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The Pirate, and The Three Cutters Part 1

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The Pirate and The Three Cutters.

by Frederick Marryat.

INTRODUCTION

Among the few subjects which are still left at the disposal of the duly-gifted writer of romance is the Pirate. Not but that many have written of pirates. Defoe, after preparing the ground by a pamphlet story on the historic Captain Avery, wrote _The Life, Adventures, and Piracies of Captain Singleton_. Sir Walter Scott made use in somewhat the same fas.h.i.+on of the equally historic Gow--that is to say, his pirate bears about the same relation to the marauder who was suppressed by James Laing, that Captain Singleton does to Captain Avery. Michael Scott had much to say of pirates, and he had heard much of them during his life in the West Indies, for they were then making their last fight against law and order. The pirate could not escape the eye of Mr. R. L.

Stevenson, and accordingly we have an episode of pirates in the episode of the _Master of Ballantrae_. Balsac, too, wrote _Argow le Pirate_ among the stories which belong to the years when he was exhausting all the ways in which a novel ought not to be written. Also the pirate is a commonplace in boys' books. Yet for as much as he figures in stories for old and young, it may be modestly maintained that n.o.body has ever yet done him quite right.

Defoe's Captain Singleton is a harmless, thrifty, and ever moral pirate, of whom it is impossible to disapprove. Sir Walter's is a mild gentleman, concerning whom one wonders how he ever came to be in such company. Michael Scott's pirate is a bloodthirsty ruffian enough, and yet it is difficult to feel that a person who dressed in such a highly picturesque manner, and who was commonly either a Don or a Scotch gentleman of ancient descent, was quite the real thing. Mr. Stevenson's pirate is nearer what one knows must have been the life. He is a cowardly, lurking, petty scoundrel. John Silver is certainly something very different, but then when Mr. Stevenson drew the commanding figure in Treasure Island he was not making a portrait of a pirate, but was only making play with the well-established puppet of boys' books. Yet, after all, the pirate, if he was not such an agreeable rascal as John Silver, was not always the greedy, spiritless rogue drawn in the _Master of Ballantrae_. To do him properly and as he was, he ought to be approached with a mixture of humour and morality, and also with a knowledge of the facts concerning him, which to the best of my knowledge have never been combined in any writer.

Captain Johnson, in his valuable _General History of the Pirates from their First Rise and Settlement in the Island of Providence to the present time_, begins with antiquity. He mounts up the dark backward abyss of time till he meets with the pirates who captured Julius Caesar, and were suppressed by Pompey. This is not necessary. Our pirate was a very different fellow from those broken men of the ancient world, the wrecks of States shattered by Rome and the victims of the usury of the Knights who collected in the creeks of Cilicia. It is not quite easy to say what he was, but we know well enough what he was not. He was not for many generations the recognised enemy of the human race. On the contrary, he was often a comparative respectable person, who was disposed to render service to his king and country at a crisis, even if he did not see his advantage in virtuous conduct. To begin with, he was only a seafaring man who carried on the universal practice of the Middle Ages after they had ceased to be recognised as legitimate. Then for a long time a pirate was not thought worthy of hanging until he had shown a hopelessly contumacious disposition by refusing the king's pardon several times. Sir William Monson, who was admiral to James I., saw no harm in recruiting well-known pirates for His Majesty's service. On the coast of Ireland he found Irish country gentlemen of respectable position, and the agents of London trading firms, engaged in friendly business transactions with these skimmers of the sea. The redoubted Captain Bartholomew Roberts, to skip over a century, went about the world recruiting for a well-organised piratical business, and there were many among his followers who would have been honest men if temptation had not come in their way, and who hastened to leave a life of vice so soon as the neighbourhood of one of His Majesty's cruisers made it dangerous. We ought not to speak of these men with harsh contempt. The king's government was largely responsible for their existence, by promising pardon to all who would come in before a given date. They came in and brought their booty with them. Captain Johnson had the pleasure of the personal acquaintance of several who were living in comfortable retirement at Rotherhithe or at Limehouse, and in the enjoyment, for aught we know to the contrary, of the respect of their neighbours. They had come in on a proclamation, and there was nothing more to be said against them. In many cases, no doubt, when the booty was spent they drifted back to the old irregular courses, and on that road those of them who did not get shot when boarding a galleon, or go down at sea, or die of starvation among the keys of the West Indies, did sooner or later contrive to overtake the gallows. But these men, if they were not quite so moral and orderly as Captain Singleton, or so romantic as the pirates of Michael Scott, were not altogether bloodthirsty, merciless scoundrels. Many of them had every intention of returning to their country upon the appearance of the next proclamation, and as they saw the prospect of a safe return for themselves they were not under the necessity of acting on the rule that dead men tell no tales. They did not make their prisoners walk the plank. They did not even burn their prizes, but were often content with taking out such provisions and portable property as their immediate occasions made desirable, and then allowing the plundered merchant-s.h.i.+p to continue her voyage. They were by no means so thoroughly hated as they ought to have been, to judge by the more recent opinion held of the pirate.

In fact, till towards the end of the pirate's existence he was nearly as much the product of the Government's management as of his own sins.

During Charles II.'s reign, his governors in Jamaica gave what they were pleased to term commissions to all who would plunder the Spaniard. The Spaniards retaliated by giving commissions to all who would plunder anyone else. The marauder who victimised the Spaniard was sure of a market, and a refuge in Jamaica. The other marauder who was prepared to feed upon English, Dutch, or French, was sure of a welcome in Cuba. When Governments suddenly took to being virtuous, a sense of wrong inflamed the minds of the men who had hitherto been allowed to live in recognised lawlessness. Captain Kidd, for example, manifestly thought that Lord Bellomont and the other gentleman who sent him out to Madagascar to cruise against the pirates, were only a.s.suming a decent excuse for a little speculation in piracy on their own account. The freebooters who settled at Providence, in the Bahamas, were really to be pardoned for not realising that the happy days of Governor Moddiford at Jamaica were over. When they were made to understand that there were to be no more of these cakes and ale, the majority, under the command of Captain Jennings, promptly came in. Captain Jennings was the owner of an estate in Jamaica, and he brought a comfortable little sum back with him from his piratical adventures. The residue, who probably had no comfortable sum to bring with them, did not come in, and as they were given to understand that they would certainly be hanged if caught, they took in self-defence to giving no quarter. So at the end of the great war, the powers who had encouraged privateering while the fighting lasted, without inquiring too closely how far the privateer confined his operations to the enemy only without plundering the neutral, became suddenly very strict. Then the men whom they had allowed to become hardened to a life of pillage took refuge in downright piracy. These men were the _Pescadores del Puerto Escondido_ who enlightened the pages of Michael Scott. The Spaniards tolerated them as the English Governors of Jamaica had once encouraged the Buccaneers. It was not until a combined vigorous effort of the English and the United States navies had driven them off the sea, and till they had begun to support themselves by plundering plantations, that the Captains-General of Cuba took them in hand.

Now, in all this life, floating as it did between the honest and the dishonest, there was room for something more human than the be-sashed, velvet-jacketed, crimson-capped, and long-knifed heroes of Michael Scott, or than the mere rogue and floating footpad we meet in _The Master of Ballantrae_. There was also room, it must be candidly allowed, for something better than Captain Cain of the _Avenger_. The _Pirate_ is not among the books which one most willingly re-reads out of Marryat's very respectably lengthy list of stories. Yet it is not without gaiety, and, as is ever the case with him, the man-of-war scenes are all alive.

Captain Plumpton, and Mr. Markital the first lieutenant, and Edward Templemore the mids.h.i.+pman, are credible. Whenever Marryat has to introduce us to a man-of-war, he could draw on inexhaustible treasure of reminiscences, or of what is for the story-writer's purpose quite as good, of types and incidents which his imagination had made out of incidents supplied by his memory. The naval parts of the _Pirate_ are no doubt variations on what he had recently written in _Mids.h.i.+pman Easy_, but they are not mere repet.i.tions, and they have the one saving quality of life, which will make even a poorly constructed story readable.

It is impossible to say as much for the captain and crew of the _Avenger_. Cain is not only not a pirate, but he is not a human being.

He is a Byronic or even a Michael Scottish hero--an impossible monster, compounded of one virtue and a thousand crimes. There never was any such person, and even on paper he is not tolerable for more than a paragraph or two without the help of verse. The crew of the _Avenger_ is an inconceivable s.h.i.+p's complement for any pirate. Credulity itself cannot even in early life accept the capture of the Portuguese carrack. Marryat drew on his recollections of the time when he was a mids.h.i.+pman with Cochrane in the _Imperieuse_, for the figure of the old steersman, who sticks to his post under the fire of the _Avenger_. He had seen the mate of a Spanish trading s.h.i.+p behaving in just that way when attacked by boats from the _Imperieuse_. When he was asked why he did not surrender, though he was mortally wounded and had no chance of escape, he answered that he was an 'old Christian.' The term, which by the way only means a pure-blooded Spaniard, puzzled Marryat and his s.h.i.+pmates.

It is not wonderful that he did not understand its meaning, since in spite of campaigning in Spain, and many visits to Spanish ports, he never learnt to avoid the absurd blunder of putting the t.i.tle Don before a surname. But if the steersman is drawn from life, so are not either the carrack, which is a fragment of the sixteenth century, out of its place, nor 'Don' Ribiera and his sons, nor the bishop, nor anybody else in that ill-fated s.h.i.+p, nor the stilted, transpontine style of their conversation. Francisco and his bible are no more credible than the carrack and the bishop. Francisco's brother and his love affairs are not more credible, though they are decidedly more tolerable. The daughters of Spanish Governors who carry on flirtations on the sea-sh.o.r.e with the captains of English men-of-war, who are carried off by pirates and rescued in the nick of time, whose papas not only consent to their marriage with the heretical object of their affections but send boxes full of gold doubloons, together with their blessing, are so much better than life that we need not quarrel when invited to meet any number of them. The sea adventures in Marryat are always good, and so are the fights. The storms and wrecks, the rafts and wonderful escapes, the defences of houses, and the escapes of pirates and smugglers from under the very guns of His Majesty's frigates, are as welcome as, and are much more credible than, the lovely daughters of benevolent Spanish governors. Of them there is no want, and for their sake the _Pirate_ can be read; but it is not what Marryat might have made it if he had written it in the spirit in which he was to write _Snarley-Yow_.

In _The Three Cutters_ Marryat allowed himself to take a little holiday in company with another kind of sea malefactor whom he knew intimately well. He had already played with the smuggler in _The King's Own_. In this little story he reintroduces us to M'Elvina, somewhat disguised, and in altered circ.u.mstances, but essentially the same.

_The Three Cutters_ may be supposed to have been written to fill out the volume containing _The Pirate_ and those twenty engravings from drawings by Clarkson Stanfield, which still make the first edition a desirable possession. This function, whether it was originally designed or not, is very agreeably fulfilled by the history of the _Arrow_, the _Active_, and _Happy-go-lucky_. Although he wrote very few of them, Marryat had a happy hand with a short story. _The S. W. and by W. and 1/4 W. Wind_ and _Moons.h.i.+ne_ are very happy examples of the magazine story. _The Three Cutters_ is somewhat longer than either, but the difference in bulk is due less to any greater amount of pure story there is than to the care with which Marryat introduces his three vessels, and sketches their respective starting-places--Plymouth, Portsmouth, and St. Malo. Here again it is to be noted that Marryat is far more at home in the man-of-war than in the smuggler or the yacht. Mr. Appleboy, with his forty-five years' service, and the interesting story which remains untold of the something which took place in '93 or '94, his seventeen daily tumblers of gin-toddy, his mate and his mids.h.i.+pman, is a part, and not an inferior one, of Marryat's inimitable naval gallery. The _Happy-go-lucky_ is perhaps rather a smuggler of the Pays Bleu than of the British Channel, but she is sufficiently in place in a story not intended to be too slavishly faithful to life. Morrison, the sailing-master, with his augury of the blue pigeon, is real, and nothing can be more consistent with human nature than that he should have cursed the bird when he did finally find himself in prison. As for the adventures, they belong to the region of the fantastic, which does not pretend to be anything else. The idea of a yacht which endeavours the capture of a smuggler, and is herself made prize by him, is of course a motive for farce.

The scenes on board the captive yacht are not exactly horse-play. There are too many ladies concerned, and Marryat, in spite of occasional lapses of taste, preferred to write like a gentleman. But if there is no horse-play there is a great deal of what I hope it is permissible to describe as 'lark.' The sour old maid Miss Ossulton, her niece Cecilia, who, if she has not much character, is still a very nice girl, the frisky widow Mrs. Lascelles, make a capital trio. Given a gallant das.h.i.+ng smuggler, who is really a gentleman in disguise, in possession of the yacht, and determined to revenge himself on the owner by taking a little harmless amus.e.m.e.nt, it follows that lively incidents are to be expected. Marryat did not work the situation out at any length, probably because he felt that the stuff would not bear much handling. If he cut his story short for this reason he was undoubtedly right. It is so difficult as to be quite impossible for the majority of writers to hang just on the border of the outrageously impossible for more than a few pages. While it lasts it is very good fun. The reformation of Pickersgill through the influence of Mrs. Lascelles is quite in Marryat's manner. His heroes, when they need reformation, are commonly brought into the right path by the combined influence of a pretty woman and a round sum of money. Mrs. Lascelles, too, was unquestionably just the woman to marry Pickersgill. Having married an old man to please her parents, and having inherited his money, she had decided both to marry again and to please herself in her second husband. Experience shows that the Mrs. Lascelles of real life not uncommonly fall into the hands of a ruffian or an adventurer. Marryat was not making a study of real life, and he was too fond of his puppets; and besides that would have been another story, which would have been superfluous, considering that Marryat wanted to end this one. So Mrs. Lascelles had her fine das.h.i.+ng seaman, who stood six feet odd in his stockings, and was also a gentleman in disguise. Of course she was happy ever after. One has a haunting suspicion that the story was not only written to fill out the volume, but also to accompany Clarkson Stanfield's three very pretty plates of Plymouth, Portsmouth, and St. Malo. If so, that only proves that when a man is a born storyteller he can write good stories for very humble business reasons.

THE PIRATE

CHAPTER I

THE BAY OF BISCAY

It was in the latter part of the month of June, of the year 179--, that the angry waves of the Bay of Biscay were gradually subsiding, after a gale of wind as violent as it was unusual during that period of the year. Still they rolled heavily; and, at times, the wind blew up in fitful, angry gusts, as if it would fain renew the elemental combat; but each effort was more feeble, and the dark clouds which had been summoned to the storm now fled in every quarter before the powerful rays of the sun, who burst their ma.s.ses asunder with a glorious flood of light and heat; and, as he poured down his resplendent beams, piercing deep into the waters of that portion of the Atlantic to which we now refer, with the exception of one object, hardly visible, as at creation, there was a vast circ.u.mference of water, bounded by the fancied canopy of heaven. We have said, with the exception of one object; for in the centre of this picture, so simple, yet so sublime, composed of the three great elements, there was a remnant of the fourth. We say a remnant, for it was but the hull of a vessel, dismasted, water-logged, its upper works only floating occasionally above the waves, when a transient repose from their still violent undulation permitted it to rea.s.sume its buoyancy.

But this was seldom; one moment it was deluged by the seas, which broke as they poured over its gunwale; and the next it rose from its submersion, as the water escaped from the portholes at its sides.

How many thousands of vessels--how many millions of property--have been abandoned, and eventually consigned to the all-receiving depths of the ocean, through ignorance or through fear! What a mine of wealth must lie buried in its sands! what riches lie entangled amongst its rocks, or remain suspended in its unfathomable gulf, where the compressed fluid is equal in gravity to that which it encircles, there to remain secured in its embedment from corruption and decay, until the destruction of the universe and the return of chaos! Yet, immense as the acc.u.mulated loss may be, the major part of it has been occasioned from an ignorance of one of the first laws of nature, that of specific gravity. The vessel to which we have referred was, to all appearance, in a situation of as extreme hazard as that of a drowning man clinging to a single rope-yarn; yet, in reality, she was more secure from descending to the abyss below than many gallantly careering on the waters, their occupants dismissing all fear, and only calculating upon a quick arrival into port.

The _Circa.s.sian_ had sailed from New Orleans, a gallant and well-appointed s.h.i.+p, with a cargo, the major part of which consisted of cotton. The captain was, in the usual acceptation of the term, a good sailor; the crew were hardy and able seamen. As they crossed the Atlantic, they had encountered the gale to which we have referred, were driven down into the Bay of Biscay, where, as we shall hereafter explain, the vessel was dismasted, and sprang a leak, which baffled all their exertions to keep under. It was now five days since the frightened crew had quitted the vessel in two of her boats, one of which had swamped, and every soul that occupied it had perished; the fate of the other was uncertain.

We said that the crew had deserted the vessel, but we did not a.s.sert that every existing being had been removed out of her. Had such been the case, we should not have taken up the reader's time in describing inanimate matter. It is life that we portray, and life there still was in the shattered hull thus abandoned to the mockery of the ocean. In the _caboose_ of the _Circa.s.sian_, that is, in the cooking-house secured on deck, and which fortunately had been so well fixed as to resist the force of the breaking waves, remained three beings--a man, a woman, and a child. The two first-mentioned were of that inferior race which have, for so long a period, been procured from the sultry Afric coast, to toil, but reap not for themselves; the child which lay at the breast of the female was of European blood, now, indeed, deadly pale, as it attempted in vain to draw sustenance from its exhausted nurse, down whose sable cheeks the tears coursed, as she occasionally pressed the infant to her breast, and turned it round to leeward to screen it from the spray which dashed over them at each returning swell. Indifferent to all else, save her little charge, she spoke not, although she shuddered with the cold as the water washed her knees each time that the hull was careened into the wave. Cold and terror had produced a change in her complexion, which now wore a yellow, or sort of copper hue.

The male, who was her companion, sat opposite to her upon the iron range which once had been the receptacle of light and heat, but was now but a weary seat to a drenched and worn-out wretch. He, too, had not spoken for many hours; with the muscles of his face relaxed, his thick lips pouting far in advance of his collapsed cheeks, his high cheekbones prominent as budding horns, his eyes displaying little but their whites, he appeared to be an object of greater misery than the female, whose thoughts were directed to the infant and not unto herself. Yet his feelings were still acute, although his faculties appeared to be deadened by excess of suffering.

'Eh, me!' cried the negro woman faintly, after a long silence, her head falling back with extreme exhaustion. Her companion made no reply, but, roused at the sound of her voice, bent forward, slid open the door a little, and looked out to windward. The heavy spray dashed into his gla.s.sy eyes, and obscured his vision; he groaned, and fell back into his former position. 'What you tink, Coco?' inquired the negress, covering up more carefully the child, as she bent her head down upon it. A look of despair, and a shudder from cold and hunger, were the only reply.

It was then about eight o'clock in the morning, and the swell of the ocean was fast subsiding. At noon the warmth of the sun was communicated to them through the planks of the _caboose_, while its rays poured a small stream of vivid light through the c.h.i.n.ks of the closed panels. The negro appeared gradually to revive; at last he rose, and with some difficulty contrived again to slide open the door. The sea had gradually decreased its violence, and but occasionally broke over the vessel; carefully holding on by the door-jambs, Coco gained the outside, that he might survey the horizon.

'What you see, Coco?' said the female, observing from the _caboose_ that his eyes were fixed upon a certain quarter.

'So help me G.o.d, me tink me see something; but ab so much salt water in um eye, me no see clear,' replied Coco, rubbing away the salt which had crystallised on his face during the morning.

'What you tink um like, Coco?'

'Only one bit cloud,' replied he, entering the _caboose_, and resuming his seat upon the grate with a heavy sigh.

'Eh, me!' cried the negress, who had uncovered the child to look at it, and whose powers were sinking fast. 'Poor lilly Ma.s.sa Eddard, him look very bad indeed--him die very soon, me fear. Look, Coco, no ab breath.'

The child's head fell back upon the breast of its nurse, and life appeared to be extinct.

'Judy, you no ab milk for piccaninny; suppose um ab no milk, how can live? Eh! stop, Judy, me put lilly finger in um mouth; suppose Ma.s.sa Eddard no dead, him pull.'

Coco inserted his finger into the child's mouth, and felt a slight drawing pressure. 'Judy,' cried Coco, 'Ma.s.sa Eddard no dead yet. Try now, suppose you ab lilly drop oder side.'

Poor Judy shook her head mournfully, and a tear rolled down her cheek; she was aware that nature was exhausted. 'Coco,' said she, wiping her cheek with the back of her hand, 'me give me heart blood for Ma.s.sa Eddard; but no ab milk--all gone.'

This forcible expression of love for the child, which was used by Judy, gave an idea to Coco. He drew his knife out of his pocket, and very coolly sawed to the bone of his forefinger. The blood flowed and trickled down to the extremity, which he applied to the mouth of the infant.

'See, Judy, Ma.s.sa Eddard suck--him not dead,' cried Coco, chuckling at the fortunate result of the experiment, and forgetting at the moment their almost hopeless situation.

The child, revived by the strange sustenance, gradually recovered its powers, and in a few minutes it pulled at the finger with a certain degree of vigour.

[Ill.u.s.tration: '_Coco ab ten finger, and take long while suck em all dry._']

'Look, Judy, how Ma.s.sa Eddard take it,' continued Coco. 'Pull away, Ma.s.sa Eddard, pull away. Coco ab ten finger, and take long while suck em all dry.' But the child was soon satisfied, and fell asleep in the arms of Judy.

'Coco, suppose you go see again,' observed Judy. The negro again crawled out, and again he scanned the horizon.

'So help me G.o.d, dis time me tink, Judy--yes, so help me G.o.d, me see a s.h.i.+p!' cried Coco joyfully.

'Eh!' screamed Judy faintly, with delight; 'den Ma.s.sa Eddard no die.'

'Yes, so help me G.o.d--he come dis way!' and Coco, who appeared to have recovered a portion of his former strength and activity, clambered on the top of the _caboose_, where he sat, cross-legged, waving his yellow handkerchief, with the hope of attracting the attention of those on board; for he knew that it was very possible that an object floating little more than level with the water's surface might escape notice.

As it fortunately happened, the frigate, for such she was, continued her course precisely for the wreck, although it had not been perceived by the look-out men at the mast-heads, whose eyes had been directed to the line of the horizon. In less than an hour our little party were threatened with a new danger, that of being run over by the frigate, which was now within a cable's length of them, driving the seas before her in one widely extended foam, as she pursued her rapid and impetuous course. Coco shouted to his utmost, and fortunately attracted the notice of the men who were on the bowsprit, stowing away the foretopmast-staysail, which had been hoisted up to dry after the gale.

[Ill.u.s.tration: _Coco shouted to his utmost, and fortunately attracted notice_.]

'Starboard, hard!' was roared out.

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The Pirate, and The Three Cutters Part 1 summary

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