The Wheels of Chance Part 6

"My dear girl, do let us be cynical. You haven't money and you haven't credit. No one would take you in. It's one of two things: go back to your stepmother, or--trust to me."

"How CAN I?"

"Then you must go back to her." He paused momentarily, to let this consideration have its proper weight. "Jessie, I did not mean to say the things I did. Upon my honour, I lost my head when I spoke so. If you will, forgive me. I am a man. I could not help myself. Forgive me, and I promise you--"

"How can I trust you?"

"Try me. I can a.s.sure you--"

She regarded him distrustfully.

"At any rate, ride on with me now. Surely we have been in the shadow of this horrible bridge long enough."

"Oh! let me think," she said, half turning from him and pressing her hand to her brow.

"THINK! Look here, Jessie. It is ten o'clock. Shall we call a truce until one?"

She hesitated, demanded a definition of the truce, and at last agreed.

They mounted, and rode on in silence, through the sunlight and the heather. Both were extremely uncomfortable and disappointed. She was pale, divided between fear and anger. She perceived she was in a sc.r.a.pe, and tried in vain to think of a way of escape. Only one tangible thing would keep in her mind, try as she would to ignore it. That was the quite irrelevant fact that his head was singularly like an albino cocoanut. He, too, felt thwarted. He felt that this romantic business of seduction was, after all, unexpectedly tame. But this was only the beginning. At any rate, every day she spent with him was a day gained.

Perhaps things looked worse than they were; that was some consolation.

XVI. OF THE ARTIFICIAL IN MAN, AND OF THE ZEITGEIST

You have seen these two young people--Bechamel, by-the-bye, is the man's name, and the girl's is Jessie Milton--from the outside; you have heard them talking; they ride now side by side (but not too close together, and in an uneasy silence) towards Haslemere; and this chapter will concern itself with those curious little council chambers inside their skulls, where their motives are in session and their acts are considered and pa.s.sed.

But first a word concerning wigs and false teeth. Some jester, enlarging upon the increase of bald heads and purblind people, has deduced a wonderful future for the children of men. Man, he said, was nowadays a hairless creature by forty or fifty, and for hair we gave him a wig; shrivelled, and we padded him; toothless, and lo! false teeth set in gold. Did he lose a limb, and a fine, new, artificial one was at his disposal; get indigestion, and to hand was artificial digestive fluid or bile or pancreatine, as the case might be. Complexions, too, were replaceable, spectacles superseded an inefficient eye-lens, and imperceptible false diaphragms were thrust into the failing ear. So he went over our anatomies, until, at last, he had conjured up a weird thing of shreds and patches, a simulacrum, an artificial body of a man, with but a doubtful germ of living flesh lurking somewhere in his recesses. To that, he held, we were coming.

How far such odd subst.i.tution for the body is possible need not concern us now. But the devil, speaking by the lips of Mr. Rudyard Kipling, hath it that in the case of one Tomlinson, the thing, so far as the soul is concerned, has already been accomplished. Time was when men had simple souls, desires as natural as their eyes, a little reasonable philanthropy, a little reasonable philoprogenitiveness, hunger, and a taste for good living, a decent, personal vanity, a healthy, satisfying pugnacity, and so forth. But now we are taught and disciplined for years and years, and thereafter we read and read for all the time some strenuous, nerve-destroying business permits. Pedagogic hypnotists, pulpit and platform hypnotists, book-writing hypnotists, newspaper-writing hypnotists, are at us all. This sugar you are eating, they tell us, is ink, and forthwith we reject it with infinite disgust.

This black draught of unrequited toil is True Happiness, and down it goes with every symptom of pleasure. This Ibsen, they say, is dull past believing, and we yawn and stretch beyond endurance. Pardon! they interrupt, but this Ibsen is deep and delightful, and we vie with one another in an excess of entertainment. And when we open the heads of these two young people, we find, not a straightforward motive on the surface anywhere; we find, indeed, not a soul so much as an oversoul, a zeitgeist, a congestion of acquired ideas, a highway's feast of fine, confused thinking. The girl is resolute to Live Her Own Life, a phrase you may have heard before, and the man has a pretty perverted ambition to be a cynical artistic person of the very calmest description. He is hoping for the awakening of Pa.s.sion in her, among other things. He knows Pa.s.sion ought to awaken, from the text-books he has studied. He knows she admires his genius, but he is unaware that she does not admire his head. He is quite a distinguished art critic in London, and he met her at that celebrated lady novelist's, her stepmother, and here you have them well embarked upon the Adventure. Both are in the first stage of repentance, which consists, as you have probably found for yourself, in setting your teeth hard and saying' "I WILL go on."

Things, you see, have jarred a little, and they ride on their way together with a certain aloofness of manner that promises ill for the orthodox development of the Adventure. He perceives he was too precipitate. But he feels his honour is involved, and meditates the development of a new attack. And the girl? She is unawakened. Her motives are bookish, written by a haphazard syndicate of authors, novelists, and biographers, on her white inexperience. An artificial oversoul she is, that may presently break down and reveal a human being beneath it. She is still in that schoolgirl phase when a talkative old man is more interesting than a tongue-tied young one, and when to be an eminent mathematician, say, or to edit a daily paper, seems as fine an ambition as any girl need aspire to. Bechaniel was to have helped her to attain that in the most expeditious manner, and here he is beside her, talking enigmatical phrases about pa.s.sion, looking at her with the oddest expression, and once, and that was his gravest offence, offering to kiss her. At any rate he has apologised. She still scarcely realises, you see, the sc.r.a.pe she has got into.

XVII. THE ENCOUNTER AT MIDHURST

We left Mr. Hoopdriver at the door of the little tea, toy, and tobacco shop. You must not think that a strain is put on coincidence when I tell you that next door to Mrs. Wardor's--that was the name of the bright-eyed, little old lady with whom Mr. Hoopdriver had stopped--is the Angel Hotel, and in the Angel Hotel, on the night that Mr.

Hoopdriver reached Midhurst, were 'Mr.' and 'Miss' Beaumont, our Bechamel and Jessie Milton. Indeed, it was a highly probable thing; for if one goes through Guildford, the choice of southward roads is limited; you may go by Petersfield to Portsmouth, or by Midhurst to Chichester, in addition to which highways there is nothing for it but minor roadways to Petworth or Pulborough, and cross-cuts Brightonward. And coming to Midhurst from the north, the Angel's entrance lies yawning to engulf your highly respectable cyclists, while Mrs. Wardor's genial teapot is equally attractive to those who weigh their means in little scales.

But to people unfamiliar with the Suss.e.x roads--and such were the three persons of this story--the convergence did not appear to be so inevitable.

Bechamel, tightening his chain in the Angel yard after dinner, was the first to be aware of their reunion. He saw Hoopdriver walk slowly across the gateway, his head enhaloed in cigarette smoke, and pa.s.s out of sight up the street. Incontinently a ma.s.s of cloudy uneasiness, that had been partly dispelled during the day, reappeared and concentrated rapidly into definite suspicion. He put his screw hammer into his pocket and walked through the archway into the street, to settle the business forthwith, for he prided himself on his decision. Hoopdriver was merely promenading, and they met face to face.

At the sight of his adversary, something between disgust and laughter seized Mr. Hoopdriver and for a moment destroyed his animosity. "'Ere we are again!" he said, laughing insincerely in a sudden outbreak at the perversity of chance.

The other man in brown stopped short in Mr. Hoopdriver's way, staring.

Then his face a.s.sumed an expression of dangerous civility. "Is it any information to you," he said, with immense politeness, "when I remark that you are following us?"

Mr. Hoopdriver, for some occult reason, resisted his characteristic impulse to apologise. He wanted to annoy the other man in brown, and a sentence that had come into his head in a previous rehearsal cropped up appropriately. "Since when," said Mr. Hoopdriver, catching his breath, yet bringing the question out valiantly, nevertheless,--"since when 'ave you purchased the county of Suss.e.x?"

"May I point out," said the other man in brown, "that I object--we object not only to your proximity to us. To be frank--you appear to be following us--with an object."

"You can always," said Mr. Hoopdriver, "turn round if you don't like it, and go back the way you came."

"Oh-o!" said the other man in brown. "THAT'S it! I thought as much."

"Did you?" said Mr. Hoopdriver, quite at sea, but rising pluckily to the unknown occasion. What was the man driving at?

"I see," said the other man. "I see. I half suspected--" His manner changed abruptly to a quality suspiciously friendly. "Yes--a word with you. You will, I hope, give me ten minutes."

Wonderful things were dawning on Mr. Hoopdriver. What did the other man take him for? Here at last was reality! He hesitated. Then he thought of an admirable phrase. "You 'ave some communication--"

"We'll call it a communication," said the other man.

"I can spare you the ten minutes," said Mr. Hoopdriver, with dignity.

"This way, then," said the other man in brown, and they walked slowly down the North Street towards the Grammar School. There was, perhaps, thirty seconds' silence. The other man stroked his moustache nervously.

Mr. Hoopdriver's dramatic instincts were now fully awake. He did not quite understand in what role he was cast, but it was evidently something dark and mysterious. Doctor Conan Doyle, Victor Hugo, and Alexander Dumas were well within Mr. Hoopdriver's range of reading, and he had not read them for nothing.

"I will be perfectly frank with you," said the other man in brown.

"Frankness is always the best course," said Mr. Hoopdriver.

"Well, then--who the devil set you on this business?"

"Set me ON this business?"

"Don't pretend to be stupid. Who's your employer? Who engaged you for this job?"

"Well," said Mr. Hoopdriver, confused. "No--I can't say."

"Quite sure?" The other man in brown glanced meaningly down at his hand, and Mr. Hoopdriver, following him mechanically, saw a yellow milled edge glittering in the twilight. Now your shop a.s.sistant is just above the tip-receiving cla.s.s, and only just above it--so that he is acutely sensitive on the point.

Mr. Hoopdriver flushed hotly, and his eyes were angry as he met those of the other man in brown. "Stow it!" said Mr. Hoopdriver, stopping and facing the tempter.

"What!" said the other man in brown, surprised. "Eigh?" And so saying he stowed it in his breeches pocket.

"D'yer think I'm to be bribed?" said Mr. Hoopdriver, whose imagination was rapidly expanding the situation. "By Gos.h.!.+ I'd follow you now--"

"My dear sir," said the other man in brown, "I beg your pardon. I misunderstood you. I really beg your pardon. Let us walk on. In your profession--"

"What have you got to say against my profession?"

"Well, really, you know. There are detectives of an inferior description--watchers. The whole cla.s.s. Private Inquiry--I did not realise--I really trust you will overlook what was, after all--you must admit--a natural indiscretion. Men of honour are not so common in the world--in any profession."