Selected Writings of Guy De Maupassant Part 35

But just then, the policeman reported that he had tried to get into the s.e.xton's hut through the door or a window, and that at last he had succeeded in doing so by breaking open a square in a window which had been mended with paper, that he had opened it and obtained possession of the key, which he brought to the police director.

The plans were very quickly settled. The police director had the chapel opened and went in with the young Lat.i.tudinarian; then he told the police sergeant to lock the door behind him and to put the key back where he had found it, and to shut the window of the s.e.xton's cottage carefully. Lastly, he made arrangements as to what they were to do, in case anything unforeseen should occur, whereupon the sergeant and the constable left the churchyard, and lay down in a ditch at some distance from the gate, but opposite to it.

Almost as soon as the clock struck half past eleven, they heard steps near the chapel, whereupon the police director and the young Lat.i.tudinarian went to the window in order to watch the beginning of the exorcism, and as the chapel was in total darkness, they thought that they should be able to see without being seen; but matters turned out differently from what they expected.

Suddenly, the key turned in the lock. They barely had time to conceal themselves behind the altar, before two men came in, one of whom was carrying a dark lantern. One was the young man's father, an elderly man of the middle cla.s.s, who seemed very unhappy and depressed, the other the Jesuit father X----, a tall, lean, big-boned man, with a thin, bilious face, in which two large gray eyes shone restlessly under bushy, black eyebrows. He lit the tapers, which were standing on the altar, and began to say a "Requiem Ma.s.s"; while the old man kneeled on the altar steps and served him.

When it was over, the Jesuit took the book of the Gospels and the holy-water sprinkler, and went slowly out of the chapel, the old man following him with the holy-water basin in one hand, and a taper in the other. Then the police director left his hiding place, and stooping down, so as not to be seen, crept to the chapel window, where he cowered down carefully; the young man followed his example. They were now looking straight at his mother's grave.

The Jesuit, followed by the superst.i.tious old man, walked three times round the grave; then he remained standing before it, and by the light of the taper read a few pa.s.sages from the Gospel. Then he dipped the holy-water sprinkler three times into the holy-water basin, and sprinkled the grave three times. Then both returned to the chapel, kneeled down outside it with their faces toward the grave, and began to pray aloud, until at last the Jesuit sprang up, in a species of wild ecstasy, and cried out three times in a shrill voice:

"Exsurge! Exsurge! Exsurge!"[1]

Scarcely had the last words of the exorcism died away, when thick, blue smoke rose out of the grave, rapidly grew into a cloud, and began to a.s.sume the outlines of a human body, until at last a tall, white figure stood behind the grave, and beckoned with its hand.

"Who art thou?" the Jesuit asked solemnly, while the old man began to cry.

"When I was alive, I was called Anna Maria B----," replied the ghost in a hollow voice.

"Will you answer all my questions?" the priest continued.

"As far as I can."

"Have you not yet been delivered from purgatory by our prayers, and by all the Ma.s.ses for your soul, which we have said for you?"

"Not yet, but soon, soon I shall be."

"When?"

"As soon as that blasphemer, my son, has been punished."

"Has that not already happened? Has not your husband disinherited his lost son, and in his place made the Church his heir?"

"That is not enough."

"What must he do besides?"

"He must deposit his will with the Judicial Authorities, as his last will and testament, and drive the reprobate out of his house."

"Consider well what you are saying; must this really be?"

"It must, or otherwise I shall have to languish in purgatory much longer," the sepulchral voice replied with a deep sigh; but the next moment the ghost yelled out in terror: "Oh! Good Lord!" and began to run away as fast as it could. A shrill whistle was heard, and then another, and the police director laid his hand on the shoulder of the exorciser with the remark:

"You are in custody."

Meanwhile, the police sergeant and the policeman, who had come into the churchyard, had caught the ghost, and dragged it forward. It was the s.e.xton, who had put on a flowing, white dress, and wore a wax mask, which bore a striking resemblance to his mother, so the son declared.

When the case was heard, it was proved that the mask had been very skillfully made from a portrait of the deceased woman. The government gave orders that the matter should be investigated as secretly as possible, and left the punishment of Father X----to the spiritual authorities, which was a matter of necessity, at a time when priests were outside of the jurisdiction of the civil authorities. It is needless to say that Father X----was very comfortable during his imprisonment in a monastery, in a part of the country which abounded with game and trout.

The only valuable result of the amusing ghost story was that it brought about a reconciliation between father and son; the former, as a matter of fact, felt such deep respect for priests and their ghosts in consequence of the apparition, that a short time after his wife had left purgatory for the last time in order to talk with him, he turned Protestant.

[1] Arise!

WAS IT A DREAM?

"I had loved her madly!

"Why does one love? Why does one love? How queer it is to see only one being in the world, to have only one thought in one's mind, only one desire in the heart, and only one name on the lips--a name which comes up continually, rising, like the water in a spring, from the depths of the soul to the lips, a name which one repeats over and over again, which one whispers ceaselessly, everywhere, like a prayer.

"I am going to tell you our story, for love only has one, which is always the same. I met her and loved her; that is all. And for a whole year I have lived on her tenderness, on her caresses, in her arms, in her dresses, on her words, so completely wrapped up, bound, and absorbed in everything which came from her, that I no longer cared whether it was day or night, or whether I was dead or alive, on this old earth of ours.

"And then she died. How? I do not know; I no longer know anything. But one evening she came home wet, for it was raining heavily, and the next day she coughed, and she coughed for about a week, and took to her bed.

What happened I do not remember now, but doctors came, wrote, and went away. Medicines were brought, and some women made her drink them. Her hands were hot, her forehead was burning, and her eyes bright and sad.

When I spoke to her, she answered me, but I do not remember what we said. I have forgotten everything, everything, everything! She died, and I very well remember her slight, feeble sigh. The nurse said: 'Ah!'

and I understood, I understood!

"I knew nothing more, nothing. I saw a priest, who said: 'Your mistress?' and it seemed to me as if he were insulting her. As she was dead, n.o.body had the right to say that any longer, and I turned him out. Another came who was very kind and tender, and I shed tears when he spoke to me about her.

"They consulted me about the funeral, but I do not remember anything that they said, though I recollected the coffin, and the sound of the hammer when they nailed her down in it. Oh! G.o.d, G.o.d!

"She was buried! Buried! She! In that hole! Some people came--female friends. I made my escape and ran away. I ran, and then walked through the streets, went home, and the next day started on a journey."

"Yesterday I returned to Paris, and when I saw my room again--our room, our bed, our furniture, everything that remains of the life of a human being after death--I was seized by such a violent attack of fresh grief, that I felt like opening the window and throwing myself out into the street. I could not remain any longer among these things, between these walls which had inclosed and sheltered her, which retained a thousand atoms of her, of her skin and of her breath, in their imperceptible crevices. I took up my hat to make my escape, and just as I reached the door, I pa.s.sed the large gla.s.s in the hall, which she had put there so that she might look at herself every day from head to foot as she went out, to see if her toilette looked well, and was correct and pretty, from her little boots to her bonnet.

"I stopped short in front of that looking-gla.s.s in which she had so often been reflected--so often, so often, that it must have retained her reflection. I was standing there, trembling, with my eyes fixed on the gla.s.s--on that flat, profound, empty gla.s.s--which had contained her entirely, and had possessed her as much as I, as my pa.s.sionate looks had. I felt as if I loved that gla.s.s. I touched it; it was cold. Oh!

the recollection! sorrowful mirror, burning mirror, horrible mirror, to make men suffer such torments! Happy is the man whose heart forgets everything that it has contained, everything that has pa.s.sed before it, everything that has looked at itself in it, or has been reflected in its affection, in its love! How I suffer!

"I went out without knowing it, without wis.h.i.+ng it, and toward the cemetery. I found her simple grave, a white marble cross, with these few words:

"'She loved, was loved, and died.'

"She is there, below, decayed! How horrible! I sobbed with my forehead on the ground, and I stopped there for a long time, a long time. Then I saw that it was getting dark, and a strange, mad wish, the wish of a despairing lover, seized me. I wished to pa.s.s the night, the last night, in weeping on her grave. But I should be seen and driven out.

How was I to manage? I was cunning, and got up and began to roam about in that city of the dead. I walked and walked. How small this city is, in comparison with the other, the city in which we live. And yet, how much more numerous the dead are than the living. We want high houses, wide streets, and much room for the four generations who see the daylight at the same time, drink water from the spring, and wine from the vines, and eat bread from the plains.

"And for all the generations of the dead, for all that ladder of humanity that has descended down to us, there is scarcely anything, scarcely anything! The earth takes them back, and oblivion effaces them. Adieu!

"At the end of the cemetery, I suddenly perceived that I was in its oldest part, where those who had been dead a long time are mingling with the soil, where the crosses themselves are decayed, where possibly newcomers will be put to-morrow. It is full of untended roses, of strong and dark cypress-trees, a sad and beautiful garden, nourished on human flesh.

"I was alone, perfectly alone. So I crouched in a green tree and hid myself there completely amid the thick and somber branches. I waited, clinging to the stem, like a s.h.i.+pwrecked man does to a plank.

"When it was quite dark, I left my refuge and began to walk softly, slowly, inaudibly, through that ground full of dead people. I wandered about for a long time, but could not find her tomb again. I went on with extended arms, knocking against the tombs with my hands, my feet, my knees, my chest, even with my head, without being able to find her.

I groped about like a blind man finding his way, I felt the stones, the crosses, the iron railings, the metal wreaths, and the wreaths of faded flowers! I read the names with my fingers, by pa.s.sing them over the letters. What a night! What a night! I could not find her again!