Hidden Creek Part 22

"I'm trying to go there," said Sheila; "I've been trying ever since five o'clock this morning. But I don't seem to be getting there very fast. I wanted to make Rusty before dark. And my pony got away from me and went back. I know he went back because I saw the marks of his feet and he would have gone back. Wouldn't he? Do you think I could get to Rusty on foot to-night?"

"No, ma'am. I know you couldn't. You could make it easy on horseback, though." He stared meditatively above her head and then said in a tone of resignation: "I believe I better go back myself. I'll take you."

She had finished her bandage. She looked up at him. "Go back? But you must have just started from there a few hours ago."

"Well, ma'am, I didn't come very direct. I kind of s.h.i.+fted round. But I can go back straight. And I'd really rather. I think I'd better. It was all foolishness my coming over. I can put you up back of me on my horse, if you don't mind, and we'll get to Rusty before it's lit up. I'd rather.

You don't mind riding that way, do you? You see, if I put you up and walked, it'd take lots more time."

"I don't mind," said Sheila, but she said it rather proudly so that Hilliard smiled.

"Well, ma'am, we can try it, anyway. If you go back to the road, I'll get my horse."

He seemed to have hidden his horse in a density of trees a mile from the road. Sheila waited till she thought she must have dreamed her meeting with him. He came back, looking a trifle sheepish.

"You see," he said, "I didn't come by the road, ma'am."

The horse was a large, bony animal with a mean eye.

"That isn't the pony you rode when you came to Millings," said Sheila.

He bent to examine his saddle-girth. "No, ma'am," he said gently. "I've been riding quite a variety of horse-flesh lately. I'll get on first if you don't mind and give you a hand up. You put your foot on mine. The horse will stand."

Sheila obeyed, pressing her lips tight, for she was afraid. However, his long, supple fingers closed over her wrist like steel and she got quickly and easily to her perch and clung nervously to him.

"That's right. Put your arms round tight. Are you all fixed?"

"Y--yes."

"And comfortable?"

"Y--yes, I think so."

"We're off, then."

They started on a quick, steady walk down the road. Once, Cosme loosened the six-shooter on his hip. He whistled incessantly through his teeth.

Except for this, they were both silent.

"Were you coming to Millings?" asked Sheila at last. She was of the world where silence has a certain oppressive significance. She was getting used to her peculiar physical position and found she did not have to cling so desperately. But in a social sense she was embarra.s.sed. He was quite impersonal about the situation, which made matters easier for her. Now and then she suppressed a frantic impulse to giggle.

"Yes, ma'am. To see you," he answered. "I never rightly thanked you." She saw the back of his neck flush and she blushed too, remembering his quickly diverted kiss which had left a smear of blood across her fingers. That had happened only a few days before, but they were long days. He too must have been well occupied. There was still a bruise on his temple. "I--I wasn't quite right in the head after those fellows had beat me up, and I kind of wanted to show you that I am something like a gentleman."

"Have you been in Hidden Creek?"

"Yes, ma'am. I was thinking of prospecting around. I meant to homestead over there. I like the country. But when it comes to settling down I get kind of restless. And usually I get into a mix-up that changes my intentions. So I'd about decided to go back down Arizona way and work.--Where are you going to stay in Hidden Creek?" he asked. "Where's your stuff?"

"Mr. Thatcher has it in his wagon. I'm going to Miss Blake's ranch. She invited me."

"Miss Blake? You mean the lady that wears pants? You don't mean it! Well, that's right amusing." He laughed.

Sheila stirred angrily. "I can't see why it's amusing."

He sobered at once. "Well, ma'am, maybe it isn't. No, I reckon it isn't.

How long will you stay?"

Sheila gave a big, sobbing sigh. "I don't know. If she likes me and if I'm happy, I'll stay there always." She added with a queer, dazed realization of the truth: "I've nowhere else to go."

"Haven't you any--folks?" he asked.

"No."

"Got tired of Millings?"

"Yes--very."

"I don't blame you! It's not much of a town. You'll like Hidden Creek.

And Miss Blake's ranch is a mighty pretty place, lonesome but wonderfully pretty. Right on a bend of the creek, 'way up the valley, close under the mountains. But can you stand loneliness, Miss--What _is_ your name?"

There were curious breaks in his manner of a Western cowboy, breaks that startled Sheila like little echoes from her life abroad and in the East.

There was a quickness of voice and manner, an impatience, a hot and nervous something, and his voice and accent suggested training. The abrupt question, for instance, was not in the least characteristic of a Westerner.

"My name is Sheila Arundel. I don't know yours either."

"Do you come from the East?"

"Yes. From New York." He gave an infinitesimal jerk. "But I've lived abroad nearly all my life. I think it would be politer if you would answer my question now."

She felt that he controlled an anxious breath. "My name is Hilliard," he said, and he p.r.o.nounced the name with a queer bitter accent as though the taste of it was unpleasant to his tongue. "Cosme Hilliard. Don't you think it's a--_nice_ name?"

For half a second she was silent; then she spoke with careful unconsciousness. "Yes. Very nice and very unusual. Hilliard is an English name, isn't it? Where did the Cosme come from?"

It was well done, so well that she felt a certain tightening of his body relax and his voice sounded fuller. "That's Spanish. I've some Spanish blood. Here's Buffin's ranch. We're getting down."

Sheila was remembering vividly; Sylvester had come into her compartment.

She could see the rolling Nebraskan country slipping by the window of the train. She could see his sallow fingers folding the paper so that she could conveniently read a paragraph. She remembered his gentle, pensive speech. "Ain't it funny, though, those things happen in the slums and they happen in the smart set, but they don't happen near so often to just middling folks like you and me! Don't it sound like a Tenderloin tale, though, South American wife and American husband and her getting jealous and up and shooting him? Money sure makes love popular. Now, if it had been poor folks, why, they'd have hardly missed a day's work, but just because these Hilliards have got spondulix they'll run a paragraph about 'em in the papers for a month."--Sheila began to make comparisons: a South American wife and an American husband, and here, this young man with the Spanish-American name and the Spanish-Saxon physique, and a voice that showed training and faltered over the p.r.o.nouncing of the "Hilliard" as though he expected it to be too well remembered. Had there been some mention in the paper of a son?--a son in the West?--a son under a cloud of some sort? But--she checked her spinning of romance--this youth was too genuine a cowboy, the way he rode, the way he moved, held himself, his phrases, his turn of speech! With all that wealth behind him how had he been allowed to grow up like this? No, her notion was unreasonable, almost impossible. Although dismissed, it hung about her mental presentment of him, however, like a rather baleful aura, not without fascination to a seventeen-year-old imagination. So busy was she with her fabrications that several miles of road slipped by unnoticed.

There came a strange confusion in her thoughts. It seemed to her that she was arguing the Hilliard case with some one. Then with a horrible start she saw that the face of her opponent was Sylvester's and she pushed it violently away....

"Don't you go to sleep," said Hilliard softly, laughing a little. "You might fall off."

"I--I was asleep," Sheila confessed, in confusion at discovering that her head had dropped against him. "How dark it's getting! We're in the valley, aren't we?"

"Yes, ma'am, we're most there." He hesitated. "Miss Arundel, I think I'd best let you get down just before we get to Rusty."

"Get down? Why?"

He cleared his throat, half-turning to her. In the dusky twilight, that was now very nearly darkness, his face was troubled and ashamed, like the face of a boy who tries to make little of a sc.r.a.pe. "Well, ma'am, yesterday, the folks in Rusty kind of lost their heads. They had a bad case of Sherlock Holmes. I bought a horse up the valley from a chap who was all-fired anxious to sell him, and before I knew it I was playing the t.i.tle part in a man-hunt. It seems that I was riding one of a string this chap had rustled from several of the natives. They knew the horse and that was enough for their nervous system. They had never set eyes on me before and they wouldn't take my word for my blameless past. They told me to keep my story for trial when they took me over to the court. Meanwhile they gave me a free lodging in their pen. Miss Arundel--" Hilliard dropped his ironic tone and spoke in a low, tense voice of child-like horror. His face stiffened and paled. "That was awful. To be locked in.

Not to be able to get fresh breath in your lungs. Not to be able to go where you please, when you please. I can't tell you what it's like ... I can't stand it! I can't stand a minute of it! I was in that pen six hours. I felt I'd go loco if I was there all night. I guess I am a kind of fool. I broke jail early in the morning and caught up the sheriff's horse. They got a shot or two at me, hit my wrist, but I made my getaway.

This horse is not much on looks, but he sure can get over the sagebrush.

I was coming over to see you."