The Mapleson Memoirs, 1848-1888 Volume I Part 15

At about 5.30 Minnie Hauk's agent pa.s.sed by to see if all was in order and found Marie Roze's theatrical box and costumes where Minnie Hauk's were supposed to be. He consequently ordered the removal of Marie Roze's dresses and trunk, replaced those of Minnie Hauk, and affixed to the door a padlock which he had brought with him.

Punctually at six o'clock Marie Roze arrived, and found the door locked.

By the aid of a locksmith the door was again opened, and Minnie Hauk's things again removed to the opposite room, whilst Marie Roze proceeded to dress herself in the "prima donna's room."

At 6.30 Minnie Hauk, wis.h.i.+ng to steal a march on her rival, came to dress, and found the room occupied. She immediately returned to Palmer House, where she resided, declaring she would not sing that evening.

All persuasion was useless. I therefore had to commence the opera minus "Cherubino;" and it was not until the middle of the second act, after considerable persuasion by my lawyers, that Minnie Hauk appeared on the stage. This incident was taken up throughout the whole of America, and correspondence about it extended over several weeks. Pictures were published, also diagrams, setting forth fully the position of the trunks and the dressing-rooms. The affair is known to this day as "The great dressing-room disturbance."

During all this visit to Chicago there was one unbroken line of intending buyers waiting to secure tickets at the box office; and frequently I had to pay as much as twenty dollars for wood consumed during the night to keep the purchasers warm.

About the middle of the second week I produced Bellini's _Puritani_, with Gerster as "Elvira," Campanini as "Arturo," Gala.s.si as "Riccardo,"

and Foli as "Giorgio." On this occasion the house was so crowded that the outer walls began to crack, and in the managerial room, in which I was working, I could put my hand through one of the corners where the two walls met. I communicated with Carter Harrison, who was then Mayor.

He at once proceeded to the theatre, and, without creating any alarm, and under the pretext that the house was too full, caused upwards of a thousand people to leave the building. So pleased were they with the performance that they all refused to have their money returned.

We terminated one of the most successful Chicago seasons on record, and the Company started the following morning for St. Louis. As I was suffering from a sharp attack of gout I had to be left behind, and but for the kindness of Lord Algernon Lennox (who had acted as my aide-de-camp at one of our Easter sham-fights) and Colonel Vivian I do not know what I should have done. Both these gentlemen remained in the hotel with me, interrupting their journey to do me this act of kindness, for which I felt very grateful.

On the Company's arriving at St. Louis, Mdme. Gerster declared her inability to sing the opera of _Lucia_ that evening. My son Henry, who had charge of the Company until I could rejoin it, explained to madame that it would be necessary to have a medical certificate to place before the public. Mdme. Gerster replied she was too honourable an artist to require such a thing, and that when she said she was ill, she was ill.

My son, however, brought in a doctor, who insisted upon seeing her tongue. She merely, in derision, said, "There!"--rapidly putting it out as she left the room. The doctor immediately put on his spectacles, and proceeded to write his certificate, saying that there was a little irritation in the epiglottis, that the uvula was contracted, together with the muscles of the throat, and that the tonsils were inflamed. On Mdme. Gerster's husband showing the certificate to his wife she got so angry that she insisted upon singing--just to show what an "a.s.s" the doctor was. Of course, this answered my purpose very well, and my large receipts were saved.

On leaving the hotel at the end of that week the eminent physician presented Mdme. Gerster with a bill of $60 for medical attendance. This, of course, she resisted; and she gave bonds for her appearance when called upon, in order to save her trunks from seizure, which the M.D.

had threatened.

Whilst I am on this subject, I may as well inform the reader that two years afterwards when we visited St. Louis the matter was brought before the Court. Feeling sure that this attempt at extortion would not be allowed, and that the Court proceedings would be of very short duration, I attended at nine o'clock, the hour set down for trial, leaving word that I should be home at about half-past ten to breakfast. It was not until eleven that I was called up to the witness-stand. On my mentioning to my counsel that I felt very faint, as I had not yet eaten anything, he repeated it to the judge, who at once adjourned the Court in order that I might have my breakfast. He enjoined me not to lose too much time in "mastication," and ordered the rea.s.sembly of the Court at half-past eleven. On my return my evidence was duly given; but when the defendant, Etelka Gerster, was summoned, the call-boy from the theatre appeared, stating to the judge that as she had to sing "Lucia" that night, and was not very well, it would jeopardize the whole performance if she left the hotel.

His honour, thereupon, considerately ordered the Court to adjourn to Mdme. Gerster's rooms at the Lindell House, where the trial could be resumed. On our arrival there counsel and others amused themselves by looking at various pictures until the prima donna appeared, accompanied by her two dogs, her birds, etc., when the judge entered into conversation with her on musical matters. Later on his honour solicited Mdme. Gerster to kindly sing him a song, especially the "Last Rose of Summer," which he was very partial to, being from the Emerald Isle. At the close of the performance he thought it was useless troubling Mdme.

Gerster to go further into the case, which was at once decided in her favour.

Talking of law, I may mention another lawsuit in which I was concerned.

Whilst in Boston in January, 1879, Mdme. Parodi, who lived in an hotel close by the theatre, had need of medical attendance, and the theatrical doctor, who had the _entree_ to the house, was naturally selected to see what the matter was. He prescribed a gargle for Mdme. Parodi; and Mdlle.

Lido, who had been attending on the patient, having shown the doctor her tongue as he went out, he merely said "You want a little Friedrichshall," and left the room.

Nothing more was heard of the matter until January, 1880, when, as I was seated at the breakfast table in the hotel with my wife and family, two Deputy-Sheriffs forced their way unannounced into the room to arrest me for the sum of 30 dollars, which the doctor claimed as his fee. This was the first intimation I had had of any kind, and it was afterwards shown in evidence that the doctor had debited Parodi and Lido in his day-book separately with the amount which he also charged to them collectively.

Finding that both ladies had left the city he thought it better to charge the attendance to me. Rather than be arrested, I of course paid the money, but under protest.

The next day I commenced proceedings against the doctor, as well as the Sheriff, for the return of my money, which I contended had been handed over under duress, and was not a voluntary payment on my part. The doctor's counsel contended on the other hand--first, that I had derived benefit from the treatment he had given these ladies; secondly, that I was liable. In due course the matter went to trial, and was heard by Judge Parmenter in the Munic.i.p.al Civil Court at Boston. It was proved that the doctor was the regular physician to the Boston Theatre, and that in consideration of free entrance he attended without fee members of the Company who played there. The Judge, after commenting on the testimony, decided the matter in my favour. I was, however, baulked of both money and costs; for the same afternoon the doctor went home and died.

On my return to New York for the spring opera season I produced _Dinorah_, in which Mdme. Gerster again achieved a triumph. The business went on increasing. About this time a meeting of the stockholders of the Academy of Music was convened, and I ultimately signed a new lease for three more years, commencing October 20th following.

During my first sojourn in America I gave 164 performances of opera, likewise 47 concerts. Concurrently with this I gave 135 operatic performances and 48 concerts in England. The season in New York extended from October 16th to December 28th, 1878, also from February 29th to April 5th, 1879. At Boston the season lasted from December 30th, 1878, to January 11th, 1879; at Chicago from January 13th to 25th; at St.

Louis from January 27th to February 1st; at Cincinnati from February 3rd to 8th; at Philadelphia 10th to 18th, at Baltimore and Was.h.i.+ngton 19th to 25th. During this period _Lucia_ was performed twenty times, _Sonnambula_ nineteen times, _Carmen_ twenty-six times, _Faust_ sixteen times, _Trovatore_ nine times, _Flauto Magico_ eight times, _Puritani_ eight times, _Nozze di Figaro_ seven times, _Rigoletto_ five times, _Don Giovanni_ five times, _Traviata_ four times, _Lohengrin_ ten times, _Barbiere_ twice, _Ruy Blas_ twice, _Dinorah_ twice, _Talismano_ ten times, _Robert le Diable_ twice, _Huguenots_ six times, _Freischutz_ three times; making altogether twenty-four morning performances and one hundred and forty evening performances.

About this time the disastrous floods took place at Szegedin, in Hungary. This being Mdme. Gerster's birth-place I proposed a grand benefit concert for the sufferers, in which my prima donna at once joined. By our united efforts we raised about 800, which was remitted by cable to the place of disaster within five days of its occurrence, much (I need scarcely add) to the relief of many of the sufferers.

My benefit, which was fixed for the last night of the season, took place on Friday, April 4th. At quite an early hour crowds collected right down Fourteenth Street and Irving Place, and within a very short time every square inch of available room in the house was occupied. The enthusiasm of the auditors was immeasurable, and they began to show it as soon as the performance opened. The representation consisted of the third act of the _Talisman_, with Mdme. Gerster as "Edith Plantaganet," and Campanini as "Sir Kenneth;" followed by the fourth act of _Favorita_, in which Mdme. Marie Roze undertook the _role_ of "Leonora;" and concluding with an act of _La Traviata_, with Mdme. Gerster as "Violetta." Mdme.

Gerster's performance was listened to with the deepest attention, and rewarded at the end with enthusiastic cheers. Mdme. Gerster afterwards came out three times, but her courtesies were of no avail in quieting the mult.i.tude. It was necessary, at the demand of the public, to raise the curtain and repeat the entire act. Then nothing would satisfy the audience but my appearance on the stage; when I thanked the ladies and gentlemen present for their support, notifying, moreover, that, encouraged by my success, I should return to them the next autumn. This little speech was vehemently applauded, especially the references I made to the singers and to the conductor, who, I promised, would come back with me.

During our stay in New York we were supplied with pianos both for the artists individually as well as for use at the theatre by Messrs.

Steinway and Sons; and before we left the following flattering but just letter of compliment and of thanks was addressed to the firm:--

"Academy of Music, New York, "December 28, 1878.

"GENTLEMEN,

"Having used your pianos in public and private during the present Opera season we desire to express our unqualified admiration of their sonority, evenness, richness, and astonis.h.i.+ng duration of tone, most beautifully blending with and supporting the voice. These matchless qualities, together with the precision of action, in our opinion, render the Steinway pianos, above all others, the most desirable instruments for the public generally.

"(Signed) ETELKA GERSTER, MARIE ROZE, MINNIE HAUK, C. SINICO, CAMPANINI, FRAPOLLI, GALa.s.sI, FOLI, DEL PUENTE, ARDITI."

Messrs. Steinway now offered and undertook to supply each leading member of the Company with pianos in whatever town we might visit throughout the United States.

On our arrival in Philadelphia I was surprised to find that every artist in the Company had had a magnificent Steinway placed in his or her bedroom; this in addition to the pianos required at the theatre. But while the Company were dining, a rival pianoforte maker, who had shown himself keenly desirous of the honour of supplying us with instruments, invaded the different bedrooms and placed the Steinway pianos outside the doors, subst.i.tuting for them pianos made by his own firm--that of Weber and Co. The Webers, however, were ultimately put outside and the Steinways replaced.

Shortly afterwards a pitched battle took place in the corridors between the men employed by the rival firms, when the Weber men, being a more st.u.r.dy lot, entirely defeated the Steinway men and ejected them bodily from the hotel. The weapons used on this occasion were piano legs, unscrewed from the bodies of the instruments.

Not only did physical force triumph, but the superior strength exhibited by the Weber side was afterwards supplemented by cunning. That very night Weber gave a grand supper to the whole of my Company, and I was at once astonished and amused the next day to find that a new certificate had been signed by them all stating that Weber's pianos were the best they had ever known. A paper to that effect had been pa.s.sed round after sundry bottles of "Extra Dry," and signatures appended as a matter of course.

Such was the impartiality of my singers that they afterwards signed on behalf of yet a third pianoforte maker, named Haines.

In accordance with numerous solicitations, I agreed to give a Farewell _matinee_ the next day. But the steamer had to sail for Europe at two o'clock in the afternoon; and this rendered it necessary that my morning performance should commence at half-past eleven, the box-office opening at eight. In the course of a couple of hours every seat was sold.

Towards the close of the performance, Arditi, the conductor, got very anxious, and kept looking up at my box. It was now half-past one, Madame Gerster's _rondo finale_ in _La Sonnambula_ had absolutely to be repeated, or there would have been a riot; and we were some three miles distant from the steamer which was to convey us all to Europe.

At length, to my relief, the curtain fell; but the noise increased, and I had again to show myself, while Arditi and the princ.i.p.al singers and chorus took their departure, Signor Foli, with his long strides, arriving first. I afterwards hastened down in a carriage I had expressly retained. As the chorus had scarcely time to change their dresses, many of them rushed down as best they could in their theatrical attire, followed by a good portion of the audience, who were anxious to get a last glimpse of us all.

Arriving on board the Inman steamer _City of Chester_, I found it crowded with personal friends, many of whom had been there at least an hour. Hearty embraces were exchanged by the men as well as the women, and numerous bottles of champagne were emptied to fill the parting cups.

The cabins of the steamer were literally piled up with flowers. Trunks and boxes containing the wardrobe of the morning performance were lugged on board.

"All ash.o.r.e!" shouted the captain. Prior to my arrival, the bell had rung for the seventh and positively last time. The steamer's officers now urged all but pa.s.sengers to get on sh.o.r.e, and hinted at the probability of some of them being inadvertently carried over to Europe.

The women hurried back to escape that dreadful fate.

Ole Bull, whom I had invited to go to Europe with me, darted across the gang-plank carrying his fiddle in a box. The whistle then blew, and the bell rang for the eighth and now absolutely last time. At length the steamer took her departure. A band of music on the wharf had been playing lively airs, to which my chorus responded by singing the grand prayer from _I Lombardi_.

To my dismay, I discovered that the prima donna had been left behind; also the property-master, the ladies' costumier, one of the ballet, and five of the chorus. The latter had nothing with them but the theatrical costumes they carried on their bodies. They had previously sent all their worldly belongings on board the s.h.i.+p, and we now saw them gesticulating wildly on the quay as we pa.s.sed down the bay. They were treated very kindly after our departure; ordinary day clothes were provided for them, and they were sent over by the next steamer.

On entering my cabin I found a silver epergne, a diamond collar-stud, any quant.i.ty of literature, several boxes of cigars, bottles of brandy, etc., which had been left anonymously; also an immense basket of fruit.

There were, moreover, two large set-pieces of flowers in the form of horse-shoes that had been sent me from Boston, likewise a basket of rose-buds, lilies, and violets, and an embroidered table-cover.

A few minutes later, a tug carrying a large American flag at the side of an English one steamed up to the pier and took on board a number of ladies and gentlemen who, accompanied by an orchestra, followed the steamer down the bay, giving the Company a farewell ovation of cheering as the vessel pa.s.sed the Narrows and got out to sea.

CHAPTER XV.

RECEPTION OF A TENOR--BELOCCA AND LADY SPENCER--MARIMON'S SUPERSt.i.tIONS--HER LOVESICK MAID--AN ENCOURAGING TELEGRAM--MARIMON IN THE CATHEDRAL--DISAPPEARANCE OF A TENOR

FOR my London season of 1879, in addition to Gerster, who was already a prime favourite, Marie van Zandt, Clara Louise Kellogg, Minnie Hauk, Ambre, Marie Roze, Caroline Salla, Helene Crosmond, Trebelli, Nilsson, etc., I engaged Fancelli, Brignoli, Frapolli, and Campanini. I moreover concluded an engagement with Signor Masini, the renowned tenor, who shortly afterwards arrived in London. I was informed the following morning by his agent that he felt very much hurt that I myself, Sir Michael Costa, and some of the leading artists of the theatre had not met him at the station; the agent kindly adding that "If I would come round to his hotel with Costa he might put the thing straight."

I told him we were too busy to do anything of the kind, but that I should expect Signor Masini to call on me, when I would present him to Sir Michael Costa.