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'Ah, _mon Dieu!_' she cried, clasping her hands. 'It is all over, the vote is given. Perhaps Taranne is writing to me now, at this moment!'
'Read--read! and forget it half an hour more.'
She caught up the book in a frenzy, and began to read, first carelessly and with unintelligible haste; but before a page was over, the artist had recaptured her, she had slackened, she had begun to interpret.
It was the scene in the third act where Hernani the outlaw, who has himself bidden his love, Dona Sol, marry her kinsman the old Duke, rather than link her fortunes to those of a ruined chief of banditti, comes in upon the marriage he has sanctioned, nay commanded. The bridegroom's wedding gifts are there on the table.
He and Dona Sol are alone.
The scene begins with a speech of bitter irony from Hernani. His friends have been defeated and dispersed. He is alone in the world; a price is on his head; his lot is more black and hopeless than before. Yet his heart is bursting within him. He had bidden her, indeed, but how could she have obeyed! Traitress! false love! false heart!
He takes up the jewels one by one.
'_This necklace is brave work,--and the bracelet is rare--though not so rare as the woman who beneath a brow so pure can bear about with her a heart so vile! And what in exchange? A little love?
Bah!--a mere trifle!... Great G.o.d! that one can betray like this--and feel no shame--and live!_'
For answer, Dona Sol goes proudly up to the wedding casket and, with a gesture matching his own, takes out the dagger from its lowest depth. 'You stop halfway!' she says to him calmly, and he understands. In an instant he is at her feet, tortured with remorse and pa.s.sion, and the magical love scene of the act develops. What ingenuity of tenderness, yet what truth!
'She has pardoned me, and loves me! Ah, who will make it possible that I too, after such words, should love Hernani and forgive him?
Tears!--thou weepest, and again it is my fault! And who will punish me? for thou wilt but forgive again! Ah, my friends are dead!--and it is a madman speaks to thee. Forgive! I would fain love--I know not how. And yet, what deeper love could there be than this? Oh!
Weep not, but die with me! If I had but a world, and could give it to thee!'
The voice of the reader quivered. A hand came upon the book and caught her hand. She looked up and found herself face to face with David, kneeling beside her. They stared at each other. Then he said, half choked:
'I can't bear it any more! I love you with all my heart--oh, you know--you know I do!'
She was stupefied for a moment, and then with a sudden gesture she drew herself away, and pushed him from her.
'Leave me alone--leave me free--this moment!' she said pa.s.sionately.
'Why do you persecute and pursue me? What right have you? I have been kind to you, and you lay shares for me. I will have nothing more to do with you. Let me go home, and let us part.'
She got up, and with feverish haste tied her veil over her hat. He had fallen with his arms across the log, and his face hidden upon them. She paused irresolutely. 'Monsieur David!'
He made no answer.
She bent down and touched him.
He shook his head.
'No, no!--go!' he said thickly. She bit her lip. The breath under her little lace tippet rose and fell with furious haste. Then she sat down beside him, and with her hands clasped on her knee began to please with him in tremulous light tones, as though they were a pair of children. Why was he so foolish? Why had he tried to spoil their beautiful afternoon? She must go. The train would not wait for them. But he must come too. He must. After a little he rose without a word, gathered up the book and her wrap, and off they set along the forest path.
She stole a glance at him. It seemed to her that he walked as if he did not know where he was or who was beside him. Her heart smote her. When they were deep in a hazel thicket, she stole out a small impulsive hand, and slipped it into his, which hung beside him. He started. Presently she felt a slight pressure, but it relaxed instantly, and she took back her hand, feeling ashamed of herself, and aggrieved besides. She shot on in front of him and he followed.
So they walked through the chestnuts and across the white road to the station in the red glow of the evening sun. He followed her into the railway carriage, did her every little service with perfect gentleness; then when they started he took the opposite corner, and turning away from her, stared, with eyes that evidently saw nothing, at the villas beside the line, at the children in the streets, at the boats on the dazzling river.
She in her corner tried to be angry, to harden her heart, to possess herself only with the thought of Taranne's letter. But the evening was not as the morning. That dark teasing figure at the other end, outlined against the light of the window, intruded, took up a share in her reverie she resented but could not prevent nay, presently absorbed it altogether. Absurd! she had had love made to her before, and had known how to deal with it. The artist must have comrades, and the comrades may play false; well, then the artist must take care of herself.
She had done no harm; she was not to blame; she had let him know from the beginning that she only lived for art. What folly, and what treacherous, inconsiderate folly, it had all been!
So she lashed herself up. But her look stole incessantly to that opposite corner, and every now and then she felt her lips trembling and her eyes growing hot in a way which annoyed her.
When they reached Paris she said to him imperiously as he helped her out of the carriage, 'A cab, please!'
He found one for her, and would have closed the door upon her.
'No, come in!' she said to him with the same accent.
His look in return was like a blow to her, there was such an inarticulate misery in it. But he got in, and they drove on in silence.
When they reached the Rue Chantal she sprang out, s.n.a.t.c.hed her key from the concierge, and ran up the stairs. But when she reached the point on that top pa.s.sage where their ways diverged, she stopped and looked back for him.
'Come and see my letter,' she said to him, hesitating.
He stood quite still, his arms hanging beside him, and drew a long breath that stabbed her.
'I think not.'
And he turned away to his own door.
But she ran back to him and laid her hand on his arm. Her eyes were full of tears.
'Please, Monsieur David. We were good friends this morning. Be now and always my good friend!'
He shook his head again, but he let himself be led by her. Still holding him--torn between her quick remorse and her eagerness for Taranne's letter, she unlocked her door. One dart for the table.
Yes! there it lay. She took it up; then her face blanched suddenly, and she came piteously up to David, who was standing just inside the closed door.
'Wish me luck, Monsieur David, wish me luck, as you did before!'
But he was silent, and she tore open the letter. '_Dieu!--mon Dieu!_'
It was a sound of ecstasy. Then she flung down the letter, and running up to David, she caught his arm again with both hands.
'_Triomphe! Triomphe!_ I have got my _mention_, and the picture they skied is to be brought down to the line, and Taranne says I have done better than any other pupil of his of the same standing--that I have an extraordinary gift--that I must succeed, all the world says so--and two other members of the jury send me their compliments. Ah! Monsieur David'--in a tone of reproach--'be kind--be nice--congratulate me.'
And she drew back an arm's-length that she might look at him, her own face overflowing with exultant colour and life. Then she approached again, her mood changing.
'It is too _detestable_ of you to stand there like a statue!
ah! that it is! For I never deceived you, no, never. I said to you the first night--there is nothing else for me in the world but art--nothing! Do you hear? This falling in love spoils everything--_everything!_ Be friends with me. You will be going back to England soon. Perhaps--perhaps'--her voice faltered--'I will take a week's more holiday--Taranne says I ought.
But then I must go to work--and we will part friends--always friends--and respect and understand each other all our lives, _n'est-ce pas!_'
'Oh! let me go!' cried David fiercely, his loud strained voice startling them both, and flinging her hand away from him, he made for the door. But impulsively she threw herself against it, dismayed to find herself so near crying, and shaken with emotion from head to foot.
They stood absorbed in each other; she with her hands behind her on the door, and her hat tumbling back from her ma.s.ses of loosened hair. And as she gazed she was fascinated; for there was a grand look about him in his misery--a look which was strange to her, and which was in fact the emergence of his rugged and Puritan race. But whatever it was it seized her, as all aspects of his personal beauty had done from the beginning. She held out her little white hands to him appealing.
'No! no!' he said roughly, trying to put her away,'
_never--never_--friends! You may kill me--you shan't make a child of me any more. Oh! my G.o.d!' It was a cry of agony. 'A man can't go about with a girl in this way, if--if she is like you, and not--' His voice broke--he lost the thread of what he was saying, and drew his hand across his eyes before he broke out again.
'What--you thought I was just a raw cub, to be played with. Oh, I am too dull, I suppose, to understand! But I have grown under your hands anyway. I don't know myself--I should do you or myself a mischief if this went on, Let me go--and go home to-night!'