The Picture of Dorian Gray Part 5

"What do you want me to say?"

"Oh! that you will be a good boy and not forget us," she answered, smiling at him.

He shrugged his shoulders. "You are more likely to forget me than I am to forget you, Sibyl."

She flushed. "What do you mean, Jim?" she asked.

"You have a new friend, I hear. Who is he? Why have you not told me about him? He means you no good."

"Stop, Jim!" she exclaimed. "You must not say anything against him. I love him."

"Why, you don't even know his name," answered the lad. "Who is he? I have a right to know."

"He is called Prince Charming. Don't you like the name. Oh! you silly boy! you should never forget it. If you only saw him, you would think him the most wonderful person in the world. Some day you will meet him--when you come back from Australia. You will like him so much. Everybody likes him, and I ... love him. I wish you could come to the theatre to-night. He is going to be there, and I am to play Juliet. Oh! how I shall play it! Fancy, Jim, to be in love and play Juliet! To have him sitting there! To play for his delight! I am afraid I may frighten the company, frighten or enthrall them. To be in love is to surpa.s.s one's self. Poor dreadful Mr. Isaacs will be shouting 'genius' to his loafers at the bar. He has preached me as a dogma; to-night he will announce me as a revelation. I feel it. And it is all his, his only, Prince Charming, my wonderful lover, my G.o.d of graces. But I am poor beside him. Poor? What does that matter? When poverty creeps in at the door, love flies in through the window. Our proverbs want rewriting. They were made in winter, and it is summer now; spring-time for me, I think, a very dance of blossoms in blue skies."

"He is a gentleman," said the lad sullenly.

"A prince!" she cried musically. "What more do you want?"

"He wants to enslave you."

"I shudder at the thought of being free."

"I want you to beware of him."

"To see him is to wors.h.i.+p him; to know him is to trust him."

"Sibyl, you are mad about him."

She laughed and took his arm. "You dear old Jim, you talk as if you were a hundred. Some day you will be in love yourself. Then you will know what it is. Don't look so sulky. Surely you should be glad to think that, though you are going away, you leave me happier than I have ever been before. Life has been hard for us both, terribly hard and difficult. But it will be different now. You are going to a new world, and I have found one. Here are two chairs; let us sit down and see the smart people go by."

They took their seats amidst a crowd of watchers. The tulip-beds across the road flamed like throbbing rings of fire. A white dust--tremulous cloud of orris-root it seemed--hung in the panting air. The brightly coloured parasols danced and dipped like monstrous b.u.t.terflies.

She made her brother talk of himself, his hopes, his prospects. He spoke slowly and with effort. They pa.s.sed words to each other as players at a game pa.s.s counters. Sibyl felt oppressed. She could not communicate her joy. A faint smile curving that sullen mouth was all the echo she could win. After some time she became silent. Suddenly she caught a glimpse of golden hair and laughing lips, and in an open carriage with two ladies Dorian Gray drove past.

She started to her feet. "There he is!" she cried.

"Who?" said Jim Vane.

"Prince Charming," she answered, looking after the victoria.

He jumped up and seized her roughly by the arm. "Show him to me. Which is he? Point him out. I must see him!" he exclaimed; but at that moment the Duke of Berwick's four-in-hand came between, and when it had left the s.p.a.ce clear, the carriage had swept out of the park.

"He is gone," murmured Sibyl sadly. "I wish you had seen him."

"I wish I had, for as sure as there is a G.o.d in heaven, if he ever does you any wrong, I shall kill him."

She looked at him in horror. He repeated his words. They cut the air like a dagger. The people round began to gape. A lady standing close to her t.i.ttered.

"Come away, Jim; come away," she whispered. He followed her doggedly as she pa.s.sed through the crowd. He felt glad at what he had said.

When they reached the Achilles Statue, she turned round. There was pity in her eyes that became laughter on her lips. She shook her head at him. "You are foolish, Jim, utterly foolish; a bad-tempered boy, that is all. How can you say such horrible things? You don't know what you are talking about. You are simply jealous and unkind. Ah! I wish you would fall in love. Love makes people good, and what you said was wicked."

"I am sixteen," he answered, "and I know what I am about. Mother is no help to you. She doesn't understand how to look after you. I wish now that I was not going to Australia at all. I have a great mind to chuck the whole thing up. I would, if my articles hadn't been signed."

"Oh, don't be so serious, Jim. You are like one of the heroes of those silly melodramas Mother used to be so fond of acting in. I am not going to quarrel with you. I have seen him, and oh! to see him is perfect happiness. We won't quarrel. I know you would never harm any one I love, would you?"

"Not as long as you love him, I suppose," was the sullen answer.

"I shall love him for ever!" she cried.

"And he?"

"For ever, too!"

"He had better."

She shrank from him. Then she laughed and put her hand on his arm. He was merely a boy.

At the Marble Arch they hailed an omnibus, which left them close to their shabby home in the Euston Road. It was after five o'clock, and Sibyl had to lie down for a couple of hours before acting. Jim insisted that she should do so. He said that he would sooner part with her when their mother was not present. She would be sure to make a scene, and he detested scenes of every kind.

In Sybil's own room they parted. There was jealousy in the lad's heart, and a fierce murderous hatred of the stranger who, as it seemed to him, had come between them. Yet, when her arms were flung round his neck, and her fingers strayed through his hair, he softened and kissed her with real affection. There were tears in his eyes as he went downstairs.

His mother was waiting for him below. She grumbled at his unpunctuality, as he entered. He made no answer, but sat down to his meagre meal. The flies buzzed round the table and crawled over the stained cloth. Through the rumble of omnibuses, and the clatter of street-cabs, he could hear the droning voice devouring each minute that was left to him.

After some time, he thrust away his plate and put his head in his hands. He felt that he had a right to know. It should have been told to him before, if it was as he suspected. Leaden with fear, his mother watched him. Words dropped mechanically from her lips. A tattered lace handkerchief twitched in her fingers. When the clock struck six, he got up and went to the door. Then he turned back and looked at her. Their eyes met. In hers he saw a wild appeal for mercy. It enraged him.

"Mother, I have something to ask you," he said. Her eyes wandered vaguely about the room. She made no answer. "Tell me the truth. I have a right to know. Were you married to my father?"

She heaved a deep sigh. It was a sigh of relief. The terrible moment, the moment that night and day, for weeks and months, she had dreaded, had come at last, and yet she felt no terror. Indeed, in some measure it was a disappointment to her. The vulgar directness of the question called for a direct answer. The situation had not been gradually led up to. It was crude. It reminded her of a bad rehearsal.

"No," she answered, wondering at the harsh simplicity of life.

"My father was a scoundrel then!" cried the lad, clenching his fists.

She shook her head. "I knew he was not free. We loved each other very much. If he had lived, he would have made provision for us. Don't speak against him, my son. He was your father, and a gentleman. Indeed, he was highly connected."

An oath broke from his lips. "I don't care for myself," he exclaimed, "but don't let Sibyl.... It is a gentleman, isn't it, who is in love with her, or says he is? Highly connected, too, I suppose."

For a moment a hideous sense of humiliation came over the woman. Her head drooped. She wiped her eyes with shaking hands. "Sibyl has a mother," she murmured; "I had none."

The lad was touched. He went towards her, and stooping down, he kissed her. "I am sorry if I have pained you by asking about my father," he said, "but I could not help it. I must go now. Good-bye. Don't forget that you will have only one child now to look after, and believe me that if this man wrongs my sister, I will find out who he is, track him down, and kill him like a dog. I swear it."

The exaggerated folly of the threat, the pa.s.sionate gesture that accompanied it, the mad melodramatic words, made life seem more vivid to her. She was familiar with the atmosphere. She breathed more freely, and for the first time for many months she really admired her son. She would have liked to have continued the scene on the same emotional scale, but he cut her short. Trunks had to be carried down and m.u.f.flers looked for. The lodging-house drudge bustled in and out. There was the bargaining with the cabman. The moment was lost in vulgar details. It was with a renewed feeling of disappointment that she waved the tattered lace handkerchief from the window, as her son drove away. She was conscious that a great opportunity had been wasted. She consoled herself by telling Sibyl how desolate she felt her life would be, now that she had only one child to look after. She remembered the phrase. It had pleased her. Of the threat she said nothing. It was vividly and dramatically expressed. She felt that they would all laugh at it some day.

CHAPTER 6.

"I suppose you have heard the news, Basil?" said Lord Henry that evening as Hallward was shown into a little private room at the Bristol where dinner had been laid for three.

"No, Harry," answered the artist, giving his hat and coat to the bowing waiter. "What is it? Nothing about politics, I hope! They don't interest me. There is hardly a single person in the House of Commons worth painting, though many of them would be the better for a little whitewas.h.i.+ng."

"Dorian Gray is engaged to be married," said Lord Henry, watching him as he spoke.

Hallward started and then frowned. "Dorian engaged to be married!" he cried. "Impossible!"

"It is perfectly true."

"To whom?"

"To some little actress or other."

"I can't believe it. Dorian is far too sensible."

"Dorian is far too wise not to do foolish things now and then, my dear Basil."

"Marriage is hardly a thing that one can do now and then, Harry."

"Except in America," rejoined Lord Henry languidly. "But I didn't say he was married. I said he was engaged to be married. There is a great difference. I have a distinct remembrance of being married, but I have no recollection at all of being engaged. I am inclined to think that I never was engaged."

"But think of Dorian's birth, and position, and wealth. It would be absurd for him to marry so much beneath him."

"If you want to make him marry this girl, tell him that, Basil. He is sure to do it, then. Whenever a man does a thoroughly stupid thing, it is always from the n.o.blest motives."

"I hope the girl is good, Harry. I don't want to see Dorian tied to some vile creature, who might degrade his nature and ruin his intellect."

"Oh, she is better than good--she is beautiful," murmured Lord Henry, sipping a gla.s.s of vermouth and orange-bitters. "Dorian says she is beautiful, and he is not often wrong about things of that kind. Your portrait of him has quickened his appreciation of the personal appearance of other people. It has had that excellent effect, amongst others. We are to see her to-night, if that boy doesn't forget his appointment."

"Are you serious?"

"Quite serious, Basil. I should be miserable if I thought I should ever be more serious than I am at the present moment."

"But do you approve of it, Harry?" asked the painter, walking up and down the room and biting his lip. "You can't approve of it, possibly. It is some silly infatuation."

"I never approve, or disapprove, of anything now. It is an absurd att.i.tude to take towards life. We are not sent into the world to air our moral prejudices. I never take any notice of what common people say, and I never interfere with what charming people do. If a personality fascinates me, whatever mode of expression that personality selects is absolutely delightful to me. Dorian Gray falls in love with a beautiful girl who acts Juliet, and proposes to marry her. Why not? If he wedded Messalina, he would be none the less interesting. You know I am not a champion of marriage. The real drawback to marriage is that it makes one unselfish. And unselfish people are colourless. They lack individuality. Still, there are certain temperaments that marriage makes more complex. They retain their egotism, and add to it many other egos. They are forced to have more than one life. They become more highly organized, and to be highly organized is, I should fancy, the object of man's existence. Besides, every experience is of value, and whatever one may say against marriage, it is certainly an experience. I hope that Dorian Gray will make this girl his wife, pa.s.sionately adore her for six months, and then suddenly become fascinated by some one else. He would be a wonderful study."

"You don't mean a single word of all that, Harry; you know you don't. If Dorian Gray's life were spoiled, no one would be sorrier than yourself. You are much better than you pretend to be."

Lord Henry laughed. "The reason we all like to think so well of others is that we are all afraid for ourselves. The basis of optimism is sheer terror. We think that we are generous because we credit our neighbour with the possession of those virtues that are likely to be a benefit to us. We praise the banker that we may overdraw our account, and find good qualities in the highwayman in the hope that he may spare our pockets. I mean everything that I have said. I have the greatest contempt for optimism. As for a spoiled life, no life is spoiled but one whose growth is arrested. If you want to mar a nature, you have merely to reform it. As for marriage, of course that would be silly, but there are other and more interesting bonds between men and women. I will certainly encourage them. They have the charm of being fas.h.i.+onable. But here is Dorian himself. He will tell you more than I can."

"My dear Harry, my dear Basil, you must both congratulate me!" said the lad, throwing off his evening cape with its satin-lined wings and shaking each of his friends by the hand in turn. "I have never been so happy. Of course, it is sudden--all really delightful things are. And yet it seems to me to be the one thing I have been looking for all my life." He was flushed with excitement and pleasure, and looked extraordinarily handsome.

"I hope you will always be very happy, Dorian," said Hallward, "but I don't quite forgive you for not having let me know of your engagement. You let Harry know."

"And I don't forgive you for being late for dinner," broke in Lord Henry, putting his hand on the lad's shoulder and smiling as he spoke. "Come, let us sit down and try what the new chef here is like, and then you will tell us how it all came about."

"There is really not much to tell," cried Dorian as they took their seats at the small round table. "What happened was simply this. After I left you yesterday evening, Harry, I dressed, had some dinner at that little Italian restaurant in Rupert Street you introduced me to, and went down at eight o'clock to the theatre. Sibyl was playing Rosalind. Of course, the scenery was dreadful and the Orlando absurd. But Sibyl! You should have seen her! When she came on in her boy's clothes, she was perfectly wonderful. She wore a moss-coloured velvet jerkin with cinnamon sleeves, slim, brown, cross-gartered hose, a dainty little green cap with a hawk's feather caught in a jewel, and a hooded cloak lined with dull red. She had never seemed to me more exquisite. She had all the delicate grace of that Tanagra figurine that you have in your studio, Basil. Her hair cl.u.s.tered round her face like dark leaves round a pale rose. As for her acting--well, you shall see her to-night. She is simply a born artist. I sat in the dingy box absolutely enthralled. I forgot that I was in London and in the nineteenth century. I was away with my love in a forest that no man had ever seen. After the performance was over, I went behind and spoke to her. As we were sitting together, suddenly there came into her eyes a look that I had never seen there before. My lips moved towards hers. We kissed each other. I can't describe to you what I felt at that moment. It seemed to me that all my life had been narrowed to one perfect point of rose-coloured joy. She trembled all over and shook like a white narcissus. Then she flung herself on her knees and kissed my hands. I feel that I should not tell you all this, but I can't help it. Of course, our engagement is a dead secret. She has not even told her own mother. I don't know what my guardians will say. Lord Radley is sure to be furious. I don't care. I shall be of age in less than a year, and then I can do what I like. I have been right, Basil, haven't I, to take my love out of poetry and to find my wife in Shakespeare's plays? Lips that Shakespeare taught to speak have whispered their secret in my ear. I have had the arms of Rosalind around me, and kissed Juliet on the mouth."

"Yes, Dorian, I suppose you were right," said Hallward slowly.

"Have you seen her to-day?" asked Lord Henry.

Dorian Gray shook his head. "I left her in the forest of Arden; I shall find her in an orchard in Verona."

Lord Henry sipped his champagne in a meditative manner. "At what particular point did you mention the word marriage, Dorian? And what did she say in answer? Perhaps you forgot all about it."

"My dear Harry, I did not treat it as a business transaction, and I did not make any formal proposal. I told her that I loved her, and she said she was not worthy to be my wife. Not worthy! Why, the whole world is nothing to me compared with her."

"Women are wonderfully practical," murmured Lord Henry, "much more practical than we are. In situations of that kind we often forget to say anything about marriage, and they always remind us."

Hallward laid his hand upon his arm. "Don't, Harry. You have annoyed Dorian. He is not like other men. He would never bring misery upon any one. His nature is too fine for that."

Lord Henry looked across the table. "Dorian is never annoyed with me," he answered. "I asked the question for the best reason possible, for the only reason, indeed, that excuses one for asking any question--simple curiosity. I have a theory that it is always the women who propose to us, and not we who propose to the women. Except, of course, in middle-cla.s.s life. But then the middle cla.s.ses are not modern."

Dorian Gray laughed, and tossed his head. "You are quite incorrigible, Harry; but I don't mind. It is impossible to be angry with you. When you see Sibyl Vane, you will feel that the man who could wrong her would be a beast, a beast without a heart. I cannot understand how any one can wish to shame the thing he loves. I love Sibyl Vane. I want to place her on a pedestal of gold and to see the world wors.h.i.+p the woman who is mine. What is marriage? An irrevocable vow. You mock at it for that. Ah! don't mock. It is an irrevocable vow that I want to take. Her trust makes me faithful, her belief makes me good. When I am with her, I regret all that you have taught me. I become different from what you have known me to be. I am changed, and the mere touch of Sibyl Vane's hand makes me forget you and all your wrong, fascinating, poisonous, delightful theories."

"And those are ...?" asked Lord Henry, helping himself to some salad.

"Oh, your theories about life, your theories about love, your theories about pleasure. All your theories, in fact, Harry."

"Pleasure is the only thing worth having a theory about," he answered in his slow melodious voice. "But I am afraid I cannot claim my theory as my own. It belongs to Nature, not to me. Pleasure is Nature's test, her sign of approval. When we are happy, we are always good, but when we are good, we are not always happy."

"Ah! but what do you mean by good?" cried Basil Hallward.

"Yes," echoed Dorian, leaning back in his chair and looking at Lord Henry over the heavy cl.u.s.ters of purple-lipped irises that stood in the centre of the table, "what do you mean by good, Harry?"

"To be good is to be in harmony with one's self," he replied, touching the thin stem of his gla.s.s with his pale, fine-pointed fingers. "Discord is to be forced to be in harmony with others. One's own life--that is the important thing. As for the lives of one's neighbours, if one wishes to be a prig or a Puritan, one can flaunt one's moral views about them, but they are not one's concern. Besides, individualism has really the higher aim. Modern morality consists in accepting the standard of one's age. I consider that for any man of culture to accept the standard of his age is a form of the grossest immorality."

"But, surely, if one lives merely for one's self, Harry, one pays a terrible price for doing so?" suggested the painter.

"Yes, we are overcharged for everything nowadays. I should fancy that the real tragedy of the poor is that they can afford nothing but self-denial. Beautiful sins, like beautiful things, are the privilege of the rich."

"One has to pay in other ways but money."

"What sort of ways, Basil?"

"Oh! I should fancy in remorse, in suffering, in ... well, in the consciousness of degradation."

Lord Henry shrugged his shoulders. "My dear fellow, mediaeval art is charming, but mediaeval emotions are out of date. One can use them in fiction, of course. But then the only things that one can use in fiction are the things that one has ceased to use in fact. Believe me, no civilized man ever regrets a pleasure, and no uncivilized man ever knows what a pleasure is."

"I know what pleasure is," cried Dorian Gray. "It is to adore some one."