The Red Lily Part 10

"Then," exclaimed Madame Martin, "I will take him to Italy with me. Find him, Monsieur Vence, and bring him to me. I am going next week."

M. Martin then excused himself, not being able to remain longer. He had to finish a report which was to be laid before the Chamber the next day.

Madame Martin said that n.o.body interested her so much as Choulette. Paul Vence said that he was a singular specimen of humanity.

"He is not very different from the saints of whose extraordinary lives we read. He is as sincere as they. He has an exquisite delicacy of sentiment and a terrible violence of mind. If he shocks one by many of his acts, the reason is that he is weaker, less supported, or perhaps less closely observed. And then there are unworthy saints, just as there are bad angels: Choulette is a worldly saint, that is all. But his poems are true poems, and much finer than those written by the bishops of the seventeenth century."

She interrupted him:

"While I think of it, I wish to congratulate you on your friend Dechartre. He has a charming mind."

She added:

"Perhaps he is a little too timid."

Vence reminded her that he had told her she would find Dechartre interesting.

"I know him by heart; he has been my friend since our childhood."

"You knew his parents?"

"Yes. He is the only son of Philippe Dechartre."

"The architect?"

"The architect who, under Napoleon III, restored so many castles and churches in Touraine and the Orleanais. He had taste and knowledge.

Solitary and quiet in his life, he had the imprudence to attack Viollet-le-Duc, then all-powerful. He reproached him with trying to reestablish buildings in their primitive plan, as they had been, or as they might have been, at the beginning. Philippe Dechartre, on the contrary, wished that everything which the lapse of centuries had added to a church, an abbey, or a castle should be respected. To abolish anachronisms and restore a building to its primitive unity, seemed to him to be a scientific barbarity as culpable as that of ignorance. He said: 'It is a crime to efface the successive imprints made in stone by the hands of our ancestors. New stones cut in old style are false witnesses.' He wished to limit the task of the archaeologic architect to that of supporting and consolidating walls. He was right. Everybody said that he was wrong. He achieved his ruin by dying young, while his rival triumphed. He bequeathed an honest fortune to his widow and his son.

Jacques Dechartre was brought up by his mother, who adored him. I do not think that maternal tenderness ever was more impetuous. Jacques is a charming fellow; but he is a spoiled child."

"Yet he appears so indifferent, so easy to understand, so distant from everything."

"Do not rely on this. He has a tormented and tormenting imagination."

"Does he like women?"

"Why do you ask?"

"Oh, it isn't with any idea of match-making."

"Yes, he likes them. I told you that he was an egoist. Only selfish men really love women. After the death of his mother, he had a long liaison with a well-known actress, Jeanne Tancrede."

Madame Martin remembered Jeanne Tancrede; not very pretty, but graceful with a certain slowness of action in playing romantic roles.

"They lived almost together in a little house at Auteuil," Paul Vence continued. "I often called on them. I found him lost in his dreams, forgetting to model a figure drying under its cloths, alone with himself, pursuing his idea, absolutely incapable of listening to anybody; she, studying her roles, her complexion burned by rouge, her eyes tender, pretty because of her intelligence and her activity. She complained to me that he was inattentive, cross, and unreasonable. She loved him and deceived him only to obtain roles. And when she deceived him, it was done on the spur of the moment. Afterward she never thought of it. A typical woman! But she was imprudent; she smiled upon Joseph Springer in the hope that he would make her a member of the Comedie Francaise. Dechartre left her. Now she finds it more practical to live with her managers, and Jacques finds it more agreeable to travel."

"Does he regret her?"

"How can one know the things that agitate a mind anxious and mobile, selfish and pa.s.sionate, desirous to surrender itself, prompt in disengaging itself, liking itself most of all among the beautiful things that it finds in the world?"

Brusquely she changed the subject.

"And your novel, Monsieur Vence?"

"I have reached the last chapter, Madame. My little workingman has been guillotined. He died with that indifference of virgins without desire, who never have felt on their lips the warm taste of life. The journals and the public approve the act of justice which has just been accomplished. But in another garret, another workingman, sober, sad, and a chemist, swears to himself that he will commit an expiatory murder."

He rose and said good-night.

She called him back.

"Monsieur Vence, you know that I was serious. Bring Choulette to me."

When she went up to her room, her husband was waiting for her, in his red-brown plush robe, with a sort of doge's cap framing his pale and hollow face. He had an air of gravity. Behind him, by the open door of his workroom, appeared under the lamp a ma.s.s of doc.u.ments bound in blue, a collection of the annual budgets. Before she could reach her room he motioned that he wished to speak to her.

"My dear, I can not understand you. You are very inconsequential. It does you a great deal of harm. You intend to leave your home without any reason, without even a pretext. And you wish to run through Europe with whom? With a Bohemian, a drunkard--that man Choulette."

She replied that she should travel with Madame Marmet, in which there could be nothing objectionable.

"But you announce your going to everybody, yet you do not even know whether Madame Marmet can accompany you."

"Oh, Madame Marmet will soon pack her boxes. Nothing keeps her in Paris except her dog. She will leave it to you; you may take care of it."

"Does your father know of your project?"

It was his last resource to invoke the authority of Montessuy. He knew that his wife feared to displease her father. He insisted:

"Your father is full of sense and tact. I have been happy to find him agreeing with me several times in the advices which I have permitted myself to give you. He thinks as I do, that Madame Meillan's house is not a fit place for you to visit. The company that meets there is mixed, and the mistress of the house favors intrigue. You are wrong, I must say, not to take account of what people think. I am mistaken if your father does not think it singular that you should go away with so much frivolity, and the absence will be the more remarked, my dear, since circ.u.mstances have made me eminent in the course of this legislature. My merit has nothing to do with the case, surely. But if you had consented to listen to me at dinner I should have demonstrated to you that the group of politicians to which I belong has almost reached power. In such a moment you should not renounce your duties as mistress of the house.

You must understand this yourself."

She replied "You annoy me." And, turning her back to him, she shut the door of her room between them. That night in her bed she opened a book, as she always did before going to sleep. It was a novel. She was turning the leaves with indifference, when her eyes fell on these lines:

"Love is like devotion: it comes late. A woman is hardly in love or devout at twenty, unless she has a special disposition to be either, a sort of native sanct.i.ty. Women who are predestined to love, themselves struggle a long time against that grace of love which is more terrible than the thunderbolt that fell on the road to Damascus. A woman oftenest yields to the pa.s.sion of love only when age or solitude does not frighten her. Pa.s.sion is an arid and burning desert. Pa.s.sion is profane asceticism, as harsh as religious asceticism. Great woman lovers are as rare as great penitent women. Those who know life well know that women do not easily bind themselves in the chains of real love. They know that nothing is less common than sacrifice among them. And consider how much a worldly woman must sacrifice when she is in love--liberty, quietness, the charming play of a free mind, coquetry, amus.e.m.e.nt, pleasure--she loses everything.

"Coquetry is permissible. One may conciliate that with all the exigencies of fas.h.i.+onable life. Not so love. Love is the least mundane of pa.s.sions, the most anti-social, the most savage, the most barbarous.

So the world judges it more severely than mere gallantry or looseness of manners. In one sense the world is right. A woman in love betrays her nature and fails in her function, which is to be admired by all men, like a work of art. A woman is a work of art, the most marvellous that man's industry ever has produced. A woman is a wonderful artifice, due to the concourse of all the arts mechanical and of all the arts liberal.

She is the work of everybody, she belongs to the world."

Therese closed the book and thought that these ideas were only the dreams of novelists who did not know life. She knew very well that there was in reality neither a Carmel of pa.s.sion nor a chain of love, nor a beautiful and terrible vocation against which the predestined one resisted in vain; she knew very well that love was only a brief intoxication from which one recovered a little sadder. And yet, perhaps, she did not know everything; perhaps there were loves in which one was deliciously lost. She put out her lamp. The dreams of her first youth came back to her.

CHAPTER VI. A DISTINGUISHED RELICT

It was raining. Madame Martin-Belleme saw confusedly through the gla.s.s of her coupe the mult.i.tude of pa.s.sing umbrellas, like black turtles under the watery skies. She was thinking. Her thoughts were gray and indistinct, like the aspect of the streets and the squares.

She no longer knew why the idea had come to her to spend a month with Miss Bell. Truly, she never had known. The idea had been like a spring, at first hidden by leaves, and now forming the current of a deep and rapid stream. She remembered that Tuesday night at dinner she had said suddenly that she wished to go, but she could not remember the first flush of that desire. It was not the wish to act toward Robert Le Menil as he was acting toward her. Doubtless she thought it excellent to go travelling in Italy while he went fox-hunting. This seemed to her a fair arrangement. Robert, who was always pleased to see her when he came back, would not find her on his return. She thought this would be right.

She had not thought of it at first. And since then she had thought little of it, and really she was not going for the pleasure of making him grieve. She had against him a thought less piquant, and more harsh. She did not wish to see him soon. He had become to her almost a stranger. He seemed to her a man like others--better than most others--good-looking, estimable, and who did not displease her; but he did not preoccupy her. Suddenly he had gone out of her life. She could not remember how he had become mingled with it. The idea of belonging to him shocked her. The thought that they might meet again in the small apartment of the Rue Spontini was so painful to her that she discarded it at once. She preferred to think that an unforeseen event would prevent their meeting again--the end of the world, for example. M.

Lagrange, member of the Academie des Sciences, had told her the day before of a comet which some day might meet the earth, envelop it with its flaming hair, imbue animals and plants with unknown poisons, and make all men die in a frenzy of laughter. She expected that this, or something else, would happen next month. It was not inexplicable that she wished to go. But that her desire to go should contain a vague joy, that she should feel the charm of what she was to find, was inexplicable to her.