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"Gone! Where? Nas Ta Bega, remember I lost my own faith, and I have not yet learned yours."
"The Navajo has one mother--the earth. Her body has gone to the earth and it will become dust. But her spirit is in the air. It shall whisper to me from the wind. I shall hear it on running waters. It will hide in the morning music of a mocking-bird and in the lonely night cry of the canon hawk. Her blood will go to make the red of the Indian flowers and her soul will rest at midnight in the lily that opens only to the moon.
She will wait in the shadow for me, and live in the great mountain that is my home, and for ever step behind me on the trail."
"You will kill Willetts?" demanded Shefford.
"The Navajo will not seek the missionary."
"But if you meet him you'll kill him?"
"Bi Nai, would Nas Ta Bega kill after it is too late? What good could come? The Navajo is above revenge."
"If he crosses my trail I think I couldn't help but kill him," muttered Shefford in a pa.s.sion that wrung the threat from him.
The Indian put his arm round the white man's shoulders.
"Bi Nai, long ago I made you my brother. And now you make me your brother. Is it not so? Glen Naspa's spirit calls for wisdom, not revenge. Willetts must be a bad man. But we'll let him live. Life will punish him. Who knows if he was all to blame? Glen Naspa was only one pretty Indian girl. There are many white men in the desert. She loved a white man when she was a baby. The thing was a curse. ... Listen, Bi Nai, and the Navajo will talk.
"Many years ago the Spanish padres, the first white men, came into the land of the Indian. Their search was for gold. But they were not wicked men. They did not steal and kill. They taught the Indian many useful things. They brought him horses. But when they went away they left him unsatisfied with his life and his G.o.d.
"Then came the pioneers. They crossed the great river and took the pasture-lands and the hunting-grounds of the Indian. They drove him backward, and the Indian grew sullen. He began to fight. The white man's government made treaties with the Indian, and these were broken. Then war came--fierce and b.l.o.o.d.y war. The Indian was driven to the waste places. The stream of pioneers, like a march of ants, spread on into the desert. Every valley where gra.s.s grew, every river, became a place for farms and towns. Cattle choked the water-holes where the buffalo and deer had once gone to drink. The forests in the hills were cut and the springs dried up. And the pioneers followed to the edge of the desert.
"Then came the prospectors, mad, like the padres for the gleam of gold. The day was not long enough for them to dig in the creeks and the canon; they worked in the night. And they brought weapons and rum to the Indian, to buy from him the secret of the places where the s.h.i.+ning gold lay hidden.
"Then came the traders. And they traded with the Indian. They gave him little for much, and that little changed his life. He learned a taste for the sweet foods of the white man. Because he could trade for a sack of flour he worked less in the field. And the very fiber of his bones softened.
"Then came the missionaries. They were proselytizers for converts to their religion. The missionaries are good men. There may be a bad missionary, like Willetts, the same as there are bad men in other callings, or bad Indians. They say Shadd is a half-breed. But the Piutes can tell you he is a full-blood, and he, like me, was sent to a white man's school. In the beginning the missionaries did well for the Indian.
They taught him cleaner ways of living, better farming, useful work with tools--many good things. But the wrong to the Indian was the undermining of his faith. It was not humanity that sent the missionary to the Indian. Humanity would have helped the Indian in his ignorance of sickness and work, and left him his G.o.d. For to trouble the Indian about his G.o.d worked at the roots of his nature.
"The beauty of the Indian's life is in his love of the open, of all that is nature, of silence, freedom, wildness. It is a beauty of mind and soul. The Indian would have been content to watch and feel. To a white man he might be dirty and lazy--content to dream life away without trouble or what the white man calls evolution. The Indian might seem cruel because he leaves his old father out in the desert to die. But the old man wants to die that way, alone with his spirits and the sunset.
And the white man's medicine keeps his old father alive days and days after he ought to be dead. Which is more cruel? The Navajos used to fight with other tribes, and then they were stronger men than they are to-day.
"But leaving religion, greed, and war out of the question, contact with the white man would alone have ruined the Indian. The Indian and the white man cannot mix. The Indian brave learns the habits of the white man, acquires his diseases, and has not the mind or body to withstand them. The Indian girl learns to love the white man--and that is death of her Indian soul, if not of life.
"So the red man is pa.s.sing. Tribes once powerful have died in the life of Nas Ta Bega. The curse of the white man is already heavy upon my race in the south. Here in the north, in the wildest corner of the desert, chased here by the great soldier, Carson, the Navajo has made his last stand.
"Bi Nai, you have seen the shadow in the hogan of Hosteen Doetin. Glen Naspa has gone to her grave, and no sisters, no children, will make paths to the place of her sleep. Nas Ta Bega will never have a wife--a child. He sees the end. It is the sunset of the Navajo.... Bi Nai, the Navajo is dying--dying--dying!"
XV. WILD JUSTICE
A crescent moon hung above the lofty peak over the valley and a train of white stars ran along the bold rim of the western wall. A few young frogs peeped plaintively. The night was cool, yet had a touch of balmy spring, and a sweeter fragrance, as if the cedars and pinyons had freshened in the warm sun of that day.
Shefford and Fay were walking in the aisles of moonlight and the patches of shade, and Nas Ta Bega, more than ever a shadow of his white brother, followed them silently.
"Fay, it's growing late. Feel the dew?" said Shefford. "Come, I must take you back."
"But the time's so short. I have said nothing that I wanted to say," she replied.
"Say it quickly, then, as we go."
"After all, it's only--will you take me away soon?"
"Yes, very soon. The Indian and I have talked. But we've made no plan yet. There are only three ways to get out of this country. By Stonebridge, by Kayenta and Durango, and by Red Lake. We must choose one. All are dangerous. We must lose time finding Surprise Valley. I hoped the Indian could find it. Then we'd bring La.s.siter and Jane here and hide them near till dark, then take you and go. That would give us a night's start. But you must help us to Surprise Valley."
"I can go right to it, blindfolded, or in the dark.... Oh, John, hurry!
I dread the wait. He might come again."
"Joe says--they won't come very soon."
"Is it far--where we're going--out of the country?"
"Ten days' hard riding."
"Oh! That night ride to and from Stonebridge nearly killed me. But I could walk very far, and climb for ever."
"Fay, we'll get out of the country if I have to carry you."
When they arrived at the cabin Fay turned on the porch step and, with her face nearer a level with his, white and sweet in the moonlight, with her eyes s.h.i.+ning and unfathomable, she was more than beautiful.
"You've never been inside my house," she said. "Come in. I've something for you."
"But it's late," he remonstrated. "I suppose you've got me a cake or pie--something to eat. You women all think Joe and I have to be fed."
"No. You'd never guess. Come in," she said, and the rare smile on her face was something Shefford would have gone far to see.
"Well, then, for a minute."
He crossed the porch, the threshold, and entered her home. Her dim, white shape moved in the darkness. And he followed into a room where the moon shone through the open window, giving soft, mellow, shadowy light.
He discerned objects, but not clearly, for his senses seemed absorbed in the strange warmth and intimacy of being for the first time with her in her home.
"No, it's not good to eat," she said, and her laugh was happy. "Here--"
Suddenly she abruptly ceased speaking. Shefford saw her plainly, and the slender form had stiffened, alert and strained. She was listening.
"What was that?" she whispered.
"I didn't hear anything," he whispered back.
He stepped softly nearer the open window and listened.
Clip-clop! clip-clop! clip-clop! Hard hoofs on the hard path outside!
A strong and rippling thrill went over Shefford. In the soft light her eyes seemed unnaturally large and black and fearful.
Clip-clop! clip-clop!