The Mapleson Memoirs, 1848-1888 Volume Ii Part 9

"Six dollars a head," said the waiter.

"Corpo di Bacco!" exclaimed one of the artists; "dat is too dear. Where is Coffee John, our friend, our friend?"

"He has gone to dress for the opera," replied the head waiter, "and I dare not disturb him."

As there were twelve diners the bill came to 72 dollars, so that Coffee John, who had paid 40 dollars for his box, occupied it for nothing that evening, and profited, moreover, largely by the transaction. The waiter told the astonished artists that his governor had paid 40 dollars to hear them sing without kicking, and that he expected liberal treatment in return; finally, he thought the best plan for them would be to pay their six dollars each and clear out; which they eventually had to do.

Mdlle. Nevada had taken cold at Cheyenne, and contracted what turned out to be a severe illness; and I lost her services for no less than four weeks afterwards.

The night before we reached Salt Lake City Mdme. Scalchi's parrot died, which caused the excellent contralto to go into hysterics and take to a bed of sickness. I had announced _Il Trovatore_, in which the now despondent vocalist was to have taken the part of the vindictive gipsy.

This I considered would amply compensate for the absence of Nevada. Only half an hour before starting for the theatre I was notified by Mdme.

Scalchi's husband that she would be unable to appear that evening. I insisted, however, upon her going at all events to the theatre, as I considered the death of a parrot not sufficient reason for disappointing a numerous public. I threatened at the same time to fine her very heavily if she refused.

About an hour afterwards the call-boy came down, up to his waist in snow, to the door of my car--some little distance from the station--stating that Mdme. Scalchi had again gone into hysterics, and was lamenting loudly the loss of her beloved bird.

On my arriving at the theatre with another "Azucena," taken suddenly from the cars (this one was lamenting only that she had not dined), I found that it wanted but five minutes to the commencement of the overture. There was Mdme. Scalchi dressed as "Azucena," and it was impossible even to obtain possession of her clothing, for she was almost in a fainting condition. At last, however, she divested herself of her gipsy garments; and she was replaced by my new "Azucena," Mdlle.

Steinbach.

After the opera was over we started for San Francisco.

On reaching Ogden early in the morning I received a telegram from San Francisco notifying Mdme. Patti's arrival there, but adding that she would not come out in _Semiramide_ in conjunction with Mdme. Scalchi, though that was the opera announced for my opening night. _La Diva_ wanted a night entirely to herself.

As every seat had been sold for the first performance, and places were at a high premium, I did not see how it was possible to make any alteration in the bill. I therefore declined. Towards the latter part of the following day, at Winnemucca, I got another telegram saying that Mdme. Patti would appear in _Il Barbiere_. This I declined, knowing that opera to be, in America at least, most unattractive. Nearly at every station did I receive telegrams, some of which I answered. At last I effected a kind of compromise by subst.i.tuting _Linda_. This change caused me a loss of some 600 or 800.

On the road I had received a telegram from my auctioneer, the famous Joe Eldridge, desiring to know if he should reserve any seats or offer the whole to the public. I replied that not a single seat was to be reserved; he was to sell all. He took me at my word, and the following day I received a telegram that not only had he sold the whole of the pit and dress circle and boxes, but also the whole of the gallery for every night of the season, and that the premiums on the tickets alone amounted to something like 15,000 for the two weeks' season; and, although over 3,000 tickets of admission for every night of the whole season had been sold, the demand, instead of abating, kept on increasing. In many cases as much as 150 dollars per seat premium had been paid. The sale altogether surpa.s.sed that of the previous year.

I was afterwards informed by an eye-witness of the indefatigable exertions Joe Eldridge had gone through on the day of the auction. On entering the orchestra he first of all gave a graphic description of each of the different prime donne who were to take part in the season's performances, explaining also the enormous value the tickets would reach as soon as the whole of the Company arrived. He then, feeling warm, took off his hat. After a few lots had been sold he removed his cravat, afterwards his coat, followed later by his waistcoat and his s.h.i.+rt-collar, which he threw off into the stalls. Then, as the business became more exciting, off went his braces. Afterwards he loosened his s.h.i.+rt, tucking up both sleeves; and he was in a state of semi-nudity before he got rid of the last lot.

On leaving the theatre after the sale this highly esteemed gentleman, I regret to say, was attacked by pneumonia, which carried him off in a few hours. His death was a sad shock to all, for he was a general favourite.

The _San Francisco Daily Report_ wrote on the subject:--

"Joe Eldridge arrived in San Francisco in 1849, and after visiting various parts of the State returned to San Francisco, in the house of Newhall and Co. About this time he lost his right leg in a very remarkable manner. He was in the habit of signalling each sale by a hearty slap of his hand on his right thigh at the word 'gone.' The constant concussion brought on a cancer, and the leg had to be amputated. This misfortune, which would have depressed most men, more or less, for the rest of their lives, had no effect on his energy or his high spirits. He was a most charitable man, and beloved by all who knew him, being one of the founders of Mill's Seminary, whilst he was a pillar of strength at Dr. Stone's first Congregational Church."

One word as to Joe Eldridge's method of doing business. No one could get such prices as he obtained; and these he often secured by pretending to have heard bids which had never been made.

"Nine dollars," an intending purchaser would say.

"Ten dollars," Joe would cry.

"I said nine," the bidder would explain.

"Eleven!" shouted Joe. "I know your income, and you ought to be ashamed of yourself. Twelve!" he would then exclaim, supported and encouraged by the laughter and applause of the public. "And if you say another word I'll make it thirteen."

A very different sort of man was the auctioneer by whom poor Eldridge was succeeded. He called me the spirited "impresio," and sang the praises of Mdme. Bauermeister, whose name he p.r.o.nounced "Boormister,"

and Mdme. Lablache, whom he described as the famous "Lab.i.+.c.he." Rinaldini was another of my singers whose name, sadly as he mutilated it, had evidently taken his fancy. Mdme. Bauermeister, Mdme. Lablache, and Signor Rinaldini are excellent artists. But it was a mistake to insist so much on their merits while pa.s.sing over altogether those of Mdme.

Patti, Mdlle. Nevada, and Mdme Scalchi.

In due course we arrived at San Francisco, where the usual crowd was awaiting us. During the latter part of the journey one of my _corps de ballet_ became seriously indisposed, and died the following Tuesday in St. Mary's Hospital. She was but sixteen years of age, and had been with me eight years, being one of my Katti Lanner school children. She had taken cold in the dressing-room at Cheyenne. During the journey, the train being twenty-three hours late, she received the attention of Dr.

Wixom, Mdme. Nevada's father, also of Dr. Palmer, Mdme. Nevada's present husband.

On the day of the funeral some magnificent offerings were placed on the coffin, consisting of pillows of violets with the initials of the deceased, anchors of pansies, lilies, violets, roses, etc., likewise a beautiful cross of violets and camellias. I attended the funeral personally, accompanied by my stage manager, Mr. Parry, and seven of the ballet girls, including a sister of the dead girl, who all carried flowers. The affair was strictly private, the experience of the previous year suggesting this on account of the crowd on the former occasion. The whole of the flowers were afterwards placed upon the grave; and a celebrated photographer, I. W. Tabor, produced some beautiful pictures which I sent to London to the family of the deceased, who received them before the news of her death.

At the conclusion of the funeral, which had been conducted by Mr.

Theodore Dierck, of 957, Mission Street, the spirited undertaker begged to be appointed funeral furnisher to the Company, he having had charge of the Lombardelli interment in the previous year, which, he said, "gave such satisfaction;" and I was not astonished, though a little startled, on my last visit to find over his shop this inscription:

"Funeral furnisher by appointment to Colonel Mapleson."

CHAPTER VIII.

PATTI AND SCALCHI--NEVADA'S DeBUT--A CHINESE SWING--A VISIT FROM ABOVE--RESCUED TREASURE--GREAT CHICAGO FESTIVAL--AMERICAN HOSPITALITY.

For our opening night at San Francisco, as already explained, the opera subst.i.tuted at Mdme. Patti's request for _Semiramide_ was _Linda di Chamouni_. Of course the house was crowded, and the brilliancy of the occupants of the auditorium baffled all description. An a.s.sembly was there of which the city might well feel proud. The costumes worn by the ladies were mostly white. The leaders of fas.h.i.+on were, of course, all present; Mrs. Mark Hopkins, of n.o.bs' Hill, conspicuously so, as she was attired in a costume of black velvet, with diamond ornaments, the value of which was estimated at 200,000 dollars. The best order prevailed. The majority entering the theatre on the opening of the doors were accommodated in their various seats without any crus.h.i.+ng. Patti was greeted with even more demonstrativeness than she had hitherto received. Mdme. Scalchi on entering must have felt proud that she was none the less welcome for appearing as "Pierotto" in lieu of "Arsace."

Notwithstanding all this there was a coolness about the house in consequence of Mdme. Patti's having insisted upon this change in the opera. Consequently numbers of tickets for the first night instead of being at a premium were sold at a discount. Mdme. Nevada was announced for the second evening, but, unfortunately, she had not yet recovered from her Cheyenne cold, which developed gradually almost to pneumonia.

She kept her bed in San Francisco for over three weeks, causing me the greatest annoyance as well as loss, since I was obliged to engage Mdme.

Patti to sing a great many extra nights beyond her contract, all of which, of course, I had to pay for. _Il Trovatore_ was consequently performed the second evening in lieu of _La Sonnambula_. The following night I brought out _La Favorita_ with Scalchi, De Anna, Giannini, and Cherubini, which was a great success; followed by _Lucrezia Borgia_, in which Fursch-Madi pleased the audience.

These changes and disappointments tended to mar the whole engagement.

The following night, however, the opera boom really commenced, the work being _Semiramide_, which fully justified the antic.i.p.ations that had been formed of it. The largest and most brilliant audience ever gathered in a theatre were there to hear Patti and Scalchi sing in two of the most difficult _roles_ in the whole range of opera.

Scalchi fairly divided the honours of the evening with Mdme. Patti; and in the duets they electrified the audience, who, not content with encoring each, insisted upon some half-dozen recalls. The stage was literally strewn with flowers; and the ladies of the audience vied with one another in the elegance of their toilettes. Not only were all the seats occupied, but even all the standing room, and the Press unanimously accorded me the next morning the credit of having presented the best operatic entertainment in that distant city the world of art could afford.

A similar audience greeted Patti and Scalchi at the performance of _Faust_ the following week, whilst on the next Sat.u.r.day Mdme. Patti appeared as "Annetta" in _Crispino e la Comare_, which is, without doubt, her best part.

About this time the auction took place for the second season of two weeks, which I determined to commence the following Monday. The particulars of this I have already given.

The proceeds were very handsome, but nothing like those of the previous sale. I decided, therefore, that all unsold tickets should be disposed of at the box-office of the theatre in order that the general public might have an opportunity of attending the opera prior to our departure.

During the following week, being the first of this extra season, Mdme.

Patti appeared in _Semiramide_, _La Traviata_, and _Martha_. At each performance there were nearly 3,000 persons a.s.sembled in the theatre. On the following Monday, it being our last week, I induced Mdlle. Nevada to make her first appearance, on which occasion the receipts reached the same amount as Mdme. Patti's. Mdlle. Nevada, perhaps because she is a Californian, drew probably the largest audience we had had.

On her entering the stage some 3,000 or 4,000 persons shouted and applauded a welcome as if they were all going mad. She was hardly prepared for her reception. She had looked forward for many years to appearing in her native city and singing a great _role_ before the people amongst whom she had spent her early life; and this was a momentous occasion for her. The enthusiasm of any other public would have spurred her on. But she was here so much affected that, although she sustained herself splendidly, yet after the curtain fell she was unable to speak.

At the conclusion of the opera she was recalled several times, and large set pieces of flowers, some six feet in height, were handed up, numbers of the leading florists having been busy putting them in shape all the fore part of the day. New dresses were ordered for that occasion, and an invitation to get a seat in a box was looked upon as a prize.

Long before half-past seven the vestibule of the theatre held a ma.s.s of fas.h.i.+onably-dressed ladies and gentlemen, all waiting to be shown to their places in order to be present on the rising of the curtain.

During all the first act the singer was critically and attentively listened to, scarcely with any interruptions; but when the curtain fell after the duet with "Elvino" the pent-up enthusiasm of the audience broke loose. Nevada was called out, and with shouts, cries, and every manner of wild demonstration. Flowers were carried down the aisles, thrown from the boxes and dress-circle, until the stage looked like the much-quoted Vallambrosa. Again and again the prima donna was called out, until she was fairly exhausted. Amongst the set pieces handed up to the stage was a large floral chair built of roses, violets, and carnations on a wicker frame, and Nevada, as the most natural thing to do, sat plumply down in it, whereat the house fairly howled with delight. On the back of the chair were the words, "Welcome home!"

The following night _Aida_ was performed with the great cast of Patti, Scalchi, De Anna, and Nicolini, when the largest receipt during the whole engagement was taken. To describe that evening would be impossible; it would exhaust all the vocabulary. The gratings along the alley-way were wrenched off by the crowd, who slid down on their stomachs into the cellars of the theatre to get a hearing of Patti and Scalchi.

On this day we discovered the "Chinese swing," of which so much was said in the papers, and which had, doubtless, been in operation throughout the season. In the alley-way leading to the theatre is a lodging-house facing a sort of opening into the building used for ventilation. An ingenious fellow had rigged up a swing, and so adjusted it that he could toss people from his house on to the roof of the theatre to the ventilation hole. Once there, the intruder pa.s.sed downstairs through the building, got a pa.s.s-out check on leaving it, which he immediately sold for two dollars, and then repeated the swing act again. We arrested one man who had performed the trick four times. The police had to cut the ropes and take the swing away.