry's soul ascends to paradise amid the mortification of the Devils. Though Charles Martel saved Europe from Saracen sway, he once utilised episcopal revenues for relief of the state; consequently a synod declares him d.a.m.ned, a saint sees him in h.e.l.l, a sulphurous dragon issues from his grave. On the other hand, the popular idea of the fate of distinguished sinners may be found hid under misereres, where kings sometimes appear in h.e.l.l, and in the early picture-books which contained a half-christianised folklore.