The Four Corners of the World Part 50

The theatre was full; stalls and boxes s.h.i.+mmered with jewels and satin, and all that was famous that season for beauty and distinction had made its tryst there that night.

"Yes, this is wonderful," said Hanaud. "What opera do they play?" He glanced at his programme and cried, with a little start of surprise: "We are in luck. It is _The Jewels of the Madonna_."

"Do you believe in omens?" Mr. Ricardo asked coldly. He had not yet recovered from his rebuff of the afternoon.

"No, but I believe that Carmen Valeri is at her best in this part,"

said Hanaud.

Mr. Ricardo belonged to that body of critics which must needs spoil your enjoyment by comparisons and recollections of other great artists. He was at a disadvantage certainly to-night, for the opera was new. But he did his best. He imagined others in the part, and when the great scene came at the end of the second act, and Carmen Valeri, on obtaining from her lover the jewels stolen from the sacred image, gave such a display of pa.s.sion as fairly enthralled that audience, Mr.

Ricardo sighed quietly and patiently.

"How Calve would have brought out the psychological value of that scene!" he murmured; and he was quite vexed with Hanaud, who sat with his opera gla.s.ses held to his eyes, and every sense apparently concentrated on the stage. The curtains rose and rose again when the act was concluded, and still Hanaud sat motionless as the Sphynx, staring through his gla.s.ses.

"That is all," said Ricardo when the curtains fell for the fifth time.

"They will come out," said Hanaud. "Wait!" And from between the curtains Carmen Valeri was led out into the full glare of the footlights with the panoply of jewels flas.h.i.+ng on her breast. Then at last Hanaud put down his gla.s.ses and turned to Ricardo with a look of exultation and genuine delight upon his face which filled that season-worn dilettante with envy.

"What a night!" said Hanaud. "What a wonderful night!" And he applauded until he split his gloves. At the end of the opera he cried: "We will go and take supper at the Semiramis. Yes, my friend, we will finish our evening like gallant gentlemen. Come! Let us not think of the morning." And boisterously he slapped Ricardo in the small of the back.

In spite of his boast, however, Hanaud hardly touched his supper, and he played with, rather than drank, his brandy and soda. He had a little table to which he was accustomed beside a gla.s.s screen in the depths of the room, and he sat with his back to the wall watching the groups which poured in. Suddenly his face lighted up.

"Here is Carmen Valeri!" he cried. "Once more we are in luck. Is it not that she is beautiful?"

Mr. Ricardo turned languidly about in his chair and put up his eyegla.s.s.

"So, so," he said.

"Ah!" returned Hanaud. "Then her companion will interest you still more. For he is the man who murdered Mrs. Blumenstein."

Mr. Ricardo jumped so that his eyegla.s.s fell down and tinkled on its cord against the b.u.t.tons of his waistcoat.

"What!" he exclaimed. "It's impossible!" He looked again. "Certainly the man fits Joan Carew's description. But--" He turned back to Hanaud utterly astounded. And as he looked at the Frenchman all his earlier recollections of him, of his swift deductions, of the subtle imagination which his heavy body so well concealed, crowded in upon Ricardo and convinced him.

"How long have you known?" he asked in a whisper of awe.

"Since ten o'clock to-night."

"But you will have to find the necklace before you can prove it."

"The necklace!" said Hanaud carelessly. "That is already found."

Mr. Ricardo had been longing for a thrill. He had it now. He felt it in his very spine.

"It's found?" he said in a startled whisper.

"Yes."

Ricardo turned again, with as much indifference as he could a.s.sume, towards the couple who were settling down at their table, the man with a surly indifference, Carmen Valeri with the radiance of a woman who has just achieved a triumph and is now free to enjoy the fruits of it.

Confusedly, recollections returned to Ricardo of questions put that afternoon by Hanaud to Joan Carew--subtle questions into which the name of Carmen Valeri was continually entering. She was a woman of thirty, certainly beautiful, with a clear, pale face and eyes like the night.

"Then she is implicated too!" he said. What a change for her, he thought, from the stage of Covent Garden to the felon's cell, from the gay supper-room of the Semiramis, with its bright frocks and its babel of laughter, to the silence and the ignominious garb of the workrooms in Aylesbury Prison!

"She!" exclaimed Hanaud; and in his pa.s.sion for the contrasts of drama Ricardo was almost disappointed. "She has nothing whatever to do with it. She knows nothing. Andre Favart there--yes. But Carmen Valeri!

She's as stupid as an owl, and loves him beyond words. Do you want to know how stupid she is? You shall know. I asked Mr. Clements, the director of the opera house, to take supper with us, and here he is."

Hanaud stood up and shook hands with the director. He was of the world of business rather than of art, and long experience of the ways of tenors and prima-donnas had given him a good-humoured cynicism.

"They are spoilt children, all tantrums and vanity," he said, "and they would ruin you to keep a rival out of the theatre."

He told them anecdote upon anecdote.

"And Carmen Valeri," Hanaud asked in a pause; "is she troublesome this season?"

"Has been," replied Clements dryly. "At present she is playing at being good. But she gave me a turn some weeks ago." He turned to Ricardo. "Superst.i.tion's her trouble, and Andre Favart knows it. She left him behind in America this spring."

"America!" suddenly cried Ricardo; so suddenly that Clements looked at him in surprise.

"She was singing in New York, of course, during the winter," he returned. "Well, she left him behind, and I was shaking hands with myself when he began to deal the cards over there. She came to me in a panic. She had just had a cable. She couldn't sing on Friday night.

There was a black knave next to the nine of diamonds. She wouldn't sing for worlds. And it was the first night of _The Jewels of the Madonna!_ Imagine the fix I was in!"

"What did you do?" asked Ricardo.

"The only thing there was to do," replied Clements with a shrug of the shoulders. "I cabled Favart some money and he dealt the cards again.

She came to me beaming. Oh, she had been so distressed to put me in the cart! But what could she do? Now there was a red queen next to the ace of hearts, so she could sing without a scruple so long, of course, as she didn't pa.s.s a funeral on the way down to the opera house.

Luckily she didn't. But my money brought Favart over here, and now I'm living on a volcano. For he's the greatest scoundrel unhung. He never has a farthing, however much she gives him; he's a blackmailer, he's a swindler, he has no manners and no graces, he looks like a butcher and treats her as if she were dirt, he never goes near the opera except when she is singing in this part, and she wors.h.i.+ps the ground he walks on. Well, I suppose it's time to go."

The lights had been turned off, the great room was emptying. Mr.

Ricardo and his friends rose to go, but at the door Hanaud detained Mr. Clements, and they talked together alone for some little while, greatly to Mr. Ricardo's annoyance. Hanaud's good humour, however, when he rejoined his friend, was enough for two.

"I apologise, my friend, with my hand on my heart. But it was for your sake that I stayed behind. You have a meretricious taste for melodrama which I deeply deplore, but which I mean to gratify. I ought to leave for Paris to-morrow, but I shall not. I shall stay until Thursday."

And he skipped upon the pavement as they walked home to Grosvenor Square.

Mr. Ricardo bubbled with questions, but he knew his man. He would get no answer to any one of them to-night. So he worked out the problem for himself as he lay awake in his bed, and he came down to breakfast next morning fatigued but triumphant. Hanaud was already chipping off the top of his egg at the table.

"So I see you have found it all out, my friend," he said.

"Not all," replied Ricardo modestly, "and you will not mind, I am sure, if I follow the usual custom and wish you a good morning."

"Not at all," said Hanaud. "I am all for good manners myself."

He dipped his spoon into his egg.

"But I am longing to hear the line of your reasoning."

Mr. Ricardo did not need much pressing.

"Joan Carew saw Andre Favart at Mrs. Starlings.h.i.+eld's party, and saw him with Carmen Valeri. For Carmen Valeri was there. I remember that you asked Joan for the names of the artists who sang, and Carmen Valeri was amongst them."

Hanaud nodded his head.