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Chopin : the Man and His Music Part 17

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Chopin Ein Gedenkblatt, by August Spanuth, New York Staats-Zeitung, October 15, 1899.

The Pianoforte Sonata, by J. B. Shedlock, London, Methuen & Co.

A History of Pianoforte Playing and Pianoforte Literature, by C. F. Weitzmann, translated by Dr. Th. Baker. New York, G.

Schirmer.

Der Letze Virtuoso, by C. F. Weitzmann. Leipzig, Kahnt.

Chopin--and Some Others, in London Musical News, October 14, 1899.

Chopin, in A History of the Pianoforte and Pianoforte Players, by Oscar Bie. New York, E. P. Dutton & Co.

Chopin, in Rubinstein's Die Meister des Klaviers. New York, Schuberth.

Chopin, in Berliner Tageblatt, by Dr. Leopold Schmidt.

Chopin Juzgada por Schumann, in Gaceta Musical, City of Mexico.

The Chopin Rubato and so-called Chopin Fingering, by John Kautz, in The Musical Record, Boston, 1898.

Franz Liszt, by Lina Ramann. Breitkopf & Hartel.

Preface to Mikuli Edition by Carl Mikuli.

The AEsthetics of Pianoforte Playing, by Adolf Kullak. New York, G. Schirmer.

Chopin und die Frauen, by Eugen Isolani. Berliner Courier, October 17, 1899.

Chopin, by W. J. Henderson in The New York Times, October 29, 1899.

A Note on Chopin, by L. A. Corbeille, and Chopin, An Irresponsibility, by "Israfel," in The Dome, October, 1899, London, Unicorn Press.

Chopin and the Romantics, by John F. Runciman in The Sat.u.r.day Review (London), February 10,1900.

Chopiniana: in the February, 1900, issue of the London Monthly Musical Record, including some new letters of Chopin's.

La maladie de Chopin (d'apres des doc.u.ments inedits), par Cabanes. Chronique medicale, Paris, 1899, vi., No. 21, 673-685.

Also recollections in letters and diaries of Moscheles, Hiller, Mendelssohn, Berlioz, Henselt, Schumann, Rubinstein, Mathias, Legouve, Tarnowski, Grenier and others.

The author begs to acknowledge the kind suggestions and a.s.sistance of Rafael Joseffy, Vladimir de Pachmann, Moriz Rosenthal, Jaraslow de Zielinski, Edwin W. Morse, Edward E.

Ziegler and Ignace Jan Paderewski.

BOOKS BY JAMES HUNEKER

What Maeterlinck wrote:

Maurice Maeterlinck wrote thus of James Huneker: "Do you know that 'Iconoclasts' is the only book of high and universal critical worth that we have had for years--to be precise, since Georg Brandes. It is at once strong and fine, supple and firm, indulgent and sure."

The Evening Post of June 10, 1915, wrote of Mr. Huneker's "The New Cosmopolis":

"The region of Bohemia, Mr. James Huneker found long ago, is within us. At twenty, he says, he discovered that there is no such enchanted spot as the Latin Quarter, but that every generation sets back the mythical land into the golden age of the Commune, or of 1848, or the days of 'Hernani.' It is the same with New York's East Side, 'the fabulous East Side,' as Mr. Huneker calls it in his collection of international urban studies, 'The New Cosmopolis.' If one judged externals by grime, by poverty, by sanded back-rooms, with long-haired visionaries a.s.sailing the social order, then the East Side of the early eighties has gone down before the mad rush of settlement workers, impertinent reformers, sociological cranks, self-advertising politicians, billionaire socialists, and the reporters. To-day the sentimental traveller 'feels a heart-pang to see the order, the cleanliness, the wide streets, the playgrounds, the big boulevards, the absence of indigence that have spoiled the most interesting part of New York City.' But apparently this is only a first impression; for Mr. Huneker had no trouble in discovering in one cafe a patriarchal figure quite of the type beloved of the local-color hunters of twenty years ago, a prophet, though speaking a modern language and concerned with things of the day. So that we owe to Mr. Huneker the discovery of a notable truth, namely, that Bohemia is not only a creation of the sentimental memory, but, being psychological, may be located in clean and prosperous quarters. The tendency has always been to place it in a golden age, but a tattered and unswept age. Bohemia is now shown to exist amidst model tenements and sanitary drinking-cups."

NEW COSMOPOLIS

THE PATHOS of DISTANCE A Book of a Thousand and One Moments

PROMENADES of an IMPRESSIONIST

"We like best such sober essays as those which a.n.a.lyze for us the technical contributions of Cezanne and Rodin. Here Mr.

Huneker is a real interpreter, and here his long experience of men and ways in art counts for much. Charming, in the lighter vein, are such appreciations as the Monticelli, and Chardin."

--FRANK JEWETT MATHER, JR., in New York Nation and Evening Post.

EGOISTS A Book of Supermen STENDHAL, BAUDELAIRE, FLAUBERT, ANATOLE FRANCE, HUYSMANS, BARRES, h.e.l.lO, BLAKE, NIETZSCHE, IBSEN, AND MAX STIRNER With Portrait and Facsimile Reproductions

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