Helen with the High Hand Part 14

"Unless ye want to have trouble with me," said he, grimly.

"But, uncle----"

"It's no good b.u.t.ting uncle," he replied. "If ye didna' mean to go, why did ye give young Prockter to understand as ye would go? I'll tell ye why ye changed your mind, la.s.s. It's because you're ashamed o' being seen there with yer old uncle, and I'm sorry for it."

"Uncle!" she protested. "How can you say such a thing? You ought to know that no such idea ever entered my head."

He did know that no such idea had ever entered her head, and he was secretly puzzling for the real reason of her projected refusal. But, being determined that she should go, he had employed the surest and the least scrupulous means of achieving his end.

He tapped nervously on the table, and maintained the silence of the wounded and the proud.

"Of course, if you take it in that way," she said, after a pause, "I will go."

And he went through the comedy of gradually recovering from a wound.

His boldness in accepting the invitation and in compelling Helen to accompany him was the audacity of sheer ignorance. He had not surmised the experiences which lay before him. She told him to order a cab. She did not suggest the advisability of a cab. She stated, as a plat.i.tude, the absolute indispensability of a cab. He had meant to ride to Hillport in the tramcar, which ran past Mrs. Prockter's gates. However, he reluctantly agreed to order a cab, being fearful lest she might, after all, refuse to go. It was remarkable that, after having been opposed to the policy of throwing Helen and Emanuel together, he was now in favour of it.

On the evening, when at five minutes past nine she came into the front room clad for Mrs. Prockter's party, he perceived that the tramcar would have been unsuitable. A cab might hold her. A hansom would certainly not have held her. She was all in white, and very complicated. No hat; simply a white, silver-spangled bandage round her head, neck, and shoulders!

She glanced at him. He wore his best black clothes. "You look very well," said she, surprisingly. "That old-fas.h.i.+oned black necktie is splendid."

So they went. James had the peculiar illusion that he was going to a belated funeral, for except at funerals he had never in his life ridden in a cab.

When he descended with his fragile charge in Mrs. Prockter's illuminated porch, another cab was just ploughing up the gravel of the drive in departure, and nearly the whole tribe of Swetnams was on the doorstep; some had walked, and were boasting of speed. There were Sarah Swetnam, her brother Ted, the lawyer, her brother Ronald, the borough surveyor, her brother Adams, the bank cas.h.i.+er, and her sister Enid, aged seventeen. This child was always called "Jos" by the family, because they hated the name "Enid," which they considered to be "silly." Lilian, the newly-affianced one, was not in the crowd.

"Where's Lilian?" Helen asked, abruptly.

"Oh, she came earlier with the powerful Andrew," replied the youthful and rather jealous Jos. "She isn't an ordinary girl now."

Sarah rapidly introduced her brothers and sisters to James. They were all very respectful and agreeable; and Adams Swetnam pressed his hand quite sympathetically, and Jos's frank smile was delicious. What surprised him was that n.o.body seemed surprised at his being there. None of the girls wore hats, he noticed, and he also noticed that the three men (all about thirty in years) wore silk hats, white m.u.f.flers, and blue overcoats.

A servant--a sort of special edition of James's Georgiana--appeared, and robbed everybody of every garment that would yield easily to pulling.

And then those lovely creatures stood revealed. Yes, Sarah herself was lovely under the rosy shades. The young men were elegantly slim, and looked very much alike, except that Adams had a beard--a feeble beard, but a beard. It is true that in their exact correctness they might have been mistaken for toast-masters, or, with the slight addition of silver neck-chains, for high officials in a costly restaurant. But great-stepuncle James could never have been mistaken for anything but a chip of the early nineteenth century flicked by the hammer of Fate into the twentieth. His wide black necktie was the secret envy of the Swetnam boys.

The Swetnam boys had the air of doing now what they did every night of their lives. With facile ease, they led the way through the long hall to the drawing-room. James followed, and _en route_ he observed at the extremity of a side-hall two young people sitting with their hands together in a dusky corner. "Male and female created He them!" reflected James, with all the tolerant, disdainful wisdom of his years and situation.

A piano was then heard, and as Ronald Swetnam pushed open the drawing-room door for the women to enter, there came the sound of a shocked "S-s.h.!.+"

Whereupon the invaders took to the tips of their toes and crept in as sinners. At the farther end a girl was sitting at a grand piano, and in front of the piano, glorious, effulgent, monarchical, stood Emanuel Prockter, holding a piece of music horizontally at the level of his waist. He had a white flower in his b.u.t.tonhole, and, adhering to a quaint old custom which still lingers in the Five Towns, and possibly elsewhere, he showed a crimson silk handkerchief tucked in between his s.h.i.+rt-front and his white waistcoat. He had broad bands down the sides of his trousers. Not a hair of his head had been touched by the accidental winds of circ.u.mstance. He surveyed the couple of dozen people in the large, glowing room with a fixed smile and gesture of benevolent congratulation.

Mrs. Prockter was close to the door. "Emanuel is just going to sing,"

she whispered, and shook hands silently with James Ollerenshaw first.

CHAPTER XIV

SONG, SCENE AND DANCE

Every head was turned. Emanuel coughed, frowned, and put his left hand between his collar and his neck, as though he had concealed something there. The new arrivals slipped cautiously into chairs. James was between Helen and Jos. And he distinctly saw Jos wink at Helen, and Helen wink back. The winks were without doubt an expression of sentiments aroused by the solemnity of Emanuel's frown.

The piano tinkled on, and then Emanuel's face was observed to change.

The frown vanished and a smile of heavenly rapture took its place. His mouth gradually opened till its resemblance to the penultimate vowel was quite realistic, and simultaneously, by a curious muscular co-ordination, he rose on his toes to a considerable height in the air.

The strain was terrible--like waiting for a gun to go off. James was conscious of a strange vibration by his side, and saw that Jos Swetnam had got the whole of a lace handkerchief into her mouth.

The gun went off--not with a loud report, but with a gentle and lofty tenor piping, somewhere in the neighbourhood of F, or it might have been only E (though, indeed, a photograph would have suggested that Emanuel was singing at lowest the upper C), and the performer slowly resumed his normal stature.

"O Love!" he had exclaimed, adagio and sostenuto.

Then the piano, in its fas.h.i.+on, also said: "O Love!"

"O Love!" Emanuel exclaimed again, with slight traces of excitement, and rising to heights of stature hitherto undreamt of.

And the piano once more, in turn, called plaintively on love.

It would be too easy to mock Emanuel's gift of song. I leave that to people named Swetnam. There can be no doubt Emanuel had a very taking voice, if thin, and that his singing gave pleasure to the majority of his hearers. More than any one else, it pleased himself. When he sang he seemed to be inspired by the fact, to him patent, that he was conferring on mankind a boon inconceivably precious. If he looked a fool, his looks seriously misinterpreted his feelings. He did not spare himself on that evening. He told his stepmother's guests all about love and all about his own yearnings. He hid nothing from them. He made no secret of the fact that he lived for love alone, that he had known innumerable loves, but none like one particular variety, which he described in full detail.

As a confession, and especially as a confession uttered before many maidens, it did not err on the side of reticence. Presently, having described a kind of amorous circle, he came again to: "O Love!" But this time his voice cracked: which made him angry, with a stern and controlled anger. Still singing, he turned slowly to the pianist, and fiercely glared at the pianist's unconscious back. The obvious inference was that if his voice had cracked the fault was the pianist's. The pianist, poor thing, utterly unaware of the castigation she was receiving, stuck to her business. Less than a minute later, Emanuel's voice cracked again. This time he turned even more deliberately to the pianist. He was pained. He stared during five complete bars at the back of the pianist, still continuing his confession. He wished the audience to understand clearly where the blame lay. Finally, when he thought the pianist's back was sufficiently cooked, he faced the audience.

"I hope the pianist will not be so atrociously clumsy as to let my voice crack again," he seemed to be saying.

Evidently his reproof to the pianist's back was effectual, for his voice did not crack again.

And at length, when Jos had communicated her vibration to all her family, and every one had ceased to believe that the confession would ever end, the confession did end. It ended as it had begun, in an even, agreeable tenor piping. Emanuel was much too great an artist to allow himself to be carried away by his emotion. The concluding words were, "Oh, rapture!" and Emanuel sang them just as if he had been singing "One-and-eleven-pence three-farthings."

"Oh, rats!" said Jos, under cover of the impa.s.sioned applause.

"It was nearly as long as Jarndyce _v_. Jarndyce," observed Adams, under the same cover.

"What!" cried James, enchanted. "Have you been reading that too?"

Adams Swetnam and great-stepuncle James had quite a little chat on the subject of Jarndyce _v_. Jarndyce. Several other people, including the hostess, joined in the conversation, and James was surprised at the renown which Jarndyce _v._ Jarndyce seemed to enjoy; he was glad to find his view shared on every hand. He was also glad, and startled, to discover himself a personality in the regions of Hillport. He went through more formal introductions in ten minutes than he had been through during the whole of his previous life. It was a hot evening; he wiped his brow. Then iced champagne was served to him. Having fluttered round him, in her ample way, and charmingly flattered him, Mrs. Prockter left him, encircled chiefly by young women, in order to convey to later arrivals that they, and they alone, were the authentic objects of her solicitude. Emanuel Prockter, clad in triumph, approached, and questioned James, as one shrewd man of business may question another, concerning the value in the market of Wilbraham Hall.

Shortly afterwards a remarkable occurrence added zest to the party.

Helen had wandered away with Sarah and Jos Swetnam. She reentered the drawing-room while James and Emanuel were in discussion, and her att.i.tude towards Emanuel was decidedly not sympathetic. Then Sarah Swetnam came in alone. And then Andrew Dean came in alone.

"Oh, here's Andrew, Helen!" Sarah exclaimed.

Andrew Dean had the air of a formidable personage. He was a tall, heavy, dark young man, with immense sloping shoulders, a black moustache, and incandescent eyes, which he used as though he were somewhat suspicious of the world in general. If his dress had been less untidy, he would have made a perfect villain of melodrama. He smiled the unsure smile of a villain as he awkwardly advanced, with out-stretched hand, to Helen.

Helen put her lips together, kept her hands well out of view, and offered him a bow that could only have been properly appreciated under a microscope.

The episode was quite negative; but it amounted to a scene--a scene at one of Mrs. Prockter's parties! A scene, moreover, that mystified everybody; a scene that implied war and the wounded!

Some discreetly withdrew. Of these was Emanuel, who had the sensitiveness of an artist.

Andrew Dean presently perceived, after standing for some seconds like an imbecile stork on one leg, that the discretion of the others was worthy to be imitated. At the door he met Lilian, and they disappeared together arm in arm, as betrothed lovers should. Three people remained in that quarter of the drawing-room--Helen, her uncle, and Sarah Swetnam.