Old-Fashioned Fairy Tales Part 1

Old-Fas.h.i.+oned Fairy Tales.

by Juliana Horatia Gatty Ewing.

PREFACE.

As the t.i.tle of this story-book may possibly suggest that the tales are old fairy tales told afresh, it seems well to explain that this is not so.

Except for the use of common "properties" of Fairy Drama, and a scrupulous endeavour to conform to tradition in local colour and detail, the stories are all new.

They have appeared at intervals during some years past in "AUNT JUDY'S MAGAZINE FOR YOUNG PEOPLE," and were written in conformity to certain theories respecting stories of this kind, with only two of which shall the kindly reader of prefaces be troubled.

First, that there are ideas and types, occurring in the myths of all countries, which are common properties, to use which does not lay the teller of fairy tales open to the charge of plagiarism. Such as the idea of the weak outwitting the strong; the failure of man to choose wisely when he may have his wish; or the desire of sprites to exchange their careless and unfettered existence for the pains and penalties of humanity, if they may thereby share in the hopes of the human soul.

Secondly, that in these household stories (the models for which were originally oral tradition) the thing most to be avoided is a discursive or descriptive style of writing. Brevity and epigram must ever be soul of their wit, and they should be written as tales that are told.

The degree in which, if at all, the following tales fulfil these conditions, nursery critics must decide.

There are older critics before whom fairy tales, as such, need excuse, even if they do not meet with positive disapprobation.

On this score I can only say that, for myself, I believe them to be--beyond all need of defence--most valuable literature for the young. I do not believe that wonder-tales confuse children's ideas of truth. If there are young intellects so imperfect as to be incapable of distinguis.h.i.+ng between fancy and falsehood, it is surely most desirable to develop in them the power to do so; but, as a rule, in childhood we appreciate the distinction with a vivacity which, as elders, our care-clogged memories fail to recall.

Moreover fairy tales have positive uses in education, which no cramming of facts, and no merely domestic fiction can serve.

Like Proverbs and Parables, they deal with first principles under the simplest forms. They convey knowledge of the world, shrewd lessons of virtue and vice, of common sense and sense of humour, of the seemly and the absurd, of pleasure and pain, success and failure, in narratives where the plot moves briskly and dramatically from a beginning to an end. They treat, not of the corner of a nursery or a playground, but of the world at large, and life in perspective; of forces visible and invisible; of Life, Death, and Immortality.

For causes obvious to the student of early myths, they foster sympathy with nature, and no cla.s.s of child-literature has done so much to inculcate the love of animals.

They cultivate the Imagination, that great gift which time and experience lead one more and more to value--handmaid of Faith, of Hope, and, perhaps most of all, of Charity!

It is true that some of the old fairy tales do not teach the high and useful lessons that most of them do; and that they unquestionably deal now and again with phases of grown-up life, and with crimes and catastrophes, that seem unsuitable for nursery entertainment.

As to the latter question, it must be remembered that the brevity of the narrative--whether it be a love story or a robber story--deprives it of all harm; a point which writers of modern fairy tales do not always realize for their guidance.

The writer of the following tales has endeavoured to bear this principle in mind, and it is hoped that the morals--and it is of the essence of fairy tales to have a moral--of all of them are beyond reproach.

For the rest they are committed to the indulgence of the gentle reader.

Hans Anderssen, perhaps the greatest writer of modern fairy tales, was content to say:

"FAIRY TALE NEVER DIES."

J.H.E.

GOOD LUCK IS BETTER THAN GOLD.

There was once upon a time a child who had Good Luck for his G.o.dfather.

"I am not Fortune," said Good Luck to the parents; "I have no gifts to bestow, but whenever he needs help I will be at hand."

"Nothing could be better," said the old couple. They were delighted.

But what pleases the father often fails to satisfy the son: moreover, every man thinks that he deserves just a little more than he has got, and does not reckon it to the purpose if his father had less.

Many a one would be thankful to have as good reasons for contentment as he who had Good Luck for his G.o.dfather.

If he fell, Good Luck popped something soft in the way to break his fall; if he fought, Good Luck directed his blows, or tripped up his adversary; if he got into a sc.r.a.pe, Good Luck helped him out of it; and if ever Misfortune met him, Good Luck contrived to hustle her on the pathway till his G.o.dson got safely by.

In games of hazard the G.o.dfather played over his shoulder. In matters of choice he chose for him. And when the lad began to work on his father's farm the farmer began to get rich. For no bird or field-mouse touched a seed that his son had sown, and every plant he planted throve when Good Luck smiled on it.

The boy was not fond of work, but when he did go into the fields, Good Luck followed him.

"Your christening-day was a blessed day for us all," said the old farmer.

"He has never given me so much as a lucky sixpence," muttered Good Luck's G.o.dson.

"I am not Fortune--I make no presents," said the G.o.dfather.

When we are discontented it is oftener to please our neighbours than ourselves. It was because the other boys had said--"Simon, the shoemaker's son, has an alderman for his G.o.dfather. He gave him a silver spoon with the Apostle Peter for the handle; but thy G.o.dfather is more powerful than any alderman"--that Good Luck's G.o.dson complained, "He has never given me so much as a bent sixpence."

By and by the old farmer died, and his son grew up, and had the largest farm in the country. The other boys grew up also, and as they looked over the farmer's boundary-wall, they would say:

"Good-morning, Neighbour. That is certainly a fine farm of yours. Your cattle thrive without loss. Your crops grow in the rain and are reaped with the suns.h.i.+ne. Mischance never comes your road. What you have worked for you enjoy. Such success would turn the heads of poor folk like us. At the same time one would think a man need hardly work for his living at all who has Good Luck for his G.o.dfather."

"That is very true," thought the farmer. "Many a man is prosperous, and reaps what he sows, who had no more than the clerk and the s.e.xton for gossips at his christening."

"What is the matter, G.o.dson?" asked Good Luck, who was with him in the field.

"I want to be rich," said the farmer.

"You will not have to wait long," replied the G.o.dfather. "In every field you sow, in every flock you rear there is increase without abatement. Your wealth is already tenfold greater than your father's."

"Aye, aye," replied the farmer. "Good wages for good work. But many a young man has gold at his command who need never turn a sod, and none of the Good People came to _his_ christening. Fortunatus's Purse now, or even a sack or two of gold--"

"Peace!" cried the G.o.dfather; "I have said that I give no gifts."

Though he had not Fortunatus's Purse, the farmer had now money and to spare, and when the harvest was gathered in, he bought a fine suit of clothes, and took his best horse and went to the royal city to see the sights.

The pomp and splendour, the festivities and fine clothes dazzled him.

"This is a gay life which these young courtiers lead," said he. "A man has nothing to do but to enjoy himself."

"If he has plenty of gold in his pocket," said a bystander.

By and by the Princess pa.s.sed in her carriage. She was the King's only daughter. She had hair made of suns.h.i.+ne, and her eyes were stars.