The Mapleson Memoirs, 1848-1888 Volume Ii Part 5

I will not go into details of the performances either of Signor Nicolini as "Manrico," or of Patti as "Leonora." The representation was one unbroken triumph, and, as usual, the stage was piled up with set pieces and flowers.

About this time a report was brought to me as to the examination I had caused to be made of the bogus tickets, which could only be recognized after being soaked in water, when it appeared that the real ones consisted of three plies of cardboard and the bogus ones only of two.

But even after all this explanation, so disappointed and indignant were those who held the bogus tickets that they insisted, not only upon their money being returned, of which I had never received a penny, but also on their travelling and hotel expenses being repaid them. Many had come hundreds of miles in order to visit the opera.

Having arranged to give a concert on the following Thursday at the Pavilion, a large building capable of holding some 8,000 or 9,000 people, and in order to prevent a recurrence of the scenes I had just encountered and the daily trouble experienced throughout this engagement, I resolved to put up the choice of seats to auction.

The auction took place in the Grand Opera-house, and was attended by over 500 people, who had first to procure tickets of admission to attend the sale. A huge diagram was placed on the drop curtain, showing the seats that were to be sold divided into blocks. The auctioneer, who occupied the conductor's desk, explained that the whole of the seats would be placed on sale to the public and that none would be withheld, the bidders merely to name the premiums they wished to give for the privilege of purchasing the tickets. The first bidder gave 12s. premium per seat for the first choice of six seats for the concert, and other sums varied from 10s. down to 2s. 6d., the premiums alone reaching some 1,000, in addition to the sale of tickets.

This plan gave great satisfaction to the public, as whatever advance they then paid on the ticket went into the manager's pocket instead of the speculators'.

When the great concert took place the vast building was nearly full.

Nine thousand persons had paid from one to five dollars each. The rain meanwhile was coming down in sheets, and several speculators who had obtained large numbers of tickets were now left out in the cold--and in the rain--with their purchases. Inside, at the back of the gallery, a brisk business was done in telescopes, for such was here the distance from Patti that, though her voice could be clearly heard, her features could not be seen.

A subscription was now started for the benefit of the widow of the late ba.s.so, Signor Lombardelli. Patti had contributed 150 dollars, when Gerster, to show that she was a greater artist, gave 1,000. I contributed 600; Gala.s.si, Arditi, and the others 100 dollars each.

The following morning Lombardelli's funeral took place, which caused a great stir in the city. There was a full choral service; the orchestra and the whole Opera Company taking part in it, including the princ.i.p.al artists. Not only was San Francisco in full _fete_ at this extraordinary funeral, but numbers of the Chinese came down from their city (called "Chinatown") in order to be present.

That evening a great reception was given by the San Francisco Verein in honour of Mdme. Gerster. The guests commenced to arrive early, and the entertainment was carried on till midnight. It is to be noted that the night for the compliment to Gerster was that of the Patti concert at the Pavilion.

On the following evening Gerster appeared as "Margherita" in _Faust_, the house being again crowded from floor to ceiling. That same night Patti's admirers gave a grand ball in her honour at the Margherita Club, for which 500 invitations were issued. An immense floral bower had been constructed for the occasion, the sides of the room being beds of choice flowers and roses in full bloom, while four enormous horse-shoes, all of flowers, adorned each corner of the room. Suspended from the roof was a great star with the word "Patti" in electric incandescent burners.

The Italian Consul, the Russian Consul, and several officers from the Russian flags.h.i.+p then in San Francis...o...b..y were present. The Queen of Song was escorted into the ballroom by Count Brichanteau, the band playing the "Patti Valse," composed expressly for the occasion by Arditi. A formal reception was afterwards held by the members of the Club; and later on a gorgeous supper was served in the Pavilion, which had been specially erected, decorated with large Italian and Union flags. Dancing was kept up until an early hour the following morning.

While the rivalry between Patti and Gerster was at its height it was made known that General Crittenden, Governor of Missouri, had given Patti a kiss. Thereupon Mdme. Patti was interviewed, when she spoke as follows:--

"I had just finished singing 'Home, Sweet Home' last Thursday evening, when a nice-looking old gentleman, who introduced himself as Governor Crittenden, began congratulating me. All of a sudden he leaned down, put his arms around me, drew me up to him, and kissed me. He said, 'Madame Patti, I may never see you again, but I cannot help it;' and before I knew it he was kissing me. When a gentleman, and such a nice old gentleman, too, and a Governor of a great State, kisses one so quick that one has not time to see and no time to object, what can one do?"

The following dialogue on the subject between Mdme. Gerster and a reporter who had interviewed her was afterwards published:--

"THAT PATTI KISS."

MODEST REPORTER: "I suppose, Mdme. Gerster, you have heard about that kissing affair between Governor Crittenden and Patti?"

Mdme. GERSTER: "I have heard that Governor Crittenden kissed Patti before she had time to resist; but I don't see anything in that to create so much fuss."

REPORTER (interrogatively): "You don't?"

GERSTER: "Certainly not! There is nothing wrong in a man kissing a woman old enough to be his mother."

CHAPTER V.

LUNCHEON ON H.M.S. "TRIUMPH"--OPERA AUCTION--CONCERT AT MORMON TABERNACLE--RETURN TO NEW YORK--RETURN TO EUROPE--SHERIFFS IN THE ACADEMY--I DEPART IN PEACE.

I now received an invitation from the Admiral commanding Her Britannic Majesty's Pacific Squadron, whose flag-s.h.i.+p, the _Triumph_, had entered the bay. Several of my leading artists were also invited. The steam pinnace was sent on sh.o.r.e to take us on board. After visiting the s.h.i.+p and receiving all possible courtesies from the officers, we entered the grand saloon, in which an elegant _dejeuner_ had been prepared, comprising all the delicacies of the season. We had scarcely begun our repast when an ominous whisper was pa.s.sed by one of the officers to the captain of the s.h.i.+p to the effect that most of the band had deserted to go and play for Mapleson, who had offered them 12 a week each, and it was therefore impossible that any music could be given during the luncheon. Not even "G.o.d Save the Queen" could be played. The captain, in lieu of communicating this to the admiral, informed me of it privately.

I thereupon expressed my surprise, as I had heard nothing about it, and I further gave my word that I would never permit one of the musicians who had deserted to take part in any performance at my theatre.

With this the captain was satisfied. It was rather hard lines to see the men on sh.o.r.e who had deserted the s.h.i.+p, and yet be unable to send a boat's crew to bring them back, after the many months of labour that had been spent in instructing them.

As the opera business kept on increasing, I determined to give an extra week in San Francisco, and to put up the privilege of purchasing seats to auction. Considerable doubt was felt, however, as to the probable result of this venture, and many declared that their purses and patience had been so thoroughly exhausted by the enormous drain of the past two weeks that I had but slender chance of continued patronage for so high-priced an entertainment.

I will, however, describe the sale. At twelve a.m. I opened the doors of the theatre, admission tickets being required to admit the purchasers, so as to keep out the rougher element, as well as the "scalpers." The auctioneer notified that the choice of every single seat in the house would be offered on sale. Upon the drop curtain were colossal diagrams of the different portions of the house, and as fast as each seat was sold it was erased by the auctioneer's a.s.sistant, who was in the orchestra with a fis.h.i.+ng rod and black paint, with which he crossed off from the diagram each seat as it was sold.

The bids made were for choice of seat and were in addition to the regular price of the tickets.

The arrangements were most satisfactory. I had no representative present to guard my interests, but left all to the auctioneer and the public.

The proscenium boxes reached 240 dollars premium for the five nights, on three of which I guaranteed that Gerster would sing, whilst Patti would sing on the other two.

Boxes were sold all round the house at an average of 120 dollars premium, each purchaser calling out from the auditorium the seat he would prefer, which was accordingly marked off, and a ticket handed to him by which he could obtain the seat selected on payment at the box office. Numbers of speculators somehow or another got mixed up with the public, and thus obtained sundry tickets. The premiums for the five nights reached 3,000.

Nothing but standing room and the gallery was left for the paying public. Notwithstanding this, the line I have already told the reader of still existed, and was as long as ever. This I could not account for, and on inquiry I found that numbers who had placed themselves in line never intended purchasing tickets, but waited there only for the purpose of selling their places. An order was thereupon issued by the police calling upon those nearest the office to produce their money to show that they were _bona-fide_ purchasers. Those who could not do so were immediately removed. This difficulty, however, was met by some enterprising Jews, who lent out money for the day, simply that it might be shown to the police.

Friday was selected for the benefit and farewell of Gerster in _L'Elisir d'Amore_. Patti had chosen for her benefit _La Traviata_; which, however, was changed at the request of some 500 people, who signed a pet.i.tion requesting me to subst.i.tute _Crispino_.

Whilst occupied one morning in my room on the fourth story at the Palace Hotel, counting with my treasurers several thousands of pounds, the atmosphere suddenly became dark. A sort of wind was blowing round the apartment, and my senses seemed to be leaving me. I could not make out what it was. The Hotel rocked three inches one way and then three inches another; the plates and knives and forks jumping off on to the floor, whilst my money was rolling in all parts of the room. I made a rush for the door, and then for the street, realizing now that there was an earthquake. Although it lasted but ten seconds the time appeared at least half an hour. On leaving the hotel I met the landlord.

"Don't be frightened," he said.

"Well, but I am."

"Nonsense! My hotel is earthquake-proof as well as fire-proof," he said, handing me a card, on which I found this inscribed: "_The Palace Hotel.

Fire-proof and earthquake-proof._"

He afterwards explained to me that everything employed in the construction of the building was either wood or iron, no plaster or stone being used. Indeed, although this hotel is six stories high, with open corridors looking into the main courtyard the length of the entire building, it is wound round the exterior with no less than four miles of malleable iron bands. The proprietor, Mr. Sharon, said it might move into another street, but could not fall down.

To such an extent had Patti's superst.i.tious feeling with regard to Gerster been developed that she at once ascribed the earthquake to Gerster's evil influence. It was not merely a malicious idea of hers, but a serious belief.

Meanwhile money was no consideration to those amateurs who had it.

Tickets were gold. They were seized with avidity apart from any question about price. Hundreds were content to wait throughout the night, with money in their hands, to ensure the possession of even standing room, whilst thousands who, in their impecuniosity, could not hope to cross the threshold of the musical Valhalla, where Patti and Gerster were the divinities presiding, thronged the side walks, and gazed longingly at the dumb walls of the theatre, and the crowd of idolaters pouring in to wors.h.i.+p.

At eight o'clock a.m. a second line of enthusiasts began to occupy the centre of the road leading to the Grand Opera, although the doors were not to be thrown open until six hours afterwards. A line was formed down Mission and Third Street, extending almost to Market Street. Ticket speculators pa.s.sed up and down the line, and did a brisk business, tickets in some instances reaching 20 apiece.

Captain Short again arrived with 60 extra policemen, but he was pushed out with all his men, the crowd quite overpowering them. The 17 nights'

performances produced 40,000. The receipts of the first Patti night did not fall far short of 5,000.

On the morning of our departure from San Francisco four young men were arrested, charged with the wholesale forgery of opera tickets. They had issued 60 bogus tickets for the opening night alone, and this caused all the confusion and wrangling. They were proved to have made a purchase of printer's ink, and to have bought one Patti ticket as a model, from which they had copied the remainder. They were duly convicted.

We left San Francisco late that evening, being accompanied by Mr. de Young, the proprietor of the leading newspaper, and his charming wife, and we arrived in due course at Salt Lake City on Tuesday evening, where Mdme. Patti dressed in her own railway car, which afterwards conveyed her to the concert. At the end of the concert she returned to the car, where a magnificent supper had been prepared for her, and the train then started for the East.

Meanwhile, the Mormons had been enthusiastic at the idea of their magnificent Tabernacle echoing with the tones of Adelina Patti.

President Taylor, the Prophet of the Mormon Church, a.s.sisted in the preparations made to receive the great songstress. A special line of railway had been laid down from the regular main line of Salt Lake City to the Tabernacle, and on it the special train ran without a hitch up to the very door of the building. Upwards of 14,000 people were present, the event being considered one of extraordinary importance throughout the whole of Utah territory; and the proceeds amounted to nearly 5,000.

We left Salt Lake city after the concert about 1 a.m., and reached Omaha on the following Friday, when Mdme. Gerster appeared as "Lucia di Lammermoor." The train consisted as usual of four baggage cars, four coaches for the princ.i.p.als, four coaches for the chorus and orchestra, four sleeping cars, including the extra boudoir cars, _La Traviata_, _La Sonnambula_, and _Semiramide_, also the _Lycoming_, my own private car, followed by the car of Adelina Patti. The inhabitants were struck by the elegant style and finish of our equipment, and as the train rolled into the station curious crowds came to look at it, and also to catch a glimpse of the two leading stars, Adelina Patti and Etelka Gerster.

Several artists who had to perform that evening left for the town. Mdme.