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"It's enoof t' sicken t' cat!"
She s.n.a.t.c.hed the kettle that stood upon the hob; she stamped out to the scullery and re-filled it at the tap. She returned, stamping, and set it with violence upon the fire.
She tore out of the cupboard a teapot, a cup and a saucer, a loaf on a plate and a jar of dripping. Still with violence (slightly modulated to spare the comparative fragility of the objects she was handling) she dashed them one by one upon the table where Essy, with elbows planted, propped her head upon her hands and wept.
Mrs. Gale sat down herself in the chair facing her, and kept one eye on the kettle and the other on her daughter. From time to time mutterings came from her, breaking the sad rhythm of Essy's sobs.
"Eh dear! I'd like t' knaw what I've doon t' ave _this_ trooble!"--
--"'Tis enoof t' raaise yore pore feyther clane out of 'is graave!"--
--"'E'd sooner 'ave seed yo in yore coffin, a.s.sy."--
She rose and took down the tea-caddy from the chimney-piece and flung a reckless measure into the tea-pot.
"Ef 'e'd 'a been a-livin', 'E'd a _killed_ yo. Thot's what 'e'd 'a doon."
As she said it she grasped the kettle and poured the boiling water into the tea-pot.
She set the tea-pot before Essy.
"There's a coop of tae. An' there's bread an' drippin'. Yo'll drink it oop."
But Essy, desolated, shook her head.
"Wall," said Mrs. Gale. "I doan' want ter look at yo. 'T mak's mae seek."
As if utterly revolted by the sight of her daughter, she turned from her and left the kitchen by the staircase door.
Her ponderous stamping could be heard going up the staircase and on the floor overhead. There was a sound as of drawers opening and shutting and of a heavy box being dragged from under the bed.
Essy poured herself out a cup of tea, tried to drink it, choked and pushed it from her.
She was still weeping when her mother came to her.
Mrs. Gale came softly.
All alone in the room overhead she had evidently been doing something that had pleased her. The ghost of a smile still haunted her bleak face. She carried on her arm tenderly a pile of little garments.
These she began to spread out on the table before Essy, having first removed the tea-things.
"There!" she said. "'Tis the lil cleathes fer t' baaby. Look, a.s.sy, my deear--there's t' lil rawb, wi' t' lil slaves, so pretty--an' t'
flanny petticut--an' t' lil va.s.st--see. 'Tis t' lil things I maade fer 'ee afore tha was born."
But Essy pushed them from her. She was weeping violently now.
"Taake 'em away!" she cried. "I doan' want t' look at 'em."
Mrs. Gale sat and stared at her.
"Coom," she said, "tha moos'n' taake it saw 'ard, like."
Between the sobs Essy looked up with her s.h.i.+ning eyes. She whispered.
"Will yo kape mae, Moother?"
"I sail 'ave t' kape yo. There's nawbody 'll keer mooch fer thot job but yore moother."
But Essy still wept. Once started on the way of weeping, she couldn't stop.
Then, all of a sudden, Mrs. Gale's face became distorted.
She got up and put her hand heavily on her daughter's shoulder.
"There, there, a.s.sy, loove," she said. "Doan' tha taake on thot road.
It's doon, an' it caann't be oondoon."
She stood there in a heavy silence. Now and again she patted the heaving shoulder, marking time to Essy's sobs. Then she spoke.
"Tha'll feel batter whan t' lil baaby cooms."
Profoundly disturbed and resentful of her own emotion Mrs. Gale seized upon the tea-pot as a pretext and shut herself up with it in the scullery.
Essy, staggering, rose and dried her eyes. For a moment or so she stared idly at the square window with the blue-black night behind it.
Then she looked down. She smiled faintly. One by one she took the little garments spread out in front of her. She folded them in a pile.
Her face was still and dreamy.
She opened the scullery door and looked in.
"Good-night, Moother."
"Good-night, a.s.sy."
It was striking seven as she pa.s.sed the church.
Above the strokes of the hour she heard through the half-open door a sound of organ playing and of a big voice singing.
And she began to weep again. She knew the singer, and the player too.