Robert Burns Part 1

Robert Burns.

by Princ.i.p.al Shairp.

CHAPTER I.

YOUTH IN AYRs.h.i.+RE.

Great men, great events, great epochs, it has been said, grow as we recede from them; and the rate at which they grow in the estimation of men is in some sort a measure of their greatness. Tried by this standard, Burns must be great indeed, for during the eighty years that have pa.s.sed since his death, men's interest in the man himself and their estimate of his genius have been steadily increasing. Each decade since he died has produced at least two biographies of him.

When Mr. Carlyle wrote his well-known essay on Burns in 1828, he could already number six biographies of the Poet, which had been given to the world during the previous thirty years; and the interval between 1828 and the present day has added, in at least the same proportion, to their number. What it was in the man and in his circ.u.mstances that has attracted so much of the world's interest to Burns, I must make one more attempt to describe.

If success were that which most secures men's sympathy, Burns would have won but little regard; for in all but his poetry his was a (p. 002) defeated life--sad and heart-depressing to contemplate beyond the lives even of most poets.

Perhaps it may be the very fact that in him so much failure and s.h.i.+pwreck were combined with such splendid gifts, that has attracted to him so deep and compa.s.sionate interest. Let us review once more the facts of that life, and tell again its oft-told story.

It was on the 25th of January, 1759, about two miles from the town of Ayr, in a clay-built cottage, reared by his father's own hands, that Robert Burns was born. The "auld clay bigging" which saw his birth still stands by the side of the road that leads from Ayr to the river and the bridge of Doon. Between the banks of that romantic stream and the cottage is seen the roofless ruin of "Alloway's auld haunted kirk," which Tam o' Shanter has made famous. His first welcome to the world was a rough one. As he himself says,--

A blast o' Janwar' win'

Blew hansel in on Robin.

A few days after his birth, a storm blew down the gable of the cottage, and the poet and his mother were carried in the dark morning to the shelter of a neighbour's roof, under which they remained till their own home was repaired. In after-years he would often say, "No wonder that one ushered into the world amid such a tempest should be the victim of stormy pa.s.sions." "It is hard to be born in Scotland,"

says the brilliant Parisian. Burns had many hards.h.i.+ps to endure, but he never reckoned this to be one of them.

His father, William Burness or Burnes, for so he spelt his name, was a native not of Ayrs.h.i.+re, but of Kincardines.h.i.+re, where he had been reared on a farm belonging to the forfeited estate of the n.o.ble (p. 003) but attainted house of Keith-Marischal. Forced to migrate thence at the age of nineteen, he had travelled to Edinburgh, and finally settled in Ayrs.h.i.+re, and at the time when Robert, his eldest child, was born, he rented seven acres of land, near the Brig o' Doon, which he cultivated as a nursery-garden. He was a man of strict, even stubborn integrity, and of strong temper--a combination which, as his son remarks, does not usually lead to worldly success. But his chief characteristic was his deep-seated and thoughtful piety. A peasant-saint of the old Scottish stamp, he yet tempered the stern Calvinism of the West with the milder Arminianism more common in his northern birthplace. Robert, who, amid all his after-errors, never ceased to revere his father's memory, has left an immortal portrait of him in _The Cotter's Sat.u.r.day Night_, when he describes how

The saint, the father, and the husband prays.

William Burness was advanced in years before he married, and his wife, Agnes Brown, was much younger than himself. She is described as an Ayrs.h.i.+re la.s.s, of humble birth, very sagacious, with bright eyes and intelligent looks, but not beautiful, of good manners and easy address. Like her husband, she was sincerely religious, but of a more equable temper, quick to perceive character, and with a memory stored with old traditions, songs, and ballads, which she told or sang to amuse her children. In his outer man the poet resembled his mother, but his great mental gifts, if inherited at all, must be traced to his father.

Three places in Ayrs.h.i.+re, besides his birthplace, will always be remembered as the successive homes of Burns. These were Mount (p. 004) Oliphant, Lochlea (p.r.o.nounced Lochly), and Mossgiel.

MOUNT OLIPHANT.--This was a small upland farm, about two miles from the Brig o' Doon, of a poor and hungry soil, belonging to Mr.

Ferguson, of Doon-holm, who was also the landlord of William Burness'

previous holding. Robert was in his seventh year when his father entered on this farm at Whitsuntide, 1766, and he had reached his eighteenth when the lease came to a close in 1777. All the years between these two dates were to the family of Burness one long sore battle with untoward circ.u.mstances, ending in defeat. If the hardest toil and severe self-denial could have procured success, they would not have failed. It was this period of his life which Robert afterwards described, as combining "the cheerless gloom of a hermit with the unceasing moil of galley-slave." The family did their best, but a n.i.g.g.ard soil and bad seasons were too much for them. At length, on the death of his landlord, who had always dealt generously by him, William Burness fell into the grip of a factor, whose tender mercies were hard. This man wrote letters which set the whole family in tears.

The poet has not given his name, but he has preserved his portrait in colours which are indelible:--

I've noticed, on our Laird's court-day, An' mony a time my heart's been wae, Poor tenant bodies, scant o' cash, How they maun thole a factor's snash; He'll stamp an' threaten, curse and swear, He'll apprehend them, poind their gear, While they maun stan', wi aspect humble, And hear it a', an' fear an' tremble.

In his autobiographical sketch the poet tells us that, "The farm proved a ruinous bargain. I was the eldest of seven children, and (p. 005) my father, worn out by early hards.h.i.+p, was unfit for labour. His spirit was soon irritated, but not easily broken. There was a freedom in the lease in two years more; and to weather these two years we retrenched expenses, and toiled on." Robert and Gilbert, the two eldest, though still boys, had to do each a grown man's full work. Yet for all their hards.h.i.+ps these Mount Oliphant days were not without alleviations. If poverty was at the door, there was warm family affection by the fireside. If the two sons had, long before manhood, to bear toil beyond their years, still they were living under their parents' roof, and those parents two of the wisest and best of Scotland's peasantry. Work was no doubt incessant, but education was not neglected--rather it was held one of the most sacred duties. When Robert was five years old, he had been sent to a school at Alloway Mill, and when the family removed to Mount Oliphant, his father combined with four of his neighbours to hire a young teacher, who boarded among them, and taught their children for a small salary. This young teacher, whose name was Murdoch, has left an interesting description of his two young pupils, their parents, and the household life while he sojourned at Mount Oliphant. At that time Murdoch thought that Gilbert possessed a livelier imagination, and was more of a wit than Robert. "All the mirth and liveliness," he says, "were with Gilbert. Robert's countenance at that time wore generally a grave and thoughtful look." Had their teacher been then told that one of his two pupils would become a great poet, he would have fixed on Gilbert. When he tried to teach them church music along with other rustic lads, they two lagged far behind the rest. Robert's voice especially was untuneable, and his ear so dull, that it was with difficulty he could distinguish one tune from another. Yet this was he who was to (p. 006) become the greatest song-writer that Scotland--perhaps the world--has known. In other respects the mental training of the lads was of the most thorough kind. Murdoch taught them not only to read, but to pa.r.s.e, and to give the exact meaning of the words, to turn verse into the prose order, to supply ellipses, and to subst.i.tute plain for poetic words and phrases. How many of our modern village schools even attempt as much? When Murdoch gave up, the father himself undertook the education of his children, and carried it on at night after work-hours were over. Of that father Murdoch speaks as by far the best man he ever knew. Tender and affectionate towards his children he describes him, seeking not to drive, but to lead them to the right, by appealing to their conscience and their better feelings, rather than to their fears. To his wife he was gentle and considerate in an unusual degree, always thinking of her ease and comfort; and she repaid it with the utmost reverence. She was a careful and thrifty housewife, but, whenever her domestic tasks allowed, she would return to hang with devout attention on the discourse that fell from her wise husband. Under that father's guidance knowledge was sought for as hid treasure, and this search was based on the old and reverential faith that increase of knowledge is increase of wisdom and goodness. The readings of the household were wide, varied, and unceasing. Some one entering the house at meal-time found the whole family seated, each with a spoon in one hand and a book in the other. The books which Burns mentions as forming part of their reading at Mount Oliphant surprise us even now. Not only the ordinary school-books and geographies, not only the traditional life of Wallace and other popular books of that (p. 007) sort, but The Spectator, odd plays of Shakespeare, Pope (his Homer included), Locke on the Human Understanding, Boyle's Lectures, Taylor's Scripture Doctrine of Original Sin, Allan Ramsay's works, formed the staple of their reading. Above all there was a collection of songs, of which Burns says, "This was my _vade mec.u.m_. I pored over them driving my cart, or walking to labour, song by song, verse by verse; carefully noting the true tender or sublime, from affectation and fustian, I am convinced I owe to this practice much of my critic-craft, such as it is!" And he could not have learnt it in a better way.

There are few countries in the world which could at that time have produced in humble life such a teacher as Murdoch and such a father as William Burness. It seems fitting, then, that a country which could rear such men among its peasantry should give birth to such a poet as Robert Burns to represent them. The books which fed his young intellect were devoured only during intervals s.n.a.t.c.hed from hard toil.

That toil was no doubt excessive. And this early over-strain showed itself soon in the stoop of his shoulders, in nervous disorder about the heart, and in frequent fits of despondency. Yet perhaps too much has sometimes been made of these bodily hards.h.i.+ps, as though Burns's boyhood had been one long misery. But the youth which grew up in so kindly an atmosphere of wisdom and home affection, under the eye of such a father and mother, cannot be called unblest.

Under the pressure of toil and the entire want of society, Burns might have grown up the rude and clownish and unpopular lad that he has been pictured in his early teens. But in his fifteenth summer there came to him a new influence, which at one touch unlocked the springs of (p. 008) new emotions. This incident must be given in his own words:--"You know," he says, "our country custom of coupling a man and woman together as partners in the labours of the harvest. In my fifteenth summer my partner was a bewitching creature, a year younger than myself. My scarcity of English denies me the power of doing her justice in that language, but you know the Scottish idiom. She was a bonnie, sweet, sonsie la.s.s. In short, she, altogether unwittingly to herself, initiated me in that delicious pa.s.sion, which, in spite of acid disappointment, gin-horse prudence, and book-worm philosophy, I hold to be the first of human joys here below! How she caught the contagion I cannot tell.... Indeed I did not know myself why I liked so much to loiter behind with her, when returning in the evening from our labours; why the tones of her voice made my heartstrings thrill like an aeolian harp; and especially why my pulse beat such a furious ratan when I looked and fingered over her little hand, to pick out the cruel nettle-stings and thistles. Among her love-inspiring qualities, she sung sweetly; and it was her favourite reel to which I attempted giving an embodied vehicle in rhyme. I was not so presumptuous as to imagine that I could make verses like printed ones, composed by men who read Greek and Latin; but my girl sung a song which was said to be composed by a country laird's son, on one of his father's maids with whom he was in love; and I saw no reason why I might not rhyme as well as he; for, excepting that he could shear sheep, and cast peats, his father living in the moorlands, he had no more scholar-craft than myself. Thus with me began love and poetry."

The song he then composed is ent.i.tled "Handsome Nell," and is the (p. 009) first he ever wrote. He himself speaks of it as very puerile and silly--a verdict which Chambers endorses, but in which I cannot agree.

Simple and artless it no doubt is, but with a touch of that grace which bespeaks the true poet. Here is one verse which, for directness of feeling and felicity of language, he hardly ever surpa.s.sed:--

She dresses aye sae clean and neat, Baith decent and genteel, And then there's something in her gait Gars ony dress look weel.

"I composed it," says Burns, "in a wild enthusiasm of pa.s.sion, and to this hour I never recollect it but my heart melts, my blood sallies at the remembrance."

LOCHLEA.--Escaped from the fangs of the factor, with some remnant of means, William Burness removed from Mount Oliphant to Lochlea in the parish of Tarbolton (1777), an upland undulating farm, on the north bank of the River Ayr, with a wide outlook, southward over the hills of Carrick, westward toward the Isle of Arran, Ailsa Craig, and down the Firth of Clyde, toward the Western Sea. This was the home of Burns and his family from his eighteenth till his twenty-fifth year. For a time the family life here was more comfortable than before, probably because several of the children were now able to a.s.sist their parents in farm labour. "These seven years," says Gilbert Burns, "brought small literary improvement to Robert," but I can hardly believe this when we remember that Lochlea saw the composition of _The Death and Dying Words of Poor Mailie_, and of _My Nannie, O_, and one or two more of his most popular songs. It was during those days that Robert, (p. 010) then growing into manhood, first ventured to step beyond the range of his father's control, and to trust the promptings of his own social instincts and headlong pa.s.sions. The first step in this direction was to go to a dancing school, in a neighbouring village, that he might there meet companions of either s.e.x, and give his rustic manners "a brush," as he phrases it. The next step was taken when Burns resolved to spend his nineteenth summer in Kirkoswald, to learn mensuration and surveying from the schoolmaster there, who was famous as a teacher of these things. Griswold, on the Carrick coast, was a village full of smugglers and adventurers, in whose society Burns was introduced to scenes of what he calls "swaggering riot and roaring dissipation." It may readily be believed that with his strong love of sociality and excitement he was an apt pupil in that school. Still the mensuration went on till one day, when in the kail-yard behind the teachers house, Burns met a young la.s.s, who set his heart on fire, and put an end to mensuration. This incident is celebrated in the song beginning--

Now westlin winds and slaughtering guns Bring Autumn's pleasant weather,--

"the ebullition," he calls it, "of that pa.s.sion which ended the school business at Kirkoswald."

From this time on for several years, love making was his chief amus.e.m.e.nt, or rather his most serious business. His brother tells us that he was in the secret of half the love affairs of the parish of Tarbolton, and was never without at least one of his own. There was not a comely girl in Tarbolton on whom he did not compose a song, and then he made one which included them all. When he was thus inly (p. 011) moved, "the agitations of his mind and body," says Gilbert, "exceeded anything of the kind I ever knew in real life. He had always a particular jealousy of people who were richer than himself, or had more consequence. His love therefore rarely settled on persons of this description." The jealousy here noted, as extending even to his loves, was one of the weakest points of the poet's character. Of the ditties of that time, most of which have been preserved, the best specimen is _My Nannie, O_. This song, and the one ent.i.tled _Mary Morison_ render the whole scenery and sentiment of those rural meetings in a manner at once graphic and free from coa.r.s.eness. Yet, truth to speak, it must be said that those gloaming trysts, however they may touch the imagination and lend themselves to song, do in reality lie at the root of much that degrades the life and habits of the Scottish peasantry.

But those first three or four years at Lochlea, if not free from peril, were still with the poet times of innocence. His brother Gilbert, in the words of Chambers, "used to speak of his brother as at this period, to himself, a more admirable being than at any other. He recalled with delight the days when they had to go with one or two companions to cut peats for the winter fuel, because Robert was sure to enliven their toil with a rattling fire of witty remarks on men and things, mingled with the expressions of a genial glowing heart, and the whole perfectly free from the taint which he afterwards acquired from his contact with the world. Not even in those volumes which afterwards charmed his country from end to end, did Gilbert see his brother in so interesting a light as in these conversations in the bog, with only two or three noteless peasants for an audience."

While Gilbert acknowledges that his brother's love-makings were at (p. 012) this time unceasing, he a.s.serts that they were "governed by the strictest rules of virtue and modesty, from which he never deviated till he reached his twenty-third year." It was towards the close of his twenty-second that there occurs the record of his first serious desire to marry and settle in life. He had set his affections on a young woman named Ellison Begbie, daughter of a small farmer, and at that time servant in a family on Cessnock Water, about two miles from Lochlea. She is said to have been not a beauty, but of unusual liveliness and grace of mind. Long afterwards, when he had seen much of the world, Burns spoke of this young woman as, of all those on whom he ever fixed his fickle affections, the one most likely to have made a pleasant partner for life. Four letters which he wrote to her are preserved, in which he expresses the most pure and honourable feelings in language which, if a little formal, is, for manliness and simplicity, a striking contrast to the bombast of some of his later epistles. Songs, too, he addressed to her--_The La.s.s of Cessnock Banks_, _Bonnie Peggy Alison_, and _Mary Morison_. The two former are inconsiderable; the latter is one of those pure and beautiful love-lyrics, in the manner of the old ballads, which, as Hazlitt says, "take the deepest and most lasting hold on the mind."

Yestreen, when to the trembling string, The dance gaed thro' the lighted ha', To thee my fancy took its wing, I sat, but neither heard nor saw: Tho' this was fair, and that was braw, And yon the toast of a' the town, I sigh'd, and said amang them a', "Ye are na Mary Morison."

Oh, Mary, canst thou wreck his peace, (p. 013) Wha for thy sake wad gladly die; Or canst thou break that heart of his, Whase only faut is loving thee?

If love for love thou wilt na gie, At least be pity to me shown; A thought ungentle canna be The thought o' Mary Morison.

In these lines the lyric genius of Burns was for the first time undeniably revealed.

But neither letters nor love-songs prevailed. The young woman, for some reason untold, was deaf to his entreaties, and the rejection of this his best affection fell on him with a malign influence, just as he was setting his face to learn a trade which he hoped would enable him to maintain a wife.

Irvine was at that time a centre of the flax-dressing art, and as Robert and his brother raised flax on their farm, they hoped that if they could dress as well as grow flax, they might thereby double their profits. As he met with this heavy disappointment in love just as he was setting out for Irvine, he went thither downhearted and depressed, at Midsummer, 1781. All who met him at that time were struck with his look of melancholy, and his moody silence, from which he roused himself only when in pleasant female society, or when he met with men of intelligence. But the persons of this sort whom he met in Irvine were probably few. More numerous were the smugglers and rough-living adventurers with which that seaport town, as Kirkoswald, swarmed.

Among these he contracted, says Gilbert, "some acquaintance of a freer manner of thinking and living than he had been used to, whose society prepared him for over-leaping the bonds of rigid virtue which had hitherto restrained him." One companion, a sailor-lad of wild life (p. 014) and loose and irregular habits, had a wonderful fascination for Burns, who admired him for what he thought his independence and magnanimity.

"He was," says Burns, "the only man I ever knew who was a greater fool than myself, where woman was the presiding star; but he spoke of lawless love with levity, which hitherto I had regarded with horror.

_Here his friends.h.i.+p did me a mischief._"

Another companion, older than himself, thinking that the religious views of Burns were too rigid and uncompromising, induced him to adopt "more liberal opinions," which in this case, as in so many others, meant more lax opinions. With his principles of belief, and his rules of conduct at once a.s.sailed and undermined, what chart or compa.s.s remained any more for a pa.s.sionate being like Burns over the pa.s.sion-swept sea of life that lay before him? The migration to Irvine was to him the descent to Avernus, from which he never afterwards, in the actual conduct of life, however often in his hours of inspiration, escaped to breathe again the pure upper air. This brief but disastrous Irvine sojourn was brought to a sudden close. Burns was robbed by his partner in trade, his flax-dressing shop was burnt to the ground by fire during the carousal of a New Year's morning, and himself, impaired in purse, in spirits, and in character, returned to Lochlea to find misfortunes thickening round his family, and his father on his death-bed. For the old man, his long struggle with scanty means, barren soil, and bad seasons, was now near its close. Consumption had set in. Early in 1784, when his last hour drew on, the father said that there was one of his children of whose future he could not think without fear. Robert, who was in the room, came up to his bedside (p. 015) and asked, "O father, is it me you mean?" The old man said it was.

Robert turned to the window, with tears streaming down his cheeks, and his bosom swelling, from the restraint he put on himself, almost to bursting. The father had early perceived the genius that was in his boy, and even in Mount Oliphant days had said to his wife, "Whoever lives to see it, something extraordinary will come from that boy." He had lived to see and admire his son's earliest poetic efforts. But he had also noted the strong pa.s.sions, with the weak will, which might drive him on the shoals of life.

MOSSGIEL.--Towards the close of 1783, Robert and his brother, seeing clearly the crash of family affairs which was impending, had taken on their own account a lease of the small farm of Mossgiel, about two or three miles distant from Lochlea, in the parish of Mauchline. When their father died in February, 1784, it was only by claiming the arrears of wages due to them, and ranking among their father's creditors, that they saved enough from the domestic wreck, to stock their new farm. Thither they conveyed their widowed mother, and their younger brothers and sisters, in March, 1784. Their new home was a bare upland farm, 118 acres of cold clay-soil, lying within a mile of Mauchline village. Burns entered on it with a firm resolution to be prudent, industrious, and thrifty. In his own words, "I read farming books, I calculated crops, I attended markets, and, in short, in spite of the devil, the world, and the flesh, I should have been a wise man; but the first year from unfortunately buying bad seed--the second, from a late harvest, we lost half our crops. This overset all my wisdom, and I returned like the dog to his vomit, and the sow that was washed to her wallowing in the mire." Burns was in the beginning (p. 016) of his twenty-sixth year when he took up his abode at Mossgiel, where he remained for four years. Three things those years and that bare moorland farm witnessed,--the wreck of his hopes as a farmer, the revelation of his genius as a poet, and the frailty of his character as a man. The result of the immoral habits and "liberal opinions"

which he had learnt at Irvine were soon apparent in that event of which he speaks in his _Epistle to John Rankine_ with such unbecoming levity. In the Chronological Edition of his works it is painful to read on one page the pathetic lines which he engraved on his father's headstone, and a few pages on, written almost at the same time, the epistle above alluded to, and other poems in the same strain, in which the defiant poet glories in his shame. It was well for the old man that he was laid in Alloway Kirkyard before these things befell. But the widowed mother had to bear the burden, and to receive in her home and bring up the child that should not have been born. When silence and shame would have most become him, Burns poured forth his feelings in ribald verses, and bitterly satirized the parish minister, who required him to undergo that public penance which the discipline of the Church at that time exacted. Whether this was a wise discipline or not, no blame attached to the minister, who merely carried out the rules which his Church enjoined. It was no proof of magnanimity in Burns to use his talent in reviling the minister, who had done nothing more than his duty. One can hardly doubt but that in his inmost heart he must have been visited with other and more penitential feelings than those unseemly verses express. But, as Lockhart has well observed, "his false pride recoiled from letting his jovial a.s.sociates know (p. 017) how little he was able to drown the whispers of the still small voice; and the fermenting bitterness of a mind ill at ease within himself escaped--as may be often traced in the history of satirists--in angry sarcasms against those who, whatever their private errors might be, had at least done him no wrong." Mr. Carlyle's comment on this crisis of his life is too weighty to be omitted here. "With principles a.s.sailed by evil example from without, by 'pa.s.sions raging like demons' from within, he had little need of sceptical misgivings to whisper treason in the heat of the battle, or to cut off his retreat if he were already defeated. He loses his feeling of innocence; his mind is at variance with itself; the old divinity no longer presides there; but wild Desires and wild Repentance alternately oppress him.

Ere long, too, he has committed himself before the world; his character for sobriety, dear to a Scottish peasant as few corrupted worldlings can even conceive, is destroyed in the eyes of men; and his only refuge consists in trying to disbelieve his guiltiness, and is but a refuge of lies. The blackest desperation gathers over him, broken only by the red lightnings of remorse." Amid this trouble it was but a poor vanity and miserable love of notoriety which could console itself with the thought

The mair they talk, I'm kent the better, E'en let them clash.

Or was this not vanity at all, but the bitter irony of self-reproach?

This collision with the minister and Kirk Session of his parish, and the bitter feelings it engendered in his rebellious bosom, at once launched Burns into the troubled sea of religious controversy that was at that time raging all around him. The clergy of the West were divided into two parties, known as the Auld Lights and the New Lights. (p. 018) Ayrs.h.i.+re and the west of Scotland had long been the stronghold of Presbyterianism and of the Covenanting spirit; and in Burns's day--a century and a half after the Covenant--a large number of the ministers still adhered to its principles, and preached the Puritan theology undiluted. These men were democratic in their ecclesiastical views, and stout protestors against Patronage, which has always been the bugbear of the sects in Scotland. As Burns expresses it, they did their best to stir up their flocks to

Join their counsel and their skills To cowe the lairds, An' get the brutes the power themsels To chuse their herds.

All Burns's instincts would naturally have been on the side of those who wished to resist patronage and "to cowe the lairds," had not this his natural tendency been counteracted by a stronger bias drawing him in an opposite direction. The Auld Lights, though democrats in Church politics, were the upholders of that strict church discipline under which he was smarting, and to this party belonged his own minister, who had brought that discipline to bear upon him. Burns, therefore, naturally threw himself into the arms of the opposite, or New Light party, who were more easy in their life and in their doctrine. This large and growing section of ministers were deeply imbued with rationalism, or, as they then called it, "common-sense," in the light of which they pared away from religion all that was mysterious and supernatural. Some of them were said to be Socinians or even pure Deists, most of them shone less in the pulpit, than at the festive board. (p. 019) With such men a person in Burns's then state of mind would readily sympathize, and they received him with open arms. Nothing could have been more unfortunate than that in this crisis of his career he should have fallen into intimacy with those hard-headed but coa.r.s.e-minded men. They were the first persons of any pretensions to scholarly education with whom he had mingled freely. He amused them with the sallies of his wit and sarcasm, and astonished them by his keen insight and vigorous powers of reasoning. They abetted those very tendencies in his nature which required to be checked. Their countenance, as clergymen, would allay the scruples and misgivings he might otherwise have felt, and stimulate to still wilder recklessness whatever profanity he might be tempted to indulge in. When he had let loose his first shafts of satire against their stricter brethren, those New Light ministers heartily applauded him; and hounded him on to still more daring a.s.saults. He had not only his own quarrel with his parish minister and the stricter clergy to revenge, but the quarrel also of his friend and landlord, Gavin Hamilton, a county lawyer, who had fallen under Church censure for neglect of Church ordinances, and had been debarred from the Communion. Burns espoused Gavin's cause with characteristic zeal, and let fly new arrows one after another from his satirical quiver.

The first of these satires against the orthodox ministers was _The Twa Herds, or the Holy Tulzie_, written on a quarrel between two brother clergymen. Then followed in quick succession _Holy Willie's Prayer_, _The Ordination_, and _The Holy Fair_. His good mother and his brother were pained by these performances, and remonstrated against them. But Burns, though he generally gave ear to their counsel, in this (p. 020) instance turned a deaf ear to it, and listened to other advisers. The love of exercising his strong powers of satire and the applause of his boon-companions, lay and clerical, prevailed over the whispers of his own better nature and the advice of his truest friends. Whatever may be urged in defence of employing satire to lash hypocrisy, I cannot but think that those who have loved most what is best in Burns' poetry must have regretted that these poems were ever written. Some have commended them on the ground that they have exposed religious pretence and Pharisaism. The good they may have done in this way is perhaps doubtful. But the harm they have done in Scotland is not doubtful, in that they have connected in the minds of the people so many coa.r.s.e and even profane thoughts with objects which they had regarded till then with reverence. Even _The Holy Fair_, the poem in this kind which is least offensive, turns on the abuses that then attended the celebration of the Holy Communion in rural parishes, and with great power portrays those gatherings in their most mundane aspects. Yet, as Lockhart has well remarked, those things were part of the same religious system which produced the scenes which Burns has so beautifully described in _The Cotter's Sat.u.r.day Night_. Strange that the same mind, almost at the same moment, should have conceived two poems so different in spirit as _The Cotter's Sat.u.r.day Night_ and _The Holy Fair_!

I have dwelt thus long on these unpleasant satires that I may not have again to return to them. It is a more welcome task to turn to the other poems of the same period. Though Burns had entered on Mossgiel resolved to do his best as a farmer, he soon discovered that it was not in that way he was to attain success. The crops of 1784 and (p. 021) 1785 both failed, and their failure seems to have done something to drive him in on his own internal resources. He then for the first time seems to have awakened to the conviction that his destiny was to be a poet; and he forthwith set himself, with more resolution than he ever showed before or after, to fulfil that mission. Hitherto he had complained that his life had been without an aim; now he determined that it should be so no longer. The dawning hope began to gladden him that he might take his place among the bards of Scotland, who, themselves mostly unknown, have created that atmosphere of minstrelsy which envelopes and glorifies their native country. This hope and aim is recorded in an entry of his commonplace book, of the probable date of August, 1784:--