Oliver Goldsmith: A Biography - BestLightNovel.com
You’re reading novel Oliver Goldsmith: A Biography Part 4 online at BestLightNovel.com. Please use the follow button to get notification about the latest chapter next time when you visit BestLightNovel.com. Use F11 button to read novel in full-screen(PC only). Drop by anytime you want to read free – fast – latest novel. It’s great if you could leave a comment, share your opinion about the new chapters, new novel with others on the internet. We’ll do our best to bring you the finest, latest novel everyday. Enjoy
From the graphic description given of him by Dr. Farr, it will be perceived that the tarnished finery of green and gold had been succeeded by a professional suit of black, to which, we are told, were added the wig and cane indispensable to medical doctors in those days. The coat was a second-hand one, of rusty velvet, with a patch on the left breast, which he adroitly covered with his three-cornered hat during his medical visits; and we have an amusing anecdote of his contest of courtesy with a patient who persisted in endeavoring to relieve him from the hat, which only made him press it more devoutly to his heart.
Nothing further has ever been heard of the tragedy mentioned by Dr. Farr; it was probably never completed. The same gentleman speaks of a strange Quixotic scheme which Goldsmith had in contemplation at the time, "of going to decipher the inscriptions on the _written mountains_," though he was altogether ignorant of Arabic, or the language in which they might be supposed to be written. "The salary of three hundred pounds," adds Dr.
Farr, "which had been left for the purpose, was the temptation." This was probably one of many dreamy projects with which his fervid brain was apt to teem. On such subjects he was p.r.o.ne to talk vaguely and magnificently, but inconsiderately, from a kindled imagination rather than a well-instructed judgment. He had always a great notion of expeditions to the East, and wonders to be seen and effected in the Oriental countries.
CHAPTER SEVEN
LIFE OP A PEDAGOGUE--KINDNESS TO SCHOOLBOYS--PERTNESS IN RETURN--EXPENSIVE CHARITIES--THE GRIFFITHS AND THE "MONTHLY REVIEW"--TOILS OF A LITERARY HACK--RUPTURE WITH THE GRIFFITHS
Among the most cordial of Goldsmith's intimates in London during this time of precarious struggle were certain of his former fellow-students in Edinburgh. One of these was the son of a Dr. Milner, a dissenting minister, who kept a cla.s.sical school of eminence at Peckham, in Surrey. Young Milner had a favorable opinion of Goldsmith's abilities and attainments, and cherished for him that good will which his genial nature seems ever to have inspired among his school and college a.s.sociates. His father falling ill, the young man negotiated with Goldsmith to take temporary charge of the school. The latter readily consented; for he was discouraged by the slow growth of medical reputation and practice, and as yet had no confidence in the coy smiles of the muse. Laying by his wig and cane, therefore, and once more wielding the ferule, he resumed the character of the pedagogue, and for some time reigned as vicegerent over the academy at Peckham. He appears to have been well treated by both Dr. Milner and his wife, and became a favorite with the scholars from his easy, indulgent good nature. He mingled in their sports, told them droll stories, played on the flute for their amus.e.m.e.nt, and spent his money in treating them to sweetmeats and other schoolboy dainties. His familiarity was sometimes carried too far; he indulged in boyish pranks and practical jokes, and drew upon himself retorts in kind, which, however, he bore with great good humor. Once, indeed, he was touched to the quick by a piece of schoolboy pertness. After playing on the flute, he spoke with enthusiasm of music, as delightful in itself, and as a valuable accomplishment for a gentleman, whereupon a youngster, with a glance at his ungainly person, wished to know if he considered himself a gentleman. Poor Goldsmith, feelingly alive to the awkwardness of his appearance and the humility of his situation, winced at this unthinking sneer, which long rankled in his mind.
As usual, while in Dr. Milner's employ, his benevolent feelings were a heavy tax upon his purse, for he never could resist a tale of distress, and was apt to be fleeced by every st.u.r.dy beggar; so that, between his charity and his munificence, he was generally in advance of his slender salary.
"You had better, Mr. Goldsmith, let me take care of your money," said Mrs.
Milner one day, "as I do for some of the young gentlemen."--"In truth, madam, there is equal need!" was the good-humored reply.
Dr. Milner was a man of some literary pretensions, and wrote occasionally for the "Monthly Review," of which a bookseller, by the name of Griffiths, was proprietor. This work was an advocate for Whig principles, and had been in prosperous existence for nearly eight years. Of late, however, periodicals had multiplied exceedingly, and a formidable Tory rival had started up in the "Critical Review," published by Archibald Hamilton, a bookseller, and aided by the powerful and popular pen of Dr. Smollett.
Griffiths was obliged to recruit his forces. While so doing he met Goldsmith, a humble occupant of a seat at Dr. Milner's table, and was struck with remarks on men and books which fell from him in the course of conversation. He took occasion to sound him privately as to his inclination and capacity as a reviewer, and was furnished by him with specimens of his literary and critical talents. They proved satisfactory. The consequence was that Goldsmith once more changed his mode of life, and in April, 1757, became a contributor to the "Monthly Review," at a small fixed salary, with board and lodging, and accordingly took up his abode with Mr. Griffiths, at the sign of the Dunciad, Paternoster Row. As usual we trace this phase of his fortunes in his semi-fict.i.tious writings; his sudden trans.m.u.tation of the pedagogue into the author being humorously set forth in the case of "George Primrose," in the Vicar of "Wakefield." "Come," says George's adviser, "I see you are a lad of spirit and some learning; what do you think of commencing author like me? You have read in books, no doubt, of men of genius starving at the trade; at present I'll show you forty very dull fellows about town that live by it in opulence. All honest, jog-trot men, who go on smoothly and dully, and write history and politics, and are praised: men, sir, who, had they been bred cobblers, would all their lives only have mended shoes, but never made them." "Finding" (says George) "that there is no great degree of gentility affixed to the character of an usher, I resolved to accept his proposal; and having the highest respect for literature, hailed the _antiqua mater_ of Grub Street with reverence.
I thought it my glory to pursue a track which Dryden and Otway trod before me. Alas, Dryden struggled with indigence all his days; and Otway, it is said, fell a victim to famine in his thirty-fifth year, being strangled by a roll of bread, which he devoured with the voracity of a starving man."
In Goldsmith's experience the track soon proved a th.o.r.n.y one. Griffiths was a hard business man, of shrewd, worldly good sense, but little refinement or cultivation. He meddled, or rather muddled with literature, too, in a business way, altering and modifying occasionally the writings of his contributors, and in this he was aided by his wife, who, according to Smollett, was "an antiquated female critic and a dabbler in the 'Review.'"
Such was the literary va.s.salage to which Goldsmith had unwarily subjected himself. A diurnal drudgery was imposed on him, irksome to his indolent habits, and attended by circ.u.mstances humiliating to his pride. He had to write daily from nine o'clock until two, and often throughout the day; whether in the vein or not, and on subjects dictated by his taskmaster, however foreign to his taste; in a word, he was treated as a mere literary hack. But this was not the worst; it was the critical supervision of Griffiths and his wife which grieved him: the "illiterate, bookselling Griffiths," as Smollett called them, "who presumed to revise, alter, and amend the articles contributed to their 'Review.' Thank heaven," crowed Smollett, "the 'Critical Review' is not written under the restraint of a bookseller and his wife. Its princ.i.p.al writers are independent of each other, unconnected with booksellers, and unawed by old women!"
This literary va.s.salage, however, did not last long. The bookseller became more and more exacting. He accused his hack writer of idleness; of abandoning his writing-desk and literary workshop at an early hour of the day; and of a.s.suming a tone and manner _above his situation_.
Goldsmith, in return, charged him with impertinence; his wife with meanness and parsimony in her household treatment of him, and both of literary meddling and marring. The engagement was broken off at the end of five months, by mutual consent, and without any violent rupture, as it will be found they afterward had occasional dealings with each other.
Though Goldsmith was now nearly thirty years of age, he had produced nothing to give him a decided reputation. He was as yet a mere writer for bread. The articles he had contributed to the "Review" were anonymous, and were never avowed by him. They have since been, for the most part, ascertained; and though thrown off hastily, often treating on subjects of temporary interest, and marred by the Griffith interpolations, they are still characterized by his sound, easy, good sense, and the genial graces of his style. Johnson observed that Goldsmith's genius flowered late; he should have said it flowered early, but was late in bringing its fruit to maturity.
CHAPTER EIGHT
NEWBERY, OF PICTURE-BOOK MEMORY--HOW TO KEEP UP APPEARANCES--MISERIES OF AUTHORs.h.i.+P--A POOR RELATION--LETTER TO HODSON
Being now known in the publis.h.i.+ng world, Goldsmith began to find casual employment in various quarters; among others he wrote occasionally for the "Literary Magazine," a production set on foot by Mr. John Newbery, bookseller, St. Paul's Churchyard, renowned in nursery literature throughout the latter half of the last century for his picture-books for children. Newbery was a worthy, intelligent, kind-hearted man, and a seasonable though cautious friend to authors, relieving them with small loans when in pecuniary difficulties, though always taking care to be well repaid by the labor of their pens. Goldsmith introduces him in a humorous yet friendly manner in his novel of the Vicar of Wakefield. "This person was no other than the philanthropic bookseller in St. Paul's Churchyard, who has written so many little books for children; he called himself their friend; but he was the friend of all mankind. He was no sooner alighted but he was in haste to be gone; for he was ever on business of importance, and was at that time actually compiling materials for the history of one Mr.
Thomas Trip. I immediately recollected this good-natured man's red-pimpled face."
Besides his literary job work, Goldsmith also resumed his medical practice, but with very trifling success. The scantiness of his purse still obliged him to live in obscure lodgings somewhere in the vicinity of Salisbury Square, Fleet Street; but his extended acquaintance and rising importance caused him to consult appearances. He adopted an expedient, then very common, and still practiced in London among those who have to tread the narrow path between pride and poverty; while he burrowed in lodgings suited to his means, he "hailed," as it is termed, from the Temple Exchange Coffeehouse near Temple Bar. Here he received his medical calls; hence he dated his letters, and here he pa.s.sed much of his leisure hours, conversing with the frequenters of the place. "Thirty pounds a year," said a poor Irish painter, who understood the art of s.h.i.+fting, "is enough to enable a man to live in London without being contemptible. Ten pounds will find him in clothes and linen; he can live in a garret on eighteen pence a week; hail from a coffee-house, where, by occasionally spending threepence, he may pa.s.s some hours each day in good company; he may breakfast on bread and milk for a penny; dine for sixpence; do without supper; and on _clean-s.h.i.+rt-day_ he may go abroad and pay visits."
Goldsmith seems to have taken a leaf from this poor devil's manual in respect to the coffee-house at least. Indeed, coffee-houses in those days were the resorts of wits and literati, where the topics of the day were gossiped over, and the affairs of literature and the drama discussed and criticised. In this way he enlarged the circle of his intimacy, which now embraced several names of notoriety.
Do we want a picture of Goldsmith's experience in this part of his career?
we have it in his observations on the life of an author in the "Inquiry into the State of Polite Learning," published some years afterward.
"The author, unpatronized by the great, has naturally recourse to the bookseller. There cannot, perhaps, be imagined a combination more prejudicial to taste than this. It is the interest of the one to allow as little for writing, and for the other to write as much as possible; accordingly tedious compilations and periodical magazines are the result of their joint endeavors. In these circ.u.mstances the author bids adieu to fame; writes for bread; and for that only imagination is seldom called in.
He sits down to address the venal muse with the most phlegmatic apathy; and, as we are told of the Russian, courts his mistress by falling asleep in her lap."
Again. "Those who are unacquainted with the world are apt to fancy the man of wit as leading a very agreeable life. They conclude, perhaps, that he is attended with silent admiration, and dictates to the rest of mankind with all the eloquence of conscious superiority. Very different is his present situation. He is called an author, and all know that an author is a thing only to be laughed at. His person, not his jest, becomes the mirth of the company. At his approach the most fat, unthinking face brightens into malicious meaning. Even aldermen laugh, and avenge on him the ridicule which was lavished on their forefathers.... The poet's poverty is a standing topic of contempt. His writing for bread is an unpardonable offense. Perhaps of all mankind an author in these times is used most hardly. We keep him poor, and yet revile his poverty. We reproach him for living by his wit, and yet allow him no other means to live. His taking refuge in garrets and cellars has of late been violently objected to him, and that by men who, I hope, are more apt to pity than insult his distress.
Is poverty a careless fault? No doubt he knows how to prefer a bottle of champagne to the nectar of the neighboring ale-house, or a venison pasty to a plate of potatoes. Want of delicacy is not in him, but in those who deny him the opportunity of making an elegant choice. Wit certainly is the property of those who have it, nor should we be displeased if it is the only property a man sometimes has. We must not underrate him who uses it for subsistence, and flees from the ingrat.i.tude of the age even to a bookseller for redress."...
"If the author be necessary among us, let us treat him with proper consideration as a child of the public, not as a rent-charge on the community. And indeed a child of the public he is in all respects; for while so well able to direct others, how incapable is he frequently found of guiding himself. His simplicity exposes him to all the insidious approaches of cunning; his sensibility, to the slightest invasions of contempt. Though possessed of fort.i.tude to stand unmoved the expected bursts of an earthquake, yet of feelings so exquisitely poignant as to agonize under the slightest disappointment. Broken rest, tasteless meals, and causeless anxieties shorten life, and render it unfit for active employments; prolonged vigils and intense application still further contract his span, and make his time glide insensibly away."
While poor Goldsmith was thus struggling with the difficulties and discouragements which in those days beset the path of an author, his friends in Ireland received accounts of his literary success and of the distinguished acquaintances he was making. This was enough to put the wise heads at Lissoy and Ballymahon in a ferment of conjectures. With the exaggerated notions of provincial relatives concerning the family great man in the metropolis, some of Goldsmith's poor kindred pictured him to themselves seated in high places, clothed in purple and fine linen, and hand and glove with the givers of gifts and dispensers of patronage.
Accordingly, he was one day surprised at the sudden apparition, in his miserable lodging, of his younger brother Charles, a raw youth of twenty-one, endowed with a double share of the family heedlessness, and who expected to be forthwith helped into some snug by-path to fortune by one or other of Oliver's great friends. Charles was sadly disconcerted on learning that, so far from being able to provide for others, his brother could scarcely take care of himself. He looked round with a rueful eye on the poet's quarters, and could not help expressing his surprise and disappointment at finding him no better off. "All in good tune, my dear boy," replied poor Goldsmith, with infinite good-humor; "I shall be richer by-and-by. Addison, let me tell you, wrote his poem of the Campaign in a garret in the Haymarket, three stones high, and you see I am not come to that yet, for I have only got to the second story."
Charles Goldsmith did not remain long to embarra.s.s his brother in London.
With the same roving disposition and inconsiderate temper of Oliver, he suddenly departed in a humble capacity to seek his fortune in the West Indies, and nothing was heard of him for above thirty years, when, after having been given up as dead by his friends, he made his reappearance in England.
Shortly after his departure Goldsmith wrote a letter to his brother-in-law, Daniel Hodson, Esq., of which the following is an extract; it was partly intended, no doubt, to dissipate any further illusions concerning his fortunes which might float on the magnificent imagination of his friends in Ballymahon.
"I suppose you desire to know my present situation. As there is nothing in it at which I should blush, or which mankind could censure, I see no reason for making it a secret. In short, by a very little practice as a physician, and a very little reputation as a poet, I make a s.h.i.+ft to live. Nothing is more apt to introduce us to the gates of the muses than poverty; but it were well if they only left us at the door. The mischief is they sometimes choose to give us their company to the entertainment; and want, instead of being gentleman-usher, often turns master of the ceremonies.
"Thus, upon learning I write, no doubt you imagine I starve; and the name of an author naturally reminds you of a garret. In this particular I do not think proper to undeceive my friends. But, whether I eat or starve, live in a first floor or four pairs of stairs high, I still remember them with ardor; nay, my very country comes in for a share of my affection.
Unaccountable fondness for country, this _maladie du pais_, as the French call it! Unaccountable that he should still have an affection for a place, who never, when in it, received above common civility; who never brought anything out of it except his brogue and his blunders. Surely my affection is equally ridiculous with the Scotchman's, who refused to be cured of the itch because it made him unco' thoughtful of his wife and bonny Inverary.
"But now, to be serious: let me ask myself what gives me a wish to see Ireland again. The country is a fine one, perhaps? No. There are good company in Ireland? No. The conversation there is generally made up of a s.m.u.tty toast or a bawdy song; the vivacity supported by some humble cousin, who had just folly enough to earn his dinner. Then, perhaps, there's more wit and learning among the Irish? Oh, Lord, no! There has been more money spent in the encouragement of the Padareen mare there one season than given in rewards to learned men since the time of Usher. All their productions in learning amount to perhaps a translation, or a few tracts in divinity; and all their productions in wit to just nothing at all. Why the plague, then, so fond of Ireland? Then, all at once, because you, my dear friend, and a few more who are exceptions to the general picture, have a residence there.
This it is that gives me all the pangs I feel in separation. I confess I carry this spirit sometimes to the souring the pleasures I at present possess. If I go to the opera, where Signora Columba pours out all the mazes of melody, I sit and sigh for Lissoy fireside, and Johnny Armstrong's 'Last Good-night' from Peggy Golden. If I climb Hampstead Hill, than where nature never exhibited a more magnificent prospect, I confess it fine; but then I had rather be placed on the little mount before Lissoy gate, and there take in, to me, the most pleasing horizon in nature.
"Before Charles came hither my thoughts sometimes found refuge from severer studies among my friends in Ireland. I fancied strange revolutions at home; but I find it was the rapidity of my own motion that gave an imaginary one to objects really at rest. No alterations there. Some friends, he tells me, are still lean, but very rich; others very fat, but still very poor. Nay, all the news I hear of you is, that you sally out in visits among the neighbors, and sometimes make a migration from the blue bed to the brown. I could from my heart wish that you and she (Mrs. Hodson), and Lissoy and Ballymahon, and all of you, would fairly make a migration into Middles.e.x; though, upon second thoughts, this might be attended with a few inconveniences. Therefore, as the mountain will not come to Mohammed, why Mohammed shall go to the mountain; or, to speak plain English, as you cannot conveniently pay me a visit, if next summer I can contrive to be absent six weeks from London, I shall spend three of them among my friends in Ireland. But first, believe me, my design is purely to visit, and neither to cut a figure nor levy contributions; neither to excite envy nor solicit favor; in fact, my circ.u.mstances are adapted to neither. I am too poor to be gazed at, and too rich to need a.s.sistance."
CHAPTER NINE
HACKNEY AUTHORs.h.i.+P--THOUGHTS OF LITERARY SUICIDE--RETURN TO PECKHAM--ORIENTAL PROJECTS--LITERARY ENTERPRISE TO RAISE FUNDS--LETTER TO EDWARD WELLS--TO ROBERT BRYANTON--DEATH OF UNCLE CONTARINE--LETTER TO COUSIN JANE
For some time Goldsmith continued to write miscellaneously for reviews and other periodical publications, but without making any decided hit, to use a technical term. Indeed, as yet he appeared dest.i.tute of the strong excitement of literary ambition, and wrote only on the spur of necessity and at the urgent importunity of his bookseller. His indolent and truant disposition, ever averse from labor and delighting in holiday, had to be scourged up to its task; still it was this very truant disposition which threw an unconscious charm over everything he wrote; bringing with it honeyed thoughts and pictured images which had sprung up in his mind in the sunny hours of idleness: these effusions, dashed off on compulsion in the exigency of the moment, were published anonymously; so that they made no collective impression on the public, and reflected no fame on the name of their author.
In an essay published some time subsequently in the "Bee," Goldsmith adverts, in his own humorous way, to his impatience at the tardiness with which his desultory and unacknowledged essays crept into notice. "I was once induced," says he, "to show my indignation against the public by discontinuing my efforts to please; and was bravely resolved, like Raleigh, to vex them by burning my ma.n.u.scripts in a pa.s.sion. Upon reflection, however, I considered what set or body of people would be displeased at my rashness. The sun, after so sad an accident, might s.h.i.+ne next morning as bright as usual; men might laugh and sing the next day, and transact business as before; and not a single creature feel any regret but myself.
Instead of having Apollo in mourning or the Muses in a fit of the spleen; instead of having the learned world apostrophizing at my untimely decease; perhaps all Grub Street might laugh at my fate, and self-approving dignity be unable to s.h.i.+eld me from ridicule."
Circ.u.mstances occurred about this time to give a new direction to Goldsmith's hopes and schemes. Having resumed for a brief period the superintendence of the Peckham school during a fit of illness of Dr.
Milner, that gentleman, in requital for his timely services, promised to use his influence with a friend, an East India director, to procure him a medical appointment in India.
There was every reason to believe that the influence of Dr. Milner would be effectual; but how was Goldsmith to find the ways and means of fitting himself out for a voyage to the Indies? In this emergency he was driven to a more extended exercise of the pen than he had yet attempted. His skirmis.h.i.+ng among books as a reviewer, and his disputatious ramble among the schools and universities and literati of the Continent, had filled his mind with facts and observations which he now set about digesting into a treatise of some magnitude, to be ent.i.tled "An Inquiry into the Present State of Polite Learning in Europe." As the work grew on his hands his sanguine temper ran ahead of his labors. Feeling secure of success in England, he was anxious to forestall the piracy of the Irish press; for as yet, the Union not having taken place, the English law of copyright did not extend to the other side of the Irish Channel. He wrote, therefore, to his friends in Ireland, urging them to circulate his proposals for his contemplated work, and obtain subscriptions payable in advance; the money to be transmitted to a Mr. Bradley, an eminent bookseller in Dublin, who would give a receipt for it and be accountable for the delivery of the books. The letters written by him on this occasion are worthy of copious citation as being full of character and interest. One was to his relative and college intimate, Edward Wells, who had studied for the bar, but was now living at ease on his estate at Roscommon. "You have quitted," writes Goldsmith, "the plan of life which you once intended to pursue, and given up ambition for domestic tranquillity. I cannot avoid feeling some regret that one of my few friends has declined a pursuit in which he had every reason to expect success. I have often let my fancy loose when you were the subject, and have imagined you gracing the bench, or thundering at the bar: while I have taken no small pride to myself, and whispered to all that I could come near, that this was my cousin. Instead of this, it seems, you are merely contented to be a happy man; to be esteemed by your acquaintances; to cultivate your paternal acres; to take unmolested a nap under one of your own hawthorns or in Mrs. Wells' bedchamber, which, even a poet must confess, is rather the more comfortable place of the two. But, however your resolutions may be altered with regard to your situation in life, I persuade myself they are unalterable with respect to your friends in it. I cannot think the world has taken such entire possession of that heart (once so susceptible of friends.h.i.+p) as not to have left a corner there for a friend or two, but I flatter myself that even I have a place among the number. This I have a claim to from the similitude of our dispositions; or setting that aside, I can demand it as a right by the most equitable law of nature; I mean that of retaliation; for indeed you have more than your share in mine. I am a man of few professions; and yet at this very instant I cannot avoid the painful apprehension that my present professions (which speak not half my feelings) should be considered only as a pretext to cover a request, as I have a request to make. No, my dear Ned, I know you are too generous to think so, and you know me too proud to stoop to unnecessary insincerity--I have a request, it is true, to make; but as I know to whom I am a pet.i.tioner, I make it without diffidence or confusion.
It is in short, this, I am going to publish a book in London," etc. The residue of the letter specifies the nature of the request, which was merely to aid in circulating his proposals and obtaining subscriptions. The letter of the poor author, however, was unattended to and unacknowledged by the prosperous Mr. Wells, of Roscommon, though in after years he was proud to claim relations.h.i.+p to Dr. Goldsmith, when he had risen to celebrity.
Another of Goldsmith's letters was to Robert Bryanton, with whom he had long ceased to be in correspondence. "I believe," writes he, "that they who are drunk, or out of their wits, fancy everybody else in the same condition. Mine is a friends.h.i.+p that neither distance nor tune can efface, which is probably the reason that, for the soul of me, I can't avoid thinking yours of the same complexion; and yet I have many reasons for being of a contrary opinion, else why, in so long an absence, was I never made a partner in your concerns? To hear of your success would have given me the utmost pleasure; and a communication of your very disappointments would divide the uneasiness I too frequently feel for my own. Indeed, my dear Bob, you don't conceive how unkindly you have treated one whose circ.u.mstances afford him few prospects of pleasure, except those reflected from the happiness of his friends. However, since you have not let me hear from you, I have in some measure disappointed your neglect by frequently thinking of you. Every day or so I remember the calm anecdotes of your life, from the fireside to the easy-chair; recall the various adventures that first cemented our friends.h.i.+p; the school, the college, or the tavern; preside in fancy over your cards; and am displeased at your bad play when the rubber goes against you, though not with all that agony of soul as when I was once your partner. Is it not strange that two of such like affections should be so much separated, and so differently employed as we are? You seem placed at the center of fortune's wheel, and, let it revolve ever so fast, are insensible of the motion. I seem to have been tied to the circ.u.mference, and whirled disagreeably round, as if on a whirligig."
He then runs into a whimsical and extravagant tirade about his future prospects. The wonderful career of fame and fortune that awaits him, and after indulging in all kinds of humorous gasconades, concludes: "Let me, then, stop my fancy to take a view of my future self--and, as the boys say, light down to see myself on horseback. Well, now that I am down, where the d--l _is I_? Oh G.o.ds! G.o.ds! here in a garret, writing for bread, and expecting to be dunned for a milk score!"
He would, on this occasion, have doubtless written to his uncle Contarine, but that generous friend was sunk into a helpless, hopeless state from which death soon released him.