Helen with the High Hand Part 8

"Yes, and what about Monday?" His gloom was not easily to be dispersed.

"I'll come on Monday," she replied, with increasing cheerfulness.

"But your school, where ye teach everything, la.s.s?"

"Of course, I shall give up school," said she, "at once. They must do without me. It will mean promotion for some one. I can't bother about giving proper notice. Supposing you had been dangerously ill, I should have come, and they would have managed without me. Therefore, they _can_ manage without me. Therefore, they must."

He kept up a magnificent gloom until she left for the night. And then he danced a hornpipe of glee--not with his legs, but in his heart. He had deliberately schemed to get rid of Mrs. b.u.t.t by means of Helen Rathbone.

The idea had occurred to him as he entered the house. That was why he had encouraged her to talk freely about servants by a.s.suring her that Mrs. b.u.t.t was not in the scullery, being well aware that Mrs. b.u.t.t was in the scullery. He had made a tool of the unsuspecting, good-natured Helen, smart though she was! He had transitory qualms of fear about the possible expensiveness of Helen. He had decidedly not meant that she should give up school and nearly thirty s.h.i.+llings a week. But, still, he had managed her so far, and he reckoned that he could continue to manage her.

He regretted that she had not praised his music. And Helen wrote the same evening to her mother. From a very long and very exciting letter the following excerpts may be culled:

"I saw the fat old servant in the scullery at once. But uncle thought she wasn't there. He is a funny old man--rather silly, like most old men----but I like him, and you can say what you please. He isn't silly really. I instantly decided that I would get rid of that servant. And I did do, and poor uncle never suspected. In a few days I shall come to live here. It's much safer. Supposing he was taken ill and died, and left all his money to hospitals and things, how awfully stupid that would be! I told him I should leave the school, and he didn't turn a hair. He's a dear, and I don't care a fig for his money--except to spend it for him. His tiny house is simply lovely, terrifically clean, and in the loveliest order. But I've no intention that we shall stay here. I think I shall take a large house up at Hillport. Uncle is only old in some ways; in many ways he's quite young. So I hope he won't mind a change. By the way, he told me about your age. My dearest mother, how could you--" etc.

In such manner came Helen Rathbone to keep house for her great-stepuncle.

CHAPTER IX

A GREAT CHANGE

"Helen Rathbone," said Uncle James one Tuesday afternoon, "have ye been meddling in my cashbox?"

They were sitting in the front room, Helen in a light-grey costume that cascaded over her chair and half the next chair, and James Ollerenshaw in the deshabille of his Turkish cap. James was at his desk. It is customary in the Five Towns, when you feel combative, astonished, or ironic towards another person, to address that other person by his full name.

"You left the key in your cashbox this morning, uncle," said Helen, glancing up from a book, "while you were fiddling with your safe in your bedroom."

He did not like the word "fiddling." It did not suit either his dignity or the dignity of his huge Milner safe.

"Well," he said, "and if I did! I wasn't upstairs more nor five minutes, and th' new servant had na' come! There was but you and me in th'

house."

"Yes. But, you see, I was in a hurry to go out marketing, and I couldn't wait for you to come down."

He ignored this remark. "There's a tenpun' note missing," said he.

"Don't play them tricks on me, la.s.s; I'm getting an oldish man. Where hast hidden it? I mun go to th' bank." He spoke plaintively.

"My dear uncle," she replied, "I've not hidden your ten-pound note. I wanted some money in a hurry, so I took it. I've spent some of it."

"Spent some of it!" he exclaimed. "How much hast spent?"

"Oh, I don't know. But I make up my accounts every night."

"La.s.s," said he, staring firmly out of the window, "this won't do. I let ye know at once. This wunna' do." He was determined to be master in his own house. She also was determined to be master in his own house.

Conflict was imminent.

"May I ask what you mean, uncle?"

He hesitated. He was not afraid of her. But he was afraid of her dress--not of the material, but of the cut of it. If she had been Susan in Susan's dowdy and wrinkled alpaca, he would have translated his just emotion into what critics call "simple, nervous English"--that is to say, Shakespearean prose. But the aristocratic, insolent perfection of Helen's gown gave him pause.

"Why didn't you tell me?" he demanded.

"I merely didn't think of it," she said. "I've been very busy."

"If you wanted money, why didn't you ask me for it?" he demanded.

"I've been here over a week," said she, "and you've given me a pound and a postal order for ten s.h.i.+llings, which I had to ask for. Surely you must have guessed, uncle, that even if I'd put the thirty s.h.i.+llings in the savings bank we couldn't live on the interest of it, and that I was bound to want more. Something like seventy meals have been served in this house since I entered it."

"I gave Mrs. b.u.t.t a pound a wik," he observed.

"But think what a good manager Mrs. b.u.t.t was!" she said, with the sweetness of a saint.

He was accustomed to distributing satire, but not to receiving it. And, receiving this s...o...b..ll full in the mouth, he did not quite know what to do with it; whether to pretend that he had received nothing, or to call a policeman. He ended by spluttering.

"It's easy enough to ask for money when you want it," he said.

"I hate asking for money," she said. "All women do."

"Then am I to be inquiring every morning whether you want money?" he questioned, sarcastically.

"Certainly, uncle," she answered. "How else are you to know?"

Difficult to credit that that girl had been an angel of light all the week, existing in a paradise which she had created for herself, and for him! And now, to defend an action utterly indefensible, she was employing a tone that might be compared to some fiendish instrumental device of a dentist.

But James Ollerenshaw did not wish his teeth stopped, nor yet extracted.

He had excellent teeth. And, in common with all men who have never taken thirty consecutive repasts alone with the same woman, he knew how to treat women, how to handle them--the trout!

He stood up. He raised all his body. Helen raised only her eyebrows.

"Helen Rathbone!" Such was the exordium. As an exordium, it was faultless. But it was destined to remain a fragment. It goes down to history as a perfect fragment, like the beginning of a pagan temple that the death of G.o.ds has rendered superfluous.

For a dog-cart stopped in front of the house at that precise second, deposited a lady of commanding mien, and dashed off again. The lady opened James's gate and knocked at James's front door. She could not be a relative of a tenant. James was closely acquainted with all his tenants, and he had none of that calibre. Moreover, Helen had caused a small board to be affixed to the gate: "Tenants will please go round to the back."

"Bless us!" he murmured, angrily. And, by force of habit, he went and opened the door. Then he recognised the lady. It was Sarah Swetnam, eldest child of the large and tumultuously intellectual Swetnam family that lived in a largish house in a largish way higher up the road, and as to whose financial stability rumour always had something interesting to say.

"Is Miss Rathbone here?"

Before he could reply, there was an ecstatic cry behind him: "Sally!"

And another in front of him: "Nell!"

In the very nick of time he slipped aside, and thus avoided the inconvenience of being crushed to pulp between two locomotives under full steam. It appeared that they had not met for some years, Sally having been in London. The reunion was an affecting sight, and such a sight as had never before been witnessed in James's house. The little room seemed to be full of fas.h.i.+onable women, to be all gloves, frills, hat, parasol, veil, and whirling flowers; also scent. They kissed, through Sally's veil first, and then she lifted the veil, and four vermilion lips clung together. Sally was even taller than Helen, with a solid waist; and older, more brazen. They both sat down. Fas.h.i.+onable women have a manner of sitting down quite different from that of ordinary women, such as the wives of James's tenants. They only touch the back of the chair at the top. They don't loll, but they only escape lolling by dint of gracefulness. It is an affair of curves, slants, descents, nicely calculated. They elaborately lead your eye downwards over gradually increasing expanses, and naturally you expect to see their feet--and you don't see their feet. The thing is apt to be disturbing to unhabituated beholders.

Then fas.h.i.+onable women always begin their conversation right off. There are no modest or shy or decently awkward silences at the start. They slip into a conversation as a duck into water. In three minutes Helen had told Sarah Swetnam everything about her leaving the school, and about her establishment with her great-stepuncle. And Sarah seemed delighted, and tapped the tiles of the floor with the tip of her sunshade, and gazed splendidly over the room.

"And there are your books there, I see!" she said, in her positive, calm voice, pointing to a few hundred books that were stacked in a corner.

"How lovely! You remember you promised to lend me that book of Th.o.r.eau's--what did you call it?--and you never did!"