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Phelim Otoole's Courtship and Other Stories Part 1

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Phelim O'toole's Courts.h.i.+p and Other Stories.

by William Carleton.

PHELIM O'TOOLE'S COURTs.h.i.+P.

Phelim O'Toole, who had the honor of being that interesting personage, an only son, was heir to a snug estate of half an acre, which had been the family patrimony since the time of his grandfather, Tyrrell O'Toole, who won it from the Sa.s.senah at the point of his reaping-hook, during a descent once made upon England by a body of "spalpeens," in the month of August. This resolute little band was led on by Tyrrell, who, having secured about eight guineas by the excursion, returned to his own country, with a coa.r.s.e linen travelling-bag slung across his shoulder, a new hat in one hand, and a staff in the other. On reaching once more his native village of Teernarogarah, he immediately took half an acre, for which he paid a moderate rent in the shape of daily labor as a cotter.

On this he resided until death, after which event he was succeeded by his son, Larry O'Toole, the father of the "purty boy" who is about to s.h.i.+ne in the following pages.

Phelim's father and mother had been married near seven years without the happiness of a family. This to both was a great affliction. Sheelah O'Toole was melancholy from night to morning, and Larry was melancholy from morning to night. Their cottage was silent and solitary; the floor and furniture had not the appearance of any cottage in which Irish children are wont to amuse themselves. When they rose in the morning, a miserable stillness prevailed around them; young voices were not heard--laughing eyes turned not on their parents--the melody of angry squabbles, as the urchins, in their parents' fancy, cuffed and scratched each other--half, or wholly naked among the ashes in the morning, soothed not the yearning hearts of Larry and his wife. No, no; there was none of this.

Morning pa.s.sed in a quietness hard to be borne: noon arrived, but the dismal dreary sense of childlessness hung upon the house and their hearts; night again returned, only to add its darkness to that which overshadowed the sorrowful spirits of this disconsolate couple.

For the first two or three years, they bore this privation with a strong confidence that it would not last. The heart, however, sometimes becomes tired of hoping, or unable to bear the burthen of expectation, which time only renders heavier. They first began to fret and pine, then to murmur, and finally to recriminate.

Sheelah wished for children, "to have the crathurs to spake to," she said, "and comfort us when we'd get ould an' helpless."

Larry cared not, provided they had a son to inherit the "half acre."

This was the burthen of his wishes, for in all their altercations, his closing observation usually was--"well, but what's to become of the half acre?"

"What's to become of the half acre? Arrah what do I care for the half acre? It's not that you ought to be thinkin' of, but the dismal poor house we have, wid not the laugh or schreech of a _single pastiah_ (*

child) in it from year's end to year's end."

"Well, Sheelah?--"

"Well, yourself, Larry? To the diouol I pitch your half acre, man."

"To the diouol you--pitch--What do you fly at me for?"

"Who's flyin' at you? They'd have little tow on their rock that 'ud fly at you."

"You are flyin' at me; an' only you have a hard face, you wouldn't do it."

"A hard face! Indeed it's well come over wid us, to be tould that by the likes o' you! ha!"

"No matther for that! You had betther keep a soft tongue in your head, an' a civil one, in the mane time. Why did the divil timpt you to take a fancy to me at all?"

"That's it. Throw the _grah_ an' love I _once_ had for you in my teeth, now. It's a manly thing for you to do, an' you may be proud, of it. Dear knows, it would be betther for me I had fell in consate wid any face but yours."

"I wish to goodness you had! I wouldn't be as I am to-day. There's that half acre--"

"To the diouol, I say, I pitch yourself an' your half acre! Why do you be comin' acra.s.s me wid your half acre? Eh?--why do you?"

"Come now; don't be puttin' your hands agin your sides, an waggin' your impty head at me, like a rockin' stone."

"An' why do you be aggravatin' at me wid your half acre?"

"Bekase I have a good right to do it. What'll become of it when I d--"

"----That for you an' it, you poor excuse!"

"When I di--"

"----That for you an' it, I say! That for you an' it, you atomy!"

"What'll become of my half acre when I die? Did you hear that?"

"You ought to think of what'll become of yourself, when you die; that's what you ought to think of; but little it throubles you, you sinful reprobate! Sure the neighbors despises you."

"That's falsity; but they know the life I lade wid you. The edge of your tongue's well known. They pity me, for bein' joined to the likes of you.

Your bad tongue's all you're good for."

"Aren't you afeard to be flyin' in the face o' Providence the way you are? An' to be ladin' me sich a heart-scalded life for no rason?"

"It's your own story you're tellin'. Sure I haven't a day's pace wid you, or ever had these three years. But wait till next harvest, an' if I'm spared, I'll go to England. Whin I do, I've a consate in my head, that you'll never see my face agin."

"Oh, you know that's an' ould story wid you. Many a time you threatened us wid that afore. Who knows but you'd be dhrowned on your way, an' thin we'd get another husband."

"An' be these blessed tongs, I'll do it afore I'm much oulder!"

"An' lave me here to starve an' sthruggle by myself! Desart me like a villain, to poverty an' hards.h.i.+p! Marciful Mother of Heaven, look down upon me this day! but I'm the ill-thrated, an' ill-used poor crathur, by a man that I don't, an' never did, desarve it from! An' all in regard that that 'half acre' must go to strangers! Och! oh!"

"Ay! now take to the cryin', do; rock yourself over the ashes, an' wipe your eyes wid the corner of your ap.r.o.n; but, I say agin, _what's to become of the half acre?_"

"Oh, G.o.d forgive you, Larry! That's the worst I say to you, you poor half-dead blaguard!"

"Why do you ma.s.sacray me wid your tongue as you do?"

"Go. an--go an. I won't make you an answer, you atomy! That's what I'll do. The heavens above turn your heart this day, and give me strinth to bear my throubles an' heart burnin', sweet Queen o' Consolation! Or take me into the arms of Parodies, sooner nor be as I am, wid a poor baste of a villain, that I never turn my tongue on, barrin' to tell him the kind of a man he is, the blaguard!"

"You're betther than you desarve to be!"

To this, Sheelah made no further reply; on the contrary, she sat smoking her pipe with a significant silence, that was only broken by an occasional groan, an e.j.a.c.u.l.a.t.i.o.n, or a singularly devout upturning of the eyes to heaven, accompanied by a shake of the head, at once condemnatory and philosophical; indicative of her dissent from what he said, as well as of her patience in bearing it.

Larry, however, usually proceeded to combat all her gestures by viva voce argument; for every shake of her head he had an appropriate answer: but without being able to move her from the obstinate silence she maintained. Having thus the field to himself, and feeling rather annoyed by the want of an antagonist, he argued on in the same form of dispute, whilst she, after first calming her own spirit by the composing effects of the pipe, usually cut him short with--

"Here, take a blast o' this, maybe it'll settle you."

This was received in silence. The good man smoked on, and every puff appeared, as an evaporation of his anger. In due time he was as placid as herself, drew his breath in a grave composed manner, laid his pipe quietly on the hob, and went about his business as if nothing had occurred between them.

These bickerings were strictly private, with the exception of some disclosures made to Sheelah's mother and sisters. Even these were thrown out rather as insinuations that all was not right, than as direct a.s.sertions that they lived unhappily. Before strangers they were perfect turtles.

Larry, according to the notices of his life furnished by Sheelah, was "as good a husband as ever broke the world's bread;" and Sheelah "was as good a poor man's wife as ever threw a gown over her shoulders."

Notwithstanding all this caution, their little quarrels took wind; their unhappiness became known. Larry, in consequence of a failing he had, was the cause of this. He happened to be one of those men who can conceal nothing when in a state of intoxication. Whenever he indulged in liquor too freely, the veil which discretion had drawn over their recriminations was put aside, and a dolorous history of their weaknesses, doubts, hopes, and wishes, most unscrupulously given to every person on whom the complainant could fasten. When sober, he had no recollection of this, so that many a conversation of cross-purposes took place between him and his neighbors, with reference to the state of his own domestic inquietude, and their want of children.

One day a poor mendicant came in at dinner hour, and stood as if to solicit alms. It is customary in Ireland, when any person of that description appears during meal times, to make him wait until the meal is over, after which he is supplied with the fragments. No sooner had the boccagh--as a certain cla.s.s of beggars is termed--advanced past the jamb, than he was desired to sit until the dinner should be concluded.

In the mean time, with the tact of an adept in his calling, he began to ingratiate himself with Larry and his wife; and after sounding the simple couple upon their private history, he discovered that want of children was the occasion of their unhappiness.

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Phelim Otoole's Courtship and Other Stories Part 1 summary

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