Mary Olivier: a Life Part 15

"If those are the chocolates I reminded you to get for--for the hamper, I won't have them opened."

"They are _not_ the chocolates you reminded me to get for--the hamper. I suppose Mark's stomach _is_ a hamper. They are the chocolates I reminded myself to get for Mary."

Then Mamma said a peculiar thing.

"Are you trying to show me that you're not jealous of Mary?"

"I'm not trying to show you anything. You know I'm not jealous of Mary.

And you know there's no reason why I should be."

"To hear you, Emilius, anybody would think I wasn't fond of my own daughter. Mary darling, you'd better run away."

"And Mary darling," he mocked her, "you'd better take your chocolates with you."

Mary said: "I don't want any chocolates, Papa."

"Is that her contrariness, or just her Mariness?"

"Whatever it is it's all the thanks _you_ get, and serve you right, too,"

said Mamma.

She went upstairs to persuade Dan that Papa didn't mean it. It was just his way, and they'd see he would be different to-morrow.

But to-morrow and the next day and the next he was the same. He didn't actually send Mark and Dan out of the room again, but he tried to pretend to himself that they weren't there by refusing to speak to them.

"Do you think," Mark said, "he'll keep it up till the last minute?"

He did; even when he heard the sound of Mr. Parish's wagonette in the road, coming to take Mark and Dan away. They were sitting at breakfast, trying not to look at him for fear they should laugh, or at Mamma for fear they should cry, trying not to look at each other. Catty brought in the cakes, the hot b.u.t.tered Yorks.h.i.+re cakes that were never served for breakfast except on Christmas Day and birthdays. Mary wondered whether Papa would say or do anything. He couldn't. Everybody knew those cakes were sacred. Catty set them on the table with a sort of crash and ran out of the room, crying. Mamma's mouth quivered.

Papa looked at the cakes; he looked at Mamma; he looked at Mark. Mark was staring at nothing with a firm grin on his face.

"The a.s.suagers of grief," Papa said. "Pa.s.s round the a.s.suagers."

The holy cakes were pa.s.sed round. Everybody took a piece except Dan.

Papa pressed him. "Try an a.s.suager. Do."

And Mamma pleaded, "Yes, Dank."

"Do you hear what your mother says?"

Dan's eyes were red-rimmed. He took a double section of cake and tried to bite his way through.

At the first taste tears came out of his eyes and fell on his cake. And when Mamma saw that she burst out crying.

Mary put her piece down untasted and bit back her sobs. Roddy pushed his piece away; and Mark began to eat his, suddenly, bowing over it with an affectation of enjoyment.

Outside in the road Mr. Parish was descending from the box of his wagonette. Papa looked at his watch. He was going with them to Chelmsted.

And Mamma whispered to Mark and Dan with her last kiss, "He'll be all right in the train."

It was all over. Mary and Roddy sat in the dining-room where Mamma had left them. They had shut their eyes so as not to see the empty chairs pushed back and the pieces of the sacred cakes, bitten and abandoned.

They had stopped their ears so as not to hear the wheels of Mr. Parish's wagonette taking Mark and Dan away.

Hours afterwards Mamma came upon Mary huddled up in a corner of the drawing-room.

"Mamma--Mamma--I _can't_ bear it. I can't live without Mark. And Dan."

Mamma sat down and took her in her arms and rocked her, rocked her without a word, soothing her own grief.

Papa found them like that when he came back from Chelmsted. He stood in the doorway looking at them for a moment, then slunk out of the room as if he were ashamed of himself. When Mamma sent Mary out to say good-bye to him, he was standing beside the little sumach tree that Mark gave Mamma on her birthday. He was smiling at the sumach tree as if he loved it and was sorry for it.

And Mamma got a letter from Mark in the morning to say she was right.

Papa had been quite decent in the train.

V.

After Mark and Dan had gone a great and very remarkable change came over Papa and Mamma. Mamma left off saying the funny things that Mary could not understand, and Papa left off teasing and flying into tempers and looking like Jehovah and walking by himself in the cool of the evening.

He followed Mamma about the garden. He hung over her chair, like Mark, as she sat sewing. You came upon him suddenly on the stairs and in the pa.s.sages, and he would look at you as if you were not there, and say, "Where's your mother? Go and tell her I want her." And Mamma would put away her trowel and her big leather gloves and go to him. She would sit for hours in the library while he flapped the newspaper and read to her in a loud voice about Mr. Gladstone whom she hated.

Sometimes he would come home early from the office, and Mamma and Mary would be ready for him, and they would all go together to call at Vinings or Barkingside Vicarage or on the Proparts.

Or Mr. Parish's wagonette would be ordered, and Mamma and Mary would put on their best clothes very quick and go up to London with him, and he would take them to St. Paul's or Maskelyne and Cooke's, or the National Gallery or the British Museum. Or they would walk slowly, very slowly, up Regent Street, stopping at the windows of the bonnet shops while Mamma picked out the bonnet she would buy if she could afford it. And perhaps the next day a bonnet would come in a bandbox, a bonnet that frightened her when she put it on and looked at herself in the gla.s.s. She would pretend it was one of the bonnets she had wanted; and when Papa had forgotten about it she would pull all the tr.i.m.m.i.n.g off and put it all on again a different way, and Papa would say it was an even more beautiful bonnet than he had thought.

You might have supposed that he was sorry because he was thinking about Mark and Dan and trying to make up for having been unkind to them. But he was not sorry. He was glad. Glad about something that Mamma had done. He would go about whistling some gay tune, or you caught him stroking his moustache and parting it over his rich lips that smiled as if he were thinking of what Mamma had done to make him happy. The red specks and smears had gone from his eyes, they were clear and blue, and they looked at you with a kind, gentle look, like Uncle Victor's. His very beard was happy.

"You may not know it, but your father is the handsomest man in Ess.e.x,"

Mamma said.

Perhaps it wasn't anything that Mamma had done. Perhaps he was only happy because he was being good. Every Sunday he went to church at Barkingside with Mamma, kneeling close to her in the big pew and praying in a great, ghostly voice, "Good Lord, deliver us!" When the psalms and hymns began he rose over the pew-ledge, yards and yards of him, as if he stood on many ha.s.socks, and he lifted up his beard and sang. All these times the air fairly tingled with him; he seemed to beat out of himself and spread around him the throb of violent and overpowering life. And in the evenings towards sunset they walked together in the fields, and Mary followed them, lagging behind in the borders where the sharlock and wild rye and poppies grew. When she caught up with them she heard them talking.

Once Mamma said, "Why can't you always be like this, Emilius?"

And Papa said, "Why, indeed!"

And when Christmas came and Mark and Dan were back again he was as cruel and teasing as he had ever been.

VI.

Eighteen seventy-one.

One cold day Roddy walked into the Pool of Siloam to recover his sailing boat which had drifted under the long arch of the bridge.

There was no Pa.s.sion Week and no Good Friday and no Easter that spring, only Roddy's rheumatic fever. Roddy in bed, lying on his back, his face white and sharp, his hair darkened and glued with the sweat that poured from his hair and soaked into the bed. Roddy crying out with pain when they moved him. Mamma and Jenny always in Roddy's room, Mr. Spall's sister in the kitchen. Mary going up and down, tiptoe, on messages, trying not to touch Roddy's bed.

Dr. Draper calling, talking in a low voice to Mamma, and Mamma crying.

Dr. Draper looking at you through his spectacles and putting a thing like a trumpet to your chest and listening through it.