Woodland Tales Part 1

Woodland Tales.

by Ernest Seton-Thompson.

PREFACE

_To the Guide_

These Mother Carey Tales were written for children of all ages, who have not outgrown the delight of a fairy tale. It might almost be said that they were written chiefly for myself, for I not only have had the pleasure of telling them to the little ones, and enjoying their quick response, but have also had the greater pleasure of thinking them and setting them down.

As I write, I look from a loved window, across a landscape that I love, and my eye rests on a tall beautiful pine planted with my own hands years ago. It is a ma.s.s of green fringes, with gem-like tips of buds and baby cones, beautiful, exquisitely beautiful, whether seen from afar as a green spire, or viewed close at hand as jewellery. It is beautiful, fragile and--unimportant, as the world sees it; yet through its wind-waved ma.s.s one can get little glimpses of the thing that backs it all, the storm-defying shaft, the enduring rigid living growing trunk of ma.s.sive timber that gives it the n.o.bility of strength, and adds value to the rest; sometimes it must be sought for, but it always surely is there, enn.o.bling the lesser pretty things.

I hope this tree is a fair image of my fairy tale. I know my child friends will love the piney fringes and the jewel cones, and they can find the unyielding timber in its underlying truth, if they seek for it.

If they do not, it is enough to have them love the cones.

All are not fairy tales. Other chapters set forth things to see, thing to do, things to go to, things to know, things to remember. These, sanctified in the blue outdoors, spell "Woodcraft," the one pursuit of man that never dies or palls, the thing that in the bygone ages gifted him and yet again will gift him with the seeing eye, the thinking hand, the body that fails not, the winged soul that stores up precious memories.

It is hoped that these chapters will show how easy and alluring, and how good a thing it is.

While they are meant for the children six years of age and upward, it is a.s.sumed that Mother (or Father) will be active as a leader; therefore it is addressed, first of all, to the parent, whom throughout we shall call the "Guide."

Some of these stories date back to my school days, although the first actually published was "Why the Chicadee Goes Crazy Twice a Year." This in its original form appeared in "Our Animal Friends" in September, 1893. Others, as "The Fingerboard Goldenrod," "Brook-Brownie," "The Bluebird," "Diablo and the Dogwood," "How the Violets Came," "How the Indian Summer Came," "The Twin Stars," "The Fairy Lamps," "How the Littlest Owl Came," "How the Shad Came," appeared in slightly different form in the _Century Magazine_, 1903 and 1904.

My thanks are due to the Authorities of the American Museum who have helped me with specimens and criticism; to the published writings of Dr.

W. J. Holland and Clarence M. Weed for guidance in insect problems; to Britton and Browne's "Ill.u.s.trated Flora, U. S. and Canada"; and to the Nature Library of Doubleday, Page & Co., for light in matters botanic; to Mrs. Daphne Drake and Mrs. Mary S. Dominick for many valuable suggestions, and to my wife, Grace Gallatin Seton, for help with the purely literary work.

Also to Oliver P. Medsger, the naturalist of Lincoln High School, Jersey City, N. J., for reading with critical care those parts of the ma.n.u.script that deal with flowers and insects, as well as for the ballad of the Ox-eye, the story of its coming to America, and the photograph of the Mecha-meck.

INTRODUCTION

_Mother Carey_

All-mother! Mater Cara! I have never seen you, but I hungered so to know you that I understood it when you came, unseen, and silently whispered to me that first time in the long ago.

I cannot tell the children what you look like, Mother Carey, for mortal eye hath never rested on your face; and yet I can offer them a portrait, O strong Angel of the Wild Things, neither young nor old--Oh! loving One that neither trembles nor relents!

A mink he was, a young mink and foolish. One of a happy brood, who were seeing the world with their mother--a first glimpse of it. She was anxious and leading, happy and proud, warning, sniffing, inviting, loving, yet angersome at trivial disobedience, doling out her wisdom in nips and examples and shrill warnings that all heeded; except this one, the clever fool of the family, the self-satisfied smart one. He would not be warned, the thing smelt so good. He plunged ahead. Mother was a fool; he was wiser than Mother. Here was a merry feasting for him. Then _clank_! The iron jaws of a trap sprang from the hiding gra.s.s, and clutched on his soft young paws. Screams of pain, futile strainings, writhings, ragings and moanings; b.l.o.o.d.y jaws on the trap; the mother distraught with grief, eager to take all the punishment herself, but helpless and stunned, unable to leave; the little brothers, aghast at this first touch of pa.s.sion, this glimpse of reality, skurrying, scared, going and coming, mesmerized, with glowing eyes and bristling shoulder-fur. And the mother, mad with sorrow, goaded by the screaming, green-eyed, vacant-minded, despairing--till a new spirit entered into her, the spirit of Cara the All-mother, Mother Carey the Beneficent, Mother Carey the wise Straightwalker. Then the mother mink, inspired, sprang on her suffering baby. With all the power of her limbs she sprang and clutched; with all the power of her love she craunched. His screams were ended; his days in the land were ended. He had not heeded her wisdom; the family fool was finished. The race was better, better for the suffering fool mink; better for the suffering mother mink.

The spirit left her; left her limp and broken-hearted. And away on the wind went riding, grimly riding her empire.

Four swift steeds for riding, has she, the White Wind, the West Wind, the Wet Wind and the Waking Wind. But mostly she rides the swift West Wind.

She is strong, is Mother Carey, strong, wise, inexorable, calm and direct as an iceberg. And beneficent; but she loves the strong ones best. She ever favours the wise ones. She is building, ceaselessly building. The good brick she sets in a place of honour, and the poor one she grinds into gravel for the workmen to walk on.

She loves you, but far less than she does your race. It may be that you are not wise, and if it seem best, she will drop a tear and crush you into the dust.

Three others there be of power, like Mother Carey: Maka Ina who is Mother Earth; El Sol, the Sun in the Sky, and Diablo the Evil Spirit of Disease and Dread. But over all is the One Great Spirit, the Beginning and the Ruler with these and many messengers, who do His bidding. But mostly you shall hear of Mother Carey.

It is long ago since first I heard her whisper, and though I hear better now than then, I have no happier memory than that earliest message.

"Ho Wayseeker," she called, "I have watched your struggle to find the pathway, and I know that you will love the things that belong to it.

Therefore, I will show you the trail, and this is what it will lead you to: a thousand pleasant friends.h.i.+ps that will offer honey in little th.o.r.n.y cups, the twelve secrets of the underbrush, the health of sunlight, suppleness of body, the unafraidness of the night, the delight of deep water, the goodness of rain, the story of the trail, the knowledge of the swamp, the aloofness of knowing,--yea, more, a crown and a little kingdom measured to your power and all your own.

"But there is a condition attached. When you have found a trail you are thereby ordained a guide. When you have won a kingdom you must give it to the world or lose it. For those who have got power must with it bear responsibility; evade the one, the other fades away."

This is the pledge I am trying to keep; I want to be your Guide. I am offering you my little kingdom.

THINGS TO SEE IN SPRINGTIME

[Ill.u.s.tration: Blue-eyes the Snow Child]

Things to See in Springtime

TALE 1

Blue-eyes, the Snow Child, or The Story of Hepatica

Have you ever seen El Sol, the Chief of the Wonder-workers, brother to Mother Carey? Yes, you have, though probably you did not know it; at least you could not look him in the face. Well, I am going to tell you about him, and tell of a sad thing that happened to him, and to some one whom he loved more than words can tell.

Tall and of blazing beauty was El Sol, the King of the Wonder-workers; his hair was like s.h.i.+ning gold, and stood straight out a yard from his head, as he marched over the hilltops.

Everyone loved him, except a very few, who once had dared to fight him, and had been worsted. Everyone else loved him, and he liked everybody, without really loving them. Until one day, as he walked in his garden, he suddenly came on a beautiful white maiden, whom he had never seen before. Her eyes were of the loveliest blue, her hair was so soft that it floated on the air, and her robe was white, covered with ferns done in white lace.

He fell deeply in love with her at once, but she waved a warning hand, when he tried to come near.

"Who are you, oh radiant princess? I love you even before I hear you speak."

"I am Snowroba, the daughter of the great King Jackfrost," she said.

"I love you as I never loved any one. Will you marry me? I am the King of the Wonder-workers. I will make you the Queen."

"No," said she, "I cannot marry you, for it is written that if one of my people marry one of your people, she will sink down and die in a day."