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The Crimson Gardenia and Other Tales of Adventure Part 24

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"'No. The ground is chilly, but it ain't that. Manard, the old h.e.l.lion, won't let me sleep. He's doing a sand jig on my grave. He says I won that bet crooked and died ahead of time just to get his dog. He's sore on you, too.'

"'What's he sore on me for?' says I.

"'He says he's an old man, and he'd 'a' died first if you hadn't put in with me to double-cross him. He's laying for you,' says Pete.

"Well, I'm pretty sick myself, with a four months' diet of pea soup and oatmeal, and when I wake up I think it's a dream. But the next night Pete is back again, complaining worse than ever. It seems the ghost of old man Manard is still buck-and-winging on Pete's coffin, and he begs me to come down and call the old reprobate off so that he can get some rest. He comes back the third night, the fourth, and the fifth, and by and by Manard himself comes up to the cabin and begins to abuse me. He says he wants his dog back, but naturally I can't give it to him. It gets so that I can't sleep at all. Finally, when Pete ain't sitting on my bunk Manard is calling me names and gritting his teeth at me. I begin to fall off in weight like a jockey in a sweat bath. It gets so I have to sit up all night in a chair and make the fellers prod me in the stomach with a stick whenever I doze off. I tell you, stranger, it was worse than horrible. I don't know how I made it through till spring.

"Well, in the early summer I get a letter from the steamboat agent at Nome saying Manard's people out in the States have slipped him some coin, with instructions to send the old man out so they can give him decent burial. He offers me one-fifty to bring him down to the coast.

Now, this decent-burial talk makes me sore, for I staged the obsequies myself, and they were in perfect form. It was one of the tastiest funerals I ever mixed with. However, I'm broke, so I agree to deliver what is left of Manard at the mouth of the river, and the agent says he'll have a first-cla.s.s coffin s.h.i.+pped down to the trader at Chinik, our landing. When I deliver Manard, ready for s.h.i.+pment, I get my hundred and fifty.

"I give you my word I ain't tickled pink with this undertaking. I'm not strong on body-s.n.a.t.c.hing, and I have a hunch that the shade of old Manard is still hanging around somewhere. However, a bird in the hand is the n.o.blest work of G.o.d, and I need that roll, so I make ready. It takes me half a day to get drunk enough to want to do the job, and when I get drunk enough to want to do it I'm so drunk I can't. Then I have to sober up and begin all over again. The minute I get sober enough to do the trick I realize I ain't drunk enough to stand the strain. I jockey that way for quite a spell till I finally strike an average, being considerable scared and reckless to the same extent.

"I remembered that we planted the old man in the left-hand grave, but when I get to the graveyard I can't recollect whether I stood at the foot or at the head of the hole during the services--a pint of that mining-camp hootch would box the compa.s.s for any man--so I think I'll make sure.

"I have brought along three tools--a pick, a shovel, and a bottle of rye. The ground is froze, so I use all of them. Naturally I can't afford to get the wrong Frenchman, so I pry up the lid of the first box I uncover and take a good rubber. Well, sir, it is a shock! Instead of rags and bones like I'm expecting, there is old Manard in statuary quo, so to speak. Froze? Maybe so. Anyhow, he grins at me! That's what I said! He grins at me, and I take it on the lam. Understand, I have no intentions of running away--in fact, I don't know I'm doing it until I fetch up back in the saloon. It seems I just balanced my body on my legs and they did all the work.

"Well, I'm pretty well rattled, so I blot up another pint of pain-killer, and finally the bartender goes back with me and helps load Manard into my Peterboro. I'm pretty wet by this time. We get the box into the canoe all right, but it's too big to fit under the seat, so we place the foot of it on the bottom of the boat and rest the other end on a paddle laid across the gunnels. This sort of gives Manard the appearance of lounging back on an incline. You see, when I ripped up the boards to take a look I broke off a piece at a knot-hole, and that allows him a chance to look out with one eye. He seems to approve of the position, however, so I get in at the stern, facing him, and ask if he's ready. He gives me the nod, and I shove off. Just for company I take my grave-digging tools along--that is, all but the pick and the shovel. It was pretty near full when I started, but I lose the cork and drink it up for safety.

"I don't remember much about the first part of the trip except that I get awful lonesome. By and by I begin to sing:

"'Oh, the French are in the bay!' said the Shaun Van Vocht.

'The French are in the bay,' said the Shaun Van Vocht.

'The French are in the bay. They'll be here without delay.

'But their colors will decay,' said the Shaun Van Vocht."

"I've got a mean singing-voice when I'm sober, but when I'm kippered it's positively insulting. It makes my pa.s.senger sore, and he shows it.

Now, I'm not saying that Manard wasn't as dead as a dried herring. He was past and gone, and he'd made his exit all right. He'd moved out, and his lease had expired. But I saw that box move. It s.h.i.+fted from side to side. I quit singing. My song-fountain ran dry. Says I to myself: 'I just neglected to lash you down, Mr. Manard; you didn't really turn over. It was the motion of the boat.' Then, just to make sure, I break forth into 'Johnny c.r.a.paud,' keeping my eye on the right lens of the old man where it showed through the broken board. This time there ain't a doubt of it. He lurches, box and all, clean out of plumb and nearly capsizes me. His one lamp blazes. Yes, sir, blazes! I tries to get out of range of it, but it follers me like a searchlight. I creeps forward to cover it up with my coat, but the old frog-eater leans to starboard so far that I have to balance on the port gunnel to keep from going over. We begin to spin in the current. Manard sees he has me buffaloed, and it pleases him. He wags his head at me and grins like he did when he came to me in my sleep.

"Well, sir, that eye enthralls me. It destroys my chain of thought. I feel the chills stealing into my marrow, and that one hundred and fifty dollars looks mighty small and insignificant. By and by I begin to figure it out this way: says I, 'I've outrun him once to-day, and if I can get ash.o.r.e I'll try it again.' But when I turn the canoe toward sh.o.r.e Manard heels over till we take water.

"'Lie still, you blame fool!' says I. 'If you feel that way about it I'll stay with the s.h.i.+p, of course.' I can see the corner of his mouth curl up at that, and he slides back into position. Then I know that he'll let me stick as long as I don't try to pull out and leave him flat. You really can't blame a corpse much under the circ.u.mstances.

However, I can't swim, so I try to square myself. I make conversation of a polite and friendly nature, and the old boy settles back to enjoy himself.

"Well, this one-sided talkfest gets tiresome after a while. I run out of topics, so I tell him funny stories. Sometimes he likes them, and sometimes he 'most jumps out of the box. Sore? Say, when I pull a wheeze that he don't like he makes it known quick, and I sit clutching the gunnels, with my hair on end while he rocks the boat like a demon.

"When I get to the mouth of the river it's night. I find a stiff breeze blowing and the bay covered with whitecaps, so I try to convince Manard that we'd better camp. But I no more than suggest it till I have to bail for dear life. Seeing that he's dead set to keep going, I kiss myself good-by and paddle out across the bay. How we ever made it I don't know, but along about midnight we blow into Chinik, with me singing songs to my pa.s.senger and cracking 'Joe Millers' that came over in seventy-six.

I'm still pretty drunk.

"The trader tells me that the coffin hasn't come from Nome yet. But the steamer is due before morning, so I ask him to cache Manard somewhere and wake me up when the boat comes. Then I go to the hay. I'm tuckered out. It seems that the coaster comes in a few hours later, but the trader is dealing a stud game and tells the purser to dump his freight on the beach. They do as ordered, then pull out. About daylight the wind s.h.i.+fts, the tide rises and begins to wash the merchandise away. Two 'rough-necks' get busy saving their outfit, when what comes bobbing past on the waves but a handsome zink-lined casket--the one from Nome.

"'Hey, Bill, cop that box; it'll make a swell bath-tub,' says one. So the other pulls up his rubber boots, wades out, and brings it in. The trader, hearing that his goods are in danger, adjourns the game long enough to see about it. He hurries down to the beach, looks over his stuff, then inquires:

"'Where's my coffin?'

"'You 'ain't got no more coffin than a rabbit,' says one of the miners.

"'Oh, yes, I have. That's it right there.'

"'I guess not. That's my coffin. I copped it on the high seas--flotsam and jetsam,' says the 'roughneck.' 'What's more, I'm going to use it for a cupboard or a cozy corner. If you want it bad pay me fifty dollars salvage and it's yours.' Naturally the trader belched.

"'All right. If you don't want it I'll use it myself,' says the miner.

'It's the first one I ever had, and I like it fine. There's no telling when I'll get another.'

"'Said time ain't but a minute,' observes the trader, 'unless you gimme that freight.'

"There is some further dispute till the miner, being a quick-tempered party, reaches for his Gat. After the smoke clears away it is found that he has made an error of judgment, that the storekeeper is gifted as a prophet, and that the 'roughneck' is ready for his coffin.

"Now, inasmuch as this had been a purely personal affair and the boys was anxious to reopen the stud game, they exonerated the trader from all blame complete, and he, being ever anxious to maintain a reputation for fair dealing and just to show that there ain't no animus behind his action, gives the coffin to the man who had claimed it. What's more, he helps to lay him out with his own hands. Naturally this is considered conduct handsome enough for any country. In an hour the man is buried and the poker game is open again. The trader apologizes to the boys for the delay, saying:

"'The box is mine, all right, and I'm sorry this play come up, but the late lamented was so set on having that piece of bric-a-brac that it seemed a shame not to give it to him.'"

At this point the narrator fell silent, much to my surprise, for throughout this weird recital I had sat spellbound, forgetful of the hour, the storm outside, and the snoring men in the bunkroom. When he had gone thus far he began with a bewildering change of topic.

"Did you ever hear how Dawson Sam cut the ears off a bank dealer?"

"Hold on!" said I. "What's the rest of this story? What became of Manard?"

"Oh, he's there yet, for all I know," said the stranger as he shuffled the cards. "His folks wouldn't send no more money, the steamboat agent at Nome had done his share, and the trader at Chinik said he wasn't responsible."

"And you? Didn't you get your one hundred and fifty dollars?"

"No. You see, it was a C. O. D. s.h.i.+pment. I wake up along about noon, put my head under the pump, and then look up the trader. He is still playing stud.

"'Where's my casket?' says I. 'I've got my dead man, but I don't collect on him till he's crated and f. o. b.' The trader has an ace in the hole and two kings in sight, so he says over his shoulder:

"'I'm sorry, old man, but while you was asleep a tenderfoot jumped your coffin.' Now, this Dawson Sam has a crooked bank dealer named--"

"I think I'll go back to bed," said I.

THE WEIGHT OF OBLIGATION

This is the story of a burden, the tale of a load that irked a strong man's shoulders. To those who do not know the North it may seem strange, but to those who understand the humors of men in solitude, and the extravagant vagaries that steal in upon their minds, as fog drifts with the night, it will not appear unusual. There are spirits in the wilderness, eerie forces which play pranks; some droll or whimsical, others grim.

Johnny Cantwell and Mortimer Grant were partners, trail-mates, brothers in soul if not in blood. The ebb and flood of frontier life had brought them together, its hards.h.i.+ps had united them until they were as one.

They were something of a mystery to each other, neither having surrendered all his confidence, and because of this they retained their mutual attraction. Had they known each other fully, had they thoroughly sounded each other's depths, they would have lost interest, just like husbands and wives who give themselves too freely and reserve nothing.

They had met by accident, but they remained together by desire, and so satisfactory was the union that not even the jealousy of women had come between them. There had been women, of course, just as there had been adventures of other sorts, but the love of the partners was larger and finer than anything else they had experienced. It was so true and fine and unselfish, in fact, that either would have smilingly relinquished the woman of his desires had the other wished to possess her. They were young, strong men, and the world was full of sweethearts, but where was there a partners.h.i.+p like theirs, they asked themselves.

The spirit of adventure bubbled merrily within them, too, and it led them into curious byways. It was this which sent them northward from the States in the dead of winter, on the heels of the Stony River strike; it was this which induced them to land at Katmai instead of Illiamna, whither their land journey should have commenced.

"There are two routes over the coast range," the captain of the _Dora_ told them, "and only two. Illiamna Pa.s.s is low and easy, but the distance is longer than by way of Katmai. I can land you at either place."

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The Crimson Gardenia and Other Tales of Adventure Part 24 summary

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