Lessons in Life Part 1

Lessons in Life.

by Timothy t.i.tcomb.

PREFACE.

The quick and cordial reception which greeted the author's "Letters to the Young," and his more recent series of essays ent.i.tled "Gold Foil," and the constant and substantial friends.h.i.+p which has been maintained by the public toward those productions, must stand as his apology for this third venture in a kindred field of effort. It should be--and probably is--unnecessary for the author to say that in this book, as in its predecessors, he has aimed to be neither brilliant nor profound. He has endeavored, simply, to treat in a familiar and attractive way a few of the more prominent questions which concern the life of every thoughtful man and woman. Indeed, he can hardly pretend to have done more than to organize, and put into form, the average thinking of those who read his books--to place before the people the sum of their own choicer judgments--and he neither expects nor wishes for these essays higher praise than that which accords to them the quality of common sense.

SPRINGFIELD, Ma.s.s., _November_, 1861.

LESSONS IN LIFE.

LESSON I.

MOODS AND FRAMES OF MIND.

"That blessed mood In which the burden of the mystery, In which the heavy and the weary weight Of all this unintelligible world Is lightened." WORDSWORTH.

"Oh, blessed temper, whose unclouded ray Can make to-morrow cheerful as to-day."

POPE.

"My heart and mind and self, never in tune; Sad for the most part, then in such a flow Of spirits, I seem now hero, now buffoon."

LEIGH HUNT.

It rained yesterday; and, though it is midsummer, it is unpleasantly cool to-day. The sky is clear, with almost a steel-blue tint, and the meadows are very deeply green. The shadows among the woods are black and ma.s.sive, and the whole face of nature looks painfully clean, like that of a healthy little boy who has been bathed in a chilly room with very cold water. I notice that I am sensitive to a change like this, and that my mind goes very reluctantly to its task this morning.

I look out from my window, and think how delightful it would be to take a seat in the sun, down under the fence, across the street. It seems to me that if I could sit there awhile, and get warm, I could think better and write better. Toasting in the sunlight is conducive rather to reverie than thought, or I should be inclined to try it. This reluctance to commence labor, and this looking out of the window and longing for an accession of strength, or warmth, or inspiration, or something or other not easily named, calls back to me an experience of childhood.

It was summer, and I was attending school. The seats were hard, and the lessons were dry, and the walls of the school-room were very cheerless. An indulgent, sweet-faced girl was my teacher; and I presume that she felt the irksomeness of the confinement quite as severely as I did. The weather was delightful, and the birds were singing everywhere; and the thought came to me, that if I could only stay out of doors, and lie down in the shadow of a tree, I could get my lesson. I begged the privilege of trying the experiment. The kind heart that presided over the school-room could not resist my pet.i.tion; so I was soon lying in the coveted shadow. I went to work very severely; but the next moment found my eyes wandering; and heart, feeling, and fancy were going up and down the earth in the most vagrant fas.h.i.+on. It was hopeless dissipation to sit under the tree; and discovering a huge rock on the hillside, I made my way to that, to try what virtue there might be in a shadow not produced by foliage. Seated under the brow of the boulder, I again applied myself to the dim-looking text, but it had become utterly meaningless; and a musical cricket under the rock would have put me to sleep if I had permitted myself to remain. I found that neither tree nor rock would lend me help; but down in the meadow I saw the brook sparkling, and spanning it, a little bridge where I had been accustomed to sit, hanging my feet over the water, and angling for minnows. It seemed as if the bridge and the water might do something for me, and, in a few minutes, my feet were dangling from the accustomed seat.

There, almost under my nose, close to the bottom of the clear, cool stream, lay a huge speckled trout, fanning the sand with his slow fins, and minding nothing about me at all. What could a boy do with Colburn's First Lessons, when a living trout, as large and nearly as long as his arm, lay almost within the reach of his fingers? How long I sat there I do not know, but the tinkle of a distant bell startled me, and I startled the trout, and fish and vision faded before the terrible consciousness that I knew less of my lesson than I did when I left the school-house.

This has always been my fortune when running after, or looking for, moods. There is a popular hallucination that makes of authors a romantic people who are entirely dependent upon moods and moments of inspiration for the power to labor in their peculiar way. Authors are supposed to write when they "feel like it," and at no other time. Visions of Byron with a gin-bottle at his side, and a beautiful woman hanging over his shoulder, das.h.i.+ng off a dozen stanzas of Childe Harold at a sitting, flit through the brains of sentimental youth. We hear of women who are seized suddenly by an idea, as if it were a colic, or a flea, often at midnight, and are obliged to rise and dispose of it in some way.

We are told of very delicate girls who carry pencils and cards with them, to take the names and address of such angels as may visit them in out-of-the-way places. We read of poets who go on long sprees, and after recovery retire to their rooms and work night and day, eating not and sleeping little, and in some miraculous way producing wonderful literary creations. The mind of a literary man is supposed to be like a shallow summer brook, that turns a mill. There is no water except when it rains, and the weather being very fickle, it is never known when there will be water. Sometimes, however, there comes a freshet, and then the mill runs night and day, until the water subsides, and another dry time comes on.

Now, while I am aware, as every writer must be, that the brain works very much better at some times than it does at others, I can declare without reservation, that no man who depends upon moods for the power to write can possibly accomplish much. I know men who rely upon their moods, alike for the disposition and the ability to write, but they are, without exception, lazy and inefficient men. They never have accomplished much, and they never will accomplish much. Regular eating, regular sleeping, regular working--these are the secrets of all true literary success. A man may throw off a single little poem by a spasm, but he cannot write a poem of three thousand lines by spasms. Spasms that produce poems like this, must last from five to seven hours a day, through six days of every week, and four weeks of every month, until the work shall be finished. There is no good reason why the mind will not do its best by regular exercise and usage. The mower starts in the morning with a lame back and with aching joints; but he keeps on mowing, and the glow rises, and the perspiration starts, and he becomes interested in his labor, and, at length, he finds himself at work with full efficiency. He was not in the mood for mowing when he began, but mowing brought its own mood, and he knew it would when he began. The mind is sometimes lame in the morning. It refuses to go to work. Our wills seem entirely insufficient to drive it to its tasks; but if it be driven to its work and held to it persistently, and held thus every day, it will ultimately be able to do its best every day. A man who works his brains for a living, must work them just as regularly as the omnibus-driver does his horses.

We sometimes go to church and hear a preacher who depends upon his moods for the power to preach his best. He preaches well, and we say that he is in the mood; and then again he preaches poorly, and we say that he is not in the mood. A public singer who has the power to move us at her will, comes into the concert-room, and gives her music without spirit and without making any apparent effort to please. We say that Madame or Mademoiselle is "not in the mood to-night." A lecturer has his moods, which, apparently, he slips on and off as he would a dressing-gown, charming the people of one town by his eloquence and elegance, and disgusting another by his dullness and carelessness. We are in the habit of saying that certain men are very unequal in their performances, which is only a way of saying that they are moody, and dependent upon and controlled by moods. I think that, in any work or walk of life, a man can in a great degree become the master of his moods, so that, as a preacher, or a singer, or a lecturer, he can do his best every time quite as regularly as a writer can do his best every time. Mr. Benedict somewhat inelegantly remarked, when in this country, that the reason of Jenny Lind's success was, that she "made a conscience of her art." If we had asked Mr. Benedict to explain himself, he probably would have said that she conscientiously did her best every time, in every place. This was true of Jenny Lind. She never failed. She sang just as well in the old church where the country people had flocked to greet her, as in the halls of the metropolis. Yet Jenny Lind was decidedly a woman of moods, and indulged in them when she could afford it.

The power of the will over moods of the mind is very noticeable in children. Children often rise in the morning in any thing but an amiable frame of mind. Petulant, impatient, quarrelsome, they cannot be spoken to or touched without producing an explosion of ill-nature. Sleep seems to have been a bath of vinegar to them, and one would think the fluid had invaded their mouth and nose, and eyes and ears, and had been absorbed by every pore of their sensitive skins. In a condition like this, I have seen them bent over the parental knee, and their persons subjected to blows from the parental palm; and they have emerged from the infliction with the vinegar all expelled, and their faces s.h.i.+ning like the morning--the transition complete and satisfactory to all the parties. Three-quarters of the moods that men and women find themselves in, are just as much under the control of the will as this. The man who rises in the morning, with his feelings all bristling like the quills of a hedge-hog, simply needs to be knocked down. Like a solution of certain salts, he requires a rap to make him crystallize. A great many mean things are done in the family for which moods are put forward as the excuse, when the moods themselves are the most inexcusable things of all. A man or a woman in tolerable health has no moral right to indulge in an unpleasant mood, or to depend upon moods for the performance of the duties of life. If a bad mood come to such persons as these, it is to be shaken off by a direct effort of the will, under all circ.u.mstances.

There are moods, however, for which men are not responsible, and the parent of these is sickness--the feeble or inharmonious movements of the body. When my little boy wakes in the morning, his smile is as bright as the pencil of sunlight that lies across his coverlet; but when evening comes, he is peevish and fretful.

The little limbs are weary, and the mood is produced by weariness.

So my friend with a hara.s.sing cough is in a melancholy mood, and my bilious friend is in a severe and savage mood, or in a dark and gloomy mood, or in a petulant mood, or in a fearful or foreboding mood. In truth, bile is the prolific mother of moods. The stream of life flows through the biliary duct. When that is obstructed, life is obstructed. When the golden tide sets back upon the liver, it is like backwater under a mill; it stops the driving-wheel.

Bile spoils the peace of families, breaks off friends.h.i.+ps, cuts off man from communion with his Maker, colors whole systems of theology, transforms brains into putty, and destroys the comfort of a jaundiced world. The famous Dr. Abernethy had his hobby, as most famous men have; and this hobby was "blue pill and ipecac,"

which he prescribed for every thing, with the supposition, I presume, that all disease has its origin in the liver. Most moods, I am sure, have their birth in the derangements of this important organ; and while the majority of them can be controlled, there are others for which their victims are not responsible. There are men who cannot insult me, because I will not take an insult from them any more than I would from a man intoxicated. When their bile starts, I am sure they will come to me and apologize.

We all have acquaintances who are men of moods. Whenever we meet them, we try to determine which of their moods is dominant, that we may know how to treat them. If the severe mood be on, we would just as soon think of whistling at a funeral as indulging in a jest; but if the cloud be off, we have a sprightly friend and a pleasant time with him. Goldsmith's pedagogue was a man of moods, and his pupils understood them.

"A man severe he was, and stern to view; I knew him well, and every truant knew: _Well had the boding tremblers learned to trace The day's disasters in his morning face_; Full well they laughed with counterfeited glee At all his jokes, for many a joke had he; Full well the busy whisper, circling round, Conveyed the dismal tidings when he frowned."

While I maintain that a man can generally be the master of his moods, I am very well aware that but few men are; and it is wise for us to know how to deal with them. The secret of many a man's success in the world resides in his insight into the moods of men, and his tact in dealing with them. Modern Christian philanthropists tell us that if we would do good to the soul of a starving child, we must first put food into his mouth, and comfortable clothing upon his body. This, by way of manifesting a practical interest in his welfare, and paving our way to his heart by a form of kindness which he can thoroughly appreciate. But there is more in such an act than this,--we change his mood. From a mood of despair or discouragement, we translate him into a mood of cheerfulness and hopefulness; and then we have a soul to deal with that is surrounded by the conditions of improvement. There is much more than divine duty and Christian forgiveness in the injunction: "if thine enemy hunger, feed him; if he thirst, give him drink." The highest wisdom would dictate such a policy for changing his mood, and bringing him into a condition in which he could entertain a sense of his meanness.

It is curious to see how much fulness and emptiness of stomach have to do with moods. A business man who has been at work hard all day, will enter his house for dinner as crabbed as a hungry bear--crabbed because he is as hungry as a hungry bear. The wife understands the mood, and, while she says little to him, is careful not to have the dinner delayed. In the mean time, the children watch him cautiously, and do not tease him with questions. When the soup is gulped, and he leans back and wipes his mouth, there is an evident relaxation, and his wife ventures to ask for the news. When the roast beef is disposed of, she presumes upon gossip, and possibly upon a jest; and when, at last, the dessert is spread upon the table, all hands are merry, and the face of the husband and father, which entered the house so pinched and savage and sharp, becomes soft and full and beaming as the face of the round summer moon. Children are very sensitive to the influence of hunger; and often when we think that we are witnessing some fearful proof of the total depravity of human nature in a young child, we are only witnessing the natural expression of a desire for bread and milk. The politicians and all that cla.s.s of men who have axes to grind, understand this business very thoroughly. If a measure is to be carried through, and any man wishes to secure votes for it, he gives a dinner. If a man wishes for a profitable contract, he gives a dinner. If he is up for a fat office, he gives a dinner. If it is desirable that a pair of estranged friends be brought together, and reconciled to each other, they are invited to a dinner. If hostile interests are to be harmonized, and clas.h.i.+ng measures compromised, and divergent forces brought into parallelism, all must be effected by means of a dinner.

A good dinner produces a good mood,--at least, it produces an impressible mood. The will relaxes wonderfully under the influence of iced champagne, and canvas-backs are remarkable softeners of prejudice. The daughter of Herodias took Herod at a great disadvantage, when she came in and danced before him and his friends at his birth-day supper, and secured the head of John the Baptist.

No one, I presume, believes that if she had undertaken to dance before him when he was hungry, she would have had the offer of a gift equal to the half of his kingdom. It is more than likely that, under any other circ.u.mstances, he would have been told to "sit down and show less." It is by means of food and drink, and various entertainments of the senses, that moods are manufactured, and used as media of approach to the wills which it is desirable to bend or direct.

I have found moods to be very poor tests of character. Having cut through the crust of a most forbidding mood, produced by bodily derangement or constant and pressing labor of the brain, I have often found a heart full of all the sweetest and richest traits of humanity. I have found, too, that some natures know the door that leads through the moods of other natures. There are men who never present their moody side to me. My neighbor enters their presence and finds them severe in aspect, hard in feeling, and abrupt in speech. I go in immediately after, and open the door right through that mood, into the genial good heart that sits behind it, and the door always flies open when I come. I know men whose mood is usually exceedingly pleasant. There is a glow of health upon their faces. Their words are musical to women and children. They are cheerful and chipper and suns.h.i.+ny, and not easily moved to anger; and yet I know them to be liars and full of selfishness. Under their sweet mood, which sound health and a not over-sensitive conscience and the satisfactions of sense engender, they conceal hearts that are as false and foul as any that ill.u.s.trate the reign of sin in human nature. Many a Christian has times of feeling that G.o.d is in a special manner smiling upon him, and communing with him, and filling him with the peace and joy that only flow from heavenly fountains, when the truth is that he is only in a good mood. He is well, all the machinery of his mind and body is playing harmoniously, and, of course, he feels well, and that is all there is about it. He is not a better Christian than he was when he slipped into the mood, and no better than he will be when he slips out of it. If he really be a good Christian, his moods operate like clouds and blue sky. The sun s.h.i.+nes all the time, and the cloudy moods only hide it;--they do not extinguish it.

There are many sad cases of insanity of a religious character which originate in moods. A man, through a period of health, has a bright and cheerful religious experience. The world looks pleasant to him, the heavens smile kindly upon him, and the Divine Spirit witnesses with his own that he is at peace and in harmony with G.o.d. Joy thrills him as he greets the morning light, and peace nestles upon his heart as he lies down to his nightly rest. He feels in his soul the influx of spiritual life from the Great Source of all life, as he opens it in wors.h.i.+p and in prayer. But at length there comes a change. A strange sadness creeps into his heart. The sky that was once so bright has become dark. The prayer that once rose as easily as incense upon the still morning air, straight toward heaven, will not rise at all, but settles like smoke upon him, and fills his eyes with tears. Something seems to have come between him and his G.o.d. Strange, accusing voices are heard within him. However deep the agony that moves him, he cannot rend the cloud that interposes between him and his Maker. This, now, is simply a mood produced by ill health; and I hope that everybody who reads this will remember it. Remember that G.o.d never changes, that a man's moods are constantly changing, and that when a man earnestly seeks for spiritual peace, and cannot find it, and thinks that he has committed the unpardonable sin without knowing it, he is bilious, and needs medical treatment. Alas! what mult.i.tudes of sad souls have walked out of this hopeless mood into a life-long insanity, when all they needed in the first place, perhaps, was a dose of blue pills, or half a dozen strings of tenpins, or a sea-voyage sufficiently rough for "practical purposes."

This subject I find to be abundantly prolific, and I see that I have been able to do hardly more than to hint at its more prominent aspects. It seems to me that moods only need to be studied more, and to be better understood, to bring them very much under the domain of our wills. A great deal is learned when we know what a mood is, and know that we are subject to varying frames of mind, resulting from causes which affect our health. If I know that I am impatient and cross because I am hungry, then I know how to get rid of my mood, and how to manage it until I do get rid of it. If I feel unable to labor, not because I am feeble, but because I am not in the mood, then I have the mood in my hands, to be dealt with intelligently. If my reason tell me that it is only a mood that hides from me the face of my Maker, my reason will also tell me that my first business is to get rid of my mood, and that my will must approach the work, directly or indirectly. We are always and necessarily in some mood of mind--in some condition of pa.s.sion or feeling. It is the intensification and the dominant influence of moods that are to be guarded against or destroyed. Moods are dangerous only when they obscure reason, and destroy self-control, and disturb the mental poise, and become the media of false impressions from all the life around us and within us.

LESSON II.

BODILY IMPERFECTIONS AND IMPEDIMENTS.

"I that am curtailed of this fair proportion, Cheated of feature by dissembling nature, Deformed, unfinished, sent before my time Into this breathing world, scarce half made up."

RICHARD III.

"None can be called deformed but the unkind."

SHAKSPEARE.

"'Tis true, his nature may with faults abound; But who will cavil when the heart is sound?"

STEPHEN MONTAGUE.

It is a bright June morning. The fresh gra.s.s is loaded with dew, every bead of which sparkles in the light of the brilliant sun. A big, yellow-shouldered bee comes booming through the open window, and buzzes up and down my room, and threatens my shrinking ears, and then dives through the window again; and his form recedes and his hum dies away, as if it were the note of a reed-stop in the "swell" of a church organ. There is such confusion in the songs of the birds, that I can hardly select the different notes, so as to name their owners. There is a great deal of bird-singing that is simply what a weaver would call "filling." Robins and bobolinks and blue-birds and sundry other favorites furnish the warp, and color and characterize the tapestry of a flowing, vocal morning; while the little, gray-backed mult.i.tude work in the neutral ground tones, and bring the sweeter and more elaborate notes into beautiful relief. Thus, with a little aid of imagination, I get up some very exquisite fabrics--vocal silks and satins:--robins on a field of chickadees; bobolinks and thrushes alternately on a hit-or-miss ground of blackbirds, wrens, and pewees. Into the midst of all this delicious confusion there breaks a note that belongs to another race of creatures; and as I look from my window, and see the singer, my eyes fill with tears. It is a little boy, possibly twelve years old, though he looks younger, walking with a crutch.

One withered limb dangles as he goes. He is a cripple for life; yet his face is as bright and cheerful as the face of the morning itself; and what do you think he is singing? "Hail Columbia, happy land," at the top of his lungs! The birds are merrily wheeling over his head, and diving through the air, and moving here and there as freely as the wind, yet not one among them carries a lighter heart than that which he is jerking along by the side of the little crutch.

As I see how cheerfully he bears the burden of his hopeless halting, there comes back to me the story of the lame lord who sang a different sort of song--the lame lord who died at Missolonghi, and whose friend Trelawny--human jackal that he was-- stole to his bedside after the breath had left his body, and examined his clubbed feet, and then went away and wrote about them. Here was a man with regal gifts of mind--a poet of splendid genius--a t.i.tled aristocrat--a man admired and praised wherever the English language was read--a man who knew that he held within himself the power to make his name immortal--a man with wealth sufficient for all grateful luxuries--yet with clubbed feet; and those feet! Ah! how they embittered and spoiled that man of magnificent achievements and sublime possibilities! It would appear, from the disgusting narrative of Mr. Trelawny, that he was in reality the only man who had ever seen Byron's feet. Those feet had been kept so closely hidden, or so cunningly disguised, that n.o.body had known their real deformity; and the poor lord who had carried them through his thirty-six years of life, had done it in constantly tormented and mortified pride. Those misshapen organs had an important agency in making him a misanthropic, morbidly sensitive, unhappy, desperate man. When he sang, he did not forget them; and the poor fools who turned down their s.h.i.+rt-collars, and imitated his songs, and thought they were inspired by his winged genius, had under them only a pair of halting, clubbed feet.

There is a cla.s.s of unfortunate men and women in the world to whom the boy and the bard have introduced us. They are not all lame: but they all think they have cause to be dissatisfied with the bodies G.o.d has given them. Perhaps they are simply ugly, and are aware that no one can look in their faces with other thought than that they are ugly. Now it is a pleasant thing to have a pleasant face, and an agreeable form. It is pleasant for a man to be large, well-shaped, and good-looking, and it is unpleasant for him to be small, and to carry an ill-shaped form and an ugly face. It is pleasant for a woman to feel that she has personal attractions for those around her, and it is unpleasant for her to feel that no man can ever turn his eyes admiringly upon her. A misshapen limb, a hump in the back, a withered arm, a shortened leg, a clubbed foot, a hare-lip, an unwieldy corpulence, a hideous leanness, a bald head--all these are unpleasant possessions, and all these, I suppose, give their possessors, first and last, a great deal of pain. Then there is the taint of an unpopular blood, that a whole race carry with them as a badge of humiliation. I have heard of Africans who declared that they would willingly go through the pain of being skinned alive, if, at the close of the operation, they could become white men. There are men of genius, with plenty of white blood in their veins--with only a trace of Africa in their faces--whose lives are embittered by that trace; and who know that the pure Anglo Saxon, if he follows his instincts, will say to him: "Thus far,"--(through a limited range of relations,)-- "but no further."

From the depths of my soul I pity a man or woman who bears about an irremediable bodily deformity, or the mark of the blood of a humiliated race. I pity any human being who carries around a body that he feels to be in any sense an unpleasant one to those whom he meets. I pity the deformed man, and the maimed man, and the terribly ugly man, and the black man, and the white man with black blood in him, because he usually feels that these things bear with them a certain degree of humiliation. I pity the man who is not able to stand out in the broad sunlight, with other men, and to feel that he has as goodly a frame and as fine blood and as pleasant a presence as the average of those he sees around him. I do not wonder at all that many of these persons become soured and embittered and jealous. A sensitive mind, dwelling long upon misfortunes of this peculiar character, will inevitably become morbid; and mult.i.tudes of humbler men than Lord Byron have cursed their fate as bitterly as he, and have even lifted their eyes to blaspheme the Being who made them.

The two instances which I have mentioned show us that there are two ways of taking misfortunes of this character; and one of them seems to a good deal better than the other. Between the boy who ignored the withered leg and the crutch, and the proud poet who permitted a slight personal deformity to darken his whole life, there is a distance like that between heaven and earth.

I believe in the law of compensation. Human lot is, on the whole, well averaged. A man does not possess great gifts of person and of mind without drawbacks somewhere. Either great duties are imposed upon him, or great burdens are put upon his shoulders, or great temptations a.s.sail and hara.s.s him. Something in his life, at some time in his life, takes it upon itself to reduce his advantages to the average standard. Nature gave Byron clubbed feet, but with those feet she gave him a genius whose numbers charmed the world-- a genius which mult.i.tudes of commonplace or weak men would have been glad to purchase at the price of almost any humiliating eccentricity of person. But they were obliged to content themselves with excellent feet, and brains of the common kind and calibre. Providence had withered the little boy's leg, but the loudest song I have heard from a boy in a twelvemonth came from his lips, as he limped along alone in the open street. The cheerful heart in his bosom was a great compensation for the withered leg; and beyond this the boy had reason for singing over the fact that he was forever released from military duty, and firemen's duty, and all racing about in the service of other people. There are individual cases of misfortune in which it is hard to detect the compensating good, but these we must call the "exceptions" which "prove the rule."

But the best of all compensation for natural defects and deformities, is that which comes in the form of a peculiar love.

The mother of a poor, misshapen, idiotic boy, will, though she have half a score of bright and beautiful children besides, entertain for him a peculiar affection. He may not be able, in his feeble-mindedness, to appreciate it, but her heart brims with tenderness for him. The delicate morsel is reserved for him; and, if he be a sufferer, the softest pillow and the tenderest nursing will be his. A love will be bestowed upon him which gold could not buy, and which no beauty of person, and no brilliancy of natural gifts could possibly awaken. It is thus with every case of defect or eccentricity of person. So sure as the mother of a child sees in that child's person any reason for the world to regard it with contempt or aversion, does she treat it with peculiar tenderness; as if she were commissioned by G.o.d--as indeed she is--to make up to it in the best coinage that which the world will certainly neglect to bestow.