Handbook of Embroidery - BestLightNovel.com
You’re reading novel Handbook of Embroidery Part 2 online at BestLightNovel.com. Please use the follow button to get notification about the latest chapter next time when you visit BestLightNovel.com. Use F11 button to read novel in full-screen(PC only). Drop by anytime you want to read free – fast – latest novel. It’s great if you could leave a comment, share your opinion about the new chapters, new novel with others on the internet. We’ll do our best to bring you the finest, latest novel everyday. Enjoy
_Kirriemuir Twill_ is a fine twilled linen made at Kirriemuir, and is good for tennis ap.r.o.ns, dresses, curtains, &c.
_Sailcloth_ is a stout linen, of yellow colour, and is only suitable for screen panels.
_Oatcake Linen_, so called from its resemblance to Scotch oatcake, has been popular for screen panels or washstand backs. It is very coa.r.s.e and rough.
_Oatmeal Linen_ is finer and of a greyer tone. It is also used for screens, and for smaller articles.
_Smock Linen_ is a strong even green cloth. It makes an excellent ground for working screens, and is also used for tennis ap.r.o.ns.
_Crash._--Properly speaking, the name "_crash_" is only applied to the coa.r.s.e Russian home-spun linen, which has been such a favourite from the beauty of its tone of colour. It is, however, erroneously applied to all linens used for embroidery, whether woven by hand-loom or machinery; and this confusion of names frequently leads to mistakes.
Crash is almost always very coa.r.s.e, is never more than eighteen inches wide, and cannot be mistaken for a machine-made fabric. It is woven by the Russian peasants in their own homes, in lengths varying from five to ten yards, and, therefore, though sent over in large bales, it is very difficult to find two pieces among a hundred that in any way match each other.
_Bolton, or Workhouse Sheeting_, is a coa.r.s.e twilled cotton fabric, seventy-two inches wide, of a beautiful soft creamy colour, which improves much in was.h.i.+ng. It is inexpensive, and an excellent ground for embroidery, either for curtains, counterpanes, chair coverings, or for ladies' dresses, or tennis ap.r.o.ns.
It resembles the twilled cotton on which so much of the old crewel embroidery was worked in the seventeenth century, and is one of the most satisfactory materials when of really good quality.
All descriptions of linen, except the "oatcake" and "sailcloth," can be embroidered in the hand.
[Decoration]
[Decoration]
TEXTILE FABRICS.
SATINS AND SILKS.
_Satins and Silks_ can only be embroidered in a frame. Furniture satins of stout make, with cotton backs, may be used without backing; but ordinary dress satins require to have a thin cotton or linen backing to bear the strains of the work and framing. Nothing is more beautiful than a rich white satin for a dress embroidered in coloured silks.
For fans, a very fine, closely woven satin is necessary, as it will not fold evenly unless the satin is thin; and yet it must be rich enough to sustain the fine embroidery, without pulling, or looking poor. A special kind of satin is made for the manufacture of fans, and none other is available.
"_Silk Sheeting_" of good quality, "_Satin de Chine_" and other silk-faced materials of the same cla.s.s, may either be embroidered in the hand, or framed; but for large pieces of work a frame is essential. These materials are suitable for curtains, counterpanes, piano coverings, or panels, and indeed for almost any purpose. The finer qualities are very beautiful for dresses, as they take rich and graceful folds, and carry embroidery well.
_Tussore and Corah Silks_ are charming for summer dresses, light chair-back covers, or embroidered window blinds. They will only bear light embroidering in silk or filoselle.
Within the last year successful experiments have been made in dyeing these Indian silks in England. The exact shades which we admire so much in the old Oriental embroideries have been reproduced, with the additional advantage of being perfectly fast in colour.
Nothing can be more charming as lining for table-covers, screens, curtains, &c.; and they are rather less expensive than other lining silks.
The fabrics known as _Plain Tapestries_ are a mixture of silk and cotton, manufactured in imitation of the handworked backgrounds so frequent in ancient embroideries--especially Venetian. Almost all the varieties of _Opus Pulvinarium_, or cus.h.i.+on st.i.tch, have been reproduced in these woven fabrics.
_Brocatine_ is a silk-faced material, woven to imitate couched embroidery. The silk is thrown to the surface and is tied with cotton threads from the back.
As ground for embroidery it has an excellent effect.
[Decoration]
TEXTILE FABRICS.
COTTONS AND WOOLLENS.
_Velveteen_, if of good quality, makes an excellent ground for screen panels, chair-covers, portieres, curtains, borders, &c. It can be worked in the hand if the embroidery be not too heavy or large in style.
_Utrecht Velvet_ is only suitable for coa.r.s.e crewel or tapestry wool embroidery. It is fit for curtain dados or wide borderings.
_Velvet Cloth_ is a rich plain cloth, finished without any gloss. It is a good ground for embroidery, either for curtains or altar-cloths.
It is two yards wide.
_Felt_ is sometimes used for the same purposes, but does not wear nearly so well, and is difficult to work.
_Diagonal Cloth_ can be worked either in the hand or frame, although it is always much better in the latter. It is used for table-covers, curtains, chair-seats, &c.
_Serge_ is usually made thirty-six inches wide. It has long been in favour for curtains, small table-covers, dresses, &c. It can now be obtained at the school fifty-four inches wide, in many shades.
_Soft or Super Serge_, also fifty-four inches wide, is an excellent material, much superior in appearance to diagonal cloth, or to the ordinary rough serge. It takes embroidery well.